As a girl in Bangladesh, Nazneen (Tannishtha Chatterjee), was inseparable from her younger sister until, at the age of 17, she was married to Chanu Ahmed (Satish Kaushik), an Indian man living in London. Since then, her life has been that of a dutiful wife and mother. She has two school-age daughters, including the rebellious teenager Shahana (Naeema Begum), but the blight on her life is that her first-born son died in infancy. Her husband is obsessed with getting a promotion and barely acknowledges Nazneen except for perfunctory, passionless sex with the lights out. She spends her days at home doing little and dreaming of returning "home" to see her sister. In order to make enough money to purchase the plane ticket, she obtains a second-hand sewing machine and begins work as a seamstress. That's how she meets Karim (Christopher Simpson), a fiery young man who is smitten with her, and she with him.

Director: Sarah Gavron Starring: Tannishtha Chatterjee, Satish Kaushik, Christopher Simpson Run time: 102 mins | Recommended Certificate: 12A Language: English, Bengali, Arabic with English subtitles | Year: 2007 | Country: UK, Bangladesh


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ALBERTO FUENTES, Human Rights Worker: [subtitles] When the investigators saw those windows, they saw the packets and books, they went inside and asked, ``What is this?'' They were told, ``This is the historical archive of the National Police.''

AURA ELENA FARFAN: [subtitles] What these photos show is only a small sample of the more than 45,000 Guatemalans who were illegally detained and later disappeared. Unfortunately, it's been 24 years, and we haven't been able to find out, officially, what happened to him, or any of them.

GUSTAVO MEONO: [subtitles] This is a unique archive. There aren't two or three others. It is this one or nothing. We can't make any mistakes that would put this work in danger.

CHIEF OF POLICE: [subtitles] I began my career in the rank and file of the old National Police force. Things have changed and Guatemalan society has scrutinized those who were part of the old police force. But in all societies in the world, there are the good and the bad.

CHIEF OF POLICE: [subtitles] In my view, in the transparency, conduct and professionalism of the National Civil Police, it doesn't affect us. You'll be able to see historical information there about situations that happened in the country. If something comes out, then let it come out.

Pres. ALVARO COLOM: [subtitles] Our government has nothing to hide, neither I nor anyone in my cabinet. It's time to know the truth. It's time for Guatemala to sleep peacefully, without dwelling on the past but rather on the present reality.

Pres. ALVARO COLOM: [subtitles] When I visited the police archives, I had a very strong feeling, a longing for justice. And my head was filled with images of the past that we should never forget if we want justice. And I think that was the strongest feeling, to do everything I can as president to fortify justice. I have to do it.

MARIA EUGENIA, Archive Worker: [subtitles] I have in my hands a great responsibility. My job is not to work for a salary or to pass the time. It is work with implications for the future so that in the future, new generations can better understand our history.

FELICIANO DOS SANTOS AND BAND: [singing] [subtitles] Let's wash our hands. Let's wash our hands. For the children to stay healthy, for the uncles to stay healthy, for the mothers to stay healthy, we build latrines.

FELICIANO DOS SANTOS: [subtitles] There are two pits. The family uses one pit until it is full and then switches to the other. The family does not have to dig toilets in different places. They just keep alternating pits, which saves space and time.

MARJORIE McAFEE: It's called an Ecosan toilet. Santos didn't invent it, but he's introduced it to rural Mozambique. The brick-lined pits prevent contamination of the groundwater. And there are other benefits, too. Families with an ecological toilet collect ash from cooking fires. They keep the ashes in a location next to the latrine. After each use, you throw a handful of ash onto the waste, which eliminates the smell and keeps away disease-bearing flies. Touching the ash also reminds you to wash your hands, further reducing the chances of contamination.

FELICIANO DOS SANTOS: [subtitles] From here, this compost is ready for the fields. It is a natural fertilizer that doesn't cost anything. It's more economical for the family. With this, they will have more food to eat.

JAMAL: [subtitles] Last year, I was at my friend's fields and I saw that his cabbages were growing very well. And it looked like it had a lot of good fertilizer on it. So I went with my friend to his house and saw that the fertilizer was from the latrine. But the cabbages were growing so well, I said I'd like to have one, too.

FELICIANO DOS SANTOS: [subtitles] Massukos is the name of a fruit. I was inspired to name the band after that fruit because we were just finishing a war. And after the war, many people needed to fight a spiritual hunger. So our music is intended to fight spiritual hunger.

SIMAO FONTES, Lead Singer: [subtitles] He has become a sort of billboard icon. When it comes to water and sanitation throughout the country, he's an icon. This success, he deserves it. He deserves it.

FELICIANO DOS SANTOS AND BAND: [singing] [subtitles] I sing out loud, your name is Niassa. I sing out loud, your name is Niassa. I am not embarrassed that you are poor like this. I am not concerned that you are fragile like this, Niassa.

FELICIANO DOS SANTOS AND BAND: [singing] [subtitles] Other people say, ``I'll never go back to Niassa. Why go back?'' But here we are. Santos is Niassa. Simao is Niassa. Estamos is Niassa. Massukos is Niassa. be457b7860

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