Get ready to rethink everything you know about puppets and puppeteers. Our live shows, workshops, exhibitions, and events will have you feeling like a kid again at the Center for Puppetry Arts. Limited FREE parking is available.

Our trip to Ha Long Bay included a Water Puppet performance on the way back to Hanoi. Jrgen and I had already seen a show while in Saigon, so we asked if we might be allowed backstage to see the puppeteers at work. To our surprise, they agreed.


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I had trouble finding decent ones that weren't religiously motivated, so I had my students write and record their own last year. It was a neat project: script writing (making sure it was age-appropriate, etc.), voice recording and editing, add music when appropriate, etc. When we were done, the kindergarten class from our elementary school walked over to the school to watch the performance. I highly recommend doing this! I will be doing it again in the spring.

We write our own scripts for puppet shows. Our target audience is the early grades at a local Montessori school, so we take favorite children's stories and 'dramatize' them for puppets. It's a good exercise for our high school students because they need to pay attention to changing from the typical narration of a story, to the dramatization of that. And, they need to keep in mind the audience they are serving (young kiddos). Good luck with your work.

Thanks everyone! Yes, my plan is to actually have my middle school playwriting class write scripts for puppet shows which the acting class will perform for the early years students. I was just hoping to be able to show the kids some examples of puppet scripts, but I've struggled to find decent ones that are not religiously themed as well!

Besides the shows already mentioned, Stevens Puppets perform Aladdin, Beauty and the Beast, Rumplestiltskin, The Legend of Sleepy Hollow, Sleeping Beauty, The Toymaker and The Wonderful World of Puppets. I wish I could watch them all. As a former school librarian, I appreciate the effort they put into teaching these timeless tales to children.

Catch a new show each week at a Roseville Park near you! The Roseville Puppet Wagon presents 15-20 minute themed shows on Tuesday, Wednesday and Thursday mornings. All shows are family friendly and include a variety of classic tales.

Arrive 15 minutes early for the 11 a.m. and 4 p.m. performances during opening weekend to meet the star puppets and the skilled puppeteers! Enjoy arts and crafts in the Merry Meadow with activities tied to the shows.

Thursday Puppet Playdates!

After the curtains close on Thursday's 11 a.m. and 2 p.m. puppet shows, join Jacqui June, our Puppet Education Specialist, for a small-group Puppet Playdate! It's a chance for kids to get hands-on with puppetry and use their imaginations to create their own puppet stories!

Mediated Learning Experiences can be very powerful, but ultimately, you decide what is right for your child. If you are concerned about a certain puppet show, it is always okay to leave. Furthermore, I welcome dialogue about your concerns, questions, or anything you read about in this article. Please contact Vicky Chen, Director of Community Outreach and Education. Thank you for reading, and enjoy Fairyland!

There are many different varieties of puppets, and they are made of a wide range of materials, depending on their form and intended use. They can be extremely complex or very simple in their construction. The simplest puppets are finger puppets, which are tiny puppets that fit onto a single finger, and sock puppets, which are formed from a sock and operated by inserting one's hand inside the sock, with the opening and closing of the hand simulating the movement of the puppet's "mouth". A hand puppet or glove puppet is controlled by one hand which occupies the interior of the puppet and moves the puppet around. Punch and Judy puppets are familiar examples. Other hand or glove puppets are larger and require two puppeteers for each puppet. Japanese Bunraku puppets are an example of this. Marionettes are suspended and controlled by a number of strings, plus sometimes a central rod attached to a control bar held from above by the puppeteer. Rod puppets are made from a head attached to a central rod. Over the rod is a body form with arms attached controlled by separate rods. They have more movement possibilities as a consequence than a simple hand or glove puppet.

