Though celebrities work hard to attain their fame and fortune, most rarely get to enjoy the peace of mind that comes with financial freedom. Instead, they're constantly on guard about their privacy and security, with many having to learn hard lessons in setting boundaries to protect their peace. Atlanta-based artist Quavo knows this all too well, especially after the tragic death of his partner-in-rhyme, Takeoff. Now, the recording artist moves more cautiously than ever before, and he's not afraid of holding others around him to the same standard.

Following a recent performance, Quavo was rejecting a woman attempting to get in his vehicle. In the clip below, the woman enters the massive whip, but the "Walk It Talk It" hitmaker promptly shuts her down. "Hell no, not you with your recording a**," he seems to say, putting the anonymous figure on blast for being too comfortable with her camera. "I didn't know!" she yells back at him as people filming outside zoom in on Quavo pointing her toward the direction she was coming from.


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As the internet continues to debate whether Quavo took things too far in turning his unwanted guest away, many are curious to see if he'll have anything to say to Chris Brown. The pair were seated together at Paris Fashion Week, and though their scuffle over Karrueche Tran took place years ago, the R&B singer made it known this week that he's still not cool with the former Migo. Read everything Breezy had to say at the link below, and check back later for more hip-hop/pop culture news updates.

Has your bank modernized the way it handles fraud and dispute claims? This is a question banks must consider as they look to improve efficiencies, enhance the customer experience, and drive greater profitability in a highly competitive market.

Faced with increased customer demands and growing fraud concerns, financial institutions can no longer afford to rely on antiquated systems and manual processes. Doing so leads to significant operational inefficiencies, greater risk of human error, and, ultimately, the erosion of customer loyalty.

The process is often fraught with many variables and moving parts, and failure to reach the proper outcome can result in losses for the bank and its customers. In a highly competitive market, this is a risk that financial institutions cannot afford to take.

Once a dispute or fraud claim is initiated by a customer, banks are then tasked with figuring out how to recover those funds and handle any potential losses they may face. Typically, banks have one of three outcomes:

Historically, banks have hired people to scan data and make decisions, and the team of investigators can be vast. In fact, some of the larger banks may have as many as 2,000 or 3,000 people conducting investigations. This can lead to significant inefficiencies and human error given the volume of data.

Furthermore, the process can be very time-consuming. Lengthy investigations place an even greater strain on resources and increase the total cost for banks. The faster banks can effectively investigate disputes and fraud, the lower their overall costs.

Further underscoring this point, preventing fraud and chargebacks has become even more critical for online merchants worldwide, with 46 percent of e-merchants prioritizing it in their fraud management strategy in 2023, up from 40 percent in 2021.

Bidding adieu to manual processes in favor of AI-capabilities and automation enables banks to improve operational efficiency, reduce losses, and improve the customer experience. It also helps banks ensure regulatory compliance, shorten recovery times, and do more with less as fraud and dispute volume increases.

By collecting and analyzing data pertaining to the risk factors, AI can determine the probability that an account holder has been the victim of true fraud or if this is a first person or familiar fraud scenario. This eliminates the need for a costly, long, and fragmented manual investigation process.

Automation not only reduces investigation costs but also decreases the level of sundry losses from low-dollar disputes. The cost of claim investigation proves far less than the cost of auto write-offs.

Reduced fraud losses: All required information for claim investigations, regardless of volume or amount, is automatically collected without the need for additional resources. The cost to investigate and recover fraud and dispute claims should not outweigh the cost of the claims themselves.

Auditable case information: The solution automatically compiles all case information and transaction data into one, easily accessible place. This is not only helpful for audits, but also provides issuers with everything needed to complete a successful chargeback recovery without draining valuable time and resources.

ARIA is fraud management AI that performs automated, reasonable investigations on behalf of the issuer. This automated intelligence tool collects data, conducts an automated reasonable investigation, and then delivers the decision to the issuer in an organized, easy-to-access format.

Advancements in technology are moving at a rapid clip and Quavo is looking to maintain its competitive edge by tapping into the benefits of Generative AI. Generative AI hit the spotlight with the 2022 debut of ChatGPT by OpenAI. ChatGPT is an AI-powered language model that can create humanlike conversational dialogue.

