Philip Levens

Philip Levens' story begins in Lubbock, Texas, where his early fascination with storytelling took root. This innate passion for crafting narratives was nurtured during his academic pursuits at The University of Texas in Austin, setting the stage for his future accomplishments. Upon graduation, he embarked on a pivotal journey to Los Angeles, a city teeming with opportunities in television production. This move began a remarkable career that would make him a prominent figure in the industry.

A blend of kindness, visionary thinking, and an unwavering commitment to excellence characterized his entry into television production. These qualities quickly established him as a notable figure with a work ethic that was as relentless as effective. He brought a unique collaborative spirit to every project he undertook, enhancing the quality of his work and forging solid relationships with colleagues and collaborators alike.

Among Levens' notable achievements is the creation and showrunner of “Ascension” for Universal and Lionsgate. This series, now part of Netflix's extensive portfolio, exemplifies his ability to lead and inspire a team to produce captivating content. His role as an executive producer alongside Jennifer Lopez on Paramount's “South Beach” further highlights his talent for successful collaborations, yielding a television series that enjoyed widespread acclaim.

His resume boasts over 20 television pilots sold to major networks such as ABC, USA, Fox, and NBC, showcasing his versatility and creative prowess. His involvement in series like “Smallville,” “Wolf Lake,” “Night Visions,” and “Knight Rider” has resonated with audiences globally, culminating in a Saturn Award for his contributions to “Smallville.”

Levens' career has also seen collaborations with industry heavyweights like Ice Cube, Donnie Walberg, Jason Blum, Will and Jada Smith, and prestigious studios like Imagine, Joel Silver, Marvel, Warner Bros, Universal, Disney, and Lionsgate. His film projects include the adaptation of Patricia Highsmith’s “Found in the Street” and reworking the Wachowski Brothers’ “Vertical Run” at Warner Bros.