When laying out the track, It looks like when the swingarm became tangent to the track, or crossed a point tangent or parallel to the track, that no forward progress was being made along the revolve at that time, and it caused the no forward movement of the swing arm to conflict with the engine trying to revolve that swing arm. So at that point, the animation would either hang or make the car jump along the track

When Timberlake began working on FutureSex/LoveSounds at Timbaland's studio in Virginia Beach, Virginia,[1][2] they had no idea of what the album would be like with no plan for it or even a title.[2] He told his collaborators to do a remake of his previous single, "Cry Me a River".[2] Danja, a protg of Timbaland, stated: "We had no direction at all other than 'Cry Me a River,' and not in the sense of mimicking the track, but in how big the song was. There was no direction for how he wanted the song to sound, because there was no direction for how he wanted [his album FutureSex/LoveSounds] to sound."[2]


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The song was written and produced by Justin Timberlake, Timbaland, and Nate "Danja" Hills. While in the studio, the three men were just "fooling around" and "freestyling".[2] When Danja began playing a guitar riff, it caught Timberlake's attention. Timberlake started humming to the melody, and then the lyrics came. Timbaland, who was at his keyboards beside Danja, added drums to the melody. Danja commented that "everything was coming together at the same time".[2] After coming up with the music, Timberlake never wrote down the lyrics and, in an hour, he was ready to record it. By the time Timberlake was in the vocal booth, the basic track was done, then Timbaland produced a prelude of the song. Timberlake sang the song in a couple of takes and went back line by line to fill up the gaps. During the recording sessions, Timbaland and Danja added everything else, including the basses and strings. Danja compared the process to scoring to a movie, thinking the song was like a horror flick.[2]

"What Goes Around.../...Comes Around" is a psychedelic pop and sophisti-pop ballad performed in a slow manner.[3][4][5] It is composed in the key of A Dorian (A Minor) in common time. With a gentle and midtempo beat,[6] the tempo is pacing to 76 beats per minute.[3] The song features a two-minute interlude titled "Comes Around", featuring the album's producer Timbaland, spanning to a seven-minute and 28-second track. Timberlake's voice ranges from B2 to C5.[3] Musically, the song is similar to the type of music produced on Timberlake's Justified album; however, it is the only link from FutureSex/LoveSounds to Justified.[7]

In the beginning of the song, there is a five-second harmony line of two balamas (one each panned far left and far right on respect octaves), a Turkish folk instrument. The beat is then changed to a more upbeat version of the same melody with more percussion. The basic ornamentation is loyal to characteristic Turkish string ornamentations. Timbaland also used the Turkish oud to mellow out the guitar riff.[2] The chord series follows the Am-C-G-D keys. Following the instrumental, Timberlake begins the verse at thirteenth bar. The original track had a bridge, including the pre-verses, the verses and the choruses. After hearing the vocals of Timberlake, they decided to remove the bridge and follow a simple flow, because they felt its "too much" to have it and a break at the end of the song.[2] Timbaland provides backing vocals on the song.

The Sun-synchronous orbit is necessary for science because it keeps the angle of sunlight on the surface of the Earth as consistent as possible, though the angle will change from season to season. This consistency means that scientists can compare images from the same season over several years without worrying too much about extreme changes in shadows and lighting, which can create illusions of change. Without a Sun-synchronous orbit, it would be very difficult to track change over time. It would be impossible to collect the kind of consistent information required to study climate change.

The third reason to move a satellite is to avoid space junk, orbital debris, that may be in its path. On February 11, a communication satellite owned by Iridium, a U.S. company, collided with a non-functioning Russian satellite. Both satellites broke apart, creating a field of debris that contained at least 2,500 pieces. Each piece of debris was added to the database of more than 18,000 manmade objects currently in Earth orbit and tracked by the U.S. Space Surveillance Network.

NASA satellite mission controllers carefully track anything that may enter the path of their satellites. As of May 2009, Earth Observing satellites had been moved three separate times to avoid orbital debris.

I have tried creating a BP using mouse control with a spring arm attached to the camera which worked during play, but I need something smoother & recordable. I am basically trying to showcase a 3D model in Unreal by having the camera orbit around it.