Quavo's target, a trained shooter with a neckbeard and camo gear, doesn't acknowledge him, just keeps firing paintballs back as if nothing happened. Seconds later, when he hits Quavo square in the butt, Quavo ignores it and, as much out of principle as spite, stays on the field and keeps shooting. When one of his teammates gets knocked out, Quavo inherits his gun and is suddenly firing two at once. "Back left corner! Back left corner!" an opponent yells, and Quavo takes cover as little yellow bullets come flying.

Everyone returns their equipment and pays, and the paintball facility's lanky, dad-like owner takes the opportunity to ask Jerel Nance, Migos' manager and friend since childhood, to describe "the band" in three sentences or less. "We make hits," Jerel says, and pretty much leaves it at that.

As the Migos gang piles into the Sprinter, joking about who caught the most bodies, no one seems to be thinking about the fact that, just six months ago, as the group drove down a dark Florida highway, their van was shot at from two lanes over by people with actual guns.

Before Migos scored their first radio hit with "Versace" in 2013, and the money they started making from shows allowed them to move into a mansion, they lived in Gwinnett County, in the suburbs north of Atlanta. They called their house there the "bando," which was also the name of the song that first got them noticed by local DJs. The three Migos have known each other pretty much from birth: Quavo, the oldest at 23, is Offset's cousin, and Takeoff, the youngest at 20, is Quavo's nephew.

Born Quavious Marshall, Quavo is the group's de facto leader, the one whose creativity the members of the entourage marvel at and the one most closely associated with the sharp-elbowed triplet flow that countless other rappers adopted after "Versace." (According to Jerel, it was actually Offset who invented it.) Takeoff, n Kirshnik Ball, is the calmest and also the one with the deepest, most patient voice; he has dreads, like Quavo, but they're much thicker, so that when one of the other guys exhales a lungful of weed smoke directly at his head, the smoke sort of just nestles there and curls slowly into the air, like steam wafting off a puddle.

Offset stands apart from the other two. Born Kiari Cephus, he has a devilish goatee and short hair, and he's more closed off than the others, at least when there are strangers around. It's hard not to suspect this is a residual effect of having been in the middle of an eight-month jail term when Migos blew up. ("Versace" and its accompanying mixtape, Y.R.N.: Young Rich Niggas, were recorded before Offset pled guilty to a probation violation, itself stemming from a theft-related felony in 2011, coincidentally the same year Migos released their first tape.) Today he lives in a separate apartment because the constant weed-smoking at the mansion makes it too risky for him to live there while on probation.

Migos started to make big moves while Offset was away. The first was signing with Quality Control Music, an independent label co-founded by Pierre "Pee" Thomas and Kevin "Coach K" Lee, an Atlanta powerbroker who had previously made stars out of Young Jeezy and Gucci Mane. It was Coach K who brought about Migos' other big move: going into business with another label, New York's 300 Entertainment. 300 was started in 2013 by former Warner Music Group CEO Lyor Cohen, one of the industry's most influential executives, and two of his longtime associates, Todd Moscowitz and Kevin Liles. Called the "Moneyball" of record labels in a Forbes article about its launch, they received $5 million in investment capital from Google and landed a data-sharing agreement with Twitter. In late March of 2014, less than a year after the release of "Versace," Quality Control signed a deal that put 300 in charge of promoting and distributing Migos' music.

Quavo says that what's keeping the Migos on their toes, more than dodging the mistakes of their forebears, is eyeing what's coming next amid Atlanta's ridiculous pile-up of thrilling local talent. "It's a lot of new things going on," he says. "A lot of new swaggers, a lot of new trends. It lets you know how fast you can pop and how fast you can drop." Unless you learn some new moves, your initial originality will be quickly eclipsed by the appearance of stasis. Thankfully, Migos' new songs are unmistakably a step forward; no longer can you pinpoint a single definitive Migos cadence. They're becoming more tuneful than the jagged, machine-gun manner they were first known for, and in many places it's hard to say whether they're singing or rapping or both. Songs like "Wishy Washy," "Take Her to the Room," and "Just for the Night," all of which were completed this past summer, find Migos delivering verses in which they don't let a single line go by without bending it into its own self-contained little hook. As a result, there are dozens of unpredictable mini-melodies embedded in each broader movement, which works especially well when paired with Migos' penchant for emphatically repeating short phrases. What a feeling! Quavo exclaims eight times in a row on one of the more celebratory new songs, and every time he repeats it you're glad he did. 152ee80cbc

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