. . . is the Charles E. Daniels Distinguished Professor of Music at Converse College. He serves as the conductor of the Converse Symphony and teaches music history. Dr. Reichwald is the author of The Genesis of Felix Mendelssohn’s Paulus, which dealt with the compositional process of Mendelssohn’s oratorio Paulus. He also edited Mendelssohn in Performance, a collection of essays that, according to Choice, “does a superb job explaining the 19th-century sound environment of Felix Mendelssohn and his audiences,” and Nineteenth Century Music Review suggests that it “should be on the shelf of every performer, scholar and devotee of Mendelssohn’s music.” He has published articles and presented papers on a variety of topics on the music of Brumel, Mendelssohn, Schumann, Poulenc, and Piazzolla at regional, national, and international conferences hosted by such organizations such as the International Musicological Society, the American Musicological Society, the College Music Society, the Forum on Music and Christian Scholarship, the Lyrica Dialogues at Harvard University, and the Centro Studi Opera Omnia Luigi Boccherini.