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guilherme ribeiro / composer

guilherme   r i b e i r o

composer



bio

Guilherme Ribeiro, born in 1994 in São Paulo, is a Brazilian composer interested in blending experimental music with music rooted in Brazilian oral traditions. He earned his bachelor's and master's degrees in composition from the University of São Paulo in 2019, under the supervision of Professor Silvio Ferraz.

He is currently studying at the Conservatoire de Strasbourg, where he attends the composition class of Daniel D’Adamo and the electroacoustic class of Tom Mays. His career in France began in 2022. During his first two years there, Ribeiro collaborated and worked with ensembles such as Quatuor Diotima, Proxima Centauri, Ensemble Linea (conducted by Jean-Philippe Wurtz), Les Cris de Paris (directed by Geoffroy Jourdain), Hanatsu Miroir, and Lovemusic.

His works are listed in the Babelscores catalogue and are regularly performed in various countries such as France, Brazil, the United States, Argentina, and Portugal, in venues like the Cité de la musique et de la danse in Strasbourg, Théâtre 95 (Paris), Théâtre des Quatre Saisons (Gradignan), Sala Cecília Meireles (Rio de Janeiro), Teatro São Pedro (São Paulo), Teatro Municipal de São Paulo (Salão Nobre), MAC Ibirapuera, Sesc Paulista, CCSP, Salão Leopoldo Miguez (Rio de Janeiro), and ESML (Lisbon), among others.

As a composer, he has received national and international awards, notably at the 22nd Biennial of Brazilian Contemporary Music, the 28th Panorama of Brazilian Contemporary Music, the 25th USP Nascente Program, and the 2nd Atemporánea Festival (Buenos Aires, Argentina), among others.

During the 2023–2024 academic year, Ribeiro was in residence with the ensembles Proxima Centauri and Les Cris de Paris, for whom he composed new works that premiered in Paris and Bordeaux in 2024.


LattesCV

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Personal Information

Name

Guilherme Ribeiro da Cunha

Bibliographic Citation

RIBEIRO, Guilherme



Formal Education/Degree

2020

Master´s in progress in Música .

Universidade de São Paulo, USP, Brasil. Advisor: Silvio Ferraz.

Keywords: tecnica estendida; musica instrumental contemporânea; cognição incorporada.

Major Area: Linguistics, Letters and Arts.

Major Area: Linguistics, Letters and Arts / Área: Arts.


2014 - 2019

Graduation in Música Com Habilitação em Composição .

Universidade de São Paulo, USP, Brasil.

Advisor: Silvio Ferraz Mello Filho.


2011 - 2013

Professional/Technical Course in Canto Popular .

Escola de Música do Estado de São Paulo, EMESP, Brasil.


2009 - 2011

Secondary Education .

EE DONA ANA ROSA DE ARAUJO, SP, Brasil.




Complementary Education

2020 - 2020

Continuing education in MUSITEC 2 - Seminário de Música e Tecnologia. (Credit hours: 100h).

Universidade Federal de Mato Grosso do Sul, UFMS, Brasil.


2017 - 2017

Intercâmbio de pesquisa. (Credit Hours: 160h).

Universidade Nova de Lisboa, UNL, Portugal.



Professional Experience


Fundação para a Ciência e a Tecnologia, FCT, Portugal.

Contract

2021 - Present

Type of contract: Bolsista, Functional Placement: , Exclusive Dedication.



Universidade de São Paulo, USP, Brasil.

Contract

2020 - Present

Type of contract: Estágio, Functional Placement: , Credit Hours: 6


Activities

2016 - Present

Project participation activities, Escola de Comunicações e Artes, Departamento de Música.


Research Projects

A TÉCNICA ESTENDIDA ENQUANTO MATÉRIA-PRIMA DA CRIAÇÃO MUSICAL




Fundação de Amparo à Pesquisa do Estado de São Paulo, FAPESP, Brasil.

