The magazine's David Bennun commented, "The result is ridiculously, naggingly, excruciatingly simple, as you will have no doubt come to realise by the time it turns up on the radio for the 19th time that day and you put your boot through the dial."[10] Another Melody Maker editor, Sarra Manning, praised the song as "god-like genius".[11] Maria Jimenez from Music & Media remarked that the "boomin'"[12] and "grinding scorcher is gaining much audience and radio support on this side of the ocean."[13] Andy Beevers from Music Week rated the song four out of five, adding, "Originally released by Strictly Rhythm, this inspired combination of NY house rhythms and The Mad Stuntman's ragga rhymes has been generating plenty of interest on import."[3] Another Music Week editor, Alan Jones, complimented it as a "fierce ragga house anthem".[14] James Hamilton from the Record Mirror Dance Update declared it a "madly happy gruff ragga rapped bogle/soca-style leaper".[15]

Many versions of the song have frequently been used throughout the Madagascar franchise, with many of them with lyrics changed or altered to match with each film's plot and the film's subject matter (usually replacing "sexy" with "sassy"). The first film used a version recorded by Sacha Baron Cohen, the second film used a version by will.i.am, and the third film used a mix-up with the original tune "Afro Circus" in the number "Afro Circus/I Like to Move It". The "I like to move it" part was sung by Baron Cohen in the film while Danny Jacobs, who voices King Julien in the spinoff TV series and games, sang it on the soundtrack, in both versions alongside Chris Rock. The original version appeared in the first and last episode of the Madagascar Netflix series All Hail King Julien and the "Afro Circus/I Like to Move It" tune was played near the start of the Madagascar spin-off film Penguins of Madagascar. Jacobs, as Julien, also sang a Christmas song called "Santa Claus Is Coming to Madagascar", a modified cover of "Santa Claus Is Coming to Town" which uses the same beat as "I Like to Move It" in Merry Madagascar. The song was also included in the stage adaptation of the film, sung again by King Julien.


Reel 2 Real Feat The Mad Stuntman - I Like To Move It Free Download


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Older generations know about jungle. But I feel like a lot of the young kids in the U.S. are definitely discovering it, which is super exciting. It's really cool to build community in America as well. Every time I've played in America I get the proper ravers down.

I love playing in New York cause they've got a lot of new-gen junglists. There's a few new producers who are like 20-21 [years old] who I always hang out with when I go to New York. It's really cool to see their take on jungle, 'cause the American producers that I know have a different view of it.

I've booked him to play his first London show at an Up Ya Archives party. That's a really meaningful connection to me 'cause he's quite young and he's so excited about the music; he's proper geeking out about jungle. I love people like that because I'm also a geek of this music.

Kai Campos: Like Dom said, we hadn't really considered how American in aesthetic it was. I think when you grow up in the UK and other parts of the world, you kind of inherit a lot of American culture at the same time, so you're always having this slightly removed relationship with it. The guitar music that I listened to when I was thinking about this album was mostly American, and it was just an interesting place to think about writing from. Over the last 10 years or longer, [we have] been so associated with London, so it was interesting to remove ourselves from that familiar situation in some ways.

That area of California in particular, so close to L.A., is very accessible and you can be there in a couple of hours in the car. At the same time, it feels really remote and unique and special, the landscapes and stuff like that.

A big part of the record in general for us, especially for me with the lyric writing, was trying to set a scene that was a little bit unorthodox and maybe even slightly comical. So yeah, "the sunset violent" just felt like the one line that really stuck out. I love it more and more every time I think about it.

Campos: Yeah, there's a few different moments. You need that initial thing to happen where you get really excited and have enough of a vision to move in a certain direction, and that probably was "Dumb Guitar."

Maker: Oddly, I was thinking about this today. I think it was actually inevitable because we were just really interested in and excited by a certain style and scene in music when we first moved to London when we were younger; 2009, 2010, that era. It was a fascination that really is in just a place and time.

A lot of that reminds me of growing up, us figuring out London, moving from small towns to the big city, and everything about it being exciting. But I think the fact that we immediately were like, we need to play this live said a lot. Through the years that's been a huge thing, the live show, and trying to approach these songs live has always been something we've really enjoyed doing, and we've got so many amazing memories doing it.It sort of naturally has landed us in this scenario where the sound that we have at the moment feels like something that we want to keep doing more of, which we haven't really had before. We've made records and it's been a long process making them, then when you get to the end, it's sort of like, we should find something new. But, this time, we finished the record and immediately there's still this burning energy to keep going with this sound and writing style. It feels really good and exciting, and I'm glad that the road led us to where we're at now. 0852c4b9a8

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