Books: author, coauthor, editor (18)

1. Andrade, Pedro et at (Eds.) (2025). Unveiling Diverse Cultural Heritages ff Otherness: Inventive Heritages via Hybrid Methods and Media Arts for Mobile Tourism, under the 'Ukraine Effect' Crisis. New York: Springer Nature (in the press). https://link.springer.com/book/9789819529568

2. Andrade, Pedro; Martins, Moisés (Eds.) (2022). Handbook of Research on Urban Tourism, Viral Society, and the Impact of the COVID-19 Pandemic. Hershey: IGI Global (USA). Handbook of Research on Urban Tourism, Viral Society, and the Impact of the COVID-19. https://repositorium.uminho.pt/entities/publication/5e1099a8-84de-42f2-83fc-88f326e2151f   https://www.igi-global.com/book/handbook-research-urban-tourism-viral/283955

3. Andrade, Pedro; Barros, José; Marques, Carlos (Eds.) (2020). [2nd edition, 1st edition out of print : Public art and citizenship: new readings on the creative city] Arte pública e cidadania: novas leituras na cidade criativa. Editora Caleidoscópio, Lisboa. https://caleidoscopio.pt/products/arte-publica-e-cidadania-novas-leituras-da-cidade-criativa-2-%C2%AA-edicao

4. Andrade, Pedro (2020). Viral Cultural Tourism via Mobile Devices:  Open Research using Open Methods and Open Media.  Lisbon: Social Web Lab Publishers. https://sites.google.com/d/1bPmfgqt3qpuqr7_zhwjC8m0-Slzk9oL9/p/1_Vm7wVsP1qe-1MHGHYsitwlffTKn5HU1/edit

5. Andrade, P. (2020).  Poem on the Corona virus using Pessoa Effect: an app and e-book anti-virus. Lisbon: Social Web Lab Publishers. https://sites.google.com/view/pedro-de-andrade-art--works/download-a-po-bookp-app

6. Andrade, Pedro (2020).  Digital Literary Heteronyms: Poetic Apps and E-books anti Viral Society.  Lisbon: Social Web Lab Publishers.

7. Pires, H; Curado, M.; Ribeiro F. & Pedro Andrade (Eds.) (2017). [Cyberculture: circum-navigations in transcultural networks of knowledge, archives and thought] Cibercultura: circum-navegações em redes transculturais de conhecimento, arquivos e pensamento. Editora Humus, Vila Nova de Famalicão. https://hdl.handle.net/1822/48374

8. Araújo, A.; Oliveira, C., Ribeiro, R., Andrade, P.  (Eds.) (2018). [Living in / Mobility: Towards New Cultures of Time, Space and Distance] Viver em / a Mobilidade: Rumo a Novas Culturas do Tempo, Espaço e Distância. Braga: Centro de Estudos de Comunicação e Sociedade. https://www.cecs.uminho.pt/publicacao/viver-ema-mobilidade-rumo-a-novas-culturas-de-tempo-espaco-e-distancia-livro-de-atas/

9. Andrade, Pedro (Ed.) (2016). [Public Communication of Art: the case of local / global art museums] Comunicação Pública da Arte: o caso dos museus de arte locais / globais. Lisboa: Edições Caleidoscópio. [participation of Malcolm Miles (University of Plymouth), Michel Maffesoli (Université Paris Sorbonne-Descartes), Antoni Remesar (Universidat Barcelona; Luís Petry (PUC- S.Paulo), etc. https://www.cecs.uminho.pt/en/publicacao/comunicacao-publica-da-arte-o-caso-dos-museus-de-arte-locais-e-globais/ https://caleidoscopio.pt/products/a-comunicacao-publica-da-arte?_pos=3&_sid=9ebf0788c&_ss=r

10.   Andrade, Pedro (2015). Austerity History Through Sociological Comics: a Guide to Social Media and Networks against Austeritocracy for use by all Generations. North Charleston: Create Space. https://www.amazon.com/Austerity-History-through-Sociological-Comics/dp/1522934553?ie=UTF8&qid=1463659411&ref_=tmm_pap_swatch_0&sr=8-1#detailBullets_feature_div

11.   Andrade, Pedro (2011). [Semantic-Logic Sociology of Web 2.0 / Web 3.0 within Research Society] Sociologia Semântico-Lógica da Web 2.0/3.0 na sociedade da investigação. Lisboa: Edições Caleidoscópio. https://www.wook.pt/livro/sociologia-semantico-logica-da-web-2-0-3-0-na-sociedade-de-investigacao-pedro-andrade/13043336?srsltid=AfmBOopGi3mUPZ_Kvddzn7qt1CVike5Xcbjhh69hTfthcPFOtE4LtcO5

