"Somewhere in the Universe, there must be something better than man!".Taylor and two other astronauts come out of deep hibernation to find that their ship has crashed. Escaping with little more than clothes they find that they have landed on a planet where men are pre-lingual and uncivilized while apes have learned speech and technology. Taylor is captured and taken to the city of the apes after damaging his throat so that he is silent and cannot communicate with the apes.
With Disney's acquisition of 20th Century Fox in April 2019, the studio revealed that more Planet of the Apes movies would go into production. In September 2022, the title of the fourth installment in the Planet of the Apes reboot series was revealed to be Kingdom of the Planet of the Apes. Fans will be able to return to the simian-filled landscapes on the big screen once more in 2024, after nearly seven years since the last installment. Here's what we know about the highly anticipated new film.
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Astronaut Taylor crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport. Soon Taylor finds himself among the hunted, his life in the hands of a benevolent chimpanzee scientist.
This known story is the first and best of the primates series; it starts when Taylor(recently deceased Charlton Heston) and three astronauts crash on a far planet and encounter a culture where the simians rule over. At the start they trek taken across the desert. Later discover humanity has gone awry and now is slave and reduced to beasts. Man is treated as animal of burden and regarded as scum. A couple of gorillas named Cornelius(Roddy McDowall) and Zira(Kim Hunter) think otherwise and even agree Taylor escape, accompanied by a gorgeous native named Nova(Linda Harrison). He's trapped and judged by Dr. Zaius(Maurice Evans) and the president of assembly(James Withmore).
This is a classic sci-fi movie with metaphysical significance and reflexion about origin of human being, though also packs action, adventures, intrigue and entertainment. In spite of time, the original energy remains and results to be an agreeable fantasy. Exciting writing credits by Rod Serling and Michael Wilson from Pierre Boulle novel, though the amazing final scripted by Serling. One of the important attributes of this work, is the excellent, spectacular production design by Walter Scott. Glimmer and luminous cinematography by Leon Shamroy. Magnificent make-up by John Chambers, a first-rate expert, such as proved in 'Blade runner, Ssss, Island of Dr Moreau' among others. The picture is fabulously directed by Franklyn J Schaffner, utilizing a great visual sense. The film won two nominations for Academy Award, the best costume and sensational musical score by a top-notch Jerry Golsmith,- Schaffner's usual: Patton, Papillon-, and deservedly won Oscar for make-up by Chambers. Schaffner was an impressive director with hits : 'Boys from Brazil, Papillon, Patton, War lord', but also flops, : 'Lionheart, Island of streams, Nicholas and Alexandra and Sphinx'. Schaffner was one of the most innovate creative minds from the 70s and 80s.
Followed by four inferior sequels and a TV series, as 'Beneath of the planet of apes'(70, Ted Post), 'Escape of planet of apes'(71, Don Taylor), 'Conquest of planet of apes'(72, J. Lee Thompson), 'Battle for the planet of apes'(73, J.Lee Thompson).
On a mission in space Charlton Heston and his crew get a fast forward courtesy of a 'time bend' and they wind up hundreds of years in the future. And on a planet where evolution has reversed a step. It's the apes that are the species created in the image of the Creator and humans are at best entertaining and at worse a lower form of animal that threatens the existence of Simian Civilization.
As Heston so aptly puts it he thinks he's arrived in a mad house. Two simian scientists, Kim Hunter and Roddy McDowell have true scientific curiosity and want to know more about this human with articulate speech. But they answer to Maurice Evans who acts more like the high priest of simian religion and will do anything to protect the orthodoxy of his faith.
Sounds familiar, doesn't it? As is true in human religions on earth, those in charge have power over the true believers and will do anything to protect their privileged position. The apes haven't done anything different, it's what is driving Charlton Heston quite out of his mind.
My favorite in this film is Maurice Evans and seeing him in that orangutan costume and makeup and hearing that classically trained voice come from same is a treat that keeps on treating every time you see this film and the sequel films that he did appear in. Today's audience cannot appreciate the familiar voices of people like Evans, McDowell, Hunter, James Whitmore and James Daly who are in ape costume, but even so the makeup remains a marvel.
In fact it got Planet Of The Apes its only Oscar and well deserved. In the past you simply would put some actor in a gorilla costume in some B and lower grade feature, but it was never convincing. The actors here look like simians and must have rehearsed for weeks to get simian movements down as well as they do.
In the end Heston goes off to meet his destiny and the destiny that met mankind while he was asleep and time bended. Planet Of The Apes is as fresh as it was when it arrived on the big screen in 1968 and with a lot of the same lessons to be learned.
After a spectacular crash-landing on an uncharted planet, brash astronaut Leo Davidson finds himself trapped in a savage world where talking apes dominate the human race. Desperate to find a way home, Leo must evade the invincible gorilla army led by Ruthless General Thade.
I really like Tim Burton- Edward Scissorhands, Big Fish, Ed Wood, Batman, Beetle Juice and Sleepy Hollow are all great movies. The thing is this remake(or re-imagining if you like) is not, in fact this could very well be Burton's worst movie, even worse than Charlie and the Chocolate Factory and that could have been much better. Tim Burton, what has happened to you? Before I get to the many negatives of this film, I will say the apes are very well done. Their mannerisms and the way they move are perfectly convincing. Plus Danny Elfman's score was pretty good, it's no Edward Scissorhands or Big Fish but it's good enough. And the scenery and special effects are fantastic.
However, that is all the praise I can give it. I am briefly going to say it is vastly inferior to the 1968 classic, which was much more exciting and much better written as well. The script is awful, not quite Pearl Harbor kind-of-awful, but some of it is lame and unintentionally cheesy. The story takes a while to get going and meanders all over the place, not helped by pedestrian pacing and drawn out scenes and very rarely gets interesting. Plus is it me, or does the film get unnecessarily loud at times? Tim Burton's direction was also a disappointment, usually his films are full of heart, that's what made Edward Scissorhands especially such a gem, but here he seems lost, bogged down might I say. On top of that, the character development is non-existent, as is the chemistry between the actors and the characters are extremely clichd, especially Kris Kristofferson's character. And the acting didn't fare that much better, Mark Wahlberg is a bland lead, while Estella Warren acts like a zombie throughout. Then we have Tim Roth trying hard and giving the only credible performance as Thade, and Helena Bonham Carter wasted as sympathetic Ari, while Paul Giamatti is useless. Not even the talented David Warner can save this film. And don't get me started on the ending, what a bummer, so predictable and obvious.
Overall, a case of all style no substance. Definitely not Burton's finest hour. 3/10 Bethany Cox be457b7860
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