READING

1. The Renaissance was a cultural movement that profoundly affected European intellectual life in the early modern period. Beginning in Italy, and spreading to the rest of Europe by the 16th century, its influence affected literature, philosophy, art, politics, science, religion, and other aspects of intellectual inquiry. Renaissance scholars employed the humanist method in study, and searched for realism and human emotion in art. The new ideals of humanism, although more secular in some aspects, developed against a Christian backdrop, especially in the Northern Renaissance. Indeed, much (if not most) of the new art was commissioned by or in dedication to the Church.However, the Renaissance had a profound effect on contemporary theology, particularly in the way people perceived the relationship between man and God.Many of the period's foremost theologians were followers of the humanist method, including Erasmus, Zwingli, Thomas More, Martin Luther, and John Calvin. This era in English cultural history is sometimes referred to as "the age of Shakespeare" or "the Elizabethan era", the first period in English and British history to be named after a reigning monarch. Sir Thomas More was an English lawyer, social philosopher, author, statesman and noted Renaissance humanist. More once seriously contemplated abandoning his legal career in order to become a monk. Although he deeply admired the piety of the monks, he ultimately decided on the life of a layman upon his marriage and election to Parliament in 1504. In spite of his choice to pursue a secular career, More continued to observe certain ascetical practices for the rest of his life, wearing a hair shirt next to his skin and occasionally engaging in flagellation. More sketched out his most well-known and controversial work, Utopia (completed and published in 1516), a novel in Latin. In it a traveller, Raphael Hythlodeaus (in Greek, his name and surname allude to archangel Raphael, purveyor of truth, and mean "speaker of nonsense"), describes the political arrangements of the imaginary island country of Utopia (Greek pun on ou-topos [no place], eu-topos [good place]) to himself and to Pieter Gillis. At the time, most literate people could understand the actual meaning of the word "utopia" because of the relatively widespread knowledge of the Greek language. This novel describes the city of Amaurote by saying, "Of them all this is the worthiest and of most dignity". Utopia contrasts the contentious social life of European states with the perfectly orderly, reasonable social arrangements of Utopia and its environs (Tallstoria, Nolandia, and Aircastle). In Utopia, with communal ownership of land, private property does not exist, men and women are educated alike, and there is almost complete religious toleration. More supported the Catholic Church and saw the Reformation as heresy, a threat to the unity of both church and society. Believing in the theology, polemics, and ecclesiastical laws of the Church, More "heard Luther's call to destroy the Catholic Church as a call to war. More refused to attend the coronation of Anne Boleyn as the Queen of England. Technically, this was not an act of treason, as More had written to Henry acknowledging Anne's queenship and expressing his desire for the king's happiness and the new queen's health.[38] Despite this, his refusal to attend was widely interpreted as a snub against Anne and Henry took action against him. More was asked to appear before a commission and swear his allegiance to the parliamentary Act of Succession. More accepted Parliament's right to declare Anne Boleyn the legitimate queen of England, but he steadfastly refused to take the oath of supremacy of the Crown in the relationship between the Kingdom and the Church in England. Holding fast to the ancient teaching of Papal supremacy, More refused to take the oath and furthermore publicly refused to uphold Henry's annulment from Catherine. His head was fixed upon a pike over London Bridge for a month, according to the normal custom for traitors. His daughter Margaret (Meg) Roper rescued it, possibly by bribery, before it could be thrown in the River Thames. Sir Thomas Wyatt was a 16th-century English lyrical poet credited with introducing the sonnet into English was not only a poet, but also an ambassador in the service of Henry VIII. Wyatt was imprisoned in the Tower of London for allegedly committing adultery with Anne Boleyn. He was released from the Tower later that year

Wyatt's professed object was to experiment with the English tongue, to civilise it, to raise its powers to those of its neighbours.[5] and although a significant amount of his literary output consists of translations of sonnets by the Italian poet Petrarch, he wrote sonnets of his own. Wyatt's sonnets first appeared in Tottle's Miscellany, now on exhibit in the British Library in London.In addition to imitations of works by the classical writers Seneca and Horace, he experimented in stanza forms including the rondeau, epigrams, terza rima, ottava rima songs, satires and also with monorime, triplets with refrains, quatrains with different length of line and rhyme schemes, quatrains with codas, and the French forms of douzaine and treizaine [6] in addition to introducing contemporaries to his poulter's measure form (Alexandrine couplets of twelve syllable iambic lines alternating with a fourteener, fourteen syllable line).[7] and is acknowledged a master in the iambic tetrameter [8].While Wyatt's poetry reflects classical and Italian models, he also admired the work of Chaucer and his vocabulary reflects Chaucer’s (for example, his use of Chaucer’s word newfangleness, meaning fickle, in They flee from me that sometime did me seek). His best-known poems are those that deal with the trials of romantic love. Others of his poems were scathing, satirical indictments of the hypocrisies and flat-out pandering required of courtiers ambitious to advance at the Tudor court. Henry Howard, Earl of Surrey was an English aristocrat, and one of the founders of English Renaissance poetry. He and his friend Sir Thomas Wyatt were the first English poets to write in the sonnet form that Shakespeare later used, and Henry was the first English poet to publish blank verse in his translation of the second and fourth books of Virgil's Aeneid. Together, Wyatt and Surrey, due to their excellent translations of Petrarch's sonnets, are known as "Fathers of the English Sonnet." While Wyatt introduced the sonnet into English, it was Surrey who gave them the rhyming meter and the division into quatrains that now characterizes the sonnets variously named English, Elizabethan or Shakespearean sonnets.

the Enlightenment is the era in Western philosophy, intellectual, scientific and cultural life, centered upon the 18th century, in which reason was advocated as the primary source for legitimacy and authority. he "Enlightenment" was not a single movement or school of thought, for these philosophies were often mutually contradictory or divergent. The Enlightenment was less a set of ideas than it was a set of values. At its core was a critical questioning of traditional institutions, customs, and morals, and a strong belief in rationality and science. Thus, there was still a considerable degree of similarity between competing philosophies. The Enlightenment is held to be the source of critical ideas, such as the centrality of freedom, democracy, and reason as primary values of society. This view argues that the establishment of a contractual basis of rights would lead to the market mechanism and capitalism, the scientific method, religious tolerance, and the organization of states into self-governing republics through democratic means. In this view, the tendency of the philosophes in particular to apply rationality to every problem is considered the essential change.

Romanticism (or the Romantic Era) was a complex artistic, literary, and intellectual movement that originated in the second half of the 18th century in Europe, and gained strength in reaction to the Industrial Revolution.[1] In part, it was a revolt against aristocratic social and political norms of the Age of Enlightenment and a reaction against the scientific rationalisation of nature.[2] It was embodied most strongly in the visual arts, music, and literature. The movement validated strong emotion as an authentic source of aesthetic experience, placing new emphasis on such emotions as trepidation, horror and terror and awe—especially that which is experienced in confronting the sublimity of untamed nature and its picturesque qualities, both new aesthetic categories. It elevated folk art and ancient custom to something noble. In literature, Romanticism found recurrent themes in the evocation or criticism of the past, the cult of "sensibility" with its emphasis on women and children, the heroic isolation of the artist or narrator, and respect for a new, wilder, untrammeled and "pure" nature. Furthermore, several romantic authors, such as Edgar Allan Poe and Nathaniel Hawthorne, based their writings on the supernatural/occult and human psychology. Romanticism also helped in the emergence of new ideas and in the process led to the emergence of positive voices that were beneficial for the marginalized sections of the society. Romanticism in British literature developed in a different form slightly later, mostly associated with the poets William Wordsworth and Samuel Taylor Coleridge, whose co-authored book Lyrical Ballads (1798) sought to reject Augustan poetry in favour of more direct speech derived from folk traditions. Both poets were also involved in utopian social thought in the wake of the French Revolution. The poet and painter William Blake is the most extreme example of the Romantic sensibility in Britain, epitomised by his claim "I must create a system or be enslaved by another man's." Blake's artistic work is also strongly influenced by Medieval illuminated books. The painters J. M. W. Turner and John Constable are also generally associated with Romanticism. Lord Byron, Percy Bysshe Shelley, Mary Shelley and John Keats constitute another phase of Romanticism in Britain. William Blake was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language".His visual artistry has led one contemporary art critic to proclaim him "far and away the greatest artist Britain has ever produced". His paintings and poetry have been characterised as part of both the Romantic movement and "Pre-Romantic",for its large appearance in the 18th century. Reverent of the Bible but hostile to the Church of England, Blake was influenced by the ideals and ambitions of the French and American revolutions. a forerunner of the subsequent 19th century "free love" movement, a broad reform tradition starting in the 1820s that held that marriage is slavery, and advocated for removal of all state restrictions on sexual activity such as homosexuality, prostitution, and even adultery, culminating in the birth control movement of the early 20th century. His poetry suggests that external demands for marital fidelity reduce love to mere duty rather than authentic affection, and decries jealousy and egotism as a motive for marriage laws. Poems such as "Why should I be bound to thee, O my lovely Myrtle-tree?" and "Earth's Answer" seem to advocate multiple sexual partners. His poem "London" speaks of "the Marriage-Hearse". Visions of the Daughters of Albion is widely (though not universally) read as a tribute to free love since the relationship between Bromion and Oothoon is held together only by laws and not by love. Blake opposed the sophistry of theological thought that excuses pain, admits evil and apologises for injustice. He abhorred self-denial, which he associated with religious repression and particularly sexual repression: "Prudence is a rich ugly old maid courted by Incapacity. / He who desires but acts not, breeds pestilence." Blake's work was neglected for a generation after his death and was almost forgotten.Блейк питал отвращение к рабству и верил в половое и расовое равенство. Несколько его стихов и картин выражают идею всеобщей гуманности: "все люди похожи (хоть они и бесконечно разные)". В одном стихотворении, написанном от лица чёрного мальчика, белые и чёрные тела описываются как тенистые рощи и облака, которые существуют только до тех пор, пока не растают, "чтобы озариться лучами любви".

