Rooftop Party Video Song Download __HOT_

So I'ive been playing this game for a few hours and i stumbled across a rooftop party on the bottom left side of Greenwich (which i presume only happens at night?) playing a song that is SUPER catchy! the only problem is i can find it on shazam or on google... can any of you help me find this song??

Created in 2013 as a monthly live art/music party in downtown Oakland, SMARTBOMB has been holding essential spaces, and providing resources for artists to be seen, heard, and supported by a nurturing community of like-minded beings, becoming a cultural hub for the ever-burgeoning art/music/culture scene in the Bay Area. In 2017, SMARTBOMB was inducted into the YBCA 100 by Yerba Buena Center of the Arts, celebrating one hundred figures, collectives, and entities pushing culture forward into the future.

Rooftop Party Video Song Download

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Mackenzie Scott released her first album under the moniker Torres when she was still in college. Her personal lyrics and raw vocals continue to earn her critical acclaim. She's just released her third album of emotional electronica, called "Three Futures." She mixes up a playlist with songs by Gal Costa, Portishead, and more to give you some slinky and "kinda kinky" songs for your next party.

If it's summertime in Memphis, The Peabody invites you to start your weekend with the best rooftop party in the city. Every April through August, the weekend kicks off on Thursday nights with hot bands, cool drinks, and sky-high views of the sun setting over the Mississippi River.

Two hundred people got the chance to enjoy a private party with delicious food, refreshing drinks and the live performance of Zac Quintana & The Sages while wait for one of the greatest fireworks shows in all the Northern Virginia area.

ANAMARIA SAYRE, BYLINE: Hey there. We wanted to give you a heads-up that for this episode, due to legal issues, we can only play 30 seconds of each song this week. We apologize for the sonic inconvenience.

CASANOVA-BURGESS: So we're talking about live music. The first concert that I went to during the pandemic was Sofia Rei. She's an Argentine musician and composer who has a new album out called "Umbral." And, you know, I hesitated a little to bring this song because Sofia's a very dear friend of mine. But also, I've never played a song of hers on ALT.LATINO. And this album legitimately is beautiful. The song - I have it stuck in my head, the song "Escarabajo Digital," at least once a week. And seeing her live - first of all, it was the first live concert I went to after the pandemic hit. And it was just, like, this joyousness. I could also just tell that she has been, like, preparing this album, like, laboriously. Talking about, like, artists who mix digital, electronic and folk, like, really seamlessly - like, that's her. And this is such a beautiful album. It's such a beautiful song. This is Sofia Rei, "Escarabajo Digital."

BAYETTI FLORES: Yeah. Well, I think dembow is really, really having a moment. And it's been having its moment. Dominican dembow is not new. And I mean Dominican dembow, like, the genre. Dembow is also, like, the rhythm that's most prominently featured in reggaeton. Pero Dominican dembow, I think, has been having a really big moment lately in the last few years. It's not particularly new, but it's a very fast-paced and very dance-oriented genre that comes from, you know, la calle, la calle de la Repblica Dominicana. The last couple of summers have been, like, summers of, like, dembow. And specifically, El Alfa has had some bangers that have been, really, songs of the summer for me.

BAYETTI FLORES: The fellatios of all the fellatios - I'm not going to say it's the best song that has ever been about oral sex. I think Khia deserves that honor. But it's a budding classic in the genre, I would say (laughter).

BAYETTI FLORES: So another track that I'm bringing is by - it just came out recently, but I've been obsessed with it just the last couple of days. It's a couple of artists and producers that I'm really, really into. So Diego Raposo is one of the producers on this - also produced by Sango and v1fro, who is a Venezuelan producer that I've been following for a minute. But I really love his work, and I think he, along with Mediopicky, who's on this song, are part of this movida in DR of people that I feel, like, are just taking risks and refuse to be boxed into any sort of genre and are just, you know, like - you're doing dembow one day - cool. Like, you're doing, like, really lounge-y production that feels like the bottom of a swimming pool - like, cool. Like, you're doing, you know, hard metal with dembow beats - like, cool. Like, we're doing it all. And it also is just, like, so - to me, it's, like, very carefree and very risky in a way that is - feels very free. And I feel like I'm seeing that a lot out of artists in DR. These are all either Dominican or Dominican American artists. I just really, really love it. And this song is called "Work That Ish" (ph). Let's take a listen.

