The James Bond films may have hit Blu-ray but a good number of flicks from the spy/espionage genre that Bond helped to initiate during the early 1960s have yet to enjoy even a standard DVD release. In what will be seen as a significant move by fans of the genre (and fans of Euro cult movies in general), Dorado Films have issued a trilogy of shows that feature Ken Clark as Dick Malloy AKA Agent 077. Malloy is essentially the CIA's answer to 007 and, just like Bond, 077's adventures find him tackling villainous and vicious bad guys while visiting a number of exotic locations and interacting with a bevy of beautiful women.
When a portable nuclear weapon, code-named Bloody Mary, is stolen from a US military plane as it flies out of Scotland, the CIA orders agent Dick Malloy (Ken Clark) to investigate. Word is that the mysterious Black Lily has the device and is about to sell it on to Chinese agents. It seems that the details of the exchange will be negotiated at a clinic outside Paris that is run by one Professor Betz (Umberto Raho) and so Malloy makes contact with an undercover agent who is working there, Dr. Elsa Freeman (Helga Line). Before long, Malloy is forced to pursue the Bloody Mary to Barcelona and then Athens, confronting and fighting the Black Lily's men, as well as Chinese and Russian agents, along the way.
The From The Orient With Fury Italian Dubbed Free Download
Download File 🔥 https://shurll.com/2y1FfY 🔥
From the Orient with Fury abandons the believable and reasonably straightforward military/industrial espionage footing established in Mission Bloody Mary and opts instead for some science fiction inspired shenanigans. Kurtz's disintegrator ray works and when Goldwyn unleashes the device on the squads of Turkish commandoes that are storming his island stronghold, we're presented with a scene that plays like a dry run for the sequence from Barbarella wherein Duran Duran tests out his positronic ray weapon. As with Mission Bloody Mary, the gadgets found in this film are relatively simple and believable. They include a camera that contains a mini-tape recorder, a belt buckle that houses a mini-camera, cigarette lighters that shoot poisonous darts, a long playing record that holds a personal message within its grooves, trouser braces that can be used to transmit Morse code messages, a nifty skeleton key, etc.
The picture quality of this presentation is marginally better than that of Mission Bloody Mary. The quality still fluctuates a little but there are less minor scratches and flecks present here. The print used does suffer from the odd very minor jump due to missing frames but these are not problematic. The disc's sound is essentially very good. As with the Mission Bloody Mary disc, in order to enjoy the benefit of the anamorphic 2.35:1 picture presentation, I had to temporarily reset my DVD player's output to letterbox mode as opposed to 16:9 mode.
The picture quality of this DVD fluctuates a little. The show's opening long shots feature masses of clear blue Spanish skies and elements of noticeable video noise are present in the upper portions of the frame (hence the fair++ element of the rating). However, this soon disappears and at its best, the picture quality of this pretty sharp and colourful presentation is just short of very good. Again, there are minor scratches and flecks present here and the print used does suffer from the odd very minor jump due to missing frames. But these issues are not particularly problematic. The disc's sound quality is very good. As with Mission Bloody Mary and From the Orient with Fury discs, in order to enjoy the benefit of the anamorphic 2.35:1 picture presentation, I had to temporarily reset my DVD player's output to letterbox mode as opposed to 16:9 mode.
Ken Clark who plays Nebraska in this film, a loner who rides into a ranch under siege, was also in Bava's ROAD TO FORT ALAMO (Italy, France, 1964). Nebraska is another man with no name, or a man with an alias who rides into conflict and helps the underdog. The thing with Nebraska is the fact that while Clint Eastwood characters from the dollar films were in it for monetary reasons, Nebraska is in it only to see how things play out. The besieged ranch that Nebraska rides onto is owned by Marty Hillman (Alfonso Rojas) and his wife (who's not really his wife) Kay. Hillman offers the quick draw Nebraska a job working on his ranch, mainly to keep an eye out on his wife and a man named Carter.
Bill Carter is played by the great Italian character actor Piero Lulli who has 108 acting credits on his resume including many spaghetti westerns where he specialized in playing bad man, his credits include DJANGO KILL... IF YOU LIVE SHOOT (Italy, Spain, 1967), VENGEANCE IS MINE (Italy, Spain, 1970) and LIGHT THE FUSE... SARTANA IS COMING (Italy, Spain, 1970). Hillman and Carter know each other well as they fought together in the war, not friends Hillman says. Carter it seems appeared out of nowhere and took over the town of Belton through intimidation and controls everything there. But everything is not as it seems and will be revealed in due time. Kay upon first meeting Nebraska is infatuated with Nebraska, and there is a burning smouldering intensity between the two, but Nebraska never succumbs to the lust and leaves that on the table, he wants to make love to her but fights back his feelings. After Nebraska defeats Carter in fisticuffs at the saloon after accusing three of Carter's men for the murder of one of Hillman' s men and getting them locked up, Carter lays in wait afterwards and plugs Hillman in the chest and shoots Nebraska's horse out from under him. Carter returns to town with his gang of men and intimates the drunken sheriff Bert (Livio Lorenzon) into releasing his jailed men. The sheriff heads out to check the murder site of Hillman's ranch hand and while doing so is shot in the back by Lou (Howard Ross), who is Carter's right hand man. The saloon owner named Brack is named sheriff and with a posse that includes Cater and his men head out to capture Hillman and Nebraska.
