Pavel is an Indian film director and screenplay writer who primarily works in Bengali-language films.[1]He made his debut with the film Babar Naam Gandhiji, which was followed by Rosogolla. His next film, Asur, was released on 3 January 2020, [2][3] with Jeet, Abir Chatterjee and Nusrat Jahan.[4]

It's definitely not a recent trend. All through the years, legendary Bengali directors like Bimal Roy, Satyajit Ray, Asit Sen, Shakti Samanta, Satyen Bose, Hrishikesh Mukerjee, Basu Chaterjee and Basu Bhattacharya have front lined the cause of Hindi films garnering enormous respect and accolades in the process.


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Anurag Basu


After working on the hit television soap series, Tara, Anurag Basu realised his heart lies in making feature films. A couple of false starts later, the director hit jackpot for the Bhatt camp with the musical thriller, Murder.

From engineering to journalism to filmmaking, the Kolkata-born filmmaker is as mercurial as his movies. 


Sujoy Ghosh began his career paying tribute to the iconic composer, Rahul Dev Burman in his directorial debut, Jhankaar Beats with Vishal-Shekhar's catchy soundtrack and a star cast of Juhi Chawla, Sanjay Suri, Rahul Bose and Riya Sen. 


Even as his subsequent films, Home Delivery and Aladin failed to make any impact, they reflected a sense of refusal to attempt the tried and tested.

The celebrated director and 10-time National award winner of Bengali cinema (Utsab, Shubho Mahurat, Bariwali, Choker Bali) has also worked on/with Hindi films and Bollywood actors, prominent among them being Aishwarya Rai Bachchan.

As music director Ken Ghosh has worked on a numerous hit videos like Alisha Chinai's Made in India, Shweta Shetty's Johnny Joker and Baba Sehgal's Dil Dhadke before going to helm an Archie comics-inspired teen romance that introduced Shahid Kapoor.

Expressing grief over his death, West Bengal Chief Minister Mamata Banerjee said in a statement, "Saddened by the demise of distinguished film director and theatre personality Goutam Halder. His demise is a great loss to the world of culture. Condolences to his family members and admirers."

He directed around 80 stage plays, including Rabindranath Tagore's Rakta Karabi recently. Halder had made his first Bengali film, 'Bhalo Theko', in 2003, with actor Vidya Balan in the lead role. He also directed Nirvana with Rakhi Gulzar in the lead role in 2019.advertisementWEST BENGAL CM MAMATA BANERJEE PAYS TRIBUTE Expressing grief over his death, West Bengal Chief Minister Mamata Banerjee said in a statement, "Saddened by the demise of distinguished film director and theatre personality Goutam Halder. His demise is a great loss to the world of culture. Condolences to his family members and admirers (sic)."

Goutam's family friend and actor Chaiti Ghosal, who was cast in his 'Rakta Karabi', shared on social media, "Famous theatre personality and film director Gautam Halder is no more. My deepest respect to you. He was my mentor in the world of theatre." She wrote on Instagram with a few pictures with him, RAKTOKOROBI R BISHU PAGOL FOREVER. Bhalo theko€I am so grateful to have done innumerable RAKTOKOROBI SHOWS AS NANDINI under your direction (sic)."

Dr Md Liakath Ali is the director of the climate change programme, the urban development programme and the disaster risk management programme at BRAC.


 Dr Ali has 32 years of working experience with various government, non-government, donor and UN agencies. He started his career with a private company in 1986, and later moved to Bangladesh Water Development Board (BWDB) in 1988, where he worked in the capacity of assistant engineer, sub divisional engineer and executive engineer until 2008. In 2008, he joined Dhaka Water Supply and Sewerage Authority (DWASA) as deputy managing director (RPD and O&M) and continued there until August 2011. He joined as a climate change adaptation specialist in CDMP-II, UNDP in January 2012. In November 2012, he moved to DFID (now FCDO) Bangladesh as the adviser for climate change and environment. Subsequently he joined WaterAid Bangladesh as the director of programme and policy advocacy, and worked there till August 2019. 


