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Sem 1:
Paper 101: Gender, Power, and Sexual Politics in 'The Rover:' A Feminist and Psychoanalytic Reading
Paper 102: Parody and Allegory in 'A Tale of a Tub:' Swift’s Subversion of Religious and Philosophical Narratives
Paper 103: The Intersection of Modern Environmentalism and 'Ode to a Nightingale'
Paper 104: The Question of 'Earnestness' in 'The Importance of Being Earnest:' A Modern Indian Perspective on Identity and Authenticity
Paper 105A: The Role of Metadrama in Ben Jonson and Shakespeare: Exploring Illusion, Reality, and the Nature of Theater
Sem
2
:
Paper 106: Fragmentation and Renewal: Contemporary Readings of 'The Waste Land' at its Centennial
Paper 107: Derrida’s Shadow in Beckett’s Void: Reinterpreting 'Waiting for Godot'
Paper 108: Between Life and Stage: A Comparative Study of Autobiographical Elements in 'Long Day’s Journey Into Night' and 'After the Fall'
Paper 109: The Architecture of Rasa: Decoding Plot and Emotion in Kalidasa’s 'Abhijñānaśākuntalam'
Paper 110A: Rewriting Trauma: Contemporary Engagement with Owen and Sassoon through Cultural Memory and Postmemory
Sem
3
:
Paper 201: Gender, Agency, and Moral Choice: Bimala in ‘The Home and the World’ and the Female Figures in Toru Dutt’s Poetry
Paper 202: The Politics of Memory and Historiographic Metafiction in ‘Midnight’s Children’ as a Site of Postcolonial Resistance
Paper 203: Data Colonialism and the Future of Postcolonial Studies: Reading Fanon and Coetzee Through Loomba’s Globalization Theory
Paper 204: Marxist Critique of Influencer Culture: Labor Alienation, Digital Commodification, and Neoliberal Self-Branding
Paper 205A: Limitations of Cultural Studies in the Age of AI and Algorithmic Culture
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