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guilherme ribeiro / composer

guilherme   r i b e i r o

composer



bio

Guilherme Ribeiro, 1994, is a young Brazilian composer. He graduated in composition at the University of São Paulo in 2019, where he is currently developing his Master's research (since 2020) in Creative Processes, Composition and Sonology, under the guidance of Prof. Silvio Ferraz, whose research line is Extended Instrumental Technique in Contemporary Music. Currently, he is a student at the Conservatoire de Strasbourg (France), where he takes Daniel D'Adamo's composition course, as well as Tom Mays' electroacoustics course. Ribeiro's compositions have already been presented in venues such as: Cité de la musique et de la danse de Strasbourg (France), Sala Cecília Meireles, Theatro São Pedro, Municipal Theater of São Paulo (Salão Nobre), MAC Ibirapuera, Sesc Paulista, CCSP, Salão Leopoldo Miguez, ESML (Lisbon, Portugal), among others. As a composer, he received national and international awards, such as: XXII Biennial of Contemporary Brazilian Music, XXVIII Panorama of Current Brazilian Music, 25th USP Nascente Program, II Atemporánea Festival (Buenos Aires, Argentina), among others. During his graduation at USP, Ribeiro developed a research under Scientific Initiation (2016-2018), under the supervision of Silvio Ferraz, with a FAPESP grant, entitled: The extended technique as a raw material for musical creation. This research resulted in national and international participation in symposiums, congresses and meetings, such as: 25th SIICUSP (São Paulo), III CESEM International Symposium (Lisbon, Portugal), VIII International Encuentro de Compositores (Santiago, Chile), XXIX ANPPOM Congress ( Pelotas), 5th EnCom (Londrina), 2nd NCMM 2021 (Lisbon, Portugal). As well as resulted in the publication of an article in Revista Vórtex, vol. 5, no. 1 (2017). While still under graduation, in 2017, Ribeiro was selected for a research exchange scholarship (Santander/USP) and developed work at Universidade Nova de Lisboa (FCSH-UNL) under the supervision of Prof. Isabel Pires. At the same time, since 2018, Ribeiro has been publishing the 'dialogues about today's musical creations' on his program DENTREIDEIAS (dentreideias.com), with international projection and performance. Currently, Guilherme Ribeiro lives and works in Strasbourg, France. 

LattesCV

c.v.

Personal Information

Name

Guilherme Ribeiro da Cunha

Bibliographic Citation

RIBEIRO, Guilherme



Formal Education/Degree

2020

Master´s in progress in Música .

Universidade de São Paulo, USP, Brasil. Advisor: Silvio Ferraz.

Keywords: tecnica estendida; musica instrumental contemporânea; cognição incorporada.

Major Area: Linguistics, Letters and Arts.

Major Area: Linguistics, Letters and Arts / Área: Arts.


2014 - 2019

Graduation in Música Com Habilitação em Composição .

Universidade de São Paulo, USP, Brasil.

Advisor: Silvio Ferraz Mello Filho.


2011 - 2013

Professional/Technical Course in Canto Popular .

Escola de Música do Estado de São Paulo, EMESP, Brasil.


2009 - 2011

Secondary Education .

EE DONA ANA ROSA DE ARAUJO, SP, Brasil.




Complementary Education

2020 - 2020

Continuing education in MUSITEC 2 - Seminário de Música e Tecnologia. (Credit hours: 100h).

Universidade Federal de Mato Grosso do Sul, UFMS, Brasil.


2017 - 2017

Intercâmbio de pesquisa. (Credit Hours: 160h).

Universidade Nova de Lisboa, UNL, Portugal.



Professional Experience


Fundação para a Ciência e a Tecnologia, FCT, Portugal.

Contract

2021 - Present

Type of contract: Bolsista, Functional Placement: , Exclusive Dedication.



Universidade de São Paulo, USP, Brasil.

Contract

2020 - Present

Type of contract: Estágio, Functional Placement: , Credit Hours: 6


Activities

2016 - Present

Project participation activities, Escola de Comunicações e Artes, Departamento de Música.


Research Projects

A TÉCNICA ESTENDIDA ENQUANTO MATÉRIA-PRIMA DA CRIAÇÃO MUSICAL




Fundação de Amparo à Pesquisa do Estado de São Paulo, FAPESP, Brasil.

