The Ribud d Laot Dance is a cultural performance that narrates the origins of the Muang Jong traditional ritual. The story centers on a man named Bujang Awang, who embarked on a journey to the sea, driven by the hopes of his wife and the coastal community. They sought to end the disturbances that plagued their waters, making it difficult for them to earn a living from the sea.

Lyssavirus is the Latin name for mad dog disease or commonly known as Rabies. 

This work is a form of representation of the form of the Rabies Virus and its very fast spread and gives rise to several color symbols to support the work... The green color was chosen as the form of the rabies virus, and the clear color at the end of the work appears as a form of SAR (Anti-Rabies Serum) which be an alternative treatment for those who have been bitten by rabid animals...

Rabies is a deadly disease,  But if it is handled quickly and correctly then we will survive, and prevention is better than cure..

Taking from the mythology of the elephant riding offering to commemorate the spirit of a young man who is believed to be the guardian of "Gaja Mina" in the ocean. This mythology is the basic idea in the group choreography, by taking the form of rituals and beliefs of the sawang/urang sawang tribe. This choreography is danced by 9 dancers as a symbol of the 9th full moon.

The conflict that arises from the physical problem of obesity (overweight) will have a split personality that attacks, brings down, and raises again and again from within the character.

"Cinte Yin Galema" is a captivating dance piece inspired by the legend of Yin Galema, a spirited Chinese princess of the Balok kingdom on Belitung Island. Known for her beauty and deep connection to Malay culture, Yin Galema faces a profound choice: to honor her sacred marriage promise to a Bunian creature—a mystical being from the jinn lineage. This enchanting narrative unfolds through the dance, with the Bunian symbolized as a shadow figure on stage, highlighting their ethereal bond. 

"In the dance piece Antu de Bubu, the Bubu (a traditional fish trap) is used as a symbolic container for the interaction of imaginary or microcosmic beings, representing the complex relationships between them. The accompanying chant is: 'Ee antu de laut bubu de buat nantang besaut kamek bediri siap belage antara bun die kan kite,' evoking the spirit of readiness and confrontation."