Something of this place stays with me still
and the dusty cloth of memory will not allow
me to brush it away. It’s pinned beneath a
world that’s beyond forgetting and smelling
always of salted brume and rusted metal and
the nearly sweet scent of diesel fuel and oil
that would lazily drift upon the surface of the
water in mylar plumes of Prussian blue, iris
and ornate bronze like eerie, non-ephemeral
rainbows spooling and dismembering beneath
the splintered shadows of the docks or along
the scavenged banks that housed the worn
implements of nautical toil: ragged tents of
canvas, cables, traps, anchors and mangled
tackle; and standing further on, the brighter
scatter of bundled sails, tall as cypress trees,
casting tapered shadows that seemed to slip
across muscled wakes and the crest of waves
while gulls would wheel and curl above us
in garbled greetings, their manic staccato
silenced by the approaching thrum and plush
rumble of trawlers with limbs outstretched
like a trapeze artist seeking balance. and,
on wind-still days, crooked sheds releasing
their musty odors of decay, and disfigured
cottages, bereft of shingles, adorned with
flaking, chalk-white shutters and rooflines
powdered with grains of mica in midday
light and piers punched deep into the glazed
lather of rockweed and slime where earth’s
rich effulgence had been preserved and
was slowly disgorged while faint clouds of
sulfur would silently rise and fill our lungs.
First published in Acumen, Issue 104, 2022
Bio: A resident of Connecticut, John Muro has authored two volumes of poems – In the Lilac Hour and Pastoral Suite – in 2020 and 2022, respectively. Both volumes were published by Antrim House, and both are available on Amazon and elsewhere. He is a three-time nominee for the Pushcart Prize, a nominee for the Best of the Net and, more recently, a 2023 Grantchester Award recipient. John’s poems have appeared in numerous literary journals, including Acumen, Barnstorm, Delmarva, Grey Sparrow, New Square, Sky Island and the Valparaiso Review.
Commentary: The strange yet blissful sensation of revisiting an old place, letting in the very influx of memory, and experiencing the partly-explicable moment is aptly conveyed through this piece.