 Over the period he acquired experience in integrated water resources management, trans-boundary water basin management, climate change adaptation and resilience building, disaster management, risk reduction, urban development, and coastal planning and implementation. He is proficient in dealing with environmental issues including impact assessment and studies and projects management. He has a sound knowledge on many key thematic areas of operation and maintenance, institutional aspects, research works, macro and micro level planning and teaching. His key qualifications also include formulation of policy, strategy development, construction, monitoring and evaluation and knowledge management approach. He has a number of publications on environmental issues as well. 


 Dr Ali has excellent academic attainments. Academically he is an engineer who completed his BSc in Civil Engineering in 1986, from Bangladesh University of Engineering and Technology. He did his MSc in Hydraulic Engineering (Land and Development) from the International Institute for Infrastructural, Hydraulic and Environmental Engineering (IHE), Delft, The Netherlands in 1995. Later in 2002, he completed his PhD from the Wageningen University and the International Institute for Infrastructural, Hydraulic and Environmental Engineering (IHE), Delft, The Netherlands.

Many younger Bengali directors have focused on shining the cinematic spotlight on cities like Kolkata and telling simple, relatable family or relationship stories that allow a wider audience to be exposed to the unique nuances of Bengali cinema, proving that although often focusing on regional tales, they are universal in their appeal.

Fatema Movie is a Bengali language movie and the movie is going to be released in cinema halls on 28 July 2023. The movie is starring Fatema Banerjee and Moon Sarkar in lead roles and the director of this movie is Atiul Islam who has given very good direction. In this post you have been provided all the information about Fatema Movie Box Office Collection Budget Hit or Flop.

The film: Hrid Majharey (2014). The director: Ranjan Ghosh. "I was exposed to Shakespeare right in my childhood. My first memory of the Bard is an aural one. My mother would be reading out from the text to my elder sister in her study. We had Julius Caesar in our syllabus. So, I guess, elements of the three plays made their way into Hrid Majharey quite organically," says Ghosh.

One would have thought the international acclaim for Hrid Majharey should have eased the road for the director's next venture Rong Beronger Korhi (Colours of Money, 2018), an anthology of four short stories dealing with relationships and the role money plays in our lives. Sadly, despite an immensely successful run in international festival circuits, the film barely managed a theatrical release in India.

Comprising four stories titled 'Red', 'Blue', 'Glitter' and 'White', it intelligently uses the colours to convey the dynamics between the characters inhabiting them. In the words of the director, 'Money is the central character here and how it assumes different colours through its interactions with different people and their interesting lives forms the crux of the film. It is 'Red' when it deals with two people who love each other, it becomes 'Blue' when love goes unrequited, it 'Glitters' gold denoting greed and finally turns 'White', signifying loss and sacrifice, showing that money is devoid of all value when you lose someone near and dear.'

'Red' is a delightful tale of two illiterate villagers (Soham Chakraborty and Arunima Ghosh) approaching a clerk working for a lawyer in the panchayat office for a 'devorce' as they pronounce it, with the wife insisting on 'something called "alumuny"'. In 'Blue', a young girl (Arunima again, and totally unrecognizable from the first) marries a rich elderly man who is doomed to an early death which will lead to her inheriting his property and enable her to marry the impoverished boy she is in love with. The two other stories 'Glitter' and 'White', both starring Rituparna Sengupta in diametrically different roles, a prostitute in the former and a widowed, ailing mother in the latter, lack the ingenuity of the first two but are redeemed by standout performances and the director's eye for the minutiae of everyday life. The final segment, chronicling the relationship between a mother and her teenage son, strongly reminiscent of the relationship between Apu and his mother in Satyajit Ray's celebrated trilogy, is a little heavy in drawing on the symbolism between the mother and the Mother Goddess, despite an affecting performance by Rwitobrota Mukherjee.

Be it exploring human nature and relationships through three diverse plays of Shakespeare or through the myriad colours of money or through food in his forthcoming film, the director has shown a welcome propensity to experiment with diverse themes and styles. And, to his credit, has managed this without the backing of a big studio so far. be457b7860

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