12.   Andrade, Pedro (2011). [New Authorships / Readerships / Actorships: common writing, hybrid literacies and anti-surveillance within Web 2.0 / 3.0] Novas autorias / leitorias / actorias: escrita comum, literacias híbridas e anti-vigilâncias na Web 2.0 Lisboa: Edições Caleidoscópio.

https://www.wook.pt/livro/novas-autorias-leitorias-actorias-pedro-andrade/13043315

13.   Andrade, Pedro (2011). [GeoNeological Novel #1: A Case of Transmedia Literature, 1st Web 3.0 Novel ] Novela GeoNeológica nº 1: um caso de Literatura Transmediática/1ª  Novela da Web 3.0. Lisboa: Edições Caleidoscópio. https://www.wook.pt/livro/novela-geoneologica-n-1-pedro-andrade/13043316#details

14.   Andrade, Pedro; Leite, José Pinto; Martins, José Soares (2011). [Garden of Delights * Sociological Poetry * Alchemies] Ménage à 3: Jardim das Delícias * Poesia Sociológica * Alquimias. Porto, Cordão de Leitura. https://www.cordaodeleitura.pt/livros/menage-a-trois/  https://www.wook.pt/livro/menage-a-trois-ze-pinto-leite/12501958

15.   Andrade, Pedro; Barros, José; Marques, Carlos (2010). [Public art and citizenship: new readings in the creative city] Arte pública e cidadania: novas leituras na cidade criativa. Lisboa: Editora Caleidoscópio. 1st Edition out of press. 2ª Edição: 2020. https://www.almedina.net/arte-p-blica-e-cidadania-1564006074.html

16.   Andrade, Pedro (2010) (Ed.). [Museums, Public and Scientific-Technological Literacy: social networks of communication of meanings in the interdimensional space of the museum] Museus, Públicos e Literacia Científico-Tecnológica: redes sociais de comunicação de significados no espaço interdimensional do museu. Lisboa: Ed. Colibri. https://edi-colibri.pt/produto/museus-publicos-e-literacia-cientifica%e2%80%90-%e2%80%90tecnologica/

17.   Andrade, Pedro; Fróis, João Pedro; Andrade, Pedro; Marques, Frederico (Eds.) (2004). Art and Science: IAEA 2004 - XVIII Congress International Association of Empirical Aesthetics, 13-16 September 2004, Calouste Gulbenkian Foundation, Lisboa. IAEA. https://books.google.pt/books/about/Art_and_Science.html?id=jv-yOgAACAAJ&redir_esc=y

18.   Atalaia Intermundos - Revista Internacional de Exegese Contemporânea (1995-)

https://www.edi-colibri.pt/Detalhes.aspx?ItemID=104

Theses and other Dissertations (4)

1. Andrade, P. (2002). [Drink, Power and Knowledge: socio-symbolic and cultural consumptions within drinking houses]. PHD Thesis at New University of Lisbon, Faculty of Social and Human Sciences, 1417 pages]. Tese de Doutoramento, na Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, 1417 páginas.

2. Andrade, P. (1985). La taverne, son boire et leurs savoirs: ruses et muses mystico-profanes, Master thesis, Mestrado (Thèse de 3ème cycle), Paris, École des Hautes Études en Sciences Sociales (614 pp.).

3. Andrade, P. (1980). Les groupes ‘Excursionistes’-‘De Déjeuners’ Portugais et leur Art . Thèse de Diplôme d´ Études Approfondis, Paris, École des Hautes Études en Sciences Sociales (150 pp.).

4. Andrade, P. (1977). Le cinéma au Portugal après le 25 avril 1974. ‘Maitrise'. Licence final thesis. Trabalho final de Licenciatura na Universidade de Paris VIII (155 pp.).

