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Ramcharitmanas made available the story of Rama to the common man to sing, meditate and perform on. The writing of Ramcharitmanas also heralded many a cultural tradition, most significantly that of the tradition of Ramlila, the dramatic enactment of the text.[4] Ramcharitmanas is considered by many as a work belonging to the Saguna school[5][6] of the Bhakti movement[7][8][n 1] in Hindi literature.

Tulsidas began writing the Ramcharitmanas in Ayodhya in Vikram Samvat 1631 (1574 CE).[n 2][14] The exact date is stated within the poem as being the ninth day of the month of Chaitra, which is the birthday of Rama, Rama Navami.[14] Ramcharitmanas was composed at Ayodhya, Varanasi and Chitrakoot.[15]

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The Ramcharitmanas is written in vernacular Awadhi language.[16][17][18] The core of the work is considered by some to be a poetic retelling of the events of the Sanskrit epic Ramayana[1][19][20][21][22] by Valmiki. The Valmiki Ramayana is centered on the narrative of Rama, the scion of the family tree of king Raghu of the Sun Dynasty. Rama was the crown prince of Ayodhya and is considered in Hindu tradition as the seventh Avatar of Vishnu. However, the Ramacharitmanas is by no means a word-to-word copy of the Valmiki Ramayana nor an abridged re-telling of the latter. Ramcaritmanas has elements from many other Ramayanas written earlier in Sanskrit, and other Indian dialects as well as stories from Puranas. Tulsidas is said to have some spiritual powers to see the events occurred till Tretayuga that he used to narrate Ramcharitmanas. Tulsidas himself never writes Ramcharitmanas as being a retelling of Valmiki Ramayana. He calls the epic Ramcharitmanas as the story of Rama, that was stored in the mind (Mnasa) of Shiva before he narrated the same to his wife Parvati. Tulsidas claims to have received the story through his guru, Narharidas.Tulsidas was a naive (Acheta) child and the story was stored in his mind (Mnasa) for long before he wrote it down as Ramcharitmanas. Some understand this passage of the Ramcharitmanas to mean that Tulsidas at first could not grasp the story fully as he was a nave young boy. His guru graciously repeated it again and again so that he could understand and remember it. Then he narrated the story and named it Ramcharitmanas as Shiva himself called it. The epic poem is, therefore, also referred to as Tulsikrit Ramayana (literally, The Ramayana composed by Tulsidas).[23]

The Ramcharitmanas is a masterpiece of vernacular literature. Some believe it to represent a challenge to the dominance of high-class Brahmanical Sanskrit, But according to many scholars he wrote in awadhi because he wanted that every single person should learn the values of Rama [25][26][27] echoing the revolt of Buddha against Brahmanical elitism.[28]

Ramcharitmanas consists of seven Knds (literally "books" or "episodes", cognate with cantos). Tulsidas compared the seven Kndas of the epic to seven steps leading into the holy waters of Lake Manasarovar "which purifies the body and the soul at once".[29][30]

Every chapter of the Ramcharitmanas begins with an invocation or Mangalchara. It is customary of the Indian tradition of writing that the author begins a new book with invocation to the gods to ensure that the sankalpa is finished unhindered. The first three or four verses of each Knd are typically in the form of invocations.

Ramcharitmanas is structured around three separate conversations. The conversations happen between Shiva and Parvati, Sages Bharadwaj and Yajnavalkya and finally Kakbhushundi and the king of birds, Garuda. Some scholars are of the opinion that there is also an underlying personal conversation between Tulsidas and Lord Rama all through the text of Ramcharitmanas.[34]

The story of Ramcharitmanas is then underway. It begins with the meeting of two sages - Bharadwaj and Yajnavalkya. Bharadwaj asks Yajnavalkya to narrate in detail the story of Rama. Yajnavalkya begins with how Shiva came about retelling the story of Rama to his wife Parvati. (The story of Sati's self-immolation, the destruction of her father Daksha's sacrifice, the rebirth of Sati as Parvati and her marriage to Shiva). Shiva explains five different reasons as to why Rama incarnated on earth in different ages Kalpa (aeon). Each of these stories is discussed in detail, with the primary message being that Rama incarnated on earth to protect the righteous who follow the path of Dharma. The story then moves to the birth of Ravana and his brothers. Post this point, the narration is done at different times by Shiva, Yajnavalkya, Kakbhushundi and Tulsidas.

