Reelsmart Motion Blur Free Download Mac

rsmb does a great job if you isolate the elements that require the motion blur. if the plug in has to compute the entire frame it will try to figure out what needs to be blurred. its not always correct. the only way around this is to render your animation out of cinema in passes and composite in after effects and apply rsmb only to the elements that move. it will look great and render fast but requires some clever render passes to get a good result.

Up to 12 user-defined points can be specified to help guide RSMB's motion estimation. By using the tracking points you can explicitly tell RSMB where a pixel moves from one frame to the next in order to guide RSMB's calculation of motion vectors.

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I want to add some motion blur to my Cinema 4D render. I'm looking for other AE plugins besides rsmb that can use a motion vector pass. A free plugin is best, but I could spend around ~$20-30 if I needed to.

The composition being rendered is 11 seconds long with a few instances of the CC Pixel Polly effect and of course the two different motion blur effects. The machine has a quad core i5 processor with 16GB of RAM. Nothing too speedy, but it should give you a general idea of the test setup.

Can we achieve 180-shutter-angle results with video taken at non-180-shutter-angle and high shutter speed, then add motion blur in post(premiere pro)? I know that After Effects has the pixel motion blur, but wondering if Premiere Pro has something similar.

I don't know the answer to your question, but presumably actual motion blur will look better than having software guess what was moving between frames, in which direction, and what it looked like in motion. Why are ND filters a pain to use?

It can certainly handle the scenario your describe. I use it after compositing when I need maximum crisp detail for processes like chromakeying, rotoscope, motion or camera tracking, slow-motion speed interpolation, grading, etc.. Makes a tremendous difference. I set the camera aperture for the desired creative effect, the shutter speed to freeze the action for sharpest detail, and the ISO to dial-in the right exposure.

RSMB looks amazing in the demo, and for the price of a cheapish ND filter. Imagine each frame is crisp like stills but the video having the same smoothness as an in-camera 180 shutter angle. Heck, to exaggerate motion, could go all the way to 360, or have gradual ramping of shutter angles to pull of special effects.

And another advantage: you can shoot in the field to capture the sharpest footage and decide later in post how you want to treat it. With an ND filter, you have baked in blur that can limit your options in post.

Why not just use a timewarp node. I did this on a sequence that was shot with a narrow shutter angle, which looked strobey. I used TW, with motion selected and motion blur, it worked well for just adding that little bit of mo blur to take the curse off it.

The 100% TW trick can create really dodgy results when compared to simple Motion Analysis/Motion Blur. If you use motion analysis, make sure you select local rather than global. It seems to give much better results.

Systems, and Sony Vegas Pro. Twixtor creates highly engaging slow motion shots without the cost of renting a high speed camera. In order to achieve its unparalleled image quality, Twixtor synthesizes unique new frames by warping and interpolating frames of the original sequence by employing RE:Vision's proprietary tracking technology that calculates motion for each individual pixel. ReelSmart Motion Blur automatically adds more natural-looking motion blur to a sequence. Proprietary tracking technology is at the heart of RSMB, so there is no handwork involved. Of course you can add as little or as much blurring as you need and even remove motion blur! This is a useful tool to give video a more film-like feel, and is also useful to reintroduce motion blur for blue or green screen shoots where a fast shutter is necessary to pull a good key. Also included in some RSMB versions is a feature that allows you to blur with user-supplied motion vectors that, most likely, will come from a 3D animation system (see the RE:Vision Effects website for which versions include this feature). Both Twixtor and ReelSmart Motion Blur can see substantial acceleration using GPUs. Note that most currently-sold GPUs will provide customers with much needed acceleration, including even many mobile GPUs for laptops. The total speedup end-users will see will vary once application overhead is taken into account, including disk I/O, internal host buffering schemes, bandwidth of PCIe bus, codec used for footage, as well as features used in the plug-ins.

About RE:Vision Effects, Inc. RE:Vision Effects is software development company focused on providing innovative software to create, modify, control, and enhance digital video imagery at the highest quality. Their products have a broad range of applications and are currently used in every phase of television, motion picture, internet and visual effects industries. The company supplies its cutting edge software through partnerships and direct sales for a large segment of customers ranging from at-home editors, wedding and other live event videographers, industrial video providers to those creating high-end effects for commercials, broadcast TV and big-budget films. The founders received a 2006 Academy Award for Technical Achievement for the design and development of this affordable, user-friendly RE:Vision family of software products. RE:Vision Effects media contact: info@revisionfx.com. Follow us on Facebook, or Twitter @revisionfx. RE:Vision Effects plug-ins are available for Sony Vegas Pro, Adobe After Effects, Blackmagic Fusion, Blackmagic DaVinci Resolve, Apple Final Cut Pro, Apple Motion, The Foundry's Nuke, Adobe Premiere Pro, FXHOME HitFilm, Avid editing systems, Autodesk Systems (Sparks), Quantel genQ, Digital Vision Nucoda, Natron and others. Demo material, examples and software are available at Twixtor, DE:Noise, RE:Map and RE:Flex are registered trademarks and DE:Flicker, Effections, FieldsKit, PV Feather, RE:Fill, RE:Match, ReelSmart Motion Blur, Shade/Shape, SmoothKit, and Video Gogh are trademarks of RE:Vision Effects, Inc. All other trademarks, company names and products are the property of their respective holders. Features, pricing and availability are subject to change without notice.

I wasn't planning on using this one as part of the bundle, but after finally taking the time to become familiar with it, I saw what the buzz about it was. Motion blur (or the removal thereof) is a large part of the kind of action videos I edit. Glad I took the time, you will be, too.

ReelSmart is a fantastic plugin for not only putting great motion blur on footage and graphics, but also controlling the amount of motion blur the subject gets. A great way to control the amount of motion blur something gets. Using the same motion algorithm they've also built in the ability to remove motion blur, which is really handy. A must for any toolkit.

The current Chronos AI model already produces higher quality intermediate frames than anything Adobe can do. Currently the best way to add artificial motion blur is with After Effects with the Pixel Motion Blur effect. I think it would be great to see what VEAI could do on this front. High shutter speed 24/25 fps smartphone video would look much more professional.

I totally agree, there are some tools on the marked but often they lack from distinguishing static background from moving objects and the object as well as the background is blurred (e.g. RSMB). Chronos does a great job in separating differently moving object layers. Hence, the AI approach should work perfectly here.

However what should be easy in Premiere and Resolve never is. The tutorials I've seen all deal with adding motion blur in the Transform panel to moving layers. Not what we want. There is an echo tool, but that doesn't look any good at all - tons of ghosting and takes ages to render, won't play in real-time.

Yep we posted in another thread about adding motion back using Resolve..... I did experiment more so it depends a lot on the scene and background as just a tad of blur does not add too many artifacts in case of complex bg like a metallic fence can cause bad artifacts.

My test was a show jumping horse in a parkour the goal is to pull picture at 1/250 or 1/500 and have a usable video.

So to an untrained eye you can fool them but for real pro work not sure I would use it. But in case where photo has priority I will definitely use it.

This is a frame pulled from the video at 1/200 (for a photo a bit on the limit as you can see on the horse legs that are a bit too blurry), I have the video with added mention blur if I have the time I can pull the frame with the blur to compare.

Forget the horrible location etc. as here most of the things are still closed. 17dc91bb1f