Puppetry is a very ancient form of theatre which was first recorded in the 5th century BC in Ancient Greece. Some forms of puppetry may have originated as long ago as 3000 years BC.[1] Puppetry takes many forms, but they all share the process of animating inanimate performing objects to tell a story. Puppetry occurs in almost all human societies where puppets are used for the purpose of entertainment through performance, as sacred objects in rituals, as symbolic effigies in celebrations such as carnivals, and as a catalyst for social and psychological change in transformative arts.[2]

Puppetry is a very ancient art form, thought to have originated about 4000 years ago.[1] Puppets have been used since the earliest times to animate and communicate the ideas and needs of human societies.[3] Some historians claim that they pre-date actors in theatre.[4] There is evidence that they were used in Egypt as early as 2000 BCE when string-operated figures of wood were manipulated to perform the action of kneading bread.[citation needed][5] Wire controlled, articulated puppets made of clay and ivory have also been found in Egyptian tombs.[5] Hieroglyphs also describe "walking statues" being used in ancient Egyptian religious dramas.[1] Puppetry was practiced in ancient Greece and the oldest written records of puppetry can be found in the works of Herodotus and Xenophon, dating from the 5th century BC.[6][7][8]

Sub-Saharan Africa may have inherited some of the puppet traditions of ancient Egypt.[1] Certainly, secret societies in many African ethnic groups still use puppets (and masks) in ritual dramas as well as in their healing and hunting ceremonies.[citation needed] Today, puppetry continues as a popular form, often within a ceremonial context, and as part of a wide range of folk forms including dance, storytelling, and masked performance.[citation needed] In the 2010s throughout rural Africa, puppetry still performed the function of transmitting cultural values and ideas that in large African cities is increasingly undertaken by formal education, books, cinema, and television.[citation needed]

There is evidence for puppetry in the Indus Valley civilization. Archaeologists have unearthed one terracotta doll with a detachable head capable of manipulation by a string dating to 2500 BC.[9] Another figure is a terracotta monkey which could be manipulated up and down a stick, achieving minimum animation in both cases.[9] Puppets are described in the epic Mahabharata, Tamil literature from the Sangam era, and various literary works dating from the late centuries BC to the early centuries AD, including the Edicts of Ashoka.[10] Works like the Natya Shastra and the Kama Sutra elaborate on puppetry in some detail.[11]

Japan has many forms of puppetry, including the bunraku. Bunraku developed out of Shinto temple rites and gradually became a highly sophisticated form of puppetry. Chikamatsu Monzaemon, considered by many to be Japan's greatest playwright, gave up writing kabuki plays and focused exclusively on the puppet-only bunraku plays. Initially consisting of one puppeteer, by 1730 three puppeteers were used to operate each puppet in full view of the audience.[1] The puppeteers, who dressed all in black, would become invisible when standing against a black background, while the torches illuminated only the carved, painted and costumed wooden puppets.

Korea's tradition of puppetry is thought to have come from China. The oldest historical evidence of puppetry in Korea comes from a letter written in 982 A.D. from Choe Seung-roe to the King.[12] In Korean, the word for puppet is Kkoktugakshi.[12] Gagsi means a "bride" or a "young woman", which was the most common form the dolls took. A kkoktugakshi puppet play has eight scenes.[12]

The Indonesian wayang theater was influenced by Indian traditions.[13] Some scholars trace the origin of puppets to India 4000 years ago, where the main character in Sanskrit plays was known as Sutradhara, "the holder of strings".[3] Wayang is a strong tradition of puppetry native to Indonesia, especially in Java and Bali. In Java, wayang kulit, an elaborate form of shadow puppetry, is very popular. Javanese rod puppets have a long history and are used to tell fables from Javanese history. Another popular puppetry form in Indonesia is wayang golek.

Vietnam developed the art form of water puppetry, unique to that country. The puppets are built out of wood and the shows are performed in a waist-high pool. A large rod under the water is used by puppeteers to support and control the puppets, creating the appearance of the puppets moving over water. The origin of this form of puppetry dates back seven hundred years when the rice fields would flood and the villagers would entertain each other. Puppet show competitions between Vietnamese villages eventually led to the creation of secretive and exclusive puppet societies.

The Philippines first developed its art of puppetry during the Spanish colonial period. The oldest known Filipino puppetry is the carrillo, also known as kikimut, titire, and potei. It was first recorded in 1879. It involves small carts used in puppet plays with figures made of cardboard utilized for shadow plays.[14][15] In the late 1800s, another Filipino puppetry developed. Higantes are giant papier-mch puppets, numbering more than a hundred, paraded through town during the Higantes Festival. These puppets are made as a devotion to San Clemente and as a mockery against colonial-era land owners who discriminated Filipinos. Various traditions are connected with the higantes.[16][17] Since the 20th century, multiple puppet arts have developed in the Philippines.[14] A notable Filipino puppeteer is Amelia Lapea Bonifacio.[18] 152ee80cbc

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