Steven N. Kelly is a Professor of Music Education in the College of Music at The Florida State University. He received his bachelor and master degrees in music from the University of North Carolina at Greensboro and his Ph.D. in music education from the University of Kansas.

Prior to his appointment at FSU, Dr. Kelly taught in the Virginia public schools, and on the faculties at Brevard College and the University of Nebraska (Omaha). He is an active clinician, adjudicator, consultant, and guest conductor across the United States. His teaching and research interests include sociological issues in music education, teacher preparation, and effective teacher characteristics. Dr. Kelly has published and presented papers in international and national journals, and at state, regional, national, and international conferences. He is the author of the book Teaching Music in American Society: A Social and Cultural Understanding of Music Education. Additionally, Dr. Kelly currently serves on the editorial boards of the Journal of Research on Music Education, Journal of Band Research, Research Perspectives in Music Education, and is the Editor-In-Chief of the Florida Music Director.


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Kelly Hunt is a singer-songwriter of Americana/Roots music. Originally hailing from Memphis, TN, she now calls Kansas City home. Her style embodies a blend of folk, blues, classic country, and Appalachian old-time music. Her primary instrument is a 1920s tenor banjo, which she plays using a combination of clawhammer, three-finger picking, and improvised strum-and-pick patterns for a sound that highlights both the rhythmic and melodic distinctiveness of the banjo. Her songs spring from a place of rich imagery and bespeak a genuine love of storytelling. She is currently recording her first album, which she hopes to have completed by Fall 2017.

Kelly has sold over 75 million albums and singles worldwide, making him the most successful R&B male artist of the 1990s and one of the best-selling music artists of all time.[8][9] The Recording Industry Association of America (RIAA) has recognized Kelly as one of the best-selling music artists in the United States with 40 million albums sold, as well as only the fifth black artist to crack the top 50 of the same list.[10] In March 2011, Kelly was named the most successful R&B artist of the last 25 years by Billboard.[11][12][13] Throughout his career, Kelly has been awarded Grammy Awards, BET Awards, Soul Train Music Awards, Billboard Music Awards, NAACP Image Awards, and American Music Awards.

Kelly described having a girlfriend, Lulu, at age eight, in his autobiography. He stated that their last play date turned tragic when, after fighting with older children over a play area by a creek, she was pushed into the water, swept downstream by a fast-moving current, and drowned. Kelly called Lulu his first musical inspiration.[40]

In September 1980, Kelly entered Kenwood Academy in the city's Hyde Park-Kenwood district, where he met music teacher Lena McLin, who encouraged Kelly to perform the Stevie Wonder classic "Ribbon in the Sky" in the high school talent show.[46] A shy Kelly put on sunglasses, was escorted onto the stage, sang the song and won first prize.[38][47][48] McLin encouraged Kelly to leave the high school basketball team and concentrate on music. She said he was furious at first, but after his performance in the talent show, he changed his mind.[49] Kelly was diagnosed with dyslexia,[50] which left him unable to read or write.[51][43] Kelly dropped out of high school after attending Kenwood Academy for one year.[52] He began performing in the subway under the Chicago "L" tracks.[52] He regularly busked at the "L" stop on the Red Line's Jackson station in the Loop.[34]

During his recording career, Kelly sold over 75 million records worldwide, making him the most commercially successful male R&B artist of the 1990s and one of the world's best-selling music artists.[54][55] He won three Grammys for his song "I Believe I Can Fly", and was also nominated for his song "You Are Not Alone" recorded by Michael Jackson.[56] Critics dubbed him "the King of R&B"[57][58][59] while he billed himself the "Pied Piper of R&B".[60]

In 1997, Kelly signed a contract to play professional basketball with the Atlantic City Seagulls of the USBL.[76] He wore the number 12 in honor of his album 12 Play.[77] Kelly said "I love basketball enough to not totally let go of my music, but just put it to the side for a minute and fulfill some dreams of mine that I've had for a long time."[78] Kelly's USBL contract contained a clause that would allow him to fulfill a music obligation when necessary. "If Whitney Houston needs a song written", said Ken Gross, the Seagulls owner who signed Kelly, "he would be able to leave the team to do that and come back". "It wasn't a gimmick", Gross continued, "he's a ballplayer. He can play."[79]

