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Currently, when I try to add more types editing the 'font' option on toolbar (e.g. 'font': ['arial']), the select options just display "Sans Serif" instead of display the "Arial" option. What I spect is see the default options ("Sans Serif", "Serif", "Monospace") plus custom options that I want to add.

FWIW, I've copied the code from Steve B and made it more generic. This way you don't need to do all the copy pasting of css rules, etc... just specify the fonts you would like adding in your fonts array.

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Had to make some updates to @Thomas' answer, but the code below automates things nicely in Quill v1.3.6. If you have a short list of fonts then the required CSS is trivial; but if you have a larger and/or dynamic list you'll want to automate as follows:

For example, we have all probably fussed with fonts and font sizes to try to squeeze a document all into one page. Compacting the information in this way may make your document hard to read, however. On the other hand, using an unnecessarily large font size can end up creating documents that require extra pages, toner, and wear and tear on office printers.

You are likely familiar with the major font families, which are also called typefaces, such as Times New Roman and Arial. Within these font families, there are specific styles, or fonts. For instance, Arial Black is a type of font within the Arial typeface. Fonts can be further stylized with bold, italics, and underlines.

Each font has a different style and feel to it. The font you choose can make your product instantly recognizable, like the font styles used for Coca Cola, Disney, or movie franchises. It can also make your written output significantly easier or harder to read.

Some fonts use more ink than others. And traditional inks use petroleum, which requires fossil fuel extraction. When you choose an ink-efficient font, you cut down on the amount of ink used and save on ink costs in the process.

The size of the font used also affects sustainability. Not only does a larger font size use more toner and more plastic toner cartridges, it also uses more paper. More paper means more storage space, more folders, and even more staples. While it seems small, these things add up.

In general, sans-serif fonts are more accessible than serif fonts. Serif fonts are fonts that have little tails, or embellishments, on the tops and bottoms of the letters. A common serif font is Times New Roman.

Canada Type is an independent digital lettering and font development studio based in Toronto since 2004. Their versatile catalogue helps many designers bring international attention to their talents in the constantly changing and increasingly competitive world of type design. Their daily work is really the bespoke services they provide to companies across many fields on local, national and global levels, ranging from the marketing, financial and service industries to government agencies, film and gaming studios, software corporations, and telecom/broadcast outfits.

This Hairline font is unique and quirky! It is perfectly thin to use with with your Glowforge, silhouette or Cricut. In your program just change to no-fill and add a line color. The end result will leave you with a solid letter, no pesky center void!

OPF Fonts - These are TRUE single line fonts. They only have one line. They are for use in these three programs: Make the Cut, Sure Cuts a Lot (versions 4 and 5), and Pazzles InVue. They are also compatible with certain CAD/CAM and similar applications.

Fonts for Use in FontLab Pad - These special fonts are designed to be used with FontLab Pad, a free program, to make true single line font text. Save text block as an SVG file and use it in your software for drawing, engraving, CNC, CAD/CAM, and similar uses. Click here to learn more about this amazing format.

You asked and we answered the call for beautiful single line fonts that will take your work to the next level. Whether you are a crafter or use our fonts professionally, we have a typeface that is designed just for you.

A team comprised of young designers, Neubel is home to some of my favorite serif fonts like Elgoc and Malaka. While they currently only have a few typefaces available for purchase, this is another foundry to sign up for their email list and keep your eyes on.

We all know about Google fonts, and there are definitely some gems there. But I want to highlight two places that offer some free commercial fonts beyond Google. A quick sidenote, be sure to double check the terms as not all fonts on these sites are fully free for commercial use.

It feels like we could continue on for hours, as typography is a beautiful component of brand design, but the idea of the list is to send you on your way and off exploring. The part that motivates me about experimenting with type is that the possibilities are endless. If this blog post resonated with you, be sure to check out this blog post all about font psychology!