Contract

2016 - 2019

Type of contract: Bolsista, Functional Placement:



Research Projects

2016 - Present

A TÉCNICA ESTENDIDA ENQUANTO MATÉRIA-PRIMA DA CRIAÇÃO MUSICAL


Description: Only in the mid-twentieth century the exploratory instrumental practice, increasingly present in the compositional field of the West, won a specific name: extended technique. This is, roughly, the investigation of unusual and speculative ways of using musical instruments and voice in order to obtain new sounds. The emergence of the name comes from the fact that new techniques appearing in musical works no longer as mere expressive resources, but as an important factor of the structuring and compositional material. This project will be sought to analyze and understand the functionality of contemporary extended technique in the recent repertoire pieces (20th and 21st centuries), as well as investigate the relationship of these techniques with the creative processes of contemporary composers. As a first step of a wider research project, the focus here will be the presence of extended techniques in the writing of German composer Helmut Lachenmann. It will be also, as part of this work, composed a piece (duo) for cello and piano in order to demonstrate and implement the study proposed in this project..

Situation: in Progress; Nature: Research.

Participant Students: Graduation ( 1) .

Participants: Guilherme Ribeiro da Cunha - Co-ordinator.

Sponsor(es): Fundação de Amparo à Pesquisa do Estado de São Paulo - Scholarship..




Awards and Titles

2020

Atemporánea Festival (II Festival de Música Contemporánea) - Composição, CSMCBA Astor Piazzolla (Buenos Aires, Argentina).

2017

25º Programa Nascente da USP - Vencedor - Composição, PRCEU - USP.

2016

24º Programa Nascente da USP - Finalista - Composição, PRCEU - USP.

2016

XXVIII Panorama da Música Brasileira Atual - Composição, UFRJ.

2016

XXII Bienal de Música Brasileira Contemporânea "Prêmio Funarte de Composição Clássica 2016", Funarte.

2015

23º Programa Nascente - Menção Honrosa - Composição, Universidade de São Paulo.

2015

III Festival Música Estranha - Composição, Água Forte Produções.

2015

newchambermusic.org CALL FOR SCORES - Composição, newchambermusic.org.


Scientific, Technological, Artistic and Cultural Production



Articles in Scientific Journals


1.

RIBEIRO, Guilherme ; FERRAZ, S. . Guero: instrumental concrete music and directionality in piano study-piece by Helmut Lachenmann. REVISTA VÓRTEX, v. 5, p. 1-22, 2017.



Presentations of Work


1.

RIBEIRO, Guilherme . 26º SIICUSP: THE FOUR MODELS OF THE EXTENDED INSTRUMENTAL TECHNIQUES. 2018. (Presentation/Symposium).


2.

RIBEIRO, Guilherme . III Simpósio Internacional CESEM. 2017. (Presentation/Symposium).


3.

RIBEIRO, Guilherme . 25º SIICUSP: Guero: instrumental concrete music and directionality in piano studypiece by Helmut Lachenmann. 2017. (Presentation/Symposium).


4.

RIBEIRO, Guilherme . Extended technique as the primary material of music composition. 2016. (Presentation/Symposium).



Technical Production


1.

RIBEIRO, Guilherme . Alunos da ECA recebem menção honrosa no 26º SIICUSP. 2018. (Radio or TV Program/Interview).


2.

RIBEIRO, Guilherme . Alunos da ECA se apresentam na fase internacional do SIICUSP. 2017. (Radio or TV Program/Interview).



Other works


1.

RIBEIRO, Guilherme . DENTREIDEIAS. 2017 (Programa audiovisual virtual de diálogos).


Events


Participation in events


1.

.Musical creation based on images of the composer-performers on 'El ojo de la mujer', for singer and saxophonist. 2021. (Participation In Events/ Congresses).


2.

.Acoustic bubbles in the telematic performance of 'Ceci n'est pas une trompette?. 2021. (Participation In Events/ Congresses).


3.

.The Four Models of the Extended Instrumental Techniques. 2019. (Participation In Events/ Congresses).


4.

5º EnCom - Encontro Nacional de Composição Musical. 2019. (Participation In Events/ Meetings).


5.

26º SIICUSPTHE FOUR MODELS OF THE EXTENDED INSTRUMENTAL TECHNIQUES. 2018. (Participation In Events/ Symposium).


6.

VIII Encuentro Internacional de Compositores: Música y Escena.Sobre a obra autoral (própria) TIMBRAL VERSES. 2018. (Participation In Events/ Meetings).


7.

25º SIICUSPuero: instrumental concrete music and directionality in piano studypiece by Helmut Lachenmann. 2017. (Participation In Events/ Symposium).



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Guilherme RIBEIRO  ▪  contemporary music composer

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