Rollerball is a 1975 dystopian science fiction sports film directed and produced by Norman Jewison.[7] It stars James Caan, John Houseman, Maud Adams, John Beck, Moses Gunn and Ralph Richardson. The screenplay, written by William Harrison,[8] adapted his own short story "Roller Ball Murder", which had first appeared in the September 1973 issue of Esquire.[9]

In 2018, Jonathan E. is the team captain and veteran star of the Houston Rollerball team. Mr. Bartholomew, chairman of the Energy Corporation - one of a series of corporations that now govern society - and team sponsor, offers Jonathan a lavish retirement package if Jonathan will announce his retirement during an upcoming television special detailing his career. Jonathan refuses, and requests to see his former wife Ella, who had been taken from him some years earlier by a corporate executive who wanted her for himself.


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Rollerball soon degrades into senseless violence as the rules are changed to force Jonathan out. The semi-final match between Houston and Tokyo is played with no penalties and limited substitutions in the hope Jonathan will be injured and forced out. The brutality of the match kills several players and leaves Jonathan's best friend and teammate Moonpie in a coma, though Houston wins the game.

In a teleconference, the Executive Committee decides that the next game will be played with no penalties, no substitutions, and no time limit in the hope that Jonathan will be killed during the game. Jonathan's popularity and longevity as a player threaten the underlying agenda of Rollerball: to demonstrate the futility of individualism.

The final match devolves into a brutal gladiatorial fight. Jonathan is soon the only player left on the track for Houston, while a skater and a biker remain from New York. After a violent struggle in front of Mr. Bartholomew's box, Jonathan kills the skater and takes the ball. The biker charges, and Jonathan knocks him off the bike and pins the biker down. He raises the ball over his head, then pauses. Refusing to kill his fallen opponent, Jonathan gets to his feet and makes his way to the goal, slamming the ball home and scoring the game's only point. Jonathan then takes a victory lap as the crowd chants his name, first softly, then slowly rising to a roar while Mr. Bartholomew hastily exits the stands.

Rollerball's arena sequences were shot at the Rudi-Sedlmayer-Halle in Munich, West Germany. This hall was selected because it was the only sports arena in the world with a near-circular profile, which the production could take over and re-dress for shooting.[13]

Recognizing their contribution to the film's many crucial action sequences, Rollerball was the first major Hollywood production to give screen credit to its stunt performers.[15] The film was shot in 35mm with a 1.85 aspect ratio but was released in some theaters in 70mm with a 2:1 aspect ratio.[16]

The game of Rollerball was so realistic that the cast, extras, and stunt personnel played it between takes on the set.[17] At the time of the film's release, Howard Cosell interviewed Norman Jewison and James Caan on ABC's Wide World of Sports, showing clips from the film and with the two of them explaining the rules of the game. Audiences who saw the film so loved the action of the game that Jewison was contacted multiple times by promoters, requesting that the "rights to the game" be sold so that real Rollerball leagues might be formed. Jewison was outraged, as the entire point of the movie was to show the "sickness and insanity of contact sports and their allure."[18]

All science-fiction can be roughly divided into two types of nightmares. In the first the world has gone through a nuclear holocaust and civilization has reverted to a neo-stone Age. In the second, of which "Rollerball" is an elaborate and very silly example, all of mankind's problems have been solved but at the terrible price of individual freedom. ... The only way science-fiction of this sort makes sense is as a comment on the society for which it's intended, and the only way "Rollerball" would have made sense in a satire of our national preoccupation with televised professional sports, particularly weekend football. Yet "Rollerball" isn't a satire. It's not funny at all and, not being funny, it becomes, instead, frivolous.

