The Codex Regius is arguably the most important extant source on Norse mythology and Germanic heroic legends. Since the early 19th century, it has had a powerful influence on Scandinavian literature, not only through its stories, but also through the visionary force and the dramatic quality of many of the poems. It has also been an inspiration for later innovations in poetic meter, particularly in Nordic languages, with its use of terse, stress-based metrical schemes that lack final rhymes, instead focusing on alliterative devices and strongly concentrated imagery. Poets who have acknowledged their debt to the Codex Regius include Vilhelm Ekelund, August Strindberg, J. R. R. Tolkien, Ezra Pound, Jorge Luis Borges, and Karin Boye.

Several of the legendary sagas contain poetry in the Eddic style. Their age and importance is often difficult to evaluate but the Hervarar saga, in particular, contains interesting poetic interpolations.


Poetic Edda Download


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I been thinking about reading these books but I can't figure out which one to start off with. The poetic edda by Jackson Crawford, the prose edda by Snorri Sturluson, or norse mythology by Neil Gaiman. I'm thinking I might start off with the poetic edda but I'm happy to take recommendations

Gods, giants, violence, the undead, theft, trolls, dwarves, aphorisms, unrequited love, Valkyries, heroes, kidnapping, dragons, the creation of the cosmos and a giant wolf are just some of the elements dwelling within these Norse poetic tales. Committed to velum anonymously in Iceland around 1270, they were flash frozen from much-older oral versions that had been circulating throughout Northern Europe for centuries. The Poetic Edda is an epoch-making cache of mythological and heroic tales that have compelled Wagner, Tolkien, Borges and Auden, among many others. It is one of the few extent sources that provide a periscope into the Viking Age consciousness.

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Today, the Eddas are a key to the ancient world of Germanic history. More than just a vast source of mythology, the Eddas reveal the intimate relationships between humans, gods, and nature, and the deep reverence that was built upon these beliefs. This is especially significant in light of a resurgence of Icelandic Pagan religion. Additionally, the extensive usage of the Eddas across the world as resources for Norse studies testifies to their scholastic relevance. Both the Prose and Elder Eddas are national treasures that have captured history within their poetic pages and are a testament to the tenacity of the Icelanders to remember and preserve their precious heritage.

Eight hundred years ago, an heir to the Vikings collected their myths and wrote them down. Here are those original tales of Odin and Thor, magic and might, presented for your listening enjoyment. The Prose Edda (also known as Snorri's Edda or The Younger Edda) is a manual of poetics written by Snorri Sturluson around the year 1220. In it, Snorri compiled the old myths and legends of the Norsemen, in order that poets from his time might draw on these stories to keep the Icelandic-Viking heritage alive.

The Poetic Edda comprises a treasure trove of mythic and spiritual verse holding an important place in Nordic culture, literature, and heritage. Its tales of strife and death form a repository, in poetic form, of Norse mythology and heroic lore, embodying both the ethical views and the cultural life of the North during the late heathen and early Christian times.

The great poetic tradition of pre-Christian Scandinavia is known to us almost exclusively though the Poetic Edda. The poems originated in Iceland, Norway, and Greenland between the ninth and thirteenth centuries, when they were compiled in a unique manuscript known as the Codex Regius.


The poems are primarily lyrical rather than narrative. Terry's readable translation includes the magnificent cosmological poem Vlusp ("The Sibyl's Prophecy"), didactic poems concerned with mythology and the everyday conduct of life, and heroic poems, of which an important group is concerned with the story of Sigurd and Brynhild.


Poems of the Elder Edda will appeal to students of Old Norse, Icelandic, and Medieval literature, as well as to general readers of poetry.

Each poem is introduced by a brief section detailing the content of the poem and introducing its main characters. The translations are not poetic translations attempting to recast the Old Norse poetic forms in Modern English; rather, as Crawford explains in the introduction, "[i]n my translation, I have not sought to reproduce the meter of the original poems, nor have I made any particular effort to regularize the length of the lines in the poems if doing so would add to, or subtract from, the original meaning of a stanza" (xviii). The result is eminently readable, and the language flows naturally.

The Prose Edda was written by Icelandic poet Snorri Sturluson in about 1222. It is partly a textbook on poetry and partly a text about the Norse gods and their fate. The textbook sections on poetics were intended to instruct young poets in the difficult meters of the early Icelandic skalds (court poets). The remaining section describes mythological subjects treated or alluded to in early poetry. Cast in the form of a dialogue, it describes the visit of Gylfi, a king of the Swedes, to Asgard, the citadel of the gods. In answer to his questions, the gods tell Gylfi the Norse myths about the beginning of the world, the adventures of the gods, and the fate in store for all in the Ragnark (Doom [or Twilight] of the Gods). 17dc91bb1f

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