The Lake Poets are a group of English poets who all lived in the Lake District of England at the turn of the nineteenth century. As a group, they followed no single "school" of thought or literary practice then known . They are considered part of the Romantic Movement. The three main figures of what has become known as the Lakes School are William Wordsworth, Samuel Taylor Coleridge, and Robert Southey. They were associated with several other poets and writers, including Dorothy Wordsworth, Charles Lloyd, Hartley Coleridge, John Wilson, and Thomas De Quincey. William Wordsworth was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with the 1798 joint publication Lyrical Ballads. Wordsworth's magnum opus is generally considered to be The Prelude, a semiautobiographical poem of his early years which he revised and expanded a number of times. It was posthumously titled and published, prior to which it was generally known as the poem "to Coleridge." Wordsworth was Britain's Poet Laureate from 1843 until his death in 1850. In his "Preface to Lyrical Ballads", which is called the "manifesto" of English Romantic criticism, Wordsworth calls his poems "experimental." Wordsworth first published poetry is the collections An Evening Walk and Descriptive Sketches. He received a legacy of £900 from Raisley Calvert so that he could pursue writing poetry. He met Samuel Taylor Coleridge in Somerset. The two poets quickly developed a close friendship. Wordsworth and his sister Dorothy moved to Alfoxton House, Somerset, just a few miles away from Coleridge's home in Nether Stowey. Together, Wordsworth and Coleridge (with insights from Dorothy) produced Lyrical Ballads (1798), an important work in the English Romantic movement. The volume gave neither Wordsworth's nor Coleridge's name as author. One of Wordsworth's most famous poems, "Tintern Abbey", was published in the work, along with Coleridge's "The Rime of the Ancient Mariner". The Preface to Lyrical Ballads is considered a central work of Romantic literary theory. In it, Wordsworth discusses what he sees as the elements of a new type of poetry, one based on the "real language of men" and which avoids the poetic diction of much eighteenth-century poetry. Here, Wordsworth gives his famous definition of poetry as "the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility." Wordsworth had for years been making plans to write a long philosophical poem in three parts, which he intended to call The Recluse. He had in 1798–99 started an autobiographical poem, which he never named but called the "poem to Coleridge", which would serve as an appendix to The Recluse. In 1804, he began expanding this autobiographical work, having decided to make it a prologue rather than an appendix to the larger work he planned. By 1805, he had completed it, but refused to publish such a personal work until he had completed the whole of The Recluse. His Poems in Two Volumes were published, including "Ode: Intimations of Immortality from Recollections of Early Childhood". Up to this point Wordsworth was known publicly only for Lyrical Ballads, and he hoped this collection would cement his reputation. Its reception was lukewarm, however. For a time (starting in 1810), Wordsworth and Coleridge were estranged over the latter's opium addiction. he published The Excursion as the second part of the three-part The Recluse. He had not completed the first and third parts, and never would. He did, however, write a poetic Prospectus to "The Recluse" in which he lays out the structure and intent of the poem. The Prospectus contains some of Wordsworth's most famous lines on the relation between the human mind and nature . Samuel Taylor Coleridge was an English poet, Romantic, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He is probably best known for his poems The Rime of the Ancient Mariner and Kubla Khan, as well as for his major prose work Biographia Literaria. He coined many familiar words and phrases, including the celebrated suspension of disbelief. He was a major influence, via Emerson, on American transcendentalism. Throughout his adult life, Coleridge suffered from crippling bouts of anxiety and depression; it has been speculated that he suffered from bipolar disorder, a mental disorder which was unknown during his life. Coleridge chose to treat these episodes with opium, becoming an addict in the process. This addiction would affect him in the future. Despite not enjoying the name recognition or popular acclaim that Wordsworth or Shelley have had, Coleridge is one of the most important figures in English poetry. His poems directly and deeply influenced all the major poets of the age. He was known by his contemporaries as a meticulous craftsman who was more rigorous in his careful reworking of his poems than any other poet, and Southey and Wordsworth were dependent on his professional advice. His influence on Wordsworth is particularly important because many critics have credited Coleridge with the very idea of "Conversational Poetry". The idea of utilizing common, everyday language to express profound poetic images and ideas for which Wordsworth became so famous may have originated almost entirely in Coleridge’s mind. It is difficult to imagine Wordsworth’s great poems, The Excursion or The Prelude, ever having been written without the direct influence of Coleridge’s originality. As important as Coleridge was to poetry as a poet, he was equally important to poetry as a critic. Coleridge's philosophy of poetry, which he developed over many years, has been deeply influential in the field of literary criticism. Coleridge is probably best known for his long poems, The Rime of the Ancient Mariner and Christabel. Even those who have never read the Rime have come under its influence: its words have given the English language the metaphor of an albatross around one's neck, the quotation of "water, water everywhere, nor any drop to drink" (almost always rendered as "but not a drop to drink"), and the phrase "a sadder and a wiser man" (again, usually rendered as "sadder but wiser man"). Christabel is known for its musical rhythm, language, and its Gothic tale. Kubla Khan, or, A Vision in a Dream, A Fragment, although shorter, is also widely known. Both Kubla Khan and Christabel have an additional "romantic" aura because they were never finished. The Eolian Harp (1795) Reflections on having left a Place of Retirement (1795) This Lime-Tree Bower my Prison (1797) Frost at Midnight (1798) Fears in Solitude (1798) The Nightingale: A Conversation Poem (1798) Dejection: An Ode (1802) To William Wordsworth (1807)The eight of Coleridge's poems listed above are now often discussed as a group entitled "Conversation poems". Description of Conversation poems: "The speaker begins with a description of the landscape; an aspect or change of aspect in the landscape evokes a varied by integral process of memory, thought, anticipation, and feeling which remains closely intervolved with the outer scene. In the course of this meditation the lyric speaker achieves an insight, faces up to a tragic loss, comes to a moral decision, or resolves an emotional problem. Often the poem rounds itself to end where it began, at the outer scene, but with an altered mood and deepened understanding which is the result of the intervening meditation."The term itself was coined in 1928 by George McLean Harper, who borrowed the subtitle of The Nightingale: A Conversation Poem (1798) to describe the seven other poems as well. Coleridge's The Eolian Harp and The Nightingale maintain a middle register of speech, employing an idiomatic language that is capable of being construed as un-symbolic and un-musical: language that lets itself be taken as 'merely talk' rather than rapturous 'song'." In addition to his poetry, Coleridge also wrote influential pieces of literary criticism including Biographia Literaria, a collection of his thoughts and opinions on literature which he published in 1817. The work delivered both biographical explanations of the author's life as well as his impressions on literature. The collection also contained an analysis of a broad range of philosophical principles of literature ranging from Aristotle to Immanuel Kant and Schelling and applied them to the poetry of peers such as William Wordsworth.

Крити́ческий реали́зм — художественный метод и литературное направление, сложившееся в XIX веке. Главная его особенность — изображение человеческого характера в органической связи с социальными обстоятельствами, наряду с глубоким социальным анализом внутреннего мира человека. Charles Dickens - was the most popular English novelist of the Victorian era and he remains popular, responsible for some of English literature's most iconic characters. Many of his novels, with their recurrent concern for social reform, first appeared in magazines in serialised form, a popular format at the time. Unlike other authors who completed entire novels before serialisation, Dickens often created the episodes as they were being serialized. The practice lent his stories a particular rhythm, punctuated by cliffhangers to keep the public looking forward to the next instalment. The continuing popularity of his novels and short stories is such that they have never gone out of print. His work has been praised for its mastery of prose and unique personalities, though it was criticized by Virginia Woolf for sentimentality and implausibility. He worked in a blacking factory there while his father went to prison for debt. Dickens's hard times in this blackening factory served as the base of ideas for many of his novels. Many like Oliver Twist soon became famous. Charles did not like working and wished to stop working after his father was released but he was forced to continue working. Charles then finished his schooling, and got a job as an office boy for an attorney. After finding that job dull, he taught himself shorthand and became a journalist that reported on the government. His first book was Sketches by Boz in 1836, a collection of the short pieces he had been writing for the Monthly Magazine and the Evening Chronicle. This was followed by the The Posthumous Papers of the Pickwick Club in 1837. Both these books became popular as soon as they were printed. Angela Burdett Coutts, heir to the Coutts banking fortune, approached Dickens about setting up a home for the redemption of "fallen" women. Coutts envisioned a home that would differ from existing institutions, which offered a harsh and punishing regimen for these women, and instead provide an environment where they could learn to read and write and become proficient in domestic household chores so as to re-integrate them into society. After initially resisting, Dickens eventually founded the home, named Urania Cottage, in the Lime Grove section of Shepherds Bush. He became involved in many aspects of its day-to-day running, setting the house rules, reviewing the accounts and interviewing prospective residents, some of whom became characters in his books. Dickens loved the style of 18th century Gothic romance, although it had already become a target for parody. One "character" vividly drawn throughout his novels is London itself. From the coaching inns on the outskirts of the city to the lower reaches of the Thames, all aspects of the capital are described over the course of his body of work. His writing style is florid and poetic, with a strong comic touch. His satires of British aristocratic snobbery—he calls one character the "Noble Refrigerator"—are often popular. Comparing orphans to stocks and shares, people to tug boats, or dinner-party guests to furniture are just some of Dickens's acclaimed flights of fancy. Many of his characters' names provide the reader with a hint as to the roles played in advancing the storyline, such as Mr. Murdstone in the novel David Copperfield, which is clearly a combination of "murder" and stony coldness. His literary style is also a mixture of fantasy and realism. Dickens is famed for his depiction of the hardships of the working class, his intricate plots, and his sense of humour. But he is perhaps most famed for the characters he created. His novels were heralded early in his career for their ability to capture the everyday man and thus create characters to whom readers could relate. Dickensian characters—especially their typically whimsical names—are among the most memorable in English literature( Ebenezer Scrooge, Tiny Tim, Pip), All authors might be said to incorporate autobiographical elements in their fiction, but with Dickens this is very noticeable, even though he took pains to mask what he considered his shameful, lowly past. Dickens's novels were, among other things, works of social commentary. He was a fierce critic of the poverty and social stratification of Victorian society. Dickens's second novel, Oliver Twist (1839), shocked readers with its images of poverty and crime and was responsible for the clearing of the actual London slum, Jacob's Island, that was the basis of the story. In addition, with the character of the tragic prostitute, Nancy, Dickens "humanised" such women for the reading public; women who were regarded as "unfortunates", inherently immoral casualties of the Victorian class/economic system. Dickens is often described as using 'idealised' characters and highly sentimental scenes to contrast with his caricatures and the ugly social truths he reveals. Many of his novels are concerned with social realism, focusing on mechanisms of social control that direct people's lives (for instance, factory networks in Hard Times and hypocritical exclusionary class codes.

Literary realism most often refers to the trend, beginning with certain works of nineteenth-century French literature and extending to late-nineteenth- and early-twentieth-century authors in various countries, towards depictions of contemporary life and society "as they were." In the spirit of general "realism," Realist authors opted for depictions of everyday and banal activities and experiences, instead of a romanticized or similarly stylized presentation. In literature, Romanticism found recurrent themes in the evocation or criticism of the past, the cult of "sensibility" with its emphasis on women and children, the heroic isolation of the artist or narrator, and respect for a new, wilder, untrammeled and "pure" nature. Charlotte Brontë - an English novelist and poet, the eldest of the three Brontë sisters whose novels are English literature standards. She wrote Jane Eyre under the pen name Currer Bell. Charlotte was sent with three of her sisters, Emily, Maria, and Elizabeth, to the Clergy Daughters' School (which she would describe as Lowood School in Jane Eyre). Its poor conditions, Charlotte maintained, permanently affected her health and physical development and hastened the deaths of her two elder sisters, Maria (born 1814) and Elizabeth (born 1815), who died of tuberculosis in June 1825 soon after their father removed them from the school on 1 June. Perhaps, she wasn’t very beautiful, and this makes think of parallels with Jane Eyre, She held high moral principles, and, despite her shyness in company, she was always prepared to argue her beliefs. Else with the survived children in her childhood she wrote about the lives and struggles of the inhabitants of their imaginary kingdoms. Due to the enormous success of Jane Eyre, she was persuaded by her publisher to visit London occasionally, where she become friends with William Makepeace Thackeray. Her book had sparked a movement in regards to feminism in literature. The main character, Jane Eyre, in her novel Jane Eyre, was a parallel to herself, a woman who was strong. Jane Eyre is a love story. It tells about a young woman called Jane Eyre who was an orphan and goes to teach a girl named Adele Varens in a far-away house. The master of the house is Mr. Rochester. Jane and Mr. Rochester fall in love, but Jane is horrified when she finds out Mr. Rochester is already married to a crazy woman. She leaves the house, believing that marrying him would now be the same as adultery and that she would be his mistress, not his wife. When she goes away, she becomes sick and almost dies. Three people, Diana, Mary, and St. John Rivers, find her and let her live with them. There, she becomes a teacher and finds out that they are her cousins. She is very happy until St. John wants her to marry him and be a missionary with him. She knows that he does not really love her and thinks she is simply useful, so she says no. However, he continues to ask her, and she is finally almost persuaded that it is her duty to marry him when she hears Mr. Rochester crying, "Jane! Jane!" She feels that something has happened to him, and quickly goes back to see him. His crazy wife had put his house on fire and died in it. Mr. Rochester, because of the fire, had become blind and wounded. Jane, now that his wife is dead, is happy to marry him, and they get married and have a son. Emily Brontë - English author and poet. Her most famous book is Wuthering Heights. It is the only novel by Emily Brontë. It was first published in 1847 under the pseudonym Ellis Bell, and a posthumous second edition was edited by her sister Charlotte. The name of the novel comes from the Yorkshire manor on the moors on which the story. The narrative tells the tale of the all-encompassing and passionate, yet thwarted, love between Heathcliff and Catherine Earnshaw, and how this unresolved passion eventually destroys them and many around them. It’s considered to be more original than Jane Eyre.

