[Hey Lord Indra (lord of rain), let there be rain in my house and in the region where my father lives. Rain will lead to prosperity. There will be ploughing of agricultural land and my brother will go to plough his fields. My brother, you plant green sorghum and in sandy areas, sweet pearl millet.]

The song is sung in anticipation of rain clouds and the hope that the thirst of their land would be quenched soon. Those studying forecasts and data from the India Meteorological Department (IMD), perhaps attach no meaning to these songs. But for the women and the residents of the village, singing their traditional folk songs, is what brings the rain, they believe.

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Given that the residents of the desert region wait for the rain clouds with much anticipation, there is special importance given to them. There are different songs for different stages of the clouds, right from when they emerge to when they depart.

In addition to clouds, one can find mention of the rains and other seasons as well in the folk songs. With the onset of rains, farmers living in the eastern districts of the state such as Karauli, Sawai Madhopur and Hadoti start ploughing their fields. During this season, farmers sing folk songs which are specially meant for ploughing and helping others.

In Marwar, women farmers sing folk songs called Hariyalo as they plough and sow seeds. One woman starts the song and others soon jump in. The folk songs sung by the male farmers while farming, are called Bhanat.

Bhika Khan said that during the rainy season there are a lot of popular folk songs based on romance and separation. In Bikaner and Shekhawati regions of Rajasthan, women during the rainy season sing Pipli songs. In the Jalore region in the state people sing Jero folk songs.

[Due to the intense cold, the earth and sky are shivering. Due to heavy mist, a salt-like layer has developed on the farm. The floor is very cool. Children of the village are using bonfire to keep themselves warm. I also have put wood, straw, grass and others on fire. Clothes to be worn by the family members have also been used. Despite all these, my efforts seemed to have proven futile.]

[If it rains in Rohini nakshatra (around third week of May), is hot in the fifth lunar mansion and normal rains during Ardra nakshatra (around last week of June to first week of July), there will be so much of production of paddy that even dogs would be bored of eating rice.]

Nature is deep-rooted not only in the popular folk songs of Rajasthan, but also in local proverbs. One such proverb is, Aato bhato nae ghi ghado, chuti maatiya naar, itre sugnae sanchron, toh na dekhe ghar baar which means, that while going to the farm, if a farmer listens to a golden sparrow on his right and a monkey on his left, this is believed to be good news.

[The sand dunes, a mixture of fertile sand and fine soil, a handsome youth sitting on a horse at a height with a blue and green flaunting attire. If winter rains fall on rabi crops (wheat, mustard and others), there would be bags full of money that people can take home.]

[During the Chaith and Baishakh (months in Hindi calendar) months when there are dusty storms, the branches of trees too become dry. During Jeth months due to intense heat and heat waves bodies of humans too start to dry.]

In the Hadoti region, women make heaps of cow dung cakes, known as bitaura and use wheat and other cereals to make the figures of peacock, cat, tiger and plants. This is a popular art form locally known as Mandana. While making the figures on the walls of her house, a famous Hadoti Mandana folk singer is recites some verses of a local song:

This type of music originates from the Rajasthan, one of the states of India and home to several important centers of Indian musical development, including Udaipur, Jodhpur and Jaipur. The region's music shares similarities both with nearby areas of India and the other side of the border, in the Pakistani province of Sindh.

Rajasthan has a diverse collection of musician castes, including langas, sapera, bhopa, and Manganiar. There are two traditional classes of musicians: the Langas, who stuck mostly exclusively to Muslim audiences and styles, and the Manganiars, who had a more liberal approach.

Traditional music includes the women's Panihari songs, which lyrically describes chores, especially centered on water and wells, both of which are an integral part of Rajasthan's desert culture. Other songs, played by various castes, normally begin with the alap, which sets the tune and is followed by a recital of a couplet (dooba). Epic ballads tell tales of heroes like Devnarayan Bhagwan, Gogaji, Ramdeoji, Pabuji and Tejaji. The celebration of changing seasons is also very central to folk music of Rajasthan. Celebration of the coming of the Monsoon or the harvest season are central to most traditional folk songs. Songs also revolve around daily activities of the local people-- for instance, a song about not sowing Jeera (Cumin) as it is difficult to tend. Or, for instance, another song about Podina (Mint) and how it is liked by various members of the family (an allegorical reference to a local liquor extracted from mint is also made). Every day common themes are the center of traditional rajasthani folk music.

Defining folk songs the Standard Dictionary of Folklore Mythology and Legend states that "folk songs are musical poetic compositions of a people whose literature is unabated with oral tradition, not with writing or printing.

With every Hindi film, we are introduced to a fair share of love ballads, dance numbers, and theme songs. But what some of us may not realize is how many of those songs are actually inspired by, or remixed versions of, local folk songs. Like these songs:

This peppy dance number is actually inspired by a Rajasthani folk song, and the original lyrics were, Anjan ki seeti me mharo man dole. While the Bollywood number actually translates to an upbeat dance number, the original track has lyrics that are a tad bit more indecent!

This famous Punjabi folk song has actually been recreated a number of times, with one of the most famous versions being the Sufi version Chambe Di Booti by Coke Studio. Originally, in folk music, Jugni refers to the singer who acts as an observer and sings about the situations he or she is in. In the movie, the Sufi version of the song was used. It talks about facing trials and tribulations in her path to love.

Undoubtedly one of the most famous Rajasthani folk songs, the song was originally composed to welcome Rajput warriors to their home, after wars. It was first sung by Padma Shri recipient and folk singer Allah Jilai Bai.

Another popular Rajasthani folk song, it was traditionally sung by Banjaras (traditional nomads). Here the singer talks about the pain of waiting for her lover to return. The lyrics of the folk song were included as the opening verse of the song.

The ending verse of this dance number is actually inspired by a famous Punjabi folk song (tappe) Baage Vich Aaya Karo. In fact, singers Jagjit and Chitra Singh even performed this particular number at BBC Pebble Mill, Birmingham, in 1979. 152ee80cbc

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