When the joint album leaked on February 22, 2002, it caused Jay-Z and Damon Dash's label, Def Jam-distributed Roc-A-Fella, and Jive to modify the album's release date in March.[92] Jay-Z expressed frustration about the album leak to MTV News: "It's the gift and the curse. It's an honor that everybody wants your music fast, but on the other hand, it's another thing when the music gets out before you [want it to]. Because that's your art. You feel attached to it. You feel a certain way and you want people to go out and support it. The time that you take, it's like a piece of your life. You take parts of your life and you put it on these records and then for it to just be traded and moved around [is frustrating].[92] Upon release on March 19, 2002, The Best of Both Worlds sold 285,000 copies in its opening week and debuted at number two on the Billboard 200.[93] It was a critical and commercial disappointment.[94]

After finishing Happy People/U Saved Me and Unfinished Business in 2004,[109] Kelly released TP.3 Reloaded in July 2005.[110] It became Kelly's fifth consecutive number-one album in his career. TP.3 Reloaded was heavily cross-promoted by the first five chapters of Kelly's musical serial, Trapped in the Closet.[111]

In November 2010, Kelly collaborated with several African musicians forming a supergroup known as One8. The group featured 2Face from Nigeria, Ali Kiba from Tanzania, Congolese singer Fally Ipupa, 4X4 from Ghana, hip-hop artist Movaizhaleine from Gabon, Zambia's JK, Ugandan hip-hop star Navio and Kenya's Amani, the only female in the group. The first release from the group was "Hands Across the World" written and produced by Kelly.[135][136]

On July 19, 2011, Kelly was admitted to the Northwestern Memorial Hospital in Chicago to undergo emergency throat surgery to drain an abscess on one of his tonsils, and was released on July 21, 2011.[138] He canceled his performance at the Reggae Sumfest in Jamaica that was scheduled for the following Friday. Johnny Gourzong, Sumfest Productions executive director, commented, "We are truly going to miss his presence on the festival."[139][140] On September 23, 2011, Variety confirmed that Kelly had signed on to write original music for the Sparkle soundtrack.[141]

During 2013, Kelly continued his "The Single Ladies Tour". He performed at music festivals across North America, including Bonnaroo, Pitchfork, and Macy's Music Festival. On June 30, 2013, R. Kelly performed live at BET Awards Show singing hits as well as his new track "My Story" featuring Atlanta rapper 2 Chainz. The song was the lead single for Kelly's twelfth studio album Black Panties.[155] released on December 10, 2013.[156] Writing for New York magazine, David Marchese stated that Black Panties "was like a dare to the world: After all that he'd been accused of, after avoiding conviction, could R. Kelly still get away with making sex-obsessed music?"[51]

Kelly's music took root in R&B, hip hop and soul. He was influenced by listening to his mother, Joanne Kelly, sing. She played records by Stevie Wonder, Donny Hathaway and Marvin Gaye, inspirations for Kelly.[188][189][190] In reference to Hathaway, Kelly stated: "A guy like Donny Hathaway had a focused, sexual texture in his voice that I always wanted in mine. He had smooth, soulful tones, but he was spiritual at the same time.[188] In his autobiography, Kelly stated that he was heavily influenced by Marvin Gaye's R&B Lothario image. "I had to make a 'baby-makin'' album. If Marvin Gaye did it, I wanted to do it", Kelly said.[41]

While Kelly created a smooth, professional mixture of hip-hop beats, soulman crooning and funk, the most distinctive element of his music is its explicit sensuality. "Sex Me", "Bump n' Grind", "Your Body's Callin'", and "Feelin' on Yo Booty" are considered to be examples, as their productions were seductive enough to sell such blatant come-ons. Kelly's crossover appeal was also sustained by his development of a flair for pop balladry.[67]

Kelly expressed that he writes from everyday experiences and prides himself on being versatile. Larry Khan, senior vice president of Jive's urban marketing and promotion, said that Kelly's musical compass is second to none.[192] DeRogatis and Pallasch reported that at concerts where Kelly would go from singing "Like a Real Freak" to "I Wish": "Many fans found these abrupt shifts between the transcendent and the venal, the inspirational and the X-rated jarring."[191] 2351a5e196

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