1. Oscar Wilde was an Irish writer, poet, and prominent aesthete who, after writing in different forms throughout the 1880s, became one of London's most popular playwrights in the early 1890s. Today he is remembered for his epigrams, plays and the tragedy of his imprisonment, followed by his early death. Wilde's parents were successful Dublin intellectuals and from an early age he was tutored at home, where he showed his intelligence, becoming fluent in French and German. he was deeply interested in the rising philosophy of aestheticism (led by two of his tutors, Walter Pater and John Ruskin) though he also profoundly explored Roman Catholicism and finally converted on his deathbed. As a spokesman for aestheticism, he tried his hand at various literary activities; he published a book of poems, lectured America and Canada on the new "English Renaissance in Art" and then returned to London to work prolifically as a journalist for four years. Known for his biting wit, flamboyant dress, and glittering conversation, Wilde was one of the best known personalities of his day. Wilde's two plays during the 1880s, Vera; or, The Nihilists and The Duchess of Padua, had not met with much success. He had continued his interest in the theatre and now, after finding his voice in prose, his thoughts turned again to the dramatic form as the biblical iconography of Salome filled his head. it tells the story of Salome, the stepdaughter of the tetrarch Herod Antipas, who, to her stepfather's dismay but mother's delight, requests the head of Jokanaan (John the Baptist) on a silver platter as a reward for dancing the Dance of the Seven Veils. Wilde, who had first set out to irritate Victorian society with his dress and talking points finally found a way to critique society on its own terms. Lady Windermere's Fan was first performed on 20 February 1892 at St James Theatre, packed with the cream of society. The play was enormously popular, touring the country for months, but largely thrashed by conservative critics. He wrote The Picture of Dorian Gray, and the plays Salomé, The Importance of Being Earnest, An Ideal Husband, and Lady Windermere's Fan. Wilde was bisexual. He was married, and had two children. Wilde's lover was the son of the Marquess of Queensbury, who was known for his outspoken atheism, brutish manner and creation of the modern rules of boxing. Queensberry, who feuded regularly with his son, confronted Wilde and Lord Alfred as to the nature of their relationship. He said: "If I catch you and my son again in any public restaurant I will thrash you" His downfall At the height of his fame and success Wilde sued his lover's father for libel. After a series of trials, Wilde was convicted of gross indecency with other men and sentenced to two years of hard labour in Reading Goal (jail). In prison he wrote De Profundis, a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. Upon his release he left immediately for France, never to return to the British Isles. There he wrote his last work, The Ballad of Reading Gaol, a long poem commemorating prison life. Living in a Paris hotel, he was destitute, with little money and few friends. His last memorable words were: "My wallpaper and I are fighting a duel to the death. One of us has got to go". He died of cerebral meningitis at the age of forty-six. The Picture of Dorian Gray is the only published book written by Oscar Wilde. It was first published in Lippincott's Monthly Magazine. The Picture of Dorian Gray is about a young man named Dorian Gray who has a portrait painted of himself. The artist, Basil Hallward, thinks that Dorian Gray is very beautiful, and becomes obsessed with him. One day in Basil's garden, Dorian Gray meets a man named Lord Henry Wotton. Lord Henry Wotton makes Dorian Gray believe that the only thing important in life is beauty. However, he realizes that as he grows older, he will become less beautiful. He wishes that the portrait Basil painted would become old in his place. Dorian then sells his soul so that he can be beautiful forever. Dorian's wish comes true. However, every time he does something bad, mean, or selfish, his picture ages. For 18 years, Dorian does not age. He does many bad things, and his portrait becomes more and more aged. However, one day he decides to stop doing bad things. He hopes that this will make his portrait become beautiful again, but it only makes it worse. Dorian thinks that only a full confession will make the portrait become beautiful again. However, he does not feel guilty for anything he has done. So Dorian picks up a knife and stabs the portrait.When his servants hear a scream come from Dorian's room, they call the police. The police find Dorian's body on the floor with a stab wound in his heart. His body has become very aged. However, the portrait has returned to the way it was when it was first painted.

Neo-romanticism emerged strongly in the period from about 1880 to about 1910, in Britain. Characteristic themes include longing for perfect love, utopian landscapes, nature reclaiming ruins, romantic death, and history-in-landscape. A more persuasive criticism is that neo-romanticism lacks an adequate conception of evil in the modern world.Neo-romanticism tended to shed somewhat the emphasis of Romanticism on 'the hero' and romantic nationalism. This was particularly so in the decades after both of the world wars. Joseph Rudyard Kipling was an English short-story writer, poet, and novelist chiefly remembered for his celebration of British imperialism, tales and poems of British soldiers in India, and his tales for children. Kipling received the Nobel Prize for Literature in 1907. Traveled a lot, In London, had several stories accepted by various magazine editors. He also found a place to live for the next two years, then he produced, in addition to the Jungle Books, the short story collection The Day's Work, the novel Captains Courageous, and a profusion of poetry, including the volume The Seven Seas. He enjoyed writing the Jungle Books—both masterpieces of imaginative writing—and enjoyed too corresponding with the many children who wrote to him about them. Two poems, "Recessional" (1897) and "The White Man's Burden" were regarded by others as propaganda for brazenfaced imperialism and its attendant racial attitudes; still others saw irony in the poems and warnings of the perils of empire. A prolific writer—nothing about his work was easily labelled—during his time in Torquay, he also wrote Stalky & Co., a collection of school whose juvenile protagonists displayed a know-it-all, cynical outlook on patriotism and authority. According to his family, Kipling enjoyed reading aloud stories from Stalky & Co. to them, and often went into spasms of laughter over his own jokes. His children's stories remain popular; and his Jungle Books have been made into several movies. The first was made by producer Alexander Korda, and other films have been produced by the Walt Disney Company. A number of his poems were set to music by Percy Grainger. A series of short films based on some of his stories was broadcast by the BBC in 1964. Kipling's work continues to be highly popular today. His poem "If—" was voted The Nation's Favourite Poem in a BBC 1995 opinion poll. Robert Louis Balfour Stevenson - was a Scottish novelist, poet, essayist and travel writer. His best-known books include Treasure Island, Kidnapped, and the Strange Case of Dr Jekyll and Mr Hyde. Stevenson made friends with two people who were to be of great importance to him, Sidney Colvin and Fanny (Frances Jane) Sitwell. Sitwell was a woman of thirty four with a young son who was separated from her husband. Stevenson's first paid contribution is an essay entitled "Roads," in The Portfolio. All his energies were now spent in travel and writing. One of his journeys, a canoe voyage in Belgium and France with Sir Walter Simpson, a friend from the Speculative Society and frequent travel companion, was the basis of his first real book, An Inland Voyage. Fanny Vandegrift Osbourne inspired him on essay, "On falling in love". For 7 years Stevenson searched in vain for a place of residence suitable to his state of health. In spite of his ill health, he produced the bulk of his best-known work during these years: Treasure Island, his first widely popular book; Kidnapped; Strange Case of Dr Jekyll and Mr Hyde, the story which established his wider reputation; The Black Arrow; and two volumes of verse, A Child's Garden of Verses and Underwoods. "The proudest moments of my life," he wrote, "have been passed in the stern-sheets of a boat with that romantic garment over my shoulders." Stevenson purchased four hundred acres (about 1.6 square kilometres) of land in Upolu, one of the Samoan islands. Stevenson was loved by the Samoans and the engraving on his tombstone was translated to a Samoan song of grief.

Herbert George Wells was an English author, now best known for his work in the science fiction genre. He was also a prolific writer in many other genres, including contemporary novels, history, politics and social commentary, even writing text books. Together with Jules Verne, Wells has been referred to as "The Father of Science Fiction". Wells was an outspoken socialist and sympathetic to pacifist views, although he supported the First World War once it was under way, and his later works became increasingly political and didactic. His middle-period novels (1900–1920) were less science-fictional; they covered lower-middle class life. "I was never a great amorist", Wells wrote in Experiment in Autobiography (1934), "though I have loved several people very deeply." Some of his books are interesting for their hits (trains and cars resulting in the dispersion of population from cities to suburbs; moral restrictions declining as men and women seek greater sexual freedom; the defeat of German militarism, and the existence of a European Union) and its misses (he did not expect successful aircraft before 1950, and averred that "my imagination refuses to see any sort of submarine doing anything but suffocate its crew and founder at sea"), radioactive decay. From quite early in his career, he sought a better way to organise society, and wrote a number of Utopian novels. The first of these was A Modern Utopia (1905), which shows a worldwide utopia with "no imports but meteorites, and no exports at all"; two travellers from our world fall into its alternate history. The others usually begin with the world rushing to catastrophe, until people realise a better way of living: whether by mysterious gases from a comet causing people to behave rationally and abandoning a European war (In the Days of the Comet (1906)), or a world council of scientists taking over, as in The Shape of Things to Come (1933, which he later adapted for the 1936 Alexander Korda film, Things to Come). This depicted, all too accurately, the impending World War, with cities being destroyed by aerial bombs. He also portrayed the rise of fascist dictators in The Autocracy of Mr Parham (1930) and The Holy Terror (1939), though in the former novel, the tale is revealed at the end to have been Mr Parham's dream vision. Wells contemplates the ideas of nature versus nurture and questions humanity in books such as The Island of Doctor Moreau. Not all his scientific romances ended in a happy Utopia, and in fact, Wells also wrote the first dystopia novel, When the Sleeper Wakes (1899, rewritten as The Sleeper Awakes, 1910), which pictures a future society where the classes have become more and more separated, leading to a revolt of the masses against the rulers. The Island of Doctor Moreau is even darker. The narrator, having been trapped on an island of animals vivisected (unsuccessfully) into human beings, eventually returns to England; like Gulliver on his return from the Houyhnhnms, he finds himself unable to shake off the perceptions of his fellow humans as barely civilised beasts, slowly reverting back to their animal natures. George Bernard Shaw an Irish playwright and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his main talent was for drama, and he wrote more than 60 plays. Nearly all his writings deal sternly with prevailing social problems, but have a vein of comedy to make their stark themes more palatable. Shaw examined education, marriage, religion, government, health care, and class privilege.He was most angered by what he perceived as the exploitation of the working class, and most of his writings censure that abuse. An ardent socialist, Shaw wrote many brochures and speeches for the Fabian Society. He became an accomplished orator in the furtherance of its causes, which included gaining equal rights for men and women, alleviating abuses of the working class, rescinding private ownership of productive land, and promoting healthy lifestyles. William Morris - was an English textile designer, artist, writer, and socialist associated with the Pre-Raphaelite Brotherhood and the English Arts and Crafts Movement. Morris wrote and published poetry, fiction, and translations of ancient and medieval texts throughout his life. Morris begun to take an active interest in politics, abandoned the Liberal Party and advanced into socialist politics. his creative efforts sprang from his socialist politics. In March 1883 he gave an address at Manchester on "Art, Wealth and Riches"; in May he was elected upon the executive of the federation. In September he wrote the first of his "Chants for Socialists." About the same time he shocked the authorities by pleading in University Hall for the wholesale support of socialism among the undergraduates at Oxford. Morris himself being perhaps the greatest British representative of what has come to be called libertarian socialism. William Somerset Maugham English playwright, novelist and short story writer. He was among the most popular writers of his era and, reputedly, the highest paid author during the 1930s Maugham was miserable both at the vicarage and at school. As a result, he developed a talent for making wounding remarks to those who displeased him. This ability is sometimes reflected in Maugham's literary characters. He recalled the literary value of what he saw as a medical student: "I saw how men died. I saw how they bore pain. I saw what hope looked like, fear and relief ..." Of Human Bondage (1915) initially received adverse criticism both in England and America, with the New York World describing the romantic obsession of the main protagonist Philip Carey as "the sentimental servitude of a poor fool".

The "Lost Generation" is a term used to refer to the generation, actually an age cohort, that came of age during World War I. The term was popularized by Ernest Hemingway who used it as one of two contrasting epigraphs for his novel, "The Sun Also Rises."

