Mr Collins, the heir to the Longbourn estate, visits the Bennet family with the intention of finding a wife among the five girls under the advice of his patroness Lady Catherine de Bourgh, also revealed to be Mr Darcy's aunt. He decides to pursue Elizabeth. The Bennet family meet the charming army officer George Wickham, who tells Elizabeth in confidence about Mr Darcy's unpleasant treatment of him in the past. Elizabeth, blinded by her prejudice toward Mr Darcy, believes him.

The next day, Mr Darcy gives Elizabeth a letter, explaining that Wickham, the son of his late father's steward, had refused the "living" his father had arranged for him and was instead given money for it. Wickham quickly squandered the money and tried to elope with Darcy's 15-year-old sister, Georgiana, for her considerable dowry. Mr Darcy also writes that he separated Jane and Bingley because he believed her indifferent to Bingley and because of the lack of propriety displayed by her family. Elizabeth is ashamed by her family's behaviour and her own prejudice against Mr Darcy.


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The qualities of the title are not exclusively assigned to one or the other of the protagonists; both Elizabeth and Darcy display pride and prejudice."[9] The phrase "pride and prejudice" had been used over the preceding two centuries by Joseph Hall, Jeremy Taylor, Joseph Addison and Samuel Johnson.[10][11] Austen probably took her title from a passage in Fanny Burney's Cecilia (1782), a popular novel she is known to have admired:

"How despicably have I acted!" she cried; "I, who have prided myself on my discernment! I, who have valued myself on my abilities! who have often disdained the generous candour of my sister, and gratified my vanity in useless or blameable distrust. How humiliating is this discovery! yet, how just a humiliation! Had I been in love, I could not have been more wretchedly blind. But vanity, not love, has been my folly. Pleased with the preference of one, and offended by the neglect of the other, on the very beginning of our acquaintance, I have courted prepossession and ignorance, and driven reason away, where either were concerned. Till this moment I never knew myself."[25]

Austen creates her characters with fully developed personalities and unique voices. Though Darcy and Elizabeth are very alike, they are also considerably different.[30] By using narrative that adopts the tone and vocabulary of a particular character (in this case, Elizabeth), Austen invites the reader to follow events from Elizabeth's viewpoint, sharing her prejudices and misapprehensions. "The learning curve, while undergone by both protagonists, is disclosed to us solely through Elizabeth's point of view and her free indirect speech is essential ... for it is through it that we remain caught, if not stuck, within Elizabeth's misprisions."[29]

Television director Joe Wright was hired in early 2004,[20] making Pride & Prejudice his feature film directorial debut.[21] He was considered a surprising choice for a film in the romance drama genre due to his past work with social realism.[22][23] Wright's body of work had impressed the producers,[6] who were looking for a fresh perspective;[11] they sent him a script despite the fact that Wright had not read the novel.[6][24] He commented that at the time, "I didn't know if I was really all that interested; I thought I was a little bit more mainstream than this, a bit more edgy. But then I read the script and I was surprised I was very moved by it".[25] He next read the novel, which he called "an amazing piece of character observation and it really seemed like the first piece of British Realism. It felt like it was a true story; had a lot of truth in it about understanding how to love other people, understanding how to overcome prejudices, understanding the things that separate us from other people ... things like that."[25]

Austen's witty and incisive story of the Bennet family's relational follies in Regency England is a master class in the complexities of human nature, the dangers of blind pride and unchecked prejudice, and the ways in which we grow - in humility and in character, and in how we relate to one another.

Austen's witty and incisive story of the Bennet family's relational follies in Regency England is a master class in the complexities of human nature, the dangers of blind pride and unchecked prejudice, and the ways in which we grow - in humility and in character, and in how we relate to one another. The Pride & Prejudice Student Guide, Second Edition includes Reading Notes, Vocabulary, Comprehension Questions, Socratic Discussion Questions, and Essay Prompts.

Austen's witty and incisive story of the Bennet family's relational follies in Regency England is a master class in the complexities of human nature, the dangers of blind pride and unchecked prejudice, and the ways in which we grow - in humility and in character, and in how we relate to one another. The Teacher Guide includes inset student pages with answers, and additional discussion information for the teacher, as well as tests and essay prompts.

Mr. Gardiner, whose manners were easy and pleasant,{305} encouraged hercommunicativeness by his questions and remarks: Mrs. Reynolds, eitherfrom pride or attachment, had evidently great pleasure in talking of hermaster and his sister.

Elizabeth listened, wondered, doubted, and was impatient for more. Mrs.Reynolds could interest her on no other point. She related the subjectsof the pictures, the dimensions of the rooms, and the price of thefurniture in vain. Mr. Gardiner, highly amused by the kind of familyprejudice, to which he attributed her excessive commendation of hermaster, soon led again to the subject; and she dwelt with energy on hismany merits, as they proceeded together up the great staircase.

Mrs. Bennet had been strongly inclined to ask them to stay and dinethere that day; but, though she always kept a very good table, she didnot think anything less than two courses could be good enough for a manon whom she had such anxious designs, or satisfy the appetite and prideof one who had ten thousand a year.{415}

Elizabeth was pleased to find that he had not betrayed the interferenceof his friend; for, though Jane had the most generous and forgivingheart in the world, she knew it was a circumstance which must prejudiceher against him.

In contrast, Mr. Darcy does little to inhibit Elizabeths thoughts, but rather provides her opportunities for intellectual growth. When Elizabeth rejects his first proposal, Mr. Darcy does not attack her beliefs like Mr. Collins, but simply provides a letter of explanation (Austen 129). This method expresses much more respect for Elizabeths mental privacy because she is expected to form her own beliefs based on the factual information provided. Greenfield also notes that after having routinely misunderstood Darcy in his presence, Elizabeth individually interprets various pieces of evidence including Darcys letter, then his Pemberly estate, and finally her aunts second-hand account of his help with Lydia (Greenfield 344). In other words, it is always through indirect means that Elizabeth obtains further information about Darcys character. Because Darcy is absent when these pieces of evidence are presented, Elizabeth is forced to draw her own conclusions about his character, which means her mind is occupied with productive thought. By limiting his direct interference in Elizabeths thoughts, Mr. Darcy actually fuels her mental activity. Furthermore, Elizabeths mental growth, such as increasing awareness that she may have misjudged Darcy, is what enables her to feel love and affection toward her future husband (Morgan 57). At the beginning of the novel, Darcy and Elizabeth appear ill-matched, but Darcys respect for Elizabeths intelligence and mental space offers Elizabeth an understanding of herself, one that is moral and affectionate and sound (Morgan 68). In short, by distancing himself from Elizabeths thoughts, Darcy helps Elizabeth to independently develop beliefs about herself, namely her recognition of her previous prejudices.

Pride and Prejudice follows the turbulent relationship between Elizabeth Bennet, the daughter of a country gentleman, and Fitzwilliam Darcy, a rich aristocratic landowner. They must overcome the titular sins of pride and prejudice in order to fall in love and marry. e24fc04721

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