During the March kickoff of The Eras Tour at State Farm Stadium outside of Phoenix, the iconic singer-songwriter unveiled a massive 44-song setlist that, appropriately, tagged every frame of her 17-year-career.

But of course, the 21st century is a long one, and you've got to make space for the classics too. There are fabulous pop songs from every era, and they all deserve a spot on our ultimate list. Here you'll find everyone from Outkast to MIA, and from Kelis to Harry Styles. The only criteria? It has to be feel good, and it has to make you want to get up and dance. All of these tunes do just that, and then some. Read on for the best pop songs ever made.


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The Academy Award for Best Original Song is one of the awards given annually to people working in the motion picture industry by the Academy of Motion Picture Arts and Sciences (AMPAS). It is presented to the songwriters who have composed the best original song written specifically for a film. The performers of a song are not credited with the Academy Award unless they contributed either to music, lyrics, or both in their own right. The songs that are nominated for this award are typically performed during the ceremony and before this award is presented.

The award category was introduced at the 7th Academy Awards, the ceremony honoring the best in film for 1934. Nominations are made by Academy members who are songwriters and composers, and the winners are chosen by the Academy membership as a whole. Fifteen songs are shortlisted before nominations are announced.

As of 2019[update], the Academy's rules stipulate that "an original song consists of words and music, both of which are original and written specifically for the motion picture. There must be a clearly audible, intelligible, substantive rendition (not necessarily visually presented) of both lyric and melody, used in the body of the motion picture or as the first music cue in the end credits."[1]

The original requirement was only that the nominated song appear in a motion picture during the previous year. This rule was changed after the 1941 Academy Awards, when "The Last Time I Saw Paris", from the film Lady Be Good, with music by Jerome Kern and lyrics by Oscar Hammerstein II, won. Kern was upset that his song won because it had been published and recorded before it was used in the film. Kern was upset because he thought that "Blues in the Night" by Harold Arlen (Music) and Johnny Mercer (lyrics) should have won. Kern's song was actually written in 1940, after the Germans occupied Paris at the start of World War II. It was recorded by Kate Smith and peaked at No. 8 on the bestseller list before it was used in the film.

Kern got the Academy to change the rule so that only songs that are "original and written specifically for the motion picture" are eligible to win.[2][3] Songs that rely on sampled or reworked material along with cover versions, remixes and parodies, such as "Gangsta's Paradise" (which samples "Pastime Paradise" by Stevie Wonder) in the 1995 film Dangerous Minds, are also ineligible.

This rule means that when a film is adapted from a previously produced stage musical, none of the existing songs from the musical are eligible. As a result, many recent film adaptations of musicals have included original songs which could be nominated, such as "You Must Love Me" in the 1996 film Evita (won award), and "Listen", "Love You I Do", "Patience" in the 2006 film Dreamgirls, and "Suddenly" in the 2012 film Les Misrables.

From 1946 to 2011, each member of the Music Branch of the Academy was asked to vote using a points system of 10, 9.5, 9, 8.5, 8, 7.5, 7, 6.5 or 6 points. Only those songs that received an average score of 8.25 or more were eligible for nomination. If no song qualified, there would be no nominees. And if only one song achieved that score, it and the song receiving the next highest score would be the two nominees. This system usually resulted in five nominations each year, except for 2010 when four were nominated, 1988, 2005, and 2008, when only three were nominated; and 2011 when only two were nominated.[5][6]

The first film to receive multiple nominations was Fame in 1980. Only four films have featured three nominated songs: Beauty and the Beast, The Lion King, Dreamgirls, and Enchanted. Dreamgirls and Enchanted lost on every nomination: An Inconvenient Truth original song "I Need to Wake Up" defeated all three of the nominated songs from Dreamgirls, while "Falling Slowly" from Once defeated all three of Enchanted's nominations. After these two consecutive defeats, a new rule was instated in June 2008 that a film could have no more than two songs nominated.[8] While up to five songs from a single film can be submitted, studios sometimes submit only one, for fear that having two nominated might split the vote.[9] By the time "We Don't Talk About Bruno" became the breakout hit from Encanto, the producers had for the 94th Academy Awards submitted "Dos Oruguitas", which was nominated but did not win.[9]

Nominated songs are usually performed live at the televised Academy Awards ceremonies. Although pre-televised ceremonies were broadcast on the radio, the tradition of performing the nominated songs did not begin until the 18th Academy Awards in 1946, in which performers included Frank Sinatra, Kathryn Grayson, Dinah Shore, and Dick Haymes.