Fantasy . Stories involving magic, paranormal magic and terrible monsters have existed in spoken forms before the advent of printed literature. Homer's Odyssey satisfies the definition of the fantasy genre with its magic, gods, heroes, adventures and monsters. Fantasy literature, as a distinct type, emerged in Victorian times, with the works of writers such as William Morris and George MacDonald. J. R. R. Tolkien played a large role in the popularization of the fantasy genre with his highly successful publications The Hobbit and The Lord of the Rings. Tolkien was largely influenced by an ancient body of Anglo-Saxon myths, particularly Beowulf, as well as modern works such as The Worm Ouroboros by E. R. Eddison. It was after the publication of his work that the genre began to receive the moniker "fantasy" (often applied retroactively to the works of Eddison, Carroll, Howard, et al.). Tolkien's close friend C. S. Lewis, author of The Chronicles of Narnia and a fellow English professor with a similar array of interests, also helped to publicize the fantasy genre. John Ronald Reuel Tolkien is an English writer, poet, philologist, and university professor, best known as the author of the classic high fantasy works which form a connected body of tales, poems, fictional histories, invented languages, and literary essays about an imagined world called Arda, and Middle-earth. This has caused Tolkien to be popularly identified as the "father" of modern fantasy literature[6][7]—or, more precisely, of high fantasy. Beginning with The Book of Lost Tales, written while recuperating from illnesses contracted during The Battle of the Somme, Tolkien devised several themes that were reused in successive drafts of his legendarium. The two most prominent stories, the tale of Beren and Lúthien and that of Túrin, were carried forward into long narrative poems (published in The Lays of Beleriand). Tolkien wrote a brief "Sketch of the Mythology" which included the tales of Beren and Lúthien and of Túrin, and that sketch eventually evolved into the Quenta Silmarillion, an epic history that Tolkien started three times but never published. Tolkien desperately hoped to publish it along with The Lord of the Rings, but publishers (both Allen & Unwin and Collins) got cold feet. In addition to his mythopoeic compositions, Tolkien enjoyed inventing fantasy stories to entertain his children.[136] He wrote annual Christmas letters from Father Christmas for them, building up a series of short stories (later compiled and published as The Father Christmas Letters). Other stories included Mr. Bliss and Roverandom (for children), and Leaf by Niggle (part of Tree and Leaf), The Adventures of Tom Bombadil, On Fairy-Stories, Smith of Wootton Major and Farmer Giles of Ham. Roverandom and Smith of Wootton Major, like The Hobbit, borrowed ideas from his legendarium.The Hobbit.Tolkien never expected his stories to become popular, but by sheer accident a book called The Hobbit, which he had written some years before for his own children, came in 1936 to the attention of Susan Dagnall, an employee of the London publishing firm George Allen & Unwin, who persuaded Tolkien to submit it for publication. However, the book attracted adult readers as well as children, and it became popular enough for the publishers to ask Tolkien to produce a sequel.The Lord of the Rings. Even though he felt uninspired, the request for a sequel prompted Tolkien to begin what would become his most famous work: the epic novel The Lord of the Rings (originally published in three volumes 1954–1955). Tolkien spent more than ten years writing the primary narrative and appendices for The Lord of the Rings, during which time he received the constant support of the Inklings, in particular his closest friend Lewis, the author of The Chronicles of Narnia. Both The Hobbit and The Lord of the Rings are set against the background of The Silmarillion, but in a time long after it.Tolkien at first intended The Lord of the Rings to be a children's tale in the style of The Hobbit, but it quickly grew darker and more serious in the writing.[137] Though a direct sequel to The Hobbit, it addressed an older audience, drawing on the immense back story of Beleriand that Tolkien had constructed in previous years, and which eventually saw posthumous publication in The Silmarillion and other volumes. Tolkien's influence weighs heavily on the fantasy genre that grew up after the success of The Lord of the Rings.The Lord of the Rings became immensely popular in the 1960s and has remained so ever since, ranking as one of the most popular works of fiction of the 20th century, judged by both sales and reader surveys.[138] In the 2003 "Big Read" survey conducted by the BBC, The Lord of the Rings was found to be the "Nation's Best-loved Book". Australians voted The Lord of the Rings "My Favourite Book" in a 2004 survey conducted by the Australian ABC.[139] In a 1999 poll of Amazon.com customers, The Lord of the Rings was judged to be their favourite "book of the millennium".[140] In 2002 Tolkien was voted the 92nd "greatest Briton" in a poll conducted by the BBC, and in 2004 he was voted 35th in the SABC3's Great South Africans, the only person to appear in both lists. His popularity is not limited to the English-speaking world: in a 2004 poll inspired by the UK's "Big Read" survey, about 250,000 Germans found The Lord of the Rings to be their favourite work of literature.

Literary postmodernism was officially inaugurated in the United States with the first issue of boundary 2, subtitled "Journal of Postmodern Literature and Culture", which appeared in 1972. David Antin, Charles Olson, John Cage, and the Black Mountain College school of poetry and the arts were integral figures in the intellectual and artistic exposition of postmodernism at the time. Although Jorge Luis Borges and Samuel Beckett are sometimes seen as important influences, novelists who are commonly counted to postmodern literature include William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Donald Barthelme, E.L. Doctorow, Jerzy Kosinski, Don DeLillo, Thomas Pynchon, Ishmael Reed, Kathy Acker, Ana Lydia Vega, and Paul Auster. Postmodernists generally challenge the notion that imperialism is primarily economic and place a greater stress on cultural and social exploitation. Originating in continental Europe in the mid 20th century postmodernists emphasise the essentially pluralistic nature of society as people move away from a dependency on manufacturing and industry for economic and social status. This shift in focus is a reason for praise from scholars as it gives a 'respect for difference', incorporating the views of the Western population on the ground often overlooked by other theorists (Griffiths and O'Callaghan, 2004). They thus argue that anti-imperialism must involve the promotion of non-dominant cultures as well as non-dominant economic interests. Postcolonial literature is a body of literary writings that reacts to the discourse of colonization. Post-colonial literature often involves writings that deal with issues of de-colonization or the political and cultural independence of people formerly subjugated to colonial rule. It is also a literary critique to texts that carry racist or colonial undertones. Postcolonial literature, finally in its most recent form, also attempts to critique the contemporary postcolonial discourse that has been shaped over recent times. It attempts to re-read this very emergence of postcolonialism and its literary expression itself. The author Jean Rhys made a significant contribution to postcolonial literature in her novel Wide Sargasso Sea, which describes a Creole (mixed-race) woman whose white British husband maltreats her based on his perceptions of her racial heritage. The Canadian writer Margaret Atwood is also a post-colonial writer who dealt with themes of identity-seeking through her Southern Ontario Gothic style of writing. Postcolonial literature can be identified by its discussion of cultural identity. The piece of literature, be it a novel, poem, short story etc. may be about the change that has taken place or question the current change. Postcolonial literature tends to ask the question: Now that they’ve finally achieved independence, what can they do? After so much change has taken place, their culture cannot return to its original state. Postcolonial literature tends to answer the following question: Should there be an attempt to restore the original culture, conformity to the culture presented by the settlers or the creation of a new culture which combines both? If a novel answers and explores any of the above questions it may be considered postcolonial literature. When trying to identify post colonial literature, it is important to recognize whether the ex-colony in question is actually independent or considered independent, but reliant on its former colonist. Henry Graham Greene was an English author, playwright and literary critic. His works explore the ambivalent moral and political issues of the modern world. Greene was notable for his ability to combine serious literary acclaim with widespread popularity. Several works such as The Confidential Agent, The Third Man, The Quiet American, Our Man in Havana and The Human Factor also show an avid interest in the workings of international politics and espionage. Greene suffered from bipolar disorder, which had a profound effect on his writing and personal life. In a letter to his wife Vivien he told her that he had "a character profoundly antagonistic to ordinary domestic life", and that "unfortunately, the disease is also one's material". Greene originally divided his fiction into two genres: thrillers (mystery and suspense books), such as The Ministry of Fear, which he described as entertainments, often with notable philosophic edges, and literary works, such as The Power and the Glory, which he described as novels, on which he thought his literary reputation was to be based. As his career lengthened, both Greene and his readers found the distinction between entertainments and novels increasingly problematic. The last book Greene termed an entertainment was Our Man in Havana in 1958. When Travels with My Aunt was published eleven years later, many reviewers noted that Greene had designated it a novel, even though, as a work decidedly comic in tone, it appeared closer to his last two entertainments, Loser Takes All and Our Man in Havana, than to any of the novels. Greene also wrote short stories and plays, which were well-received, although he was always first and foremost a novelist. He collected the 1948 James Tait Black Memorial Prize for The Heart of the Matter. In 1986, he was awarded Britain's Order of Merit. The literary style of Graham Greene was described by Evelyn Waugh in Commonweal as "not a specifically literary style at all. The words are functional, devoid of sensuous attraction, of ancestry, and of independent life". Commenting on this lean, realistic prose and its readability, Richard Jones wrote in the Virginia Quarterly Review that "nothing deflects Greene from the main business of holding the reader's attention." His novels often have religious themes at the centre. In his literary criticism he attacked the modernist writers Virginia Woolf and E. M. Forster, for having lost the religious sense, which, he argued, resulted in dull, superficial characters, who "wandered about like cardboard symbols through a world that is paper-thin". Only in recovering the religious element, the awareness of the drama of the struggle in the soul carrying the infinite consequences of salvation and damnation, and of the ultimate metaphysical realities of good and evil, sin and divine grace, could the novel recover its dramatic power. Suffering and unhappiness are omnipresent in the world Greene depicts; and Catholicism is presented against a background of unvarying human evil, sin, and doubt. he novels often powerfully portray the Christian drama of the struggles within the individual soul from the Catholic perspective. Greene was criticised for certain tendencies in an unorthodox direction — in the world, sin is omnipresent to the degree that the vigilant struggle to avoid sinful conduct is doomed to failure, hence not central to holiness. The better he came to know the socio-political realities of the third world where he was operating, and the more directly he came to be confronted by the rising tide of revolution in those countries, the more his doubts regarding the imperialist cause grew, and the more his novels shifted away from any identification with the latter."[22] The supernatural realities that haunted the earlier work declined and were replaced by a humanistic perspective, a change reflected in his public criticism of orthodox Catholic teaching. Left-wing political critiques assumed greater importance in his novels: for example, years before the Vietnam War, in The Quiet American he prophetically attacked the naive and counterproductive attitudes that were to characterize American policy in Vietnam.

George Orwell was an English author and journalist. His work is marked by keen intelligence and wit, a profound awareness of social injustice, an intense, revolutionary opposition to totalitarianism, a passion for clarity in language and a belief in democratic socialism. Considered perhaps the twentieth century's best chronicler of English culture,Orwell wrote fiction, polemical journalism, literary criticism and poetry. He is best known for the dystopian novel Nineteen Eighty-Four (published in 1949) and the satirical novella Animal Farm (1945). Orwell's influence on contemporary culture, popular and political, continues. Several of his neologisms, along with the term Orwellian, now a byword for any draconian or manipulative social phenomenon or concept inimical to a free society, have entered the vernacular. During most of his career, Orwell was best known for his journalism, in essays, reviews, columns in newspapers and magazines and in his books of reportage: Down and Out in Paris and London (describing a period of poverty in these cities), The Road to Wigan Pier (describing the living conditions of the poor in northern England, and the class divide generally) and Homage to Catalonia. Modern readers are more often introduced to Orwell as a novelist, particularly through his enormously successful titles Animal Farm and Nineteen Eighty-Four. The former is often thought to reflect degeneration in the Soviet Union after the Russian Revolution and the rise of Stalinism; the latter, life under totalitarian rule. Nineteen Eighty-Four is often compared to Brave New World by Aldous Huxley; both are powerful dystopian novels warning of a future world where the state machine exerts complete control over social life. In his essay Politics and the English Language (1946), Orwell wrote about the importance of honest and clear language and said that vague writing can be used as a powerful tool of political manipulation. In Nineteen Eighty-Four he described how the state controlled thought by controlling language, making certain ideas literally unthinkable. The adjective Orwellian refers to the frightening world of Nineteen Eighty-Four, in which the state controls thought and misinformation is widespread. Several words and phrases from Nineteen Eighty-Four have entered popular language. Newspeak is a simplified and obfuscatory language designed to make independent thought impossible. Doublethink means holding two contradictory beliefs simultaneously. The Thought Police are those who suppress all dissenting opinion. Prolefeed is homogenized, manufactured superficial literature, film and music, used to control and indoctrinate the populace through docility. Big Brother is a supreme dictator who watches everyone. From Orwell's novel Animal Farm comes the sentence, "All animals are equal, but some animals are more equal than others", describing theoretical equality in a grossly unequal society. In "Politics and the English Language", Orwell provides six rules for writers:

Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out, always cut it out.Never use the passive where you can use the active. Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.Break any of these rules sooner than say anything outright barbarous.

