"Along Came Jones" is a comedic song written by Jerry Leiber and Mike Stoller and originally recorded by the Coasters,[1] in 1959 peaking at number 9 in the Billboard Hot 100 but recorded by many other groups and individuals in the years that followed.
The Coasters are an American rhythm and blues/rock and roll vocal group who had a string of hits in the late 1950s. With hits including "Searchin'", "Young Blood", "Poison Ivy", and "Yakety Yak", their most memorable songs were written by the songwriting and producing team of Leiber and Stoller.[2] Although the Coasters originated outside of mainstream doo-wop, their records were so frequently imitated that they became an important part of the doo-wop legacy through the 1960s. In 1987, they were the first group inducted into the Rock and Roll Hall of Fame.[3]
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The Coasters' association with Leiber and Stoller was an immediate success.[4] Together they created a string of good-humored "storytelling" hits that are some of the most entertaining from the original era of rock and roll.[2] According to Leiber and Stoller, getting the humor to come through on the records often required more recording "takes" than for a typical musical number.[2]
Their first single, "Down in Mexico", was an R&B hit in 1956.[4] The following year, the Coasters crossed over to the pop chart in a big way with the double-sided "Young Blood"/"Searchin'".[4] "Searchin'" was the group's first U.S. Top 10 hit,[4] and topped the R&B chart for 13 weeks, becoming the biggest R&B single of 1957 (all were recorded in Los Angeles).
"Yakety Yak" (recorded in New York), featuring King Curtis on tenor saxophone, included the famous lineup of Gardner, Guy, Jones, and Gunter, and became the act's only national number one single, topping both the pop and R&B charts.[4] The next single, "Charlie Brown", reached number two on both charts.[4] It was followed by "Along Came Jones", "Poison Ivy" (number 1 for almost two months on the R&B chart), and "Little Egypt (Ying-Yang)".[4]
The Coasters recorded many songs that were released as two-song record singles and several appeared in the charts, including Billboard's Hot 100 and Hot R&B singles charts[8][9] and the UK Singles Chart.[10]
Todd Barton Jones (born April 24, 1968 in in Marietta, Georgia) is a former 16-year relief pitcher in Major League Baseball, most notably for the Detroit Tigers from 1997 to 2001 and from 2006 until his retirement at the end of the 2008 season. An effective middle-reliever, Jones had an up-and-down history as a closer. Nevertheless, he compiled 319 career saves to place him at 14th on baseball's all-time list. His 285 saves for the Tigers are a team record.
Jones career stats include a 58-63 win-loss record and a 3.97 ERA. He appeared in 982 games, but only made one start. He allowed exactly one hit per inning over 1,072 innings pitched. 93 of those were home runs. He also delivered 442 walks and 868 strikeouts.
Rollercoaster Records is an independent record label based in Stroud, Gloucestershire, England. It specialises in reissues of archival material ranging from 1950s rock and roll to country, folk, skiffle, jazz and blues tracks from the 1960s onwards.
In 09-10, Jones' senior season, Duncanville largely fell apart. The Panthers finished the season with only a 21-13 record, and lost their regional Round of 16 game. Jones, however, had a stellar season individually. Perry earned all district, all region, and all state team honors. Hidden beneath Jones' success was the fact that Jones was homeless during a good portion of this season, living in cheap hotel rooms by the week. Jones sometimes had to sleep on the floor, and other times battled hunger. The Duncanville team and coaches had no idea about Jones' difficulties. Through it all, PJ3' managed to earn a nomination to the 2010 McDonald's All-American game. You can see Perry's senior season highlights above.
Appropriately, Jones came into training camp with a lot of fire. In fact, Perry finished the Pre-Season with 9.8 PPG, good for fifth highest on the team. Jones also managed to shoot 57% from the floor and 33% from three. Even Jones' assist to turnover ratio was up, to 2. Heck, Jones' stock was so high as this point that James Harden actually went on record saying that Jones was the most athletic player on the team. Over himself, KD, Russ, and Serge. Yep.
Unsurprisingly, Sam Presti made a move in early January that would send Jones back out of the rotation again. Lance Thomas was sent to New York, a draft pick was sent to Cleveland, and the Thunder managed to get Dion Waiters. Waiters had a bit more of a track record of success in the NBA than Jones did, and was a much better scorer off the dribble. As such, it only took one game of Dion's presence to kick Jones out of the rotation entirely.
And at the same time, they were also attached to Atlantic, where they were recording almost exclusively with the black performers that they admired, such as Ruth Brown, LaVern Baker, and the Drifters.
The woman, whom ESPN is not identifying, told police that Jones was aggressive with her, but not violent, per the report. He grabbed the back of her hair to prevent her from leaving the hotel room. Police observed the woman with a swollen lower lip and a red mark on her upper right cheek. The woman did not allow photos to be taken, nor did she agree to a voluntary statement or recording of the interview.
The Beast will beat its own record by two feet, from 7,359 ft. to 7,361 ft. due to offseason retracking and reprofiling work, that also includes a steeper first drop, Kings Island said in a press release.
Dan Snaith works as both Daphni and Caribou. Daphni seems to be a project about using samples (mostly from African records, on the transcendent Jialong) to make songs that work within the dance context. Caribou offers Snaith a way of making melodic pop that works after you\u2019ve left the dance context and are walking around, wondering what\u2019s up. Also, Dan sings on Caribou records.
"Atlantic executivescelebrated their tenth anniversary (1957) in grand style, as the Coasters brought thelabel its biggest hit to date... (The Coasters were awarded a double-golden record for"Searchin" / "Young Blood" on the Steve Allen TV show in August; ed.mark)."
Big Al Pavlow, 1983 ("The R&B Book - A Disc History of Rhythm &Blues").
Norah Jones' new album, Day Breaks, is being hailed as a "kindred spirit" to the singer's breakout debut, Come Away with Me. We bring you live session with the nine-time Grammy winner, recorded at Apogee Studio, hosted by KCRW's Anne Litt.
This projected deficit would be a record for California. But officials noted that it is partly because the budget has grown so much in recent years -- the most recent was more than $300 billion -- and that the state has closed similar or worse spending gaps, by percentage, in the past.
It already accounted for a $30 billion deficit, after two years of record surpluses driven by economic recovery and federal aid related to the coronavirus pandemic. But those collections were ultimately another $26 billion below estimates -- a drop of 25% from the prior year -- digging a financial hole based on money the state committed in its spending plan.
Unlike, say, the late Etta James, who had her own demons but managed to keep it together on an artistic level, Houston was not even a particularly good steward of her own vocal gifts. Still, given the public's eternal appetite for a second act, fans hailed every Whitney Houston record as a comeback, until the comebacks ended for good this weekend at the age of 48.
When recording under her own name, Jones has stretched in measured ways, writing more of her own songs and adding new band members but has largely stayed true to the easy-on-the-ears vibe that won her all those Grammys. And her record sales--23 million copies worldwide after Come Away--have supported the wisdom of the decision to protect her brand and give the record companies what they want.
Elsewhere, over in the UK, Atlantic Records UK and Alternative Distribution Alliance (ADA), both owned by Warner Music Group, recently inked a partnership deal with Candela Records, a newly-established UK-Latin based record label.Music Business Worldwide 2351a5e196
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