Books chapters (77)

1.     Andrade, P. (2025). Heritage De-destruction in Ukraine. Studies via a Journalistic Sociology and Heritage Chronicles. In Andrade, Pedro et at (Eds.) (2025). Unveiling Diverse Cultural Heritages of Otherness: Inventive Heritages via Hybrid Methods and Media Arts for Mobile Tourism, under the 'Ukraine Effect' Crisis. New York: Springer Nature. (accepted, in print). https://link.springer.com/book/9789819529568

2.     Andrade, P. (2025). Research Abstract: a Synthesis of the Book Authors’ Research Debate, or how to swiftly read this Book. In Andrade, Pedro et at (Eds.) (2025). Unveiling Diverse Cultural Heritages ff Otherness: Inventive Heritages via Hybrid Methods and Media Arts for Mobile Tourism, under the 'Ukraine Effect' Crisis. New York: Springer Nature (accepted, in print). https://link.springer.com/book/9789819529568

3. Andrade, P. (2023). Sociological (Re)search Games: what, why and how to Decide, by Playing within a Study. In Correia, Anacleto & Marques, Mário (Eds.) (2023). Handbook of Research on Decision-Making Capabilities Improvement with Serious Games (pp. 118-150). Hershey: IGI Global. https://drive.google.com/drive/folders/1Iu1Nyc9AsUxsb-FQ21OervsbPsOzNtRP

https://www.amazon.com/Handbook-Research-Decision-making-Capabilities-Improvement/dp/1668491664  

4.     Andrade, P. (2023). Dark Heritage Pedia: An Augmented Research Encyclopedia, for a Virtual Sociological Museum on the Insatiable/Unsafe/Insane Society. In S. Pascoal; L. Tallone; M. Furtado (Eds.). Dark Heritage Tourism in the Iberian Peninsula: Memories of Tragedy and Death (pp. 199-272). Cambridge Scholar Publishing. https://drive.google.com/drive/folders/1SVjX6kyCX-PJjN2NgozysmQQeDwQ55tq  https://cambridgescholars.com/product/978-1-5275-0096-9/

5.     Andrade, P. (2023). L’Effet Pessoa. In C. Brandon (Ed.). Cartographies sensibles (pp.108-147). Annecy: Université de Savoie Mont Blanc, France.

https://drive.google.com/drive/folders/1JQnAlwvDoFe_KoztYLtFMcsYah9aMz8S

https://www.llseti.univ-smb.fr/web/llseti/1029-cartographies-sensibles.php

6. Andrade, P. (2022). Everyday Urban Life: Genealogy and Journal of Actors' Body in the Viral City. In Z. Pinto-Coelho; H. Pires (Eds.). City of the Senses, Senses in the City (pp. 35-65). Braga: CECS. https://drive.google.com/drive/folders/171JDIX-R--IatjkO1cMHs5tIgoXIsGXM  https://repositorium.uminho.pt/entities/publication/3a39b9d8-4907-4f9a-bdc4-1be530e85dbb  https://ebooks.uminho.pt/index.php/uminho/catalog/book/51

7.     Andrade, P. (2022). The Value of Products and Services in Tourism: the Case of Viral Society. In C. Sarmento (Ed.), Concepts and Dialogues across Shifting Spaces in Intercultural Business (pp. 83-106). Cambridge: Cambridge Scholars Publishing. https://drive.google.com/drive/folders/18FAClnahiijtCKlFHYbFg5enTyOklYVh ISCAP Cambridge Scholars Publishing

8.     Andrade, P. & Martins (2022). Preface. In Andrade, Pedro & Martins, Moisés (Eds.) (2022). Handbook of Research on Urban Tourism, Viral Society, and the Impact of the COVID-19 Pandemic (pp. XXVI-LVII). Hershey: IGI Global). https://drive.google.com/drive/folders/1wZZQy4akqhKm8wQwzE6LP-UnQMWKmVZU  https://www.igi-global.com/book/handbook-research-urban-tourism-viral/283955

9. Andrade, P. (2022). What Sociology of Urban Tourism, in the Day-After Viral Society? In Andrade, Pedro & Martins, Moisés (Eds.) (2022). Handbook of Research on Urban Tourism, Viral Society, and the Impact of the COVID-19 Pandemic (pp. 1-49). Hershey: IGI Global. https://drive.google.com/drive/folders/1fZ8gVoVMGkJespxdxbwnFUjc9b4Y6LHR  https://www.igi-global.com/chapter/which-sociology-of-urban-tourism-in-the-day-after-viral-society/311959

10.   Andrade, P. (2021). Mobile Culture for Tourism Communication. In Khosrow-Pour D.B.A., M. (Eds.), Encyclopedia   of Organizational Knowledge, Administration, and Technology (pp. 1638-1650). Hershey: IGI Global. https://drive.google.com/drive/folders/1S4zmG-F-TsTgLGteu4rzBK3h3mAKi-jy  http://hdl.handle.net/1822/70086 

11.   Andrade, P. (2020). [Extrodution: An emerging configuration of sociological writing]. Extrodução: uma configuração emergente de escrita sociológica. In J. P. Neves; P. R. Costa; P. de V. Mascarenhas; I. T. de Castro & V. R. Salgado (Eds.), Eu sou tu. Experiências ecocríticas (pp. 81-98). Braga: CECS. https://drive.google.com/drive/folders/1gJ6i1XjXghTDotaaaAj0maU2EErr3DCK  https://repositorium.uminho.pt/entities/publication/042895fc-170a-4261-99d6-719ade5be2ce  .

