"Get Outta My Dreams, Get into My Car" is a song by Trinidadian-British singer Billy Ocean, based on a line in the Sherman Brothers' song "You're Sixteen". It was released as the first single from Ocean's album Tear Down These Walls (1988). Part of its popularity lay in its cutting-edge (for the time) music video, which features animation mixed with live-action sequences. The saxophone solo is performed by Vernon Jeffrey Smith.[3]

"Get Outta My Dreams" became Ocean's third and final U.S. no. 1 single, going to number one on both the U.S. Billboard Hot 100 and Hot Black Singles charts. It was also his seventh and most recent single to reach the U.S. top 10. The song also peaked at no. 1 in seven other countries, including Canada, where it was the country's most successful single of 1988, and at no. 3 on the UK Singles Chart, making it Ocean's sixth and final top 10 hit there.


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The song was later covered by pop punk band Fenix TX for the soundtrack of NASCAR Thunder 2003. In 2013, heavy metal band Gwar covered the song in a video featured on The A.V. Club website as part of the site's A.V. Undercover series. Approximately three minutes into the performance, the band incorporates the Who's "Baba O'Riley" into the song. The song is mentioned in a 2014 television advertisement for Twix Bites.

The song was parodied by comedian and actor Jason Sudeikis as 1980s fake singer Ocean Billy in the "Worst of Soul Train" sketch on Saturday Night Live with the title "Get Out of My Car, Get into My Trunk".[47] Amazon Prime later included a version with lyrics rewritten and performed by Jon Batiste in an advertisement to promote Prime Day.[48]

In 1989, on the occasion of the 25th anniversary of the founding of the telecommunications company ENTEL Chile, this song was parodied as "ENTEL est aqu" ("ENTEL is here").[citation needed]

"Get Outta My Dreams, Get Into My Car / Baba O'Riley (Live)" by GWAR is a mashup of two songs, "Get Outta My Dreams, Get Into My Car" by Billy Ocean and "Baba O'Riley" by The Who. While this interpretation combines both songs, it incorporates GWAR's signature style, adding their unique elements to the lyrics.

In the context of "Get Outta My Dreams," the song portrays a sense of desire and pursuit. The lyrics represent someone expressing their attraction and urging someone else to get into their car and join them in an adventurous journey. The repetitive calls for the person to get into the car suggest a bold and assertive approach to love or desire. The line, "I'll be your one-pump lover, get it while you can," portrays a sense of urgency and seizing the opportunity for passion.

Overall, the combination of these songs in the GWAR performance likely creates an unconventional narrative that meshes themes of pursuit, desire, adventure, and youthful rebellion. GWAR's aggressive and energetic style provides a unique interpretation, possibly exploring themes of lust, exploration, and the brashness of living life to the fullest.

There are a total of four versions of this song, each with a subtitle meaning "New": "New", "Aratanaru" (Japanese), "Nouveau" (French), and "Nuadhaich" (Gaelic). Each version is meant to be in the respective language, but only the English has been successfully transcribed; the latter three versions appear to be similar to the "fake" languages used throughout the game's soundtrack, but with more significant inspirations drawn directly from the languages in question. Each version is specifically used in a different ending in the game, respectively.

The strictly fan-based Lunar Tear Orchestra performed the English version of this song on April 15, 2017 . Official members in attendance included Yoko Taro, Saito Yosuke, Okabe Keiichi, Emi Evans, Seo Shoutaro, and Natori Sawako.

Once there were trees full of birds,

Meadowlands vibrant with flowers;

Carefree the songs our children once sang

Gilding our minutes and hours.

Clouds came and covered the sun,

The breath of a baleful uneaseĀ 

Turning to ashes flowers in their fields,

Silenced the birds in their trees.

It is sung while Genie shows off his powers to Aladdin, including summoning dancers, telling him in a musical-like fashion that he is a friend unlike any other. He also demonstrates the many possibilities Aladdin can wish for. An instrumental version of the song can be heard in later scenes as a motif for Genie, along with "To Be Free".

Translated from the words of the Lord's Prayer, this epic song from the award-winning video game franchise Civilization was the first composition from a video game to be nominated for, and win, a Grammy.

These Nigerian Afrobeats Songs Are Turning 10 Years In 2023 These Nigerian Afrobeats Songs Are Turning 10 Years In 2023. In this article, TrendyBeatz takes a long nostalgic trip down memory lane to curate a list of songs that turned a decade in this new year, 2023. Here's a TrendyBeatz curated list of songs that made 2013 a stellar year for the Nigerian music scene.

Fear Women: 10 Nigerian Songs That Preach The Gospel Better Fear Women: 10 Nigerian Songs That Preach The Gospel Better. In this article, TrendyBeatz curated a list of ten Nigerian songs that preach the gospel of "Fear Women" in no particular order while reviewing the story behind the lyrics, the context of the theme and the production of each song. e24fc04721

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