Sir William Gerald Golding was a British novelist, poet, playwright and Nobel Prize for Literature laureate, best known for his novel Lord of the Flies. He was also awarded the Booker Prize for literature in 1980 for his novel Rites of Passage, the first book of the trilogy To the Ends of the Earth. Golding's often allegorical fiction makes broad use of allusions to classical literature, mythology, and Christian symbolism. No distinct thread unites his novels (unless it be a fundamental pessimism about humanity), and the subject matter and technique vary. However his novels are often set in closed communities such as islands, villages, monasteries, groups of hunter-gatherers, ships at sea or a pharaoh's court. His first novel, Lord of the Flies (1954; film, 1963 and 1990; play, adapted by Nigel Williams, 1995), dealt with an unsuccessful struggle against barbarism and war, thus showing the ambiguity and fragility of civilization. It has also been said that it is an allegory of World War II. The Inheritors (1955) looked back into prehistory, advancing the thesis that humankind's evolutionary ancestors, "the new people" (generally identified with Homo sapiens sapiens), triumphed over a gentler race (generally identified with Neanderthals) as much by violence and deceit as by natural superiority. The Spire 1964 follows the building (and near collapse) of a huge spire onto a medieval cathedral church (generally assumed to be Salisbury Cathedral); the church and the spire itself act as a potent symbols both of the dean's highest spiritual aspirations and of his worldly vanities. His 1954 novel Pincher Martin concerns the last moments of a sailor thrown into the north Atlantic after his ship is attacked. The structure is echoed by that of the later Booker Prize winner by Yann Martel, Life of Pi. The 1967 novel The Pyramid comprises three separate stories linked by a common setting (a small English town in the 1920s) and narrator. The Scorpion God (1971) is a volume of three novellas set in a prehistoric African hunter-gatherer band ('Clonk, Clonk'), an ancient Egyptian court ('The Scorpion God') and the court of a Roman emperor ('Envoy Extraordinary'). The last of these is a reworking of his 1958 play The Brass Butterfly.Golding's later novels include Darkness Visible (1979), The Paper Men (1984), and the comic-historical sea trilogy To the Ends of the Earth (BBC TV 2005), comprising the Booker Prize-winning Rites of Passage (1980), Close Quarters (1987), and Fire Down Below (1989). John Robert Fowles During late 1960, though he had already drafted The Magus, Fowles began working on The Collector. He finished his first draft in a month, but spent more than a year making revisions before showing it to his agent. Michael S. Howard, the publisher at Jonathan Cape was enthusiastic about the manuscript. The book was published during 1963 and when the paperback rights were sold in the spring of that year it was "probably the highest price that had hitherto been paid for a first novel," according to Howard. The success of his novel meant that Fowles was able to stop teaching and devote himself full-time to a literary career. The Collector was also optioned and became a film in 1965.Against the counsel of his publisher, Fowles insisted that his second book published be The Aristos, a non-fiction collection of philosophy. Afterward, he set about collating all the drafts he had written of what would become his most studied work, The Magus (1965), based in part on his experiences in Greece.During 1965 Fowles left London, moving to a farm, Underhill, in Dorset, where the isolated farm house became the model for "The Dairy" in the book Fowles was then writing, The French Lieutenant's Woman (1969). The farm was too remote, "total solitude gets a bit monotonous," Fowles remarked, and during 1968 he and his wife moved to Lyme Regis in Dorset, where he lived in Belmont House, also used as a setting for parts of The French Lieutenant's Woman. In the same year, he adapted The Magus for cinema. The film version of The Magus (1968) was generally considered awful; when Woody Allen was asked whether he'd make changes in his life if he had the opportunity to do it all over again, he jokingly replied he'd do "everything exactly the same, with the exception of watching The Magus." The French Lieutenant's Woman was made into a film during 1981 with a screenplay by the British playwright Harold Pinter (subsequently a Nobel laureate in Literature) and was nominated for an Oscar. Fowles lived the rest of his life in Lyme Regis. His works The Ebony Tower (1974), Daniel Martin (1977), Mantissa (1981), and A Maggot (1985) were all written from Belmont House. Fowles became a member of the Lyme Regis community, serving as the curator of the Lyme Regis Museum from 1979–1988, retiring from the museum after having a mild stroke. Fowles was involved occasionally in politics in Lyme Regis, and occasionally wrote letters to the editor advocating preservation. Despite this involvement, Fowles was generally considered reclusive.[13] In 1998, he was quoted in the New York Times Book Review as saying, "Being an atheist is a matter not of moral choice, but of human obligation." Fowles, with his second wife Sarah by his side, died in Axminster Hospital, 5 miles from Lyme Regis on 5 November 2005.

Early Americans, who set their faces to one of the most heroic tasks ever undertaken by man, were too busy with great deeds inspired by the ideal of liberty to find leisure for the epic or drama in which the deeds and the ideal should be worthily reflected. They left that work of commemoration to others, and they are still waiting patiently for their poet. Meanwhile we read the straightforward record which they left as their only literary memorial, not as we read the imaginative story of Beowulf or Ulysses, but for the clear light of truth which it sheds upon the fathers and mothers of a great nation. The literature of the Revolution is dominated by political and practical interests; it deals frankly with this present world, aims to find the best way through its difficulties, and so appears in marked contrast with the theological bent and pervasive "other worldliness" of Colonial writings. BENJAMIN FRANKLIN. Standing between the two eras, and marking the transition from spiritual to practical interests, is Benjamin Franklin (1706-1790), a "self-made" man, who seems well content with his handiwork. During the latter part of his life and for a century after his death he was held up to young Americans as a striking example of practical wisdom and worldly success.The narrative of Franklin’s patriotic service belongs to political rather than to literary history; for though his pen was busy for almost seventy years, during which time he produced an immense amount of writing, his end was always very practical rather than aesthetic; that is, he aimed to instruct rather than to please his readers. Only one of his works is now widely known, the incomplete Autobiography, which is in the form of a letter telling a straightforward story of Franklin’s early life, of the disadvantages under which he labored and the industry by which he overcame them. For some reason the book has become a "classic" in our literature, and young Americans are urged to read it; though they often show an independent taste by regarding it askance. As an example of what may be accomplished by perseverance, and as a stimulus to industry in the prosaic matter of getting a living, it doubtless has its value; but one will learn nothing of love or courtesy or reverence or loyalty to high ideals by reading it; neither will one find in its self-satisfied pages any conception of the moral dignity of humanity or of the infinite value of the human soul. The chief trouble with the Autobiography and most other works of Franklin is that in them mind and matter, character and reputation, virtue and prosperity, are for the most part hopelessly confounded.On the other hand, there is a sincerity, a plain directness of style in the writings of Franklin which makes them pleasantly readable. Unlike some other apostles of "common sense" he is always courteous and of a friendly spirit; he seems to respect the reader as well as himself and, even in his argumentative or humorous passages, is almost invariably dignified in expression. The poetry of the Revolution, an abundant but weedy crop, was badly influenced by two factors: by the political strife between Patriots and Loyalists, and by the slavish imitation of Pope and other formalists who were then the models for nearly all versifiers on both sides of the Atlantic. The former influence appears in numerous ballads or narrative poems, which were as popular in the days of Washington as ever they were in the time of Robin Hood. Every important event of the Revolution was promptly celebrated in verse; but as the country was then sharply divided, almost every ballad had a Whig or a Tory twist to it. In consequence we must read two different collections, such as Moore’s Songs and Ballads of the American Revolution and Sargent’s Loyalist Poetry of the Revolution, for supplementary views of the same great struggle. By far the best poet of the Revolution was Philip Freneau (1752-1832). In his early years he took Milton instead of Pope for his poetic master; then, as his independence increased, he sought the ancient source of all poetry in the feeling of the human heart in presence of nature or human nature. In such poems as "The House of Night," "Indian Burying Ground," "Wild Honeysuckle," "Eutaw Springs," "Ruins of a Country Inn" and a few others in which he speaks from his own heart, he anticipated the work of Wordsworth, Coleridge and other leaders of what is now commonly known as the romantic revival in English poetry.

When the Revolution drew on apace Freneau abandoned his poetic dream and exercised a ferocious talent for satiric verse in lashing English generals, native Tories, royal proclamations and other matters far removed from poetry. In later years he wrote much prose also, and being a radical and outspoken democrat he became a thorn in the side of Washington and the Federal party. The bulk of his work, both prose and verse, is a red-peppery kind of commentary on the political history of the age in which he lived.

Those who imagine that American fiction began with Irving or Cooper or Poe, as is sometimes alleged, will be interested to learn of Susanna Rowson (daughter of an English father and an American mother), whose later stories, at least, belong to our literature. In 1790 she published Charlotte Temple, a romance that was immensely popular in its own day and that has proved far more enduring than any modern "best seller." Washington Irving was an American author, essayist, biographer and historian of the early 19th century. He was best known for his short stories "The Legend of Sleepy Hollow" and "Rip Van Winkle", both of which appear in his book The Sketch Book of Geoffrey Crayon, Gent. His historical works include biographies of George Washington, Oliver Goldsmith and Muhammad, and several histories of 15th-century Spain dealing with subjects such as Christopher Columbus, the Moors, and the Alhambra. He made his literary debut in 1802 with a series of observational letters to the Morning Chronicle, written under the pseudonym Jonathan Oldstyle. After moving to England for the family business in 1815, he achieved international fame with the publication of The Sketch Book of Geoffrey Crayon, Gent. in 1819. He continued to publish regularly—and almost always successfully—throughout his life, and completed a five-volume biography of George Washington just eight months before his death, at age 76, in Tarrytown, New York.Irving, along with James Fenimore Cooper, was among the first American writers to earn acclaim in Europe, and Irving encouraged American authors. As America's first genuine internationally best-selling author, Irving advocated for writing as a legitimate profession, and argued for stronger laws to protect American writers from copyright infringement. A very pleasant writer is Irving, a man of romantic and somewhat sentimental disposition, but sound of motive, careful of workmanship, invincibly cheerful of spirit. The genial quality of his work may be due to the fact that from joyous boyhood to serene old age he did very much as he pleased, that he lived in what seemed to him an excellent world and wrote with no other purpose than to make it happy. In summarizing his career an admirer of Irving is reminded of what the Book of Proverbs says of wisdom: "Her ways are ways of pleasantness, and all her paths are peace.’The historian sees another side of Irving’s work. Should it be asked, "What did he do that had not been as well or better done before him?" the first answer is that the importance of any man’s work must be measured by the age in which he did it. A schoolboy now knows more about electricity than ever Franklin learned; but that does not detract from our wonder at Franklin’s kite. So the work of Irving seems impressive when viewed against the gray literary dawn of a century ago. At that time America had done a mighty work for the world politically, but had added little of value to the world’s literature. She read and treasured the best books; but she made no contribution to their number, and her literary impotence galled her sensitive spirit. As if to make up for her failure, the writers of the Knickerbocker, Charleston and other "schools" praised each other’s work extravagantly; but no responsive echo came from overseas, where England’s terse criticism of our literary effort was expressed in the scornful question, "Who reads an American book?"Irving answered that question effectively when his Sketch Book, Bracebridge Hall and Tales of a Traveller found a multitude of delighted readers on both sides of the Atlantic. His graceful style was hardly rivaled by any other writer of the period; and England, at a time when Scott and Byron were playing heroic parts, welcomed him heartily to a place on the literary stage. Thus he united the English and the American reader in a common interest and, as it were, charmed away the sneer from one face, the resentment from the other. He has been called "father of our American letters" for two reasons: because he was the first to win a lasting literary reputation at home and abroad, and because of the formative influence which his graceful style and artistic purpose have ever since exerted upon our prose writers.LIFE. Two personal characteristics appear constantly in Irving’s work: the first, that he was always a dreamer, a romance seeker; the second, that he was inclined to close his eyes to the heroic present and open them wide to the glories, real or imaginary, of the remote past. Though he lived in an American city in a day of mighty changes and discoveries, he was far less interested in the modern New York than in the ancient New Amsterdam; and though he was in Europe at the time of the Napoleonic wars, he apparently saw nothing of them, being then wholly absorbed in the battles of the long-vanished Moors. Only once, in his books of western exploration, did he seriously touch the vigorous life of his own times; and critics regard these books as the least important of all his works. James Fenimore Cooper was a prolific and popular American writer of the early 19th century. He is best remembered as a novelist who wrote numerous sea-stories and the historical novels known as the Leatherstocking Tales, featuring frontiersman Natty Bumppo. Among his most famous works is the Romantic novel The Last of the Mohicans, often regarded as his masterpiece. e anonymously published his first book, Precaution (1820). He soon issued several others. In 1823, he published The Pioneers; this was the first of the Leatherstocking series, featuring Natty Bumppo, the resourceful American woodsman at home with the Delaware Indians and especially their chief Chingachgook. Cooper's most famous novel, Last of the Mohicans (1826), became one of the most widely read American novels of the 19th century. The book was written in New York City, where Cooper and his family lived . Then Cooper moved his family to Europe, where he sought to gain more income from his books as well as provide better education for his children. While overseas he continued to write. His books published in Paris include The Red Rover and The Water Witch—two of his many sea stories. As a writer he began without study or literary training, and was stilted or slovenly in most of his work. He was prone to moralize in the midst of an exciting narrative; he filled countless pages with "wooden" dialogue; he could not portray a child or a woman or a gentleman, though he was confident that he had often done so to perfection. He did not even know Indians or woodcraft, though Indians and woodcraft account for a large part of our interest in his forest romances.

