So you'd willingly sacrifice a mic input for this? Aside from anything else, the StageScape is aimed at gigging bands. Auto EQ the room with a mic, your 200+ audience arrives and the entire venue's acoustics change, so unless you have it running permanently (thus sacrificing a mic input) what's the point? Experience teaches us which of the many presets to use and which will subsequently be mellowed by the arrival of the audience.

I loved the master EQ presets but maybe I was the only one using them because The 1st firmware update had a flaw where it sent the master volume to 0 when choosing a different master EQ preset - totally unacceptable in the middle of a performance- and took a year for the 2nd firmware update to address that flaw! But happy it did - I guess not many where using master EQ presets, but I love them.


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The TouchMix-30 Pro offers even more of what you would expect and demand from a TouchMix Series mixer. 24 class-A microphone preamps deliver pristine, studio-quality audio. Over 120 live instrument, microphone and other audio source presets created in live environments provide mix-ready channel settings. All outputs feature 1/3 octave graphic equalization and 6-band parametric EQ plus limiters, delay and 12-band notch filters. 14 mono mixes may be paired for stereo while two pairs of Auxes can drive wired in-ear monitors (IEM) directly. Six stereo effects processors plus pitch-correct offer studio-grade signal enhancements, without sacrificing Auxes or additional channels.

With additional features like USB connectivity, channel presets, talkback and more, the TouchMix-30 Pro provides a full set of tools for convenient live mixing and recording. Connect a USB drive to record and playback 32-channel multi-tracks or stereo mixes. Save and recall channel presets for consistent results. Use the talkback mic to communicate with musicians. And with its lightweight, durable design, the TouchMix-30 Pro is perfectly suited for life on the road.


The TouchMix-8 has an intelligent and intuitive design with a touchscreen interface that allows you to access a wide range of features with simplicity. In Simple Mode, you can utilise channel and effects options that will give your sound a polished finish. The presets index, alongside the Effects and Gain Wizards, will assist you in selecting the best effects for your vocals and instruments. Otherwise, you can switch to Advanced Mode to tweak and tailor the presets, fine tuning your sound.

Scenes: 130 user-defined scenes, including all mixer parameters may be stored internally or on FAT32 formatted USB Channel and FX Presets: 130 user-defined channel presets and 130 FX presets may be stored internally or on FAT32 formatted USB

The company recently sent me the 16-channel model, appropriately named the TouchMix-16, for evaluation. The smaller TouchMix-8 offers 8 channels, and both units are very similar in terms of feature sets, including a library of channel presets as well as onboard effects and gain wizards that help less experienced operators focus on the mix, not the mixer.

Multi-track recording is as simple as connecting a USB hard drive to one of the USB ports, and all inputs plus a stereo mix (22 tracks total) can be recorded as wave files. TouchMix can be used as a mix-down desk or the tracks can be imported into a DAW. Users can also save the channel presets or complete mixer scenes to internal memory or a USB device.

Shawn McLoughlin demo'ed the TouchMix 30-Pro's presets, anti-feedback and tuning wizards, the ever-updating multi-lingual user guide and then joined AES Wisconsin. 

 

 -sound/products/touchmix-mixers/touchmix-30-pro/


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