The Wild East company who released this disc are one of the few legit production companies in the United States releasing spaghetti westerns and that alone is reason enough to applaud this release. The film is cobbled together from different sources to give the most complete presentation of this film on DVD. Some scenes are in Italian (I am guessing) and have onscreen subtitles. There is a few audio issues and a few instances of the blacks being a bit chalky looking as in the scene at the ranch, with the doctor in his black overcoat. But all in all a beautiful presentation that really highlights some of the wonderful photography on display here, the camera angles and framing in most shots are fantastic and this disc really brings that home. SAVAGE GRINGO is presented along with the Stephen Forsyth spaghetti western IN A COLTS SHADOW (Italy, Spain, 1966) on a single disc presentation by Wild East. Both films are widescreen anamorphic presentations that includes picture galleries, theatrical trailers and an interview with the always fascinating Alfredo Leone speaking about Bava.
Bernard Lee (Commander Cunningham) played the role of M in 11 Bond films beginning in 1962 with Dr. No until 1979's Moonraker.Lois Maxwell (Miss Maxwell) played the role of Miss Moneypenny in 14 Bond films from 1962's Dr. No until 1985's A View to a Kill. Maxwell's character in this film, though superficially similar to Moneypenny, is more violent, carrying a gun and at one point abducting another character by force.Daniela Bianchi (Maya) portrayed Tatiana Romanova in the second James Bond film, From Russia with Love.Adolfo Celi (Thair Beta) portrayed Emilio Largo in 1965's Thunderball.Anthony Dawson (Alpha) played two roles in the James Bond films, the first being Professor Dent in Dr. No. He later took on the role of Ernst Stavro Blofeld in both From Russia with Love and Thunderball; only Dawson's hands were seen in these films.
Henry Levin's fabulously titled KISS THE GIRLS AND MAKE THEM DIE (aka SE TUTTE LE DONNE DEL MUNDO), in which Mike (Mannix) Connors must stop Raf Vallone from sterilizing humankind with ultrasonic rays, can't compare. But then, what could? Quentin Tarantino himself is quoted as calling this film, "It is the shit... This is in the 'I want to be James Bond' Italian subgenre. This was my favorite Italian subgenre. Another he did (director of Kiss the Girls) is and if you ever want to see it I have a print is Gengis Khan... but it doesn't have a single Asian in it. Out of thousands of people in this film not a single one of them is Asian. Of all the offshoots of James Bond that came out there, I wish they had done 3-4 like this one. He's a secret agent but he's a chauffeur. It's like you're watching Richie Rich as a secret agent with a manservant."
During one day's shooting, (Michael) Connors ran the equivalent of five miles through almost impenetrable Brazilian jungle. It was a chase sequence that had to be filmed from all angles, over and over again in the soggy temperatures. In another chase sequence filmed inside the famed statue of Christ on the Corcovado, some 3,000 feet above Rio de Janeiro, Connors had to race up iron ladders for some 90 feet, a dozen or more times before director Henry Levin was satisfied. Then just to top this one, the actor was required to climb outside and onto the top of the head of the statue, with the wind whipping him off balance and a sheer drop of 3,000 to the bottom of the mountain, if he missed his footing. In another phase of the statue chase sequence, director Levin dreamed up a thriller in which Connors had to stage a fight with Oliver McGreevy on the statue's parapet, a ledge only a few feet wide, with the same awesome 3,000 foot drop waiting for one misstep. No double was used.
THE TENTH VICTIM (1965) takes place in in the near future (from a retro 1960s perspective that is), where war and violence have been replaced with The Big Hunt, a government-backed televised sport in which players take turns to be either Hunters or Victims in a hunt to the death which offers a huge cash reward and lucrative advertising deals. Huntress Caroline Meredith (Ursula Andress), whose weapon of choice is a double barrel bikini bra gun, scores a major deal with the Ming Tea Company to kill her tenth victim live on camera at Rome's Temple of Venus. When the Big Hunt computer selects famed hunter Marcello Poletti (Marcello Mastroianni) as the victim, Caroline poses as a TV reporter wanting to run an expos on him. Unsure as to whether she is his hunter, Poletti is reluctant to take her down, especially when he starts falling for Caroline. But with a vindictive ex-wife wanting his assets and an impatient mistress (Elsa Martinelli) waiting in the wings, the Italian playboy soon discovers he has more than one reason to watch his back.
Look at the guns on Ursula! be457b7860
Cronometro C1 Edinumen Pdf Download baladas secreta sobr
free download ms office to pdf converter software
AllTimeLowNothingPersonalFLACl