Rwanda Gospel Music Mp3 Download [HOT]

Rwanda Gospel is a Rwandan gospel music/ Christian Entertainment website aimed at broadcasting and promoting gospel music and Christian entertainment and values. Rwanda Gospel is a subsidiary of Moriah Entertainment Group. You can reach us via email or phone.

Rwandan Gospel is a genre of Christian music that originated in Rwanda. It is a blend of traditional African music and contemporary gospel music, and is characterized by its upbeat rhythms and uplifting lyrics. The lyrics are often in Kinyarwanda, the national language of Rwanda, and focus on themes of faith, hope, and love. Rwandan Gospel is popular in churches and is often used to spread the message of Christianity throughout the country.

Rwanda Gospel Music Mp3 Download

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The music of Rwanda encompasses Rwandan traditions of folk music as well as contemporary East African Afrobeat and Congolese ndombolo, and performers of a wide variety of Western genres including hip-hop, R&B, gospel music and pop ballads.

Traditional music and dance are taught in "amatorero" dance groups, which are found across the country. The most famous of these is the Ballet National Urukerereza, which was created in the early 1970s to represent Rwanda in international events. Also famous were the Amasimbi n'amakombe and Irindiro dance troupes.

The ikinimba is perhaps the most revered musical tradition in Rwanda. It is a dance that tells the stories of Rwandan heroes and kings, accompanied by instruments like ngoma, ikembe, iningiri, umuduri and inanga. The inanga, a lyre-like string instrument, has been played many of Rwanda's best-known performers, including Rujindiri, Sebatunzi, Rwishyura, Simparingoma, Sentor, Kirusu, Sophie and Viateur Kabarira, and Simon Bikindi.

Jean-Paul Samputu, along with his group Ingeli, won two Kora awards (African Grammy awards) for "Most Inspiring Artist" and "Best Traditional Artist" in 2003 for their performance of neo-traditional Rwandan music. The group tours the world spreading the Christian message of peace and reconciliation, and helps raise money for the many orphans of Rwanda. In 2007 Samputu brought twelve of these orphans, known as Mizero Children of Rwanda, to tour the U.S. and Canada. Cyprien Kagorora was nominated for a 2005 Kora Award in the category of "Best Traditional Artist". He is among the most recognizable male vocalists in Rwanda.

Socio-military unrest and violence led many Rwandans to move overseas in the late 20th century, bringing their country's music to cities like Brussels and Paris. For many years, Rwandan-Belgian Ccile Kayirebwa was arguably the most internationally famous Rwandan musician. She is still played regularly on Rwandan radio stations.[1] The late 1990s saw the arrival of Rwandan-Canadian Corneille and Jean-Paul Samputu.

The Rwandan genocide temporarily disrupted music production within Rwanda. In recent years music has gradually returned to the country, led by Rwandan youth. A crop of new stars has emerged, including such names as Kamichi, Aim Murefu, Mani Martin, Tom Close, Urban Boyz, Miss Jojo, King James, Knowless, Dream Boys, Kitoko, Riderman, and Miss Shanel.

The music industry in Rwanda is gradually growing and becoming more professionalized. An increasing number of companies are investing in the development of new talent, including the production of major music festivals like Kigali Up! and Primus Guma Guma Super Star, and the music competition television show .artists like Meddy, are now taking Rwandan music to the next level

Rwandan gospel music has had a chequered history. The genre has its origins and link with the missionaries who came in the country in the late 1880s and taught music to their subjects. This overview explores how the genre has grown over the years in Rwanda.

Gospel music as we know it today was an unknown entity until the mid-1990s. It should be noted that the live and recorded music people enjoy today is a relatively recent development, and it has also had a positive influence on the progress of gospel music since many people now have access to many varieties of the genre. Prior to the insidious 1994 genocide against the Tutsi, gospel music was mostly heard in popular churches and was performed mainly by church choirs during Mass. There were limited gospel shows or media coverage.

Back in the 1990s, Radio Rwanda and TV Rwanda, the country's only two electronic media outlets at the time, preferred the more popular traditional Rwandan music by artists like Cecile Kayirebwa[i], Jean-Paul Samputu and Abdul Makanyaga. It was not until after 2004, when private radio stations such as Contact FM[ii], Flash FM[iii], City Radio, Radio 10[iv] and Radio Maria hit the airwaves, that gospel music began to get airplay. Flash FM gave gospel music an even bigger boost when in 2004 it pioneered the first gospel radio programme, called Kunda Igihugu Kandi Ugisenjere (Love Your Country and Pray For It). Even though it was a talk show featuring pastors, it paved the way for Rwandan gospel music to prosper.