12.   Andrade, P.; Marques, C. & Barros, J. (2020). Introdução à 2ªedição [first Edition sold out / 1ª Edição esgotada]. In P. Andrade; C. Marques & J. Barros (Eds.). Arte Pública e Cidadania: Novas Leituras da Cidade Criativa (pp.  5-19).  Lisboa: Caleidoscópio. [2ª Ed.]  http://hdl.handle.net/1822/70092

13.   Andrade, P. (2020). [Public art versus private art? Urban artistic alterities and Web 2.0] Arte pública versus Arte Privada? Alteridades Artísticas Urbanas e Web 2.0 . In P. Andrade; C. Marques & J. Barros (Eds.). Arte Pública e Cidadania: Novas Leituras da Cidade Criativa (pp.  31-56). Lisboa: Caleidoscópio [2ª Ed.]. https://drive.google.com/drive/folders/1_4UEzf6qtvrGHXngRV1hHKdrGbUZTsjS  .http://hdl.handle.net/1822/70092

14.   Andrade, P. (2020). Cultural Tourism and Mobile Digital Devices: an analysis of Tourists in Lisbon through Sociological Comics and Video Paper. In C. Sarmento & M. Quincé (Eds.). Intercultural Routes across Multicultural Spaces: From Theory to Dialogue (pp. 23-37). Porto: Centro de Estudos Interculturais. https://drive.google.com/drive/folders/1elF7TjuHObYToQ56Vu7NP44nEmqslOQi

http://hdl.handle.net/1822/70091

15.   Andrade, P. (2020, 2 de Abril). [Poem to Coronavirus : we are all antivirus viruses, March 7, 2020] Poema ao Corona Vírus: somos todos vírus anti-virus, 7 de Março de 2020. In T. Ferreira (Ed.). Museu da Quarentena. Retirado de https://www.thierryferreira.com/museu-da-quarentena-arte-em-casa/

16.   Andrade, P. (2020, 9 de Abril). [Pessoa Effect, Theme: Viral Society: Manifesto, April 9, 2020] Efeito Pessoa, Tema: Sociedade Viral: Manifesto, 9 de Abril de 2020.  In A. Pinto (Ed.).  Scribd, SOS.ART.PT. https://pt.scribd.com/document/456455774/Efeito-PessoaA

17.   Andrade, P. (2020). E-Book Art/A-Book Nº1: [Viral Society] Sociedade Viral; [Pessoa Effect] Efeito Pessoa; (Re)Search Art Nº 1: [Viral Aesthetics] Estética Viral. In A. Pinto et al (Eds.). Exposição on line SOS ART PT 'Sem Limites' (p.100). Lisboa: SOS.ART.PT. https://drive.google.com/drive/folders/16o9BPInm7PMOkITRjd_CI8AKVlLP_do0

https://sosarteptsemlimites.blogspot.com/

18.   Andrade, P. (2020). [Pessoa Effect: poem to Corona Virus] Efeito Pessoa: poema ao Corona Vírus. In A. Pinto et al (Eds.). Sem Limites (pp.104, 135). Maia: Câmara Municipal.

https://drive.google.com/drive/folders/1-796cZwu6G_MLpXpEw5wCnPWoSIjuBRC

https://www.cm-maia.pt/viver/cultura/noticias-e-eventos/evento/sem-limites

19.   Andrade, P. (2019). Innovative Role of Users Within Digital Economy: the Case of Information / Knowledge Flows at Social and Semantic Networks (Web 2.0/3.0) In L. Carvalho; P. Isaías (Eds.) Handbook of Research on Entrepreneurship and Marketing for Global Reach in the Digital Economy  (pp.269-290). Hershey: IGI Global. https://drive.google.com/drive/folders/1HComV_gokE7dvaWHBAkLUw9ttoGVmZCA  http://hdl.handle.net/1822/70088