Contract

2016 - 2019

Type of contract: Bolsista, Functional Placement:



Research Projects

2016 - Present

A TÉCNICA ESTENDIDA ENQUANTO MATÉRIA-PRIMA DA CRIAÇÃO MUSICAL


Description: Only in the mid-twentieth century the exploratory instrumental practice, increasingly present in the compositional field of the West, won a specific name: extended technique. This is, roughly, the investigation of unusual and speculative ways of using musical instruments and voice in order to obtain new sounds. The emergence of the name comes from the fact that new techniques appearing in musical works no longer as mere expressive resources, but as an important factor of the structuring and compositional material. This project will be sought to analyze and understand the functionality of contemporary extended technique in the recent repertoire pieces (20th and 21st centuries), as well as investigate the relationship of these techniques with the creative processes of contemporary composers. As a first step of a wider research project, the focus here will be the presence of extended techniques in the writing of German composer Helmut Lachenmann. It will be also, as part of this work, composed a piece (duo) for cello and piano in order to demonstrate and implement the study proposed in this project..

Situation: in Progress; Nature: Research.

Participant Students: Graduation ( 1) .

Participants: Guilherme Ribeiro da Cunha - Co-ordinator.

Sponsor(es): Fundação de Amparo à Pesquisa do Estado de São Paulo - Scholarship..




Awards and Titles

2020

Atemporánea Festival (II Festival de Música Contemporánea) - Composição, CSMCBA Astor Piazzolla (Buenos Aires, Argentina).

2017

25º Programa Nascente da USP - Vencedor - Composição, PRCEU - USP.

2016

24º Programa Nascente da USP - Finalista - Composição, PRCEU - USP.

2016

XXVIII Panorama da Música Brasileira Atual - Composição, UFRJ.

2016

XXII Bienal de Música Brasileira Contemporânea "Prêmio Funarte de Composição Clássica 2016", Funarte.

2015

23º Programa Nascente - Menção Honrosa - Composição, Universidade de São Paulo.

2015

III Festival Música Estranha - Composição, Água Forte Produções.

2015

newchambermusic.org CALL FOR SCORES - Composição, newchambermusic.org.


Scientific, Technological, Artistic and Cultural Production



Articles in Scientific Journals


1.

RIBEIRO, Guilherme ; FERRAZ, S. . Guero: instrumental concrete music and directionality in piano study-piece by Helmut Lachenmann. REVISTA VÓRTEX, v. 5, p. 1-22, 2017.



Presentations of Work


1.

RIBEIRO, Guilherme . 26º SIICUSP: THE FOUR MODELS OF THE EXTENDED INSTRUMENTAL TECHNIQUES. 2018. (Presentation/Symposium).


2.

RIBEIRO, Guilherme . III Simpósio Internacional CESEM. 2017. (Presentation/Symposium).


3.

RIBEIRO, Guilherme . 25º SIICUSP: Guero: instrumental concrete music and directionality in piano studypiece by Helmut Lachenmann. 2017. (Presentation/Symposium).


4.

RIBEIRO, Guilherme . Extended technique as the primary material of music composition. 2016. (Presentation/Symposium).



Technical Production


1.

RIBEIRO, Guilherme . Alunos da ECA recebem menção honrosa no 26º SIICUSP. 2018. (Radio or TV Program/Interview).


2.

RIBEIRO, Guilherme . Alunos da ECA se apresentam na fase internacional do SIICUSP. 2017. (Radio or TV Program/Interview).



Other works


1.

RIBEIRO, Guilherme . DENTREIDEIAS. 2017 (Programa audiovisual virtual de diálogos).


Events


Participation in events


1.

.Musical creation based on images of the composer-performers on 'El ojo de la mujer', for singer and saxophonist. 2021. (Participation In Events/ Congresses).


2.

.Acoustic bubbles in the telematic performance of 'Ceci n'est pas une trompette?. 2021. (Participation In Events/ Congresses).


3.

.The Four Models of the Extended Instrumental Techniques. 2019. (Participation In Events/ Congresses).


4.

5º EnCom - Encontro Nacional de Composição Musical. 2019. (Participation In Events/ Meetings).


5.

26º SIICUSPTHE FOUR MODELS OF THE EXTENDED INSTRUMENTAL TECHNIQUES. 2018. (Participation In Events/ Symposium).


6.

VIII Encuentro Internacional de Compositores: Música y Escena.Sobre a obra autoral (própria) TIMBRAL VERSES. 2018. (Participation In Events/ Meetings).


7.

25º SIICUSPuero: instrumental concrete music and directionality in piano studypiece by Helmut Lachenmann. 2017. (Participation In Events/ Symposium).



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