Rendezvous With Rama Game Download

Rendezvous with Rama is a science fiction novel by British writer Arthur C. Clarke first published in 1973. Set in the 2130s, the story involves a 50-by-20-kilometre (31 by 12 mi) cylindrical alien starship that enters the Solar System. The story is told from the point of view of a group of human explorers who intercept the ship in an attempt to unlock its mysteries. The novel won both the Hugo[4] and Nebula[5] awards upon its release, and is regarded as one of the cornerstones in Clarke's bibliography. The concept was later extended with several sequels, written by Clarke and Gentry Lee.

The solar survey vessel Endeavour is sent to study Rama, as it is the only ship close enough to do so in the brief period Rama will spend in the Solar System. Endeavour manages to rendezvous with Rama one month after it first comes to Earth's attention, when the alien ship is already inside Venus's orbit. The crew, led by Commander Bill Norton, enters Rama through a safety system consisting of triple airlocks, and explores the 16-km wide by 50-km long cylindrical world of its interior, but the nature and purpose of the starship and its creators remain enigmatic throughout the book. Rama's inner surfaces hold "cities" of geometric structures that resemble buildings and are separated by streets with shallow trenches. A band of water, dubbed the Cylindrical Sea, stretches around Rama's central circumference. Massive spires, which are theorised to be part of Rama's propulsion system, stand at its "southern" end. They also find that Rama's atmosphere is breathable.

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One of the crew members, Jimmy Pak, who has experience with low gravity skybikes, rides a smuggled skybike along Rama's axis to the far end, otherwise inaccessible due to the cylindrical sea and the 500m high cliff on the opposite shore. Once at the massive metal cones on the southern end of Rama, Jimmy detects magnetic and electric fields coming from the cones, which increase, resulting in lightning. Due to his proximity to the spires, the concussion from a discharge damages his skybike causing him to crash on the isolated southern continent.

As Rama approaches perihelion, and on their final expedition, the crew decide to visit the city closest to their point of entry, christened "London", and use a laser to cut open one of the "buildings" to see what it houses. They discover transparent pedestals containing holograms of various artefacts, which they theorise are used by the Ramans as templates for creating tools and other objects. One hologram appears to be a uniform with bandoliers, straps and pockets that suggests the size and shape of the Ramans. As the crew photographs some of the holograms, the biots begin returning to the cylindrical sea, where they are recycled by aquatic biots ('sharks') and the six striplights that illuminate Rama's interior start to dim, prompting the explorers to leave Rama and to re-board Endeavour.

And on far-off Earth, Dr. Carlisle Perera had as yet told no one how he had wakened from a restless sleep with the message from his subconscious still echoing in his brain: The Ramans do everything in threes.

The interior of Rama is essentially a large cylindrical landscape, dubbed "The Central Plain" by the crew, 16 kilometres in diameter and nearly 50 long, with artificial gravity provided by its 0.25 rpm spin. It is split into the "northern" and "southern" plains, divided in the middle by a 10-km wide expanse of water the astronauts dub the "Cylindrical Sea". In the center of the Cylindrical Sea is an island of unknown purpose covered in tall, skyscraper-like structures, which the astronauts name "New York" due to an imagined similarity to Manhattan. At each end of the ship are North and South "Poles". The North Pole is effectively the bow and the South Pole the stern, as Rama accelerates in the direction of the north pole and its drive system is at the South Pole.

The North Pole contains Rama's airlocks, and is where the Endeavour lands. The airlocks open into the hub of the massive bowl shaped cap at the North Pole, with three 8-kilometre long stair systems, called Alpha, Beta, and Gamma by the crew, leading to the plain.

Clarke paired up with Gentry Lee for the remainder of the series. Lee wrote while Clarke read and made editing suggestions.[9] The focus and style of the last three novels are quite different from those of the original with an increased emphasis on characterisation and clearly-portrayed heroes and villains, rather than Clarke's dedicated professionals. These later books did not receive the same critical acclaim and awards as the original.

A graphic adventure computer game of the same name with a text parser based on the book was made in 1984 by Trillium and ported to other systems such as the Apple II, Commodore 64. Despite its primitive graphics, it had highly detailed descriptions, and it followed the book very closely along with having puzzles to solve during the game.