In present-day Rwanda, a ride in one of the taxis that traverse Kigali will expose you to music by church-affiliated choirs. Several taxi drivers carry Rwandan gospel music on their flash disks, which the play as they ferry passengers from place to place.

Mico reasons that Rwanda's gospel music of the past was of poor quality because back then artists would enter a studio, record the music in a single session and walk out with the album. But now, Mico says, gospel music fans have come to appreciate good quality and can recognize it when they hear it. In the past, people would like an artist because he or she would be the only one they knew. But nowadays it doesn't matter whether you are an established act or a budding artist; people just expect an artist to put forth quality music," says Mico.

It's worth mentioning that with the progress of the other genres, choir music could only get better and more diverse. A number of choirs have earned recognition, like the Maranatha Family Choir[v], which celebrated its 30th anniversary in 2014 with a remarkable concert.

Columbus Uwayo is another popular gospel artist and a regular at local gospel events. Inspired by reggae, he notes that his combination of these two genres may seem odd but has earned him many fans who like his sound.

Even though the Rwandan gospel industry has achieved remarkable strides (such as award initiatives like the Groove Awards[vi]), those who are into gospel music still find it challenging to earn a decent living and are therefore often forced into other income generating businesses. Only a few - such as Gabby Kamanzi, Patient Habimana and Serge Iyamuremye - have been able to make singing a full-time occupation.

However, unlike in the past, when it was unthinkable for a gospel artist to charge entrance fees to his or her concert, nowadays it's common for a gospel artist to organize a concert that fills venues and charge entrance fee of an upwards of Rwf5000 (about US$7). This is due in part to emerging gospel music promoters such as Moriah Entertainment Group[vii].

Compared to other parts of the continent, Rwanda still lags behind as far as its gospel music industry is concerned, but hopefully events like the Groove Awards will help ensure its continued growth. According to Uwimana, such platforms can and should be used to uplift the next generation of upcoming Rwandan gospel musicians.

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When she left South Africa earlier this year to market her music in East Africa, she ran into several big names on the Kampala music scene, through her brother, a producer, who lined her up for collaborations with renowned gospel and mainstream artistes.

Friends of Albert Nabonibo, a well-known gospel singer in Rwanda who recently came out as a gay man, do not want their names revealed. It is too shameful, one says. Another says he is anguished because his family knows he often used to socialize with Nabonibo.

Her current book project, Kumva Meze Neza: Sounding Blackness in Rwanda, examines how popular Rwandan music worked in the aftermath of genocide to produce a collective social body. Drawing on five years of participant observation among Rwandan music industry professionals and their audiences, her work demonstrates how shared investments in the sensory experience of Blackness produce formations of togetherness that defy traditional organizing categories.

A broader theme of your work is that how people think about and listen to and participate in popular music has a lot to do with their national identity. Can you tell us about how music has become central for Rwandan national identity (or lack thereof)?

Melwood Church of the Nazarene will have an event featuring music, readings, video excerpts of King's speeches and a musical presentation from the gospel group JACE at 10 a.m. today. Melwood Community Food Bank will accept donations of nonperishable food. The church is at 6906 Woodyard Rd., Upper Marlboro. 301-599-6700 or

Former NASA astronaut Bernard A. Harris Jr., the first African American to walk in space, will participate in Montgomery County's annual King celebration. The free event, which includes gospel music and awards, begins at 4 p.m. today at the Music Center at Strathmore, 5301 Tuckerman Lane, North Bethesda. Winners of a literary arts contest for Gaithersburg area students will be announced, and the students will read their essays. 240-777-2500 or

Journalist Paul Berry will be the keynote speaker at Rockville's observance, starting at noon today at Rockville High School, 2100 Baltimore Rd. Berry will read King's "Letter From Birmingham Jail." Area music and dance groups will perform, and winners of the city's Martin Luther King Jr. Youth Award and the F. Michael Taff Award will be presented. 240-314-8316. 17dc91bb1f