One may enjoy a good story, however, without knowing or caring for its author’s peculiarities, and the vast majority of readers are happily not critical but receptive. Hence if we separate the man from the author, and if we read The Red Rover or The Last of the Mohicans "just for the story," we shall discover the source of Cooper’s power as a writer. First of all, he has a tale to tell, an epic tale of heroism and manly virtue. Then he appeals strongly to the pioneer spirit, which survives in all great nations, and he is a master at portraying wild nature as the background of human life. The vigor of elemental manhood, the call of adventure, the lure of primeval forests, the surge and mystery of the sea,--these are written large in Cooper’s best books. They make us forget his faults of temper or of style, and they account in large measure for his popularity with young readers of all nations; for he is one of the few American writers who belong not to any country but to humanity. At present he is read chiefly by boys; but half a century or more ago he had more readers of all classes and climes than any other writer in the world.

Poe offers a hard nut for criticism to crack. The historian is baffled by an author who secretes himself in the shadow, or perplexed by conflicting biographies, or put on the defensive by the fact that any positive judgment or opinion of Poe will almost certainly be challenged. At the outset, therefore, we are to assume that Poe is one of the most debatable figures in our literature. His life may be summed up as a pitiful struggle for a little fame and a little bread. When he died few missed him, and his works were neglected. Following his recognition in Europe came a revival of interest here, during which Poe was absurdly overpraised and the American people berated for their neglect of a genius. Then arose a literary controversy which showed chiefly that our critics were poles apart in their points of view. Though the controversy has long endured, it has settled nothing of importance; for one reader regards Poe as a literary poseur, a writer of melodious nonsense in verse and of grotesque horrors in prose; while another exalts him as a double master of poetry and fiction, an artist without a peer in American letters. Somewhere between these extremes hides the truth; but we shall not here attempt to decide whether it is nearer one side or the other. We note merely that Poe is a writer for such mature readers as can appreciate his uncanny talent. What he wrote of abiding interest or value to young people might be printed in a very small book.BIOGRAPHICAL SKETCH. Notwithstanding all that has been written about Poe, we do not and cannot know him as we know most other American authors, whose lives are as an open book. He was always a secretive person, "a lover of mystery and retreats," and such accounts of his life as he gave out are not trustworthy. He came from a good Maryland family, but apparently from one of those offshoots that are not true to type. His literary career began in 1833 when his "Manuscript Found in a Bottle" won for him a prize offered by a weekly newspaper. The same "Manuscript" brought him to the attention of John Pendleton Kennedy, who secured for him a position on the staff of the Southern Literary Messenger. He then settled in Richmond, and in his grasp was every thing that the heart of a young author might desire. He had married his cousin, Virginia Clem, a beautiful young girl whom he idolized; he had a comfortable home and an assured position; Kennedy and other southern writers were his loyal friends; the Messenger published his work and gave him a reputation in the literary world of America. Fortune stood smiling beside him, when he quarreled with his friends, left the Messenger and began once more his struggle with poverty and despair. Most people read Poe’s poetry for the melody that is in it. To read it in any other way, to analyze or explain its message, is to dissect a butterfly that changes in a moment from a delicate, living creature to a pinch of dust, bright colored but meaningless. It is not for analysis, therefore, but simply for making Poe more intelligible that we record certain facts or principles concerning his verse. Perhaps the first thing to note is that Poe is not the poet of smiles and tears, of joy and sorrow, as the great poets are, but the poet of a single mood,--a dull, despairing mood without hope of comfort. Next, he had a theory (a strange theory in view of his mood) that the only object of poetry is to give pleasure, and that the pleasure of a poem depends largely on melody, on sound rather than on sense. Finally, he believed that poetry should deal with beauty alone, that poetic beauty is of a supernal or unearthly kind, and that such beauty is forever associated with melancholy. To begin with the personal element, Poe was naturally inclined to morbidness. He had a childish fear of darkness and hobgoblins; he worked largely "on his nerves"; he had an abnormal interest in graves, ghouls and the terrors which preternatural subjects inspire in superstitious minds. As a writer he had to earn his bread; and the fiction most in demand at that time was of the "gothic" or Mysteries of Udolpho kind, with its diabolical villain, its pallid heroine in a haunted room, its medley of mystery and horror. Poe’s numerous tales may be grouped in three or four classes. Standing by itself is "William Wilson," a story of double personality (one good and one evil genius in the same person), to which Stevenson was indebted in his Strange Case of Dr. Jekyll and Mr. Hyde. Next are the tales of pseudo-science and adventure, such as "Hans Pfaall" and the "Descent into the Maelstrom," which represent a type of popular fiction developed by Jules Verne, H. G. Wells and many others, all of whom were more or less influenced by Poe. A third group may be called the ingenious-mystery stories. One of the most typical of these is "The Gold Bug," a tale of cipher-writing and buried treasure, which contains the germ, at least, of Stevenson’s Treasure Island. To the same group belong "The Murders in the Rue Morgue" and other stories dealing with the wondrous acumen of a certain Dupin, who is the father of "Old Sleuth," "Sherlock Holmes" and other amateur detectives who do such marvelous things in fiction,--to atone, no doubt, for their extraordinary dullness in real life. Still another group consists of phantom stories,--ghastly yarns that serve no purpose but to make the reader’s spine creep. The mildest of these horrors is "The Fall of the House of Usher," which some critics place at the head of Poe’s fiction. It is a "story of atmosphere"; that is, a story in which the scene, the air, the vague "feeling" of a place arouse an expectation of some startling or unusual incident. Many have read this story and found pleasure therein; but others ask frankly, "Why bother to write or to read such palpable nonsense?" With all Poe’s efforts to make it real, Usher’s house is not a home or even a building in which dwells a man; it is a vacuum inhabited by a chimera. Of necessity, therefore, it tumbles into melodramatic nothingness the moment the author takes leave of it. "The House of Usher" may be recommended as the least repulsive of the tales of horror. To the historian the chief interest of all these tales lies in the influence which they have exerted on a host of short-story writers at home and abroad. he aimed to produce an effect or impression in the reader’s mind, an impression of unearthly beauty in his poems and of unearthly horror in his prose. Some writers (Hawthorne, for example) go through life as in a dream; but if one were to judge Poe by his work, one might think that he had suffered a long nightmare.

Emerson is the mountaineer of American literature; to read him is to have the impression of being on the heights. It is solitary there, far removed from ordinary affairs; but the air is keen, the outlook grand, the heavens near. It is still a question whether Emerson should be classed with the poets or prose writers. There is a ruggedness in Emerson’s verse which attracts some readers while it repels others by its unmelodious rhythm. It may help us to measure that verse if we recall the author’s criticism thereof. In 1839 he wrote:"I am naturally keenly susceptible to the pleasures of rhythm, and cannot believe but one day I shall attain to that splendid dialect, so ardent is my wish; and these wishes, I suppose, are ever only the buds of power; but up to this hour I have never had a true success in such attempts."One must be lenient with a poet who confesses that he cannot attain the "splendid dialect," especially so since we are inclined to agree with him. The most readable of Emerson’s poems are those in which he reflects his impressions of nature, such as "Seashore," "The Humble-Bee," "The Snow-Storm," "Days," "Fable," "Forbearance," "The Titmouse" and "Wood-Notes." In another class are his philosophical poems devoted to transcendental doctrines. The beginner will do well to skip these, since they are more of a puzzle than a source of pleasure. the most typical of Emerson’s prose works is his first book, to which he gave the name Nature (1836). In this he records not his impressions of bird or beast or flower, as his neighbor Thoreau was doing in Walden, but rather his philosophy of the universe. "Nature always wears the colors of the spirit"; "Every animal function, from the sponge up to Hercules, shall hint or thunder to man the laws of right and wrong, and echo the ten commandments"; "The foundations of man are not in matter but in spirit, and the element of spirit is eternity,"—scores of such expressions indicate that Emerson deals with the soul of things, not with their outward appearance. Does a flower appeal to him? Its scientific name and classification are of no consequence; like Wordsworth, he would understand what thought of God the flower speaks. none is easy to read; even the best of them is better appreciated in brief instalments, since few can follow Emerson long without wearying. English Traits is a keen but kindly criticism of "our cousins" overseas, which an American can read with more pleasure than an Englishman. Representative Men is a series of essays on Plato, Shakespeare, Napoleon and other world figures, which may well be read in connection with Carlyle’s Heroes and Hero Worship, since the two books reflect the same subject from widely different angles. Carlyle was in theory an aristocrat and a force-worshiper, Emerson a democrat and a believer in ideals. One author would relate us to his heroes in the attitude of slave to master, the other in the relation of brothers and equals. Of the shorter prose works, collected in various volumes of Essays, we shall name only a few in two main groups, which we may call the ideal and the practical. In the first group are such typical works as "The Over-Soul," "Compensation," "Spiritual Laws" and "History"; in the latter are "Heroism," "Self-Reliance," "Literary Ethics" (an address to young collegians), "Character" and "Manners." the materialist, looking outward, sees that the world is made up of force-driven matter, of gas, carbon and mineral; and he says, "Even so am I made up." He studies an object, sees that it has its appointed cycle of growth and decay, and concludes, "Even so do I appear and vanish." To him the world is the only reality, and the world perishes, and man is but a part of the world. The idealist, looking first within, perceives that self-consciousness is the great fact of life, and that consciousness expresses itself in words or deeds; then he looks outward, and is aware of another Consciousness that expresses itself in the lowly grass or in the stars of heaven. Looking inward he finds that he is governed by ideas of truth, beauty, goodness and duty; looking outward he everywhere finds evidence of truth and beauty and moral law in the world. He sees, moreover, that while his body changes constantly his self remains the same yesterday, to-day and forever; and again his discovery is a guide to the outer world, with its seedtime and harvest, which is but the symbol or garment of a Divine Self that abides without shadow of change in a constantly changing universe. To him the only reality is spirit, and spirit cannot be harmed by fire or flood; neither can it die or be buried, for it is immortal and imperishable. Such, in simple words, was the idealism of Emerson, an idealism that was born in him and that governed him long before he became involved in transcendentalism, with its scraps of borrowed Hindu philosophy. It gave message or meaning to his first work, Nature, and to all the subsequent essays or poems in which he pictured the world as a symbol or visible expression of a spiritual reality. In other words, nature was to Emerson the Book of the Lord, and the chief thing of interest was not the book but the idea that was written therein.

