Equestrian Statue of Philip IV, Pietro Tacca, 1640
The Equestrian Statue of Philip IV, 1640, by Pietro Tacca, displays the Spanish King on top of a horse holding a baton . In the bronze statue located in Madrid, Philip IV is wearing military armor and appears in a triumphant position, with his horse in an upward stance. By portraying Philip IV in this format, Tacca is displaying the Spanish King more like a high military general rather than just a stately king who lives in a palace, supporting the narrative that the Spanish King is a soldier in his own right and a source of military power.
The Equestrian Statue of Philip IV holds many similarities to equestrian statues of the past, like the Equestrian Statue of Marcus Aurelius, 175 AD. In this bronze statue of Marcus Aurelius, the Roman Emperor, Marcus is on top of a horse with his right arm outstretched. Similar to the equestrian statue of Philip IV, this statue of Marcus Aurelius depicts him in a position of power, with Marcus about to address troops and sitting in a position of grandeur on top of a horse. One difference between the two statues is that in the statue of Marcus Aurelius, he is unarmed, which may reflect more on his principles as someone to protect peace rather than a leader intent on military victory. By including arms on the Equestrian Statue of Philip IV, the Spanish Royal Family was emphasizing how the Spanish King was a military leader that carried power throughout the Spanish Empire.
Equestrian Statue of Marcus Aurelius, 175 AD
Today, Equestrian Statues can be found throughout the world, commemorating royalty, political and social leaders, and ordinary people as well. Rumors of War, an equestrian statue by Kehinde Wiley, depicts an African-American riding on top of a horse. The sculpture was made in response to the numerous equestrian statues of Confederate generals throughout the United States, and bears many similarties to the equestrian statues of Philip IV and Marcus Aurelius although Rumors of War is not directly inspired by them. Through using classical equestrian sculpture to elevate groups of people often associated with a lower status, Wiley is able to use equestrian statues to elevate the stature of African-Americans in art and their portrayal in society.
Rumors of War, Kehinde Wiley, 2019
Sources:
File:Madrid May 2014-33.Jpg - Wikimedia Commons. https://commons.wikimedia.org/wiki/File:Madrid_May_2014-33.jpg.
Harris, Ann Sutherland. “Spain.” Seventeenth-Century Art and Architecture, Prentice Hall, Upper Saddle River, NJ, 2005, p. 198.
Stewart, Peter, and Marcel van Ackeren. “The Equestrian Statue of Marcus Aurelius.” A Companion to Marcus Aurelius, Wiley-Blackwell, Malden, 2012, p. 267.
File:Marcus Aurelius Auf Dem Pferd.jpg - Wikimedia Commons. https://commons.wikimedia.org/wiki/File:Marcus_Aurelius_auf_dem_Pferd.jpg.
“Rumors of War.” Wikipedia, Wikimedia Foundation, 11 Apr. 2022, https://en.wikipedia.org/wiki/Rumors_of_War.