Some stories require greater scope, more voices, or a different context than can be delivered through the eyes of one protagonist. When you find this to be the case, consider using multiple viewpoints. However, you must think about several factors before launching into this greater undertaking.

Using multiple viewpoints can benefit your story in several ways. Keep in mind that when showing the vantage points of co-protagonists in one of the intimate POVs, you must start a new scene or chapter each time you switch.

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To determine how often to switch to a different viewpoint character, many writers use a formula wherein each co-protagonist gets a POV chapter or scene in a set rotating order: Protagonist A, Protagonist B, Protagonist C, all the way through the novel. Others might structure their scenes so one character appears more often than the others: A, B, A, C, A, B, A, C, or even A, A, B, C, A, A, B, C.

Thank you for sharing your thoughts on POV. I agree with your rational as to when to use multiple viewpoints, but what I see all too often in books is head-hopping, when the narrator switches from one POV to another in the same scene.

For good or bad, I chose to make the male protagonist the main character in the first book. Even though she gets a significant amount of POV time, the story is still his. We get more of his backstory, and the antagonist is primed for his journey.

The female protagonist takes the focus in book 2, where we delve more deeply into her history and motivations. And again, even though he gets a lot of time in book 2, the resolution and antagonist are focused on her arc. For the remaining books in the series, the chapters should be evenly divided.

Valerie,

It can feel a little bit jarring to the reader, Valerie. Co-protags should be, if not 50/50, about 40/60. As long as the chapters are interspersed, however, so maybe you give the protagonist two chapters and the co-protag 1, AABAAB, it might be ok.

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Objective:  Recent research has shown that the religious affiliation of both physicians and patients markedly influences end-of-life decisions in the intensive care unit in the Western world. The world's major religions' standings on withholding and withdrawing of therapy, on hastening of the death process when providing pain relief (double effect) and on euthanasia are described. This review also discusses whether nutrition should be provided to patients in a permanent vegetative state, and the issues of brain death and organ donation.

Results:  Not all religions have distinct rulings on all the above-mentioned issues, but it is pointed out that all religions will probably have to develop rulings on these questions. The importance of patient autonomy in the Western (Christian) world is not necessarily an issue among other ethnic and religious groups, and guidelines are presented with methods to uncover and deal with different ethnic and religious views.

Conclusion:  Many religious groupings are now spread world-wide (most notably Muslims), and with increasing globalization it is important that health-care systems take into account the religious beliefs of a wide variety of ethnic and religious groups when contemplating end-of-life decisions.

Due to the high prevalence and long incubation periods often without symptoms, the severe acute respiratory syndrome coronavirus-2 (SARS-CoV-2) has infected millions of individuals globally, causing the coronavirus disease 2019 (COVID-19) pandemic. Even with the recent approval of the anti-viral drug, remdesivir, and Emergency Use Authorization of monoclonal antibodies against S protein, bamlanivimab and casirimab/imdevimab, efficient and safe COVID-19 vaccines are still desperately demanded not only to prevent its spread but also to restore social and economic activities via generating mass immunization. Recent Emergency Use Authorization of Pfizer and BioNTech's mRNA vaccine may provide a pathway forward, but monitoring of long-term immunity is still required, and diverse candidates are still under development. As the knowledge of SARS-CoV-2 pathogenesis and interactions with the immune system continues to evolve, a variety of drug candidates are under investigation and in clinical trials. Potential vaccines and therapeutics against COVID-19 include repurposed drugs, monoclonal antibodies, antiviral and antigenic proteins, peptides, and genetically engineered viruses. This paper reviews the virology and immunology of SARS-CoV-2, alternative therapies for COVID-19 to vaccination, principles and design considerations in COVID-19 vaccine development, and the promises and roles of vaccine carriers in addressing the unique immunopathological challenges presented by the disease.

Hello!

As many scrum teams, we use story point estimations for our tasks. As the scrum master, I want to make sure story points are evenly distributed among the team at the beginning of the sprint.

Is there an easy way to check how many story points are assigned to each person before initiating the sprint? It would be annoying to have to manually scroll through each tickets and add up the total...

Er, actually, no. As a scrum master, you want to make sure that the team knows what they need to achieve during the sprint and you are there to enable them to do it. Story points are not a factor to consider when the team is selecting which item to do next, or who within the team is going to deal with it.

This may be true in your utopian view of scrum, but let's not pretend that story points aren't an indicator of personal performance or helpful measure of productivity, and that having a view of story points assigned/completed per person would be helpful to certain people.

@Nic Brough -Adaptavist- not talking about micromanaging anyone, just tracking individual performance. Usually a leader would want and need data to understand performance other than just a feeling. You'd also expect different levels of productivity based on how senior someone is within a team, it's hard to measure those things if you don't have any data to support other than a feeling. Even harder as your team grows bigger, very easy to lose track.

Yes, and...I suggest taking a look at Kent Beck's new writings as he develops his book, Software Design: Tidy First, particularly the impacts of using agile delivery measures to assess people performance, team and individual.

On the planning view (where you have the backlog on the bottom and the new sprint at the top), there are three dots next to the list participants icons. Click the three dots and it shows the number of issues and the number of story points per participants. Very useful!

Ok, those quick filters are automatically created on certain types of board. I would guess that you are using a different type of board where you can create your own and are not limited to just assignee filters.

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Since my first column on color coding1 appeared, we have received a number of e-mails asking us to highlight the issue of color blindness. One of those correspondences was published in the October 2010 issue2. Here I offer guidelines to make graphics accessible to those with color vision deficiencies.

Color blindness affects a substantial portion of the human population. Protanopia and deuteranopia, the two most common forms of inherited color blindness, are red-green color vision defects caused by the absence of red or green retinal photoreceptors, respectively. In individuals of Northern European ancestry, as many as 8 percent of men and 0.5 percent of women experience the common form of red-green color blindness3. If a submitted manuscript happens to go to three male reviewers of Northern European descent, the chance that at least one will be color blind is 22 percent.

Every piece of writing has a point of view. A novel, an academic research paper, your journal, and this blog post all have a point of view. Point of view in writing is the position from which a story is told. A simple way to think about point of view is to ask: Where is the narrator? Give your writing extra polish Grammarly helps you communicate confidently Write with Grammarly

Calvino was famous for his innovative writing techniques. In this example from the opening lines of his novel, Calvino is directly addressing the reader in second person, instructing them how to read his book.

Every piece of writing has a point of view. Sometimes the point of view is chosen for us by the genre we are writing in. For example, most journalism is required to be written in third person. However, there are different strengths and weaknesses to each point of view, and it is up to the writer to decide which one serves their writing best.

As seen in this photo by Moses Londo, subjects can be dramatically distorted simply by where you place your camera. A blade of grass can look like a skyscraper, and a skyscraper can look like a tiny little house. It all depends on your point of view.

This is the most common way to photograph a subject. After all, it is typically the way we regard most subjects in our day-to-day lives, especially other people. In the photo below, two-time New York Film Academy (NYFA) Photography and Cinematography Alum Xavier Velasquez demonstrates this skill with an eye-level photo of a skateboard. Velasquez is a Cinematographer, Photographer, Audio Engineer, Sound designer, and veteran. 152ee80cbc

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