Gene Siskel of the Chicago Tribune gave the film 2 stars out of 4 and called it "a movie in love with itself" and "vapid, pretentious, and arrogant. Not even John Houseman's fine performance as a villainous corporate director is sufficient to make Rollerball tolerable. The only way to enjoy it, I suppose, is to cheer at the rollerball game's mayhem."[24] Arthur D. Murphy of Variety, wrote that it "packs an emotional and intellectual wallop" and that James Caan gave an "excellent performance".[16] Charles Champlin of the Los Angeles Times was also positive, calling it "a fresh, unusual and stimulating movie. In its portraying of the vast and essentially stateless multinational corporations, Rollerball plays off developments which have come since Huxley's and Orwell's time."[25] Jonathan Rosenbaum of The Monthly Film Bulletin panned Rollerball as "A classic demonstration of how several millions of dollars can be unenjoyably wasted ... this glib fable seems to be aiming at a simplified version of A Clockwork Orange without any intimations of wit or satire to carry the vague moralistic message."[26]

TV Guide gave the film three out of four stars; it said "the performances of Caan and Richardson are excellent, and the rollerball sequences are fast-paced and interesting."[28] Jay Cocks of Time said Caan looked "unconvinced and uncomfortable" as Jonathan E.[29]

In 1985, IJK Software produced a game called Rocketball for the Commodore 64 computer, with the scoring rules based on the game in the movie. In 1989, Microds published an unofficial successor called Killerball for the Atari ST, Amiga, Amstrad CPC, and MS-DOS.[citation needed]

In 1997, Z-Axis Games was developing an official Rollerball video game adaptation based on the film As part of MGM Interactive video game showcase lineup.[37] The game's promise was to recreate the action of the futuristic game played in the movie, and it was set 10 years after the events of the film in the 2098 Rollerball season, where the player would be in charge of managing their Rollerball teams around the world, made up of Rollerball players with roles such as strikers, enforcers, guard, and other players who compete using jet bikes and magnetic in-line skates. Rollerball: The Video Game was slated to be released for PlayStation, PC, and Nintendo 64 on the first quarter of 1998, but was delayed to mid-1998[38] and then was canceled due to the publisher, MGM Interactive, going bankrupt.

Speedball and its sequel Speedball 2: Brutal Deluxe are said to have been heavily inspired by Rollerball,[39] though Bitmap Brothers co-founder Mike Montgomery denies this, saying Speedball's similarities to the film are more of a coincidence.[citation needed]

If there's one thing I know about myself, it's that I'm a sucker for metal barrel writing instruments. This is the reason I flicked the Parker IM rollerball into my cart one day when I was browsing through the different rollerballs on JetPens. It's the only Parker rollerball on JetPens, so I thought I'd give it a try. In short, I love the design and aesthetic of the pen, but not the refill.

I was greeted by poor ink flow and a really scratchy sound when I tried to write. It sounded like I was writing with a nail, and the ink trail looked like I was using a ballpoint pen that hadn't been used in a few months. It was skippy and faint. I was perplexed.

My only guess is that I received a refill that wasn't quite ready for retail. Maybe there was too much metal around the roller ball that was causing the problem? Seems like that might be the case since a little grinding made it better.

But really, who's going to do that to a roller ball? These are the types of refills that just work straight away. I considered buying a replacement refill, but decided it wasn't worth it. They're the same price as the Schmidt refills used in the Retro 51s, but I'd much prefer those to the Parker. The Zebra R-301 is only a few bucks and delivers a stellar performance.

Bartholomew: Sweet dreams, Moonpie. That's a bad habit you've got there. You know what that habit will make you dream, Moonpie? You'll dream you're an executive. You'll have your hands on all the controls, and you will wear a gray suit, and you will make decisions. But you know what, Moonpie? You know what those executives dream about out there behind their desks? They dream they're great Rollerballers. They dream they're Jonathan; they have muscles, they bash in faces.

In the big picture, I like the Balloon Roller more than the AL-Star roller I reviewed recently. It feels better, and I am enjoying the blue liquid ink more than the black. It doesn't seem as wet, and if I can get past the skipping it will be great.

Skin Activator is available in two, refillable formats: the original Skin Activator, a 20ml vial with a pump. The Rollerball includes two 20ml serum vials, one preloaded in the device and a second 20ml refill.

Rollerball pens from Pelikan combine the benefits of a fountain pen with the easy handling of a ballpoint pen. Especially in the daily turbulences at school, university, or the office, they are a favored alternative to the classic fountain pens. Thanks to the water based inks, the rollerball pen offers a smooth, even writing experience. The refills are easy to replace and are adapted to the individual style of writing. Choose between the three different widths F, M and B the one that best underlines your handwriting. All rollerball refills are available in the favored writing colors blue and black. e24fc04721

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