GARSD: OK, so speaking of taking risks and mixing metal with reggaeton, I brought a song that surely I will get a lot of mean comments about. And that's OK. I want to tell a little story before I introduce this song, which is that many years ago, Felix and I, we went to Colombia to do a documentary on all types of music in Colombia. And there was this one guy who - he really wanted to be on the show, and he performed for us. He was, like, a rapper and - an aspiring rapper. And, you know, Felix and I were like, you know, like, this was OK, maybe not for us. Like, keep working on your craft. Many years later, Felix ran into J Balvin...

GARSD: I got to say, I'm actually not a big J Balvin fan myself, but this song, this mashup he did with Metallica, "Wherever I May Roam" - like, so I love metal. I'm a metalhead. And I think this is, like, a really - an example of really good production where you can mix metal and reggaeton, and it can sound amazing. And I know a lot of people from both worlds, from the reggaeton world and from the metal world, are, like, up in arms about this song. So here's me starting a fire. Here is J Balvin with Metallica, "Wherever I May Roam."

BAYETTI FLORES: So I'm really excited about this song because it's an artist that I'm very excited to bring. And I remember just a little bit over a month ago where the pandemic felt, like, a little bit more hopeful than it does currently, I was in Puerto Rico. I was at a queer night in Ro Piedras at this beautiful place. And they were playing this song, and it had come out only a few days earlier, but everybody was already singing the lyrics because it just, like, speaks to queer folks in a way that happens so little sometimes. This is a song by nonbinary Caribbean pop star, self-proclaimed. Their name is Ana Macho, and it's called "Cuerpa." "Cuerpa" is a cute, queer reggaeton about bodily autonomy. Ana Macho is just talking about, "Esta es mi cuerpa. Hago lo que quiera." Like, it's none of your business what I do with my body. I love this song because first of all, there's been a really beautiful feminist movement on la isla that has been, like, blossoming and really pushing boundaries and moving stuff along on la isla And I also love seeing, like, perreo as a political tool, which isn't necessarily new, right? Like, ever since its inception, perreo and reggeaton has been, like, a disruption of the status quo, like...

GARSD: I also, like, I have a fascination with some words in the Spanish language that don't have a feminine or don't have a masculine. So, like, the first word that I got really obsessed with is monstruo, right? Because according to La Real Academia de la Lengua Espaola, you know, like, officially, the word monster has no feminine, officially. It's monstruo, and I thought the appropriation of the word monstrua, like a she-monster, to denote a woman who is, like, a badass - I thought that was just so interesting, you know? Like, it's just so fascinating to take a word and turn it into something else that is unofficial. And so monstrua is one of them. And with this song that you're bringing - so cuerpo means body, right? And cuerpo is an exclusively - a masculine word - el cuerpo. Like, in the Spanish - official Spanish language, there's no feminine to the word body. And so when they added the A, cuerpa, they're, like, switching it up. And I just - I can really nerd out on that stuff. I think it's so beautiful.

CASANOVA-BURGESS: It's so nuts. And I'm so glad you brought this song because it also, like, came up in my - you know, on my horizon. And I thought, like, immediately, that word cuerpa - you're right. Like, it caught my eye. And it's starting to be used a lot, you know, in speech. And then I saw like, oh, my God. There's a song, cuerpa and I love it. And it's also just such a great - yeah, just a joyous song. And you're right, like, perreo is, you know, so often slammed as being overtly sexual. But you can perreo in all kinds of contexts. Like, it's just - the thing that also that we all want to do is just, like, touch and be touched by someone else, even if it's not actually going to do anything (laughter).

BAYETTI FLORES: Yeah. The song is so joyous, and the video, too, is, like - oh, it's stunning. It's beautiful. And to see all these, like, queer and trans and non-binary and gender non-conforming people in their bodies, how they are, just being so happy to be who they are and it's - you can feel it. And, yeah, there's something really joyous and vibey about the song.

GARSD: It was built in 1963, and it was the world's largest single-aperture telescope for 53 years, and I was just dying to see it. It has closed since. I just passed right by it, and I guess that's probably as close as I'm ever going to see it. And I was playing Ismael Rivera on a loop, and I was playing one of my favorite songs by him, which is "Satlite." Which - I love that song. It's - "Satlite" is - like, it's a - it came out around the same years as Bowie's whole, you know, Ground Control to Major Tom, and it expresses, like, the same feelings of, like, alienation. It's about, you know, someone who, you know, is in space - lost in space - and is calling, you know, to Ground Control. And it's like, no responden, they don't respond. They don't respond. And I was also listening a lot to La Brega, to Alana's podcast. 17dc91bb1f