In the early years, the songs were usually not performed by the original artists, as in the film. For example, in 1965, Robert Goulet performed all the nominated songs at the ceremony. (In the case of "The Look Of Love", sung by Dusty Springfield in Casino Royale, the positive reaction to the performance by Sergio Mendes & Brasil '66 on the 1968 telecast led to their version being released as a single and eventually becoming the bigger hit.) In 1970, this was reversed and only the people who had performed the piece in the film were permitted to perform the song on the live telecast, even if a hit version was performed by another act.

When neither of those is able to do so (or in rare cases where the telecast producers decide to go with someone else), the Academy chooses more well-known entertainers to perform the song at the ceremony. For example, Robin Williams performed "Blame Canada" from South Park: Bigger, Longer & Uncut at the 72nd Academy Awards instead of the film's voice actors, Trey Parker and Mary Kay Bergman (Bergman died a few months before the show). Beyonc Knowles sang three nominated songs (one of which was a duet with Josh Groban) during the 77th Academy Awards even though she had not performed those songs in any of the respective films.

The 84th Academy Awards did not feature performances from either nominated song ("Man or Muppet" from The Muppets or "Real in Rio" from Rio).[13] No reason for this was given by Oscar producers. This was only the third time that Best Original Song nominees were not performed (the others were in 1989 and 2010). At the 85th Academy Awards, only three of the five nominees were performed, with the eventual winner, the theme from Skyfall, being the only one performed separately on its own as opposed to being part of a musical montage sequence by Adele. The 88th Academy Awards also had three of the five nominees performed. Anohni, performer and writer of "Manta Ray", one of the two nominated songs cut from the ceremony, boycotted the ceremony for this reason.[14]

P.S. Did you know that you can gain instant access to a vast collection of over 200 songs (mp3, lead sheet, and instrumental track), videos, tutorials, and visual aides, plus ALL new releases from Listen & Learn Music?

Great list. I am not a music therapist but I do a weekly music class for children ages 18 months to kindergarten. I use your songs all the time, so thank you. I would add The Doggy Blues (I heard my dog bark), Matilda the Gorilla, and The Goldfish song. I use these songs all the time and the kids love them.

Hi Kayla! I am so happy that you found this helpful. I like to organize alphabetically by goal/objective category (movement, reminiscing, cognitive skills, self-care, greeting songs, etc.) since there is so much crossover when it comes to client population. Best of luck in your internship!

The list song is a frequent element of 20th-century popular music and became a Broadway staple.[19] Cole Porter, Irving Berlin, Nol Coward, and Stephen Sondheim are composers and lyricists who have used the form.[20][21] The very first commercial recording of a Cole Porter tune was his list song "I've a Shooting Box in Scotland" originally from See America First (1913).[22][23] Berlin followed soon after with the list song "When I Discovered You" from his first complete Broadway score Watch Your Step (1914).[24]

Irving Berlin would likewise often write songs in the genre, notable examples include "My Beautiful Rhinestone Girl" from Face the Music (1932), a list song that starts off with a sequence of negative similes,[33] "Outside of That I Love You" from Louisiana Purchase,[34] and "Anything You Can Do (I Can Do Better)" a challenge-duet, and Berlin's starkest antithesis-driven list song,[35] "You Can't Get a Man with a Gun",[36] and "Doin' What Comes Natur'lly",[37] all three from the 1946 musical Annie Get Your Gun.

The following songs have been named by critics, broadcasters, composers, and listeners as the "worst ever". Examples of sources include VH1's "50 Most Awesomely Bad Songs Ever" and Blender magazine's "Run for Your Life! It's the 50 Worst Songs Ever!".

In 1953, following the success of Harry Kari's "Yes, Sir...," Tony Burrello and Tom Murray, bitter that their more serious music was struggling to find an audience without success, decided to launch Horrible Records to intentionally record the worst music possible.[60] The label recorded one single, "There's a New Sound" by Burrello, backed by "Fish" by former silent film actress Leona Anderson.[178] e24fc04721

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