I'm putting together a scene in a recording studio and found a cool recording studio model. However, the acoustic foam that's on the wall is the wrong shape for what I need as it has pyramid extrusions. I'm looking for the wedge shape acoustic foam (like the ones here). Does anyone know of a good model for this or am I better off trying to make it myself?

Landlords spend time and money investigating you, you should do the same thing with them. Vet your landlords and the building you are about to invest time and money in. Remember, the landlord is not your boss. They are a service provider, and you are their customer. Make sure you are dealing with a reputable business.


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Had I simply researched the property with the Department of Buildings before I signed the lease, I would have been privy to information that the landlord was hiding. This kind of due diligence is essential. Also make sure you understand the implications of every clause in your lease, and consider consulting a business attorney before signing.

This means both liability and property insurance. Liability insurance can be purchased through a great many companies for a song. A million dollar liability insurance policy is the minimum requirement for a small business, especially in notoriously litigious places like New York or California. A policy like this will set you back in the neighborhood of $475/year, which is a small price to pay for that kind of coverage.

Property insurance is also a good kind of protection to delve into when you consider just how necessary it is to have all of your gear for work. If there was a fire, flood or fiasco that left you unable to work, you should be covered.

Show up early to sessions and make sure everything is working properly. The most unprofessional thing you can do is have an artist there, ready to record, only to find out that your computer system or recording console are not working. Even a bad cable can slow down the process enough to lose the powerful energy created in the readiness of a performer. Be a professional troubleshooter and make sure you are ready at all times to record music.

There is no shortage of good technicians whose entire life is spent soldering, refurbishing, rebuilding, rewiring and tinkering with modern and vintage recording equipment. Find a good tech who you can trust and keep their contact information close. A good tech can keep your equipment in the best possible condition for a long and lucrative career.

Recording studios are supposed to be cool. The experience your clients have at your studio is of the utmost importance. Make sure your studio has a vibe and a comfort level that makes it worth visiting, investing in, and talking about. Your clients and the music you make with them is your best selling point. Create an atmosphere and set of expectations that are attractive and professional.

Embrace them. They are not your enemies. The big picture is that there are millions of musicians, bands, artists, DJs, programmers, and the like, all seeking the right person and the right studio to record their next pop hit single, prog metal EP, alt country album, or whatever the case may be. Be that person for them.

The people in the community that you are living and working in are all doing the same thing you are: Working at living their dream and striving to work with talented people and help them follow their visionary path to personal triumph.

In this modern world, especially in big cities like NYC, LA and Chicago, space is expensive! If you have a single work space under your expensive roof, you are missing out on alternate sources of income.

Having multiple workspaces is a great way to increase productivity and revenue. If you have a large live room with an isolation booth, great! But one control room allows only one project to go on at a time. If you have several control rooms and several isolation booths that all attach to one large live room, you are giving your studio the opportunity to be functioning in several workspaces at once. This means more income and more revenue for your studio.

One way of reducing overhead is to find less expensive locations or otherwise cut your expenses. But perhaps a better way is to find alternate reoccurring sources of income. Seek out freelance engineers who need a studio like yours to work from. This was a great way for my studio to help with the overhead. Having a few other engineers who rent time and space from you will give you extra income, therefore decreasing your overhead for your own projects. Having other engineers in there will also increase the traffic through your studio and garner more awareness about your space within your community.

When seeking out other engineers, consider finding people who focus on a different musical genre than you do. I work predominantly in rock music, and so the engineers at my studio were working in pop, jazz and ambient noise. In this way, there was little to no crossover in our client lists.

Get out to the shows, get into the environment, be at the parties and bring your business cards. Artist love to talk about their music. Listen to them, and let them know about your passion for recording or writing or collaboration. Truthfully telling an artist that you love what they are doing and you want to work with them is always a very attractive opening.

Brian Speaker is a music producer, engineer and studio owner of SpeakerSonic Studio in Brooklyn, NY. He works with rock, punk, folk and singer/songwriter acts from all around the world.

HyperDeck Studio lets you record broadcast quality video files directly onto SD cards and SSD media! The new redesigned HyperDeck Studios feature modern design with more codecs and quieter cooling. All models now support recording to H.264, Apple ProRes or DNxHD files with either PCM or AAC audio. Plus the 4K model adds support for H.265 files! When you've finished recording, media can be mounted on any computer to access the files using your favorite video software. For ISO recording, there's even built in timecode and reference generators for syncing multiple units! All of these powerful features make HyperDeck Studio perfect for broadcast, live production or multi screen digital signage!

The new HyperDeck Studio recorders have been totally redesigned with dozens of new features! The advanced models have new broadcast style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast deck! With dual media slots, you can change cards without interrupting recording! The advanced models even include a front headphone connection and speaker!

There are 4 different models of HyperDeck Studio, perfect for all types of work! The 3G-SDI based HD Mini model records and plays H.264, ProRes or DNxHD files onto SD cards, UHS-II cards or external USB disks in SD and HD formats up to 1080p60. The larger HD Plus model adds better transport controls, front panel headphone and speaker, 6G-SDI with fill and key out, SDI monitoring and records H.264 up to 1080p60 or ProRes and DNxHD up to 2160p30. The full rack HD Pro model is the same as the HD Plus model but adds 2 SSD slots and a machined metal search dial with clutch. The incredibly powerful 4K Pro model records H.264, H.265, ProRes or DNx in SD, HD and Ultra HD in standards up to 2160p60!

All models record to H.264, ProRes and DNx files, so are perfect for recording broadcast masters! You can even use PCM or AAC audio, plus the 4K model adds H.265 when recording to Ultra HD files. You get everything you need to send shows to broadcasters and for uploading to YouTube.

All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events! You can even sync cameras to the SDI output and the SDI input has a frame sync!

HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control!

HyperDeck Studio includes a traditional broadcast style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file! You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip and more. The Pro models have a machined metal search dial that supports shuttle, jog and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.

All HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However the Pro models also add two SSD slots so you can use two different types of media! SD cards and SSDs are the perfect choice for broadcast media because they are small and very affordable. Plus, you can even record to external USB disks! When using H.264, the files are so incredibly small you get very long recordings even on smaller low cost cards. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1 TB card. That's over 6 days of recording in HD using a single 1 TB card!

With the latest software, HyperDeck Studio models can record directly to network storage. Now you can build a rack of HyperDeck Studio recorders that can record multiple camera channels into a single folder on the storage. This means any editing system can just log into the network storage and access all the media in the one location. DaVinci Resolve 19 can even edit the media while it's being recorded! With it's new broadcast playout features, DaVinci Resolve is an amazing live action replay solution. Recording to network disks is easy, as you can browse the network storage servers and select the folder you want to record into 152ee80cbc

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