As well as being able to set songs and music as a ringback tone Rhapsody makes it easy to record personal messages spoken by the call recipient. For instance if you're driving and unable to take any calls the tone can be set to playback a message that informs the caller of this fact. Messages can be scheduled to become active at certain times when you know you'll be unavailable to pick up. The main feature however is the ability to treat your callers to their favourite songs and soundtracks when calling your number.

This is the second time Rhapsody has corrupted my Sansa Clip+ MP4 player. Looking for other streaming music services & hoping someone out there can provide me some recommendations. Thank you in advance for your help.


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All streaming services use DRM (digital rights misery) technology that restricts what you can do with the music and sooner or later will probably result in some songs not playing, if not worse. Making your consumer experience fairly annoying is the only way the record labels will allow them to offer such a huge catalog of music.

Napster's assets were eventually acquired by Roxio, and it re-emerged as an online music store commonly known as Napster 2.0. Best Buy later purchased the service and merged it with its Rhapsody streaming service on December 1, 2011.[1] In 2016, the original branding was restored when Rhapsody was renamed Napster. In 2022, the Napster streaming service was acquired by two Web3 companies, Hivemind and Algorand. Jon Vlassopulos was appointed as CEO. [2]

Although there were already networks that facilitated the distribution of files across the Internet, such as IRC, Hotline, and Usenet, Napster specialized in MP3 files of music and a user-friendly interface. At its peak, the Napster service had about 80 million registered users.[7] Napster made it relatively easy for music enthusiasts to download copies of songs that were otherwise difficult to obtain, such as older songs, unreleased recordings, studio recordings, and songs from concert bootleg recordings. Napster paved the way for streaming media services and transformed music into a public good for a brief time.

The service and software program began as Windows-only. However, in 2000, Black Hole Media wrote a Macintosh client called Macster. Macster was later bought by Napster and designated the official Mac Napster client ("Napster for the Mac"), at which point the Macster name was discontinued.[10] Even before the acquisition of Macster, the Macintosh community had a variety of independently developed Napster clients. The most notable was the open source client called MacStar, released by Squirrel Software in early 2000, and Rapster, released by Overcaster Family in Brazil.[11] The release of MacStar's source code paved the way for third-party Napster clients across all computing platforms, giving users advertisement-free music distribution options.

In 2000, the American musical recording company A&M Records along with several other recording companies, through the Recording Industry Association of America (RIAA), sued Napster (A&M Records, Inc. v. Napster, Inc.) on grounds of contributory and vicarious copyright infringement under the US Digital Millennium Copyright Act (DMCA).[15] Napster was faced with the following allegations from the music industry:

Along with the accusations that Napster was hurting the sales of the record industry, some felt just the opposite, that file trading on Napster stimulated, rather than hurt, sales. Some evidence may have come in July 2000 when tracks from English rock band Radiohead's album Kid A found their way to Napster three months before the album's release. Unlike Madonna, Dr. Dre, or Metallica, Radiohead had never hit the top 20 in the US. Furthermore, Kid A was an album without any singles released, and received relatively little radio airplay. By the time of the album's release, the album was estimated to have been downloaded for free by millions of people worldwide, and in October 2000 Kid A captured the number one spot on the Billboard 200 sales chart in its debut week. According to Richard Menta of MP3 Newswire,[18] the effect of Napster in this instance was isolated from other elements that could be credited for driving sales, and the album's unexpected success suggested that Napster was a good promotional tool for music.

Since 2000, many musical artists, particularly those not signed to major labels and without access to traditional mass media outlets such as radio and television, have said that Napster and successive Internet file-sharing networks have helped get their music heard, spread word of mouth, and may have improved their sales in the long term[citation needed]. One such musician to publicly defend Napster as a promotional tool for independent artists was DJ Xealot, who became directly involved in the 2000 A&M Records Lawsuit.[19] Chuck D from Public Enemy also came out and publicly supported Napster.[20]

