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In this Dec. 11, 2018, photo, Ron Nixon, poses for a photo in Washington. Nixon, an acclaimed reporter, editor and data journalist, will join The Associated Press as its international investigations editor, based in Washington. (Photo/Pablo Martinez Monsivais)

Prior to joining the AP, Nixon was homeland security correspondent for the New York Times, based in Washington, where he covered border and aviation security, immigration, cybercrime and violent extremism.

Nixon previously worked as data editor at the Minneapolis Star-Tribune, as training director at Investigative Reporters and Editors, and as an environment and investigative reporter at The Roanoke Times in Virginia.

He is also a professorial lecturer and Executive in Residence in the School of Public Affairs at American University, where he has also taught in the School of Communication. In 2016, he was honored with the University Faculty Award for Outstanding Teaching in an Adjunct Appointment. He has also taught at George Mason and Georgetown.

He was previously the political editor for USA Today and for Congressional Quarterly. He has been published by the Brookings Institution and the American Political Science Association. He has contributed chapters on Obama and the media and on the media role in Congress to the academic studies Obama in Office 2011, and Rivals for Power, 2013. Ron's earlier book, Conflict and Compromise: How Congress Makes the Law, was published by Simon & Schuster and is also a Touchstone paperback.

During his tenure as manager of NPR's Washington desk from 1999 to 2014, the desk's reporters were awarded every major recognition available in radio journalism, including the Dirksen Award for Congressional Reporting and the Edward R. Murrow Award from the Corporation for Public Broadcasting. In 2008, the American Political Science Association awarded NPR the Carey McWilliams Award "in recognition of a major contribution to the understanding of political science."

Ron came to Washington in 1984 as a Congressional Fellow with the American Political Science Association and worked for two years as a staff member in the House and Senate. Previously, he had been state capital bureau chief for The Milwaukee Journal.

President Biden gestures after speaking about student loan debt relief at Madison Area Technical College in Madison, Wisc., on Monday. Andrew Caballero-Reynolds/AFP via Getty ImagesĀ  hide caption

Independent Presidential Candidate Robert F. Kennedy Jr. announced attorney, tech entrepreneur and philanthropist Nicole Shanahan to the Kennedy campaign as his vice presidential running mate during an event in Oakland, Calif., on March 26. Anadolu via Getty ImagesĀ  hide caption

Rep. Marjorie Taylor Green, R-Ga., speaks during a news conference about impeaching Department of Homeland Security Secretary Alejandro Mayorkas last winter. Anna Rose Layden/Bloomberg via Getty ImagesĀ  hide caption

Preferring a real world education, Ron left NYU and headed to Los Angeles where he joined the staff of Harmony Pictures. While directing some smaller projects for Harmony, Ron realized that it was the process of editing that inspired and fueled the flames of his creativity. He soon left Harmony and joined the editorial staff of Ace and Edie where, under the tutelage of editors Jim Edwards, Mike Miller and Jeff Wishengrad, his real education began.When Miller and Wishengrad formed their own company, Ron followed and became a full-fledged editor cutting spots for Toyota, Pontiac and LA Gear.

Once again opportunity knocked and Ron joined Optimus in Chicago. There he won several awards for his editorial work for clients like Anheuser Busch while building snowmen with his wife Fran and their newborn son Jordan.

After a few years, Good Pictures in San Francisco called Ron back to the west coast. Somehow, between cutting spots for ILM, Coca-Cola and Bank of America, his daughter Hallie was born. Ron spent the little free time he had left mountain biking and preparing for earthquakes. A chance meeting with Larry Bridges of Red Car lead Ron to join the newly formed Red Car Dallas office.

Ron and family desired to move back to the west coast and Ron reconnected with his friend and mentor Jim Edwards, cutting a successful campaign of spots Jim directed for Comcast. This renewed association lead to Ron and Jim reforming the respected editorial company Ace & Edie.

How did you get started in editing?

I took a job as a runner for no money at Ace & Edie in LA and worked my way up the ranks to apprentice, then assistant, then ghost editor and finally a full-fledged paid editor. When I started we were still cutting 35mm film on a KEM and there was a much more formal path to working your way up. Some of the skills you learned along the way are no longer taught in this digital age and that is a shame

Can you work without a script, finding the story and building it on your own?

Yes, I think that is one of my strengths as an editor. I can take endless, seemingly disconnected interviews and build a compelling, emotional story

Which plug-in(s) do you find most useful? Why?

In my opinion plugins are a crutch that can be over used to solve problems with an edit. That said, there are many great plugins out there that can enhance an edit. I love Magic Bullets Colorista II. I prefer to use it over any of the built-in color correctors in all the NLEs. For me the place plugins really come into use is in After Effects, not really in the edit itself

How does the director-editor relationship work for you?

If you have a strong relationship with a director who works all the time, you work all the time. Its rare, especially cutting commercials that you actually even get to meet with the director. Ad Agencies, in my opinion do themselves a disservice by not allowing the director to communicate his intentions to the editor or at least give the director a shot at a 1st cut. Every spot I have ever cut, where I have gone on set and seen what is happening has made the edit so much smoother. Also in a good editor/director relationship, the director knows to let the editor do his or her thing and not sit on top of them second guessing every decision.

Glad I didn't have the long '80s hair. I wanted to be part of a university that had such a vibrant life, and UMass was really my first choice. My name's Ron Agrella. I'm the editor of boston.com, and I graduated from UMass in 1991. I've wanted a career in journalism ever since I was a young child. Some of my earliest memories include Richard Nixon getting on the helicopter as he left the White House and the assassination attempt on Ronald Reagan. I saw journalism as an essential, vital role in American society. So this is Mayor Walsh. How are you? Ron Agrella. I'm editor of boston.com. Oh, beautiful. Yeah. Nice to meet you. Nice to see you. You walking around today, making sure everyone's working? I'm trying. I'm trying. That's good. Well, welcome. Welcome. Thank you. It's good to be here. Well, that was unexpected. When I graduated, there was really no such thing as the Internet. I left UMass and became a print reporter. You would hit your deadline, and something was bound to happen 10 minutes later, and you had to wait 24 hours. Boston.com's now home page gets tens of millions of page views every single month. This crew right here is responsible for taking in all of the news stories that come across the desk at any given moment. The site is kept fresh and updated around the clock. This is a true 24-7-365 operation. Never before in history have we had the ability to tell stories in the way we do. Boston.com is very active on social media, and all of our staff tweet regularly. Let me give you an example. Gone are the days where you would simply write a story, publish it in a newspaper, and that would be it. Today, we're streaming multimedia. We are interacting with our readers. We're getting tips and sharing news on social media. And it's our goal to give them the latest news and something different every time that they arrive. The foundation that I got at UMass helped propel me into the new age of the Internet and allowed me to really use these skills effectively and create some very innovative content. I'm Ron Agrella. I stand for online journalism, and I stand for UMass. 152ee80cbc

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