Hanuman flies through the various palaces and gardens for his search of Sita and amongst all the demonic activities going on in Lanka, Hanuman sees a palace where Shri Hari's name is being chanted. He is drawn towards the palace and decides to visit the inhabitant. The palace belongs to Ravana's brother, Vibhishan. Hanuman narrates Rama katha (story) and then introduces himself. Hanuman proceeds to Ashok Vatika where he finally sees Sita. He positions himself on a branch of a tree, under which Sita was sitting and contemplates his next move. He sees Ravana walk towards Sita and beg her to glance at least once toward him. She simply looks at a blade of grass to insult him. Ravana threatens to behead Sita but is calmed down by his wife, Mandodari. Hanuman has to use all his powers of calm not to react to Ravana's threats. When all is quiet again, Hanuman begins to sing the glory of Rama in sweet tones. He then approaches Sita and explains who he is. He presents the ring lord Rama had given him and Sita is overjoyed. She blesses Hanuman with many kind words and boons.

In the subsequent passages of Uttar Knd the biography of Saint Kakbhushundi is given, followed by a description of what is to be expected in the current age of Kali Yuga. Shiva ends his narration of the Rama Katha to Parvati as does Kakbhushundi to Garuda. It is not mentioned whether Yajnavalkya finishes his recitation to Bharadwaj. Finally, Goswami Tulsidas concludes his retelling of the Shri Ramcharitmanas.[41] The Rudrastakam in Sanskrit is a part of this Kanda.

Once Pratapbhanu goes into the forest to hunt and sees a wild boar. The boar is actually the demon Kalaketu in disguise who runs away from the king. Pratapbhanu gives chase deeper into the forest. Pratapbhanu chases for many miles and becomes thirsty. He approaches a fake saint's ashram, where the resident fake saint wants to hurt and insult Pratapbhanu due to a previous incident. Pratapbhanu doesn't recognize the saint, who begins to sweet talk the king and says that by pure love, he wishes to impart boons onto the king. The king asks to be invincible and never ageing, which the fake saint grants, but with the condition that he needs to win favor of all Brahmans. The fake saint advises that the king arrange the cooking of holy food (prasadam) to feed the bramanas, who would surely be in his favor for such an act of kindness. The fake saint's real intention is to trap the king and repay him for his old grievances.

The fake saint asks the king to go rest, and that he would arrange the feast for the bramanas using his mystic powers. Pratapbhanu waits for three days for the fake saint. Kalaketu, now disguised as a priest, approaches the King in his court and says that he has been sent to cook the holy food. The entire brahmana community is invited. A heavenly voice from above warns the brahmanas that the food is impure and they should run away immediately. They curse the king that he, his kingdom and entire family are wiped from the face of earth. They also curse that he be born a demon in his next life. The heavenly voice says that the brahmana's curse is ill thought, as Pratapbhanu is not to blame. Since their curse cannot be taken back, the voice says that it is the Brahmana community that will bare the brunt of the evil of his next life.

Pratapbhanu is distraught and quickly goes to his kitchen to find Kalaketu. The king is pained and cries as he realizes Kalaketu has vanished. The brahmanas feel sorry for Pratapbhanu and tell him that his evil next life will be ended by Supreme Vishnu himself. As per the curse, Pratapbhanu, Arimardam and Dharmaruchi are all killed as other neighboring kings invade Kaikay.

The story of how Shiva came about retelling Ramkatha to his consort Parvati is retold in great detail within the Blaka. This part of the story is narrated by Sant Yajnavalkya to Bharadvaj Muni.

C. G. Rajagopal translated Ramcharitmanas into Malayalam as Tulasidasasa Ramayanam.[54] For this translation, he received the Sahitya Akademi Translation Prize 2019, presented by Sahitya Akademi, India's National Academy of Letters.[54] 006ab0faaa