Realist of a very different kind is Samuel L. Clemens (1835-1910), who is more widely known by his pseudonym of Mark Twain. The remaining works of Mark Twain are, with one or two exceptions, of very doubtful value. Their great popularity for a time was due largely to the author’s reputation as a humorist,--a strange reputation it begins to appear, for he was at heart a pessimist, an iconoclast, a thrower of stones, and with the exception of his earliest work, The Celebrated Jumping Frog (1867), which reflected some rough fun or horseplay, it is questionable whether the term "humorous" can properly be applied to any of his books. Thus the blatant Innocents Abroad is not a work of humor but of ridicule (a very different matter), which jeers at travelers who profess admiration for the scenery or institutions of Europe,--an admiration that was a sham to Mark Twain because he was incapable of understanding it. So with the grotesque capers of A Connecticut Yankee at King Arthur’s Court, with the sneering spirit of The Man that Corrupted Hadleyburg, with the labored attempts to be funny of Adam’s Diary and with other alleged humorous works; readers of the next generation may ask not what we found to amuse us in such works but how we could tolerate such crudity or cynicism or bad taste in the name of American humor.The most widely read of Mark Twain’s works are Tom Sawyer and Huckleberry Finn. The former, a glorification of a liar and his dime-novel adventures, has enough descriptive power to make the story readable, but hardly enough to disguise its sensationalism, its lawlessness, its false standards of boy life and American life. In Huckleberry Finn, a much better book, the author depicts the life of the Middle West as seen by a homeless vagabond. With a runaway slave as a companion the hero, Huck Finn, drifts down the Mississippi on a raft, meeting with startling experiences at the hands of quacks and imposters of every kind. One might suppose, if one took this picaresque record seriously, that a large section of our country was peopled wholly by knaves and fools. The adventures are again of a sensational kind; but the characters are powerfully drawn, and the vivid pictures of the mighty river by day or night are among the best examples of descriptive writing in our literature. John Griffith London was an American author, journalist, and social activist. He was a pioneer in the then-burgeoning world of commercial magazine fiction and was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone. He is best remembered as the author of White Fang and Call of the Wild, set in the Klondike Gold Rush, as well as the short stories "To Build a Fire", "An Odyssey of the North", and "Love of Life". London's "strength of utterance" is at its height in his stories, and they are painstakingly well-constructed. Jack London was an uncomfortable novelist, that form too long for his natural impatience and the quickness of his mind. His novels, even the best of them, are hugely flawed.

Theodore Herman Albert Dreiser - was an American novelist and journalist. Dreiser was involved in several campaigns against social injustice. Dreiser was a committed socialist, and wrote several non-fiction books on political issues. These included Dreiser Looks at Russia (1928), the result of his 1927 trip to the Soviet Union, and two books presenting a critical perspective on capitalist America, Tragic America (1931) and America Is Worth Saving (1941). His vision of capitalism and a future world order with a strong American military dictate combined with the harsh criticism of the latter made him unpopular within the official circles. Although less politically radical friends, such as H.L. Mencken, spoke of Dreiser's relationship with communism as an "unimportant detail in his life," Dreiser's biographer Jerome Loving notes that his political activities since the early 1930s had "clearly been in concert with ostensible communist aims with regard to the working class." He pioneered the naturalist school and is known for portraying characters whose value lies not in their moral code, but in their persistence against all obstacles, and literary situations that more closely resemble studies of nature than tales of choice and agency. His first novel, Sister Carrie (1900), tells the story of a woman who flees her country life for the city (Chicago) and there lives a life far from a Victorian ideal. It sold poorly and was not widely promoted largely because of moral objections to the depiction of a country girl who pursues her dreams of fame and fortune through relationships to men. The book has since acquired a considerable reputation. It has been called the "greatest of all American urban novels." [7] (It was made into a 1952 film by William Wyler, which starred Laurence Olivier and Jennifer Jones.) He was a witness to a lynching in 1893 and wrote the short story, "Cracker," which appeared in Ainslee's Magazine in 1901.His second novel, Jennie Gerhardt, was published in 1911. Many of Dreiser's subsequent novels dealt with social inequality. His first commercial success was An American Tragedy (1925), which was made into a film in 1931 and again in 1951 (as A Place in the Sun). Already in 1892, when Dreiser began work as a newspaperman he had begun "to observe a certain type of crime in the United States that proved very common. It seemed to spring from the fact that almost every young person was possessed of an ingrown ambition to be somebody financially and socially." "Fortune hunting became a disease" with the frequent result of a peculiarly American kind of crime, a form of "murder for money", when "the young ambitious lover of some poorer girl" found "a more attractive girl with money or position" but could not get rid of the first girl, usually because of pregnancy.Dreiser claimed to have collected such stories every year between 1895 and 1935. The murder in 1911 of Avis Linnell by Clarence Richeson particularly caught his attention. By 1919 this murder was the basis of one of two separate novels begun by Dreiser. The 1906 murder of Grace Brown by Chester Gillette eventually became the basis for An American Tragedy. Though primarily known as a novelist, Dreiser published his first collection of short stories, Free and Other Stories in 1918. The collection contained 11 stories. A particularly interesting story, "My Brother Paul", was a brief biography of his older brother, Paul Dresser, who was a famous songwriter in the 1890s. This story was the basis for the 1942 romantic movie, "My Gal Sal".Other works include The "Genius" and Trilogy of Desire (a three-parter based on the remarkable life of the Chicago streetcar tycoon Charles Tyson Yerkes and composed of The Financier (1912), The Titan (1914), and The Stoic). The latter was published posthumously in 1947. Dreiser was often forced to battle against censorship because of his depiction of some aspects of life, such as sexual promiscuity, offended authorities and popular opinion.

The American Dream is the hope that in the United States of America, anyone can become rich or famous if they work hard and try their very best. Many migrants, people who come to America from other countries, come to America because they hope for a better life. America is attractive to migrants, because often there is more freedom to become rich or famous than the country that they leave. With American Dream is also meant to live free and equal with all other people in the USA. The term is used in popular discourse, and scholars have traced its use in American literature ranging from the Autobiography of Benjamin Franklin, to Mark Twain's The Adventures of Huckleberry Finn (1884), F. Scott Fitzgerald's The Great Gatsby (1925). Francis Scott Key Fitzgerald was an American author of novels and short stories, whose works are the paradigm writings of the Jazz Age, a term he coined himself. He is widely regarded as one of the greatest American writers of the 20th century. is considered a member of the "Lost Generation" of the 1920s. He finished four novels, This Side of Paradise, The Beautiful and Damned, Tender Is the Night and his most famous, the celebrated classic, The Great Gatsby. A fifth, unfinished novel, The Love of the Last Tycoon was published posthumously. Fitzgerald also wrote many short stories that treat themes of youth and promise along with despair and age. Fitzgerald’s friendship with Hemingway was quite vigorous, as many of Fitzgerald’s relationships would prove to be. Hemingway did not get on well with Zelda. In addition to describing her as "insane" he claimed that she "encouraged her husband to drink so as to distract Scott from his ‘’ work on his novel," the other work being the short stories he sold to magazines. This "whoring", as Fitzgerald, and subsequently Hemingway, called these sales, was a sore point in the authors’ friendship. Fitzgerald claimed that he would first write his stories in an authentic manner but then put in "twists that made them into saleable magazine stories." Although Fitzgerald's passion lay in writing novels, only his first novel sold well enough to support the opulent lifestyle that he and Zelda adopted as New York celebrities. As did most professional authors at the time, Fitzgerald supplemented his income by writing short stories for such magazines as The Saturday Evening Post, Collier's Weekly, and Esquire, and sold his stories and novels to Hollywood studios. Fitzgerald began working on his fourth novel during the late 1920s but was sidetracked by financial difficulties that necessitated his writing commercial short stories, and by the schizophrenia that struck Zelda in 1930. Her emotional health remained fragile for the rest of her life. In 1932, she was hospitalized in Baltimore, Maryland. Scott rented the "La Paix" estate in the suburb of Towson, Maryland to work on his latest book, the story of the rise and fall of Dick Diver, a promising young psychiatrist who falls in love with and marries Nicole Warren, one of his patients. The book went through many versions, the first of which was to be a story of matricide. Some critics have seen the book as a thinly-veiled autobiographical novel recounting Fitzgerald's problems with his wife, the corrosive effects of wealth and a decadent lifestyle, his own egoism and self-confidence, and his continuing alcoholism. Fitzgerald died before he could complete The Love of the Last Tycoon. His manuscript, which included extensive notes for the unwritten part of the novel's story, was edited by his friend, the literary critic Edmund Wilson, and published in 1941 as The Last Tycoon. In 1994 the book was reissued under the original title The Love of the Last Tycoon, which is now agreed to have been Fitzgerald's preferred title.

Ernest Miller Hemingway was an American author and journalist. His distinctive writing style, characterized by economy and understatement, influenced 20th-century fiction, as did his life of adventure and public image. He produced most of his work between the mid-1920s and the mid-1950s. He won the Nobel Prize in Literature in 1954. Hemingway's fiction was successful because the characters he presented exhibited authenticity that resonated with his audience. Many of his works are classics of American literature. He published seven novels, six short story collections, and two non-fiction works during his lifetime; a further three novels, four collections of short stories, and three non-fiction works were published posthumously. After leaving high school he worked for a few months as a reporter for The Kansas City Star, before leaving for the Italian front to become an ambulance driver during World War I, which became the basis for his novel A Farewell to Arms. He was seriously wounded and returned home within the year. In Paris he met and was influenced by modernist writers and artists of the 1920s expatriate community known as the "Lost Generation". His first novel, The Sun Also Rises, was written in 1924. World War I he was stationed at the Italian Front, and on his first day in Milan was sent to the scene of a munitions factory explosion where rescuers retrieved the shredded remains of female workers. He described the incident in his non-fiction book Death in the Afternoon: "I remember that after we searched quite thoroughly for the complete dead we collected fragments".In his 18 he was seriously wounded by mortar fire, having just returned from the canteen to deliver chocolate and cigarettes to the men at the front line. Hemingway said of the incident: "When you go to war as a boy you have a great illusion of immortality. Other people get killed; not you ... Then when you are badly wounded the first time you lose that illusion and you know it can happen to you." In hospital he inloved with a red-cross nurse, they were planning to get married, but she married another man, and Hemingway described the incident in the short and bitter work "A Very Short Story".The war had created in him a maturity at odds with living at home without a job and the need for recuperation. He could not say how scared he was in another country with surgeons who could not tell him in English if his leg was coming off or not." World War2 In 1937 Hemingway agreed to report on the Spanish Civil War for the North American Newspaper Alliance (NANA) Hemingway wrote his only play, The Fifth Column, as the city was being bombarded. Hemingway was present at heavy fighting in the Hürtgenwald near the end of 1944. On December 17, a feverish and ill Hemingway had himself driven to Luxembourg to cover what would later be called The Battle of the Bulge. However, as soon as he arrived, Lanham handed him to the doctors, who hospitalized him with pneumonia, and by the time he recovered a week later, the main fighting was over. In 1947 Hemingway was awarded a Bronze Star for his bravery during World War II. He was recognized for his valor in having been "under fire in combat areas in order to obtain an accurate picture of conditions", with the commendation that "through his talent of expression, Mr. Hemingway enabled readers to obtain a vivid picture of the difficulties and triumphs of the front-line soldier and his organization in combat".