Sierra Entertainment created Rama in 1996 as a point and click adventure game in the style of Myst. Along with highly detailed graphics, Arthur C. Clarke also appeared in the game as the guide for the player. This game featured characters from the sequel book Rama II.

In the early 2000s, actor Morgan Freeman expressed his desire to produce a film based on Rendezvous with Rama. The film has been stuck in "development hell" for many years. In 2003, after initial problems procuring funding, it appeared the project would go into production.[13] The film was to be produced by Freeman's production company, Revelations Entertainment. David Fincher, touted on Revelations' Rama web page as far back as 2001,[14] stated in a late 2007 interview that he was still attached to helm.[15]

In 2010, Freeman stated in an interview that he was still planning to make the project but that it has been difficult to find the right script. He also stated that it should be made in 3D.[17] In January 2011, Fincher stated in an interview with MTV that he was still planning to make the film after he had completed work on his planned remake of 20,000 Leagues Under the Sea (which was scheduled to begin production in 2012 but has since been scrapped[18]). He also reiterated Freeman's concerns about the difficulty of finding the right script.[19]

In an interview with Neil deGrasse Tyson in February 2012, Freeman indicated an interest in playing the role of Commander Norton for the film, stating that "my fantasy of commanding a starship is commanding Endeavour". Tyson then asked, "So is this a pitch to be ... that person if they ever make that movie?" to which Freeman reaffirmed, "We are going to make that movie." In response to a plea to "make that come out sooner rather than later", Freeman reiterated that difficulty in authoring a high quality script is the primary barrier for the film, stating "... the only task you have that's really really hard in making movies, harder than getting money, is getting a script ... a good script".[20]

In December 2021, it was announced that the film was in development at Alcon Entertainment with Denis Villeneuve set to direct. Morgan Freeman and Lori McCreary are on the production team because their Revelations Entertainment previously owned the rights.[21] Alcon co-CEOs Broderick Johnson and Andrew Kosove will produce.[22]

Clarke created the space study program which detects Rama, Project Spaceguard, as a method of identifying near-Earth objects on Earth-impact trajectories; in the novel it was initiated in 2077. A real project named Spaceguard was initiated in 1992, named after Clarke's fictional project and "with the permission and encouragement of Clarke".[23] After interest in the dangers of asteroid strikes was heightened by a series of Hollywood disaster films, the United States Congress gave NASA authorisation and funding to support Spaceguard. By 2017, there were a number of different efforts to detect potentially dangerous asteroids.

It is 2031. A vast object, initially thought to be a planet-killing asteroid, has entered the solar system. A closer look reveals a startling mystery: the object, christened Rama, is not a product of nature at all, but an enormous metal cylinder, clearly crafted with purpose and by intelligent beings. Who made the space craft, and why have they set it hurtling towards our sun?

The story starts with a disaster of unimaginable scale: in the year 2077, a massive meteor strikes northern Italy, killing hundreds of thousands of people and wiping out the major cities of Venice, Verona and Padua. In response, the government of Earth initiates Project Spaceguard, intended to detect and intercept any other planetary threats.

To say much more would potentially ruin the wonders and surprises that the crew of the Endeavour discover on their expedition to Rama. Suffice to say that there are many twists and turns in the story, mostly driven by the ignorance of humanity with regards to the edifice that they are intruding upon.

This is perhaps what I love the most about Rendezvous with Rama: most of the peril that the crew faces on board the titanic space vessel is the result of their own lack of knowledge. Without understanding the purpose of a piece of machinery, the explorers risk being harmed by processes that would be innocuous to those who knew enough to get out of the way. Also, danger lurks in the large-scale physics involved in the motion of Rama through the solar system, which leads to unforeseen but completely reasonable events.

But the novel Rendezvous with Rama is astounding, and should be read by anyone and everyone. I cannot think of another book that has affected me so powerfully in quite the same way, and I am somewhat embarrassed that it has taken so long for me to read it. As a scientist, I find it an especially powerful metaphor for the pursuit of scientific knowledge, in which we work so hard, and often risk so much, in search of even the smallest glimpse at the greater universe. Highly recommended. 006ab0faaa