Released on 11 July 2003, the film was moderately successful at the box office.[10] It received praise for the action and cinematography, while the pacing, performances and repletion with songs earned criticism.[11]

Taran Adarsh from Bollywood Hungama gave the film 2 stars out of 5, finding the first half ordinary, the songs forced and the romantic past of Devgn's character, patience-testing. However, he appreciated the action sequences, background score and other technical aspects, remarking that the film looked "international".[14] Writing for Rediff.com, Priya Ganapati found the film too slow for an action thriller due to being replete with songs, but was highly appreciative of the action sequences, cinematography and background score. However, much akin to Adarsh, she also felt the usage of technical jargons might prove to be incomprehensible for many viewers.[15]


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Though great songs were produced, there was also a lot of riff-raff. With a large number of violent and repetitive storylines, many films did not offer scope for good music. Towards the end of this period, though, the arrival of Anand-Milind, Nadeem-Shravan and Jatin-Lalit marked a return of melody. (As with the previous lists, this one is ordered chronologically.)

The combination of music director RD Burman and lyricist Gulzar had produced some great work since Parichay in 1972. In Ijaazat, Asha Bhosle rendered some wonderful songs. Mera Kuch Saaman, filmed on Anuradha Patel and Naseeruddin Shah, was known for its unusual, free-flowing lyrics. 0852c4b9a8

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