In this digital age where visual content reigns supreme, choosing the right fonts for your brand is a matter of strategic imperative. The fonts you choose have the power to mold perceptions, evoke emotions, and establish lasting connections with your target audience. They bridge your brand's visual identity and the stories you aim to tell.

Keep reading to learn more about why aligning fonts with your overall brand strategy is a key part of creating your brand identity, and get a little Fonts 101 primer to help get you started (with a handy list of Quill's DO'S and DON'TS when it comes to selecting a brand font).

You can't seamlessly align visual elements font into a cohesive brand identity without first having a brand strategy. So, before you begin scrolling through font choices, spend time zeroing in on your brand values, features, attributes, target audience, competition, and brand positioning. If you're not sure where to start, consider doing a SWOT analysis and working with a brand strategist.

In the world of design, especially when dealing with content-rich materials, chaos can quickly ensue if there's no organization. This is where the concept of typographic hierarchy comes into play. It's not just about selecting fonts; it's about arranging and using them to guide your audience through the content effectively while reinforcing your brand's messaging.

Imagine reading a document where every element uses the same font, size, and weight. It would be a monotonous sea of text, making distinguishing headings from body text and subheadings from captions challenging. Typographic hierarchy provides a visual structure that makes content easily scannable and easy to understand.

Typography can be likened to a tour guide for your audience's eyes. Hierarchy helps you decide which information should stand out and recede into the background. Through the strategic use of fonts, you can lead your readers through your content in a way that emphasizes critical points and guides them through a logical flow.

For instance, headlines and subheadings often use larger, bolder fonts to grab attention, while body text uses a more subtle font style to facilitate comfortable reading. This not only improves readability but also enhances the user experience. Users who can effortlessly navigate your content are more likely to engage with it and, by extension, with your brand.

Brands are built on stories, and typography is a potent storyteller. You can subliminally communicate your brand narrative by using fonts that align with your brand's personality and values. For example, a whimsical font might underscore your brand's playful spirit, while a serious, no-nonsense font can emphasize professionalism.

While certainly not all-encompassing, we can break fonts into five categories for ease of organization. Each category has its own distinctive characteristics, making them suitable for different brand personalities and communication purposes:

1. Sans serif Fonts: These fonts are clean, modern, and straightforward. They lack the decorative "serifs" or small lines at the ends of characters found in serif fonts. These fonts are also the most readable and lend themselves well to headlines and body text. Sans serif fonts like Arial and Helvetica often convey a sense of simplicity, minimalism, and contemporary design.

2. Serif Fonts: Unlike sans-serif fonts, serif fonts have those decorative lines or "serifs" at the ends of characters. Serif fonts tend to convey tradition, professionalism, and a sense of history. Fonts like Times New Roman and Baskerville fall into this category.

3. Script Fonts: Script fonts mimic cursive handwriting and have a flowing, calligraphic quality. They are often used for brands that want to convey elegance, creativity, or a personal touch. Fonts like Alex Brush and Dancing Script fall into this category.

4. Handwritten Fonts: As the name suggests, handwritten fonts simulate the look of handwriting. They add a personal and informal touch to brand messaging. Brands seeking authenticity and approachability often use handwritten fonts like Permanent Marker and Patrick Hand.

Note: Like script fonts, handwritten fonts usually work best when deployed with restraint. Readability should be paramount, so if a handwritten font suits your brand, it should find its place in the hierarchy as a header font and never as body text.

5. Decorative/Display Fonts: These fonts are highly stylized and unique, often reserved for artistic or creative projects. They can evoke a wide range of emotions and are suitable for brands that aim to be unconventional and attention-grabbing. Examples include Neon World or Boldoy.

Note: Decorative fonts are another category of font that should be used sparingly for maximum effect. These fonts are usually great at evoking certain emotions or conveying certain values about a brand but tend to be less legible. If you're using a decorative font, only use it for things like headlines, banners, and large display formats like billboards. ff782bc1db