On July 11, 2001, Napster shut down its entire network to comply with the injunction. On September 24, 2001, the case was partially settled. Napster agreed to pay music creators and copyright owners a $26 million settlement for past, unauthorized uses of music, and as an advance against future licensing royalties of $10 million. To pay those fees, Napster attempted to convert its free service into a subscription system, and thus traffic to Napster was reduced. A prototype solution was tested in 2002: the Napster 3.0 Alpha, using the ".nap" secure file format from PlayMedia Systems[24] and audio fingerprinting technology licensed from Relatable. Napster 3.0 was, according to many former Napster employees, ready to deploy, but it had significant trouble obtaining licenses to distribute major-label music. On May 17, 2002, Napster announced that its assets would be acquired by German media firm Bertelsmann for $85 million to transform Napster into an online music subscription service. The two companies had been collaborating since the middle of 2000[25] where Bertelsmann became the first major label to drop its copyright lawsuit against Napster.[26] Pursuant to the terms of the acquisition agreement, on June 3 Napster filed for Chapter 11 protection under United States bankruptcy laws. On September 3, 2002, an American bankruptcy judge blocked the sale to Bertelsmann and forced Napster to liquidate its assets.[6]

Napster's brand and logos were acquired at a bankruptcy auction by Roxio which used them to re-brand the Pressplay music service as Napster 2.0. In September 2008, Napster was purchased by US electronics retailer Best Buy for US $121 million.[27] On December 1, 2011, pursuant to a deal with Best Buy, Napster merged with Rhapsody, with Best Buy receiving a minority stake in Rhapsody.[28] On July 14, 2016, Rhapsody phased out the Rhapsody brand in favor of Napster and has since branded its service internationally as Napster[29] and expanded toward other markets by providing music on-demand as a service to other brands[30] like the iHeartRadio app and their All Access music subscription service that provides subscribers with an on-demand music experience as well as premium radio.[31]

Rhapsody is an online music service run by RealNetworks. Launched in December 2001, Rhapsody was the first music service to offer streaming on-demand access to nearly its entire library of digital music. Downloaded files come with restrictions on their use, enforced by Helix, RealNetworks' version of digital rights management.

In April 2001 TuneTo.com was acquired by Listen.com, a startup founded in San Francisco that had built a massive online music directory. The Aladdin prototype was transformed into the Rhapsody music service during the summer and fall of 2001 and was launched on December 3, 2001.

Rhapsody was revolutionary at the time because it was the first streaming on-demand music subscription service to offer unlimited access to its entire library of digital music for a flat monthly fee. At launch, Rhapsody's library was comprised mostly of content from Naxos and a number of independent labels. Over the next several months of 2002, Rhapsody was able to secure licenses from EMI, BMG, Warner, and Sony to add their music to the Rhapsody library. In July 2002, Rhapsody became the first on-demand music service to offer the complete digital catalogs of all five major record labels of the time (Sony, EMI, BMG, Universal and Warner).

In 2006, Power Metal band Rhapsody had to change its name to Rhapsody of Fire after running into a trademark dispute with Rhapsody parent RealNetworks, which owned the Rhapsody trademark in the United States. The band Rhapsody had been around four years before the launch of the Rhapsody service.[1] As of February 2006, RealNetworks claimed more than 2.25 million subscribers of whom more than 1.4 million were music subscribers.[2]

Rhapsody Unlimited is a paid subscription at $12.99 per month. This option permits unlimited selections of music from the Rhapsody catalogue and access to radio stations programmed by Rhapsody.

Rhapsody To Go is also a paid subscription at $14.99 per month. This option offers the same features as Rhapsody Unlimited plus the downloading of unlimited selections to computers without purchasing songs on a per-track basis. Users are not permitted to burn the tracks to CD, but they can be transferred to compatible PlaysForSure portable devices. These "subscription downloads" (also called tethered downloads) cannot be transferred to an Apple iPod due to rights disagreements. The recent announcement that EMI will let digital retailers sell DRM-free music downloads will enable Rhapsody and other companies to sell major-label songs that play on the iPod, provided that they make such arrangements with the individual record labels.

Purchased Music Non Rhapsody To Go subscribers can purchase individual songs and albums directly from Rhapsody, in a way similar to the iTunes Store. Songs generally cost 99 each or $9.99 per album, depending on the agreement with the label. Rhapsody Unlimited subscribers receive a 10% discount on purchased music. 0852c4b9a8

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