The members(3-5 people) of the band are standing inside a circle of tracks for the camera. The diameter of the circle is around 10 meters. When the music video starts the camera starts moving around the band, the members sing into and dance in front of the camera.

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"Time Machine" by Goodnight Wembley! is very similar to what i am looking for. Especially beetween 0:30 and 0:32 the angle of the camera and how the singer is singing into the camera.Here is a picture from behind the scenes -content/uploads/2012/06/goodnight-wembley-behind-the-scenes_LMcC_9397.jpg The music video i was looking for had an 360 degree track.

The members(i think 3-4 males between 20-30 years old, a lead singer,a guitarist or bass player and a drummer) of the band are standing inside a circle of tracks for the camera. The diameter of the circle is around 10 meters. When the music video starts the camera starts moving around the band, the members sing into and dance in front of the camera.

This music video =Bf2OhY6BuWU "Time Machine" by Goodnight Wembley! is very similar to what i am looking for. Especially beetween 0:30 and 0:32 the angle of the camera and how the singer is singing into the camera.Here is a picture from behind the scenes -content/uploads/2012/06/goodnight-wembley-behind-the-scenes_LMcC_9397.jpg The music video i was looking for had an 360 degree track.

The James Webb Space Telescope is not in orbit around the Earth, like the Hubble Space Telescope is - it actually orbits the Sun, 1.5 million kilometers (1 million miles) away from the Earth at what is called the second Lagrange point or L2. What is special about this orbit is that it lets the telescope stay in line with the Earth as it moves around the Sun. This allows the satellite's large sunshield to protect the telescope from the light and heat of the Sun and Earth (and Moon).

Some Technical Details: It is easy for an object (like a spacecraft) at one of these five points to stay in place relative to the other two bodies (e.g., the Sun and the Earth). In fact, L4 and L5 are stable in that objects there will orbit L4 and L5 with no assistance. Some small asteroids are known to be orbiting the Sun-Earth L4 and L5 points. However, L1, L2, and L3 are metastable so objects around these points slowly drift away into their own orbits around the Sun unless they maintain their positions, for example by using small periodic rocket thrust. This is why L1, L2, and L3 don't "collect" objects like L4 and L5 do.

If Webb is orbiting the Sun further out than Earth, shouldn't it take more than a year to orbit the Sun? Normally yes, but the balance of the combined gravitational pull of the Sun and the Earth at the L2 point means that Webb keeps up with the Earth as it goes around the Sun. The gravitational forces of the Sun and the Earth can nearly hold a spacecraft at this point, so that it takes relatively little rocket thrust to keep the spacecraft in orbit around L2.

Webb orbits around L2; it does not sit stationary precisely at L2. Webb's orbit is represented in this screenshot from our deployment video (below), roughly to scale; it is actually similar in size to the Moon's orbit around the Earth! This orbit (which takes Webb about 6 months to complete once) keeps the telescope out of the shadows of both the Earth and Moon. Unlike Hubble, which goes in and out of Earth shadow every 90 minutes, Webb has an unimpeded view that allows science operations 24/7.

 In the first month: Telescope deployment, cooldown, instrument turn-on, and insertion into orbit around L2. During the second week after launch, we finished deploying the telescope structures by unfolding and latching the secondary mirror tripod and rotating and latching the two primary mirror wings. Note that the telescope and scientific instruments started to cool rapidly in the shade of the sunshield, but it took several weeks for them to cool all the way down and reach stable temperatures. This cooldown was carefully controlled with strategically-placed electric heater strips so that everything shrinks carefully and so that water trapped inside parts of the observatory can escape as gas to the vacuum of space and not freeze as ice onto mirrors or detectors, which would degrade scientific performance. We unlocked all the primary mirror segments and the secondary mirror and verified that we can move them. Near the end of the first month, we executed the last mid-course maneuver to insert into the optimum orbit around L2. During this time we also powered-up the scientific instrument systems. The remaining five months of commissioning were all about aligning the optics and calibrating the scientific instruments.

The track has hallmarks in both sound and lyrics from her Fearless era. The upbeat drums accompanied with subtle rock inspired guitars and analogue synths underneath a song about nave love and heartbreak that causes more inconvenience and annoyance than it does pain are staples of that era. 2351a5e196

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