The Great Depression has been the subject of much writing, as authors have sought to evaluate an era that caused financial as well as emotional trauma. Perhaps the most noteworthy and famous novel written on the subject is The Grapes of Wrath, published in 1939 and written by John Steinbeck, who was awarded both the Nobel Prize for literature and the Pulitzer Prize for the work. The novel focuses on a poor family of sharecroppers who are forced from their home as drought, economic hardship, and changes in the agricultural industry occur during the Great Depression. Steinbeck's Of Mice and Men is another important novel about a journey during the Great Depression. Additionally, Harper Lee's To Kill a Mockingbird is set during the Great Depression. Margaret Atwood's Booker prize-winning The Blind Assassin is likewise set in the Great Depression, centering on a privileged socialite's love affair with a Marxist revolutionary. The era spurred the resurgence of social realism, practiced by many who started their writing careers on relief programs, especially the Federal Writers' Project in the U.S. John Ernst Steinbeck was an American writer. He wrote the Pulitzer Prize-winning novel The Grapes of Wrath (1939) and East of Eden (1952) and the novella Of Mice and Men (1937). He wrote a total of twenty-seven books, including sixteen novels, six non-fiction books and five collections of short stories. In 1962, Steinbeck received the Nobel Prize for Literature. Steinbeck's first novel, Cup of Gold, published in 1929, is based on the life and death of privateer Henry Morgan. It centers on Morgan's assault and sacking of the city of Panama, sometimes referred to as the 'Cup of Gold', and on the woman, fairer than the sun, who was said to be found there.

After Cup of Gold, between 1931 and 1933 Steinbeck produced three shorter works. The Pastures of Heaven, published in 1932, comprised twelve interconnected stories about a valley near Monterey, that was discovered by a Spanish corporal while chasing runaway American Indian slaves. In 1933 Steinbeck published The Red Pony, a 100-page, four-chapter story weaving in memories of Steinbeck's childhood. Steinbeck began to write a series of "California novels" and Dust Bowl fiction, set among common people during the Great Depression. These included In Dubious Battle, Of Mice and Men and The Grapes of Wrath. Of Mice and Men is a tragedy that was written in the form of a play in 1937. The story is about two traveling ranch workers, George and Lennie, trying to work up enough money to buy their own farm/ranch. It encompasses themes of racism, loneliness, prejudice against the mentally ill, and the struggle for personal independence. Along with Grapes of Wrath, East of Eden, and The Pearl, Of Mice and Men is one of Steinbeck's best known works. The Grapes of Wrath was written in 1939 and won the Pulitzer Prize in 1940. The book is set in the Great Depression and describes a family of sharecroppers, the Joads, who were driven from their land due to the dust storms of the Dust Bowl. The title is a reference to the Battle Hymn of the Republic. The book was unpopular amongst some critics who found it too sympathetic to the worker's plight and too critical of aspects of capitalism; but it found quite a large audience amongst the working class.

The effects of World War II had far-reaching implications for most of the world, trails of millions raped women and children, mountains of bloody human flesh lingered in the minds of evident, all this influenced the mentality and the system of values . Jerome David Salinger was an American author, best known for his 1951 novel The Catcher in the Rye, as well as his reclusive nature. Salinger was assigned to a counter-intelligence division, where he used his proficiency in French and German to interrogate prisoners of war. He was also among the first soldiers to enter a liberated concentration camp.Salinger's experiences in the war affected him emotionally. He was hospitalized for a few weeks for combat stress reaction after Germany was defeated, and he later told his daughter: "You never really get the smell of burning flesh out of your nose entirely, no matter how long you live." Both of his biographers speculate that Salinger drew upon his wartime experiences in several stories,such as "For Esmé – with Love and Squalor", which is narrated by a traumatized soldier. Salinger continued to write while serving in the army, and published several stories in slick magazines. After Germany's defeat, Salinger signed up for a six-month period of "Denazification" duty in Germanyfor the Counterintelligence Corps. n the 1940s, Salinger confided to several people that he was working on a novel featuring Holden Caulfield, the teenage protagonist of his short story "Slight Rebellion off Madison,"and The Catcher in the Rye was published on July 16, 1951. The novel's plot is simple,detailing sixteen-year-old Holden's experiences in New York City following his expulsion, and departure, from an elite prep school. Not only was he expelled from his current school, he had also been expelled from three previous schoolsThe book is more notable for the iconic persona and testimonial voice of its first-person narrator, Holden.He serves as an insightful but unreliable narrator who expounds on the importance of loyalty, the "phoniness" of adulthood, and his own duplicity.In a 1953 interview with a high-school newspaper, Salinger admitted that the novel was "sort of" autobiographical, explaining that "My boyhood was very much the same as that of the boy in the book ... It was a great relief telling people about it." The book's initial success was followed by a brief lull in popularity, but by the late 1950s, according to Ian Hamilton, it had "become the book all brooding adolescents had to buy, the indispensable manual from which cool styles of disaffectation could be borrowed." at the age of 53, Salinger had a year-long relationship with 18-year-old Joyce Maynard, already an experienced writer for Seventeen magazine. The New York Times had asked Maynard to write an article for them which, when published as "An Eighteen-Year-Old Looks Back On Life" made her a celebrity. Salinger wrote a letter to her warning about living with fame. After exchanging 25 letters, Maynard moved in with Salinger the summer after her freshman year at Yale University Maynard did not return to Yale that fall, and spent ten months as a guest in Salinger's Cornish home. The relationship ended, as he was too old. Salinger's language, especially his energetic, realistically sparse dialogue, was revolutionary at the time his first stories were published, and was seen by several critics as "the most distinguishing thing" about his work. Salinger identified closely with his characters,and used techniques such as interior monologue, letters, and extended telephone calls to display his gift for dialogue. Such style elements also "[gave] him the illusion of having, as it were, delivered his characters' destinies into their own keeping."Recurring themes in Salinger's stories also connect to the ideas of innocence and adolescence, including the "corrupting influence of Hollywood and the world at large," the disconnect between teenagers and "phony" adultsand the perceptive, precocious intelligence of children. Ray Douglas Bradbury is an American fantasy, horror, science fiction, and mystery writer. Best known for his dystopian novel Fahrenheit 451 (1953) and for the science fiction stories gathered together as The Martian Chronicles (1950) and The Illustrated Man (1951), Bradbury is one of the most celebrated among 20th and 21st century American writers of speculative fiction. Having been influenced by science fiction heroes like Flash Gordon and Buck Rogers, Bradbury began to publish science fiction stories in fanzines in 1938. Although he is often described as a science fiction writer, Bradbury does not box himself into a particular narrative categorization: First of all, I don't write science fiction. I've only done one science fiction book and that's Fahrenheit 451, based on reality. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal. So Martian Chronicles is not science fiction, it's fantasy. It couldn't happen, you see? That's the reason it's going to be around a long time—because it's a Greek myth, and myths have staying power. On another occasion, Bradbury observed that the novel touches on the alienation of people by media: In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction. Besides his fiction work, Bradbury has written many short essays on the arts and culture, attracting the attention of critics in this field. Bradbury also hosted "The Ray Bradbury Theater" which was based off his short stories. Critical opinion of Bradbury's work is sharply divided. Critics:His is a very great and unusual talent. Althoughhas a large following among science fiction readers, there is at least an equally large contingent of people who cannot stomach his work at all... His imagination is mediocre; he borrows nearly all his backgrounds and props, and distorts them badly; wherever he is required to invent anything—a planet, a Martian, a machine—the image is flat and unconvincing.

John Hoyer Updike (March 18, 1932 – January 27, 2009) was an American novelist, poet, short story writer, art critic, and literary critic. Updike's most famous work is his Rabbit series (the novels Rabbit, Run; Rabbit Redux; Rabbit Is Rich; Rabbit At Rest; and the novella "Rabbit Remembered") which chronicled the life of Harry "Rabbit" Angstrom over the course of several decades, from young adulthood to his death. Both Rabbit Is Rich (1981) and Rabbit At Rest (1990) received the Pulitzer Prize. He is one of only three authors (the others being Booth Tarkington and William Faulkner) to win the Pulitzer Prize for Fiction more than once. Updike published more than twenty novels and more than a dozen short story collections, as well as poetry, art criticism, literary criticism and children's books. Hundreds of his stories, reviews, and poems appeared in The New Yorker, starting in 1954. He also wrote regularly for The New York Review of Books. Describing his subject as "the American small town, Protestant middle class", Updike was well recognized for his careful craftsmanship, his unique prose style, and his prolificness. He wrote on average a book a year. Updike populated his fiction with characters who "frequently experience personal turmoil and must respond to crises relating to religion, family obligations, and marital infidelity. His fiction is distinguished by its attention to the concerns, passions, and suffering of average Americans; its emphasis on Christian theology; and its preoccupation with sexuality and sensual detail. His work has attracted a significant amount of critical attention and praise, and he is widely considered to be one of the great American writers of his time. Updike's highly distinctive prose style features a rich, unusual, sometimes arcane vocabulary as conveyed through the eyes of "a wry, intelligent authorial voice" that extravagantly describes the physical world, while remaining squarely in the realist tradition.Updike famously described his own style as an attempt "to give the mundane its beautiful due." Saul Bellow –jew- was a Canadian-born American writer. His best-known works include The Adventures of Augie March, Herzog, Mr. Sammler's Planet, Seize the Day, Humboldt's Gift and Ravelstein. His writing exhibited "exuberant ideas, flashing irony, hilarious comedy and burning compassion... the mixture of rich picaresque novel and subtle analysis of our culture, of entertaining adventure, drastic and tragic episodes in quick succession interspersed with philosophic conversation, all developed by a commentator with a witty tongue and penetrating insight into the outer and inner complications that drive us to act, or prevent us from acting, and that can be called the dilemma of our age. The author's works speak to the disorienting nature of modern civilization, and the countervailing ability of humans to overcome their frailty and achieve greatness (or at least awareness). Bellow saw many flaws in modern civilization, and its ability to foster madness, materialism and misleading knowledge.[20] Principal characters in Bellow's fiction have heroic potential, and many times they stand in contrast to the negative forces of society. Often these characters are Jewish and have a sense of alienation or otherness. Jewish life and identity is a major theme in Bellow's work, although he bristled at being called a "Jewish writer." Bellow's work also shows a great appreciation of America, and a fascination with the uniqueness and vibrancy of the American experience.Bellow's work abounds in references and quotes from the likes of Marcel Proust and Henry James, but he offsets these high-culture references with jokes. Bellow interspersed autobiographical elements into his fiction, and many of his principal characters were said to bear a resemblance to him. Bill (Merl. W, Jr.) Baldwin is an American science fiction writer. He writes militaristic space opera. His main series is about a male protagonist named Wilf Ansor Brim. The Helmsman Saga:The Helmsman ,Galactic Convoy ,The Trophy ,The Mercenaries ,The Defenders ,The Siege ,The Defiance. Mario Gianluigi Puzo was born in a poor family of Neapolitan immigrants living in the Hell's Kitchen neighborhood of New York. Many of his books draw heavily on this heritage. Vladimir Vladimirovich Nabokov was a multilingual Russian-American novelist and short story writer. Nabokov wrote his first nine novels in Russian, then rose to international prominence as a master English prose stylist. He also made contributions to entomology and had an interest in chess problems. Lolita is frequently cited as among his most important novels and is his most widely known, exhibiting the love of intricate word play and synesthetic detail that characterised all his works. The novel was ranked at #4 in the list of the Modern Library 100 Best Novels. Toni Morrison is a Nobel Prize and Pulitzer Prize-winning American novelist, editor, and professor. Her novels are known for their epic themes, vivid dialogue, and richly detailed black characters. Among her best known novels are The Bluest Eye, Song of Solomon and Beloved. Morrison began writing fiction as part of an informal group of poets and writers at Howard University who met to discuss their work. She went to one meeting with a short story about a black girl who longed to have blue eyes. The story later evolved into her first novel, The Bluest Eye (1970), which she wrote while raising two children and teaching at Howard. Grant Morrison is a Scottish comic book writer and playwright. He is best-known for his nonlinear narratives and counter-cultural leanings, as well as his successful runs on titles like Animal Man, Doom Patrol, JLA, The Invisibles, New X-Men, Fantastic Four, All Star Superman, and Batman.