20.   Andrade, P. (2019). [Social Sciences for an Innovating Teaching; theories of digital, methodologies of the sensible and hybrid sociology writing] Ciências Sociais para um Ensino Inovador: Teorias do Digital, Metodologias do Sensível e Escrita Sociológica Híbrida. In J. Almeida; F. Dantas Filho; J. Fossa (Eds.) Itinerários de Pesquisas no Ensino de Ciências e Educação Matemática (pp.15-24). EDUEPB. https://drive.google.com/drive/folders/1Es6PAi5L9UHWty7UjRIr3_ZykHfIKEdD

https://zenodo.org/records/5021026

21.   Andrade, P. (2018). Cultural e-Tourism depicted by Digital Discourse: the Case of Portuguese Networks of e-Heritage and Discursive Innovation. In M. Bielenia-Grajewska; M. Ríos (Eds.) Innovative Perspectives on Tourism Discourse (pp.1-17). Hershey: IGI Global. https://drive.google.com/drive/folders/1WjLuevumhVqNsqRQEyrLMWikuC64Ak6P  http://hdl.handle.net/1822/70087

22.   Andrade, P. (2018). [The Interdimensional City and Everyday Public Practices] A cidade interdimensional e as práticas públicas quotidianas. In H. Pires; F. Mesquita (Eds.) Publi-cidade e Comunicação Visual (pp.103-110). Braga: Centro de Estudos de Comunicação e Sociedade. https://drive.google.com/drive/folders/1IDjqXM5TkTE_JgLzQLs7IpqXr5EFprC9 http://hdl.handle.net/1822/55070

23.   Andrade, P. (2018). [The social and Sociological city: the polis understood as context and as co-text] A urbe social e sociológica: ou a cidade entendida como contexto e enquanto co-texto. In J. Teixeira (Ed.) Espaços, Culturas Urbanas e Contemporaneidade (pp. 41-55), Braga: Centro de Estudos Lusíadas. https://drive.google.com/drive/folders/1l5hUQvdVg9VmauekqnsQ9NxHpqOzY9bs  https://bibliografia.bnportugal.gov.pt/bnp/bnp.exe/registo?2006664

24.   Andrade, P. (2017). Nota introdutória [a] Cibercultura: circum-navegações em redes transculturais de conhecimento, arquivos e pensamento. Comunicação da cibercultura: (in)visibilidades e visualidades dos e-atores sociais em dispositivos, métodos e fontes digitais. In M Curado; H. Pires; P. Andrade; F.Ribeiro. Cibercultura (pp.7-10). Braga: Centro de Estudos de Comunicação e Sociedade. https://drive.google.com/drive/folders/11irn9-xQupexNIQR95s3YIYF9O1phR5C  http://hdl.handle.net/1822/48375   http://hdl.handle.net/1822/48374

25.   Andrade, P. (2017). [Communication of cyberculture: (in) visibilities and visualities of social e-actors in digital devices, methods and sources.]. Comunicação da cibercultura: (in)visibilidades e visualidades dos e-atores sociais em dispositivos, métodos e fontes digitais. In M Curado; H. Pires; P. Andrade; F.Ribeiro. Cibercultura (pp.147-165). Braga: Centro de Estudos de Comunicação e Sociedade. https://drive.google.com/drive/folders/1WhTS1Lv8C-wzThJbuJyA0v7RbiYk9qQ8  http://hdl.handle.net/1822/48588

26.   Andrade, P. (2016). [Conceptual Abstract] Resumo concetual. In P. Andrade (Ed.). Comunicação Pública da Arte (pp.7-19). Lisboa: Edições Caleidoscópio. https://drive.google.com/drive/folders/1oOL5L9bk29m8rPgFIfbCfOBrQlEfvKHf

27.   Andrade, P. (2016). [Introduction] Introdução. In P. Andrade (Ed.). Comunicação Pública da Arte (pp. 21-31). Lisboa: Edições Caleidoscópio. https://drive.google.com/drive/folders/1TY7UfIqn7qP0HUFhHID0dV0RcIb8P4c9

https://rep-dspace.uminho.pt/entities/publication/8c9c0daf-a62d-4fc6-9109-bd2f4a7c51b8

28.   Andrade, P. (2016). [What theory and methodology for Museum Studies?] Que teoria e metodologia para os Museum Studies? In P. Andrade (Ed.). Comunicação Pública da Arte (pp. 33-48). Lisboa: Edições Caleidoscópio. https://drive.google.com/drive/folders/1pdUd2goMlXOPDa8GQy9UXyrnb0kLzVu1            https://rep-dspace.uminho.pt/entities/publication/97814220-ca73-4d75-b4a7-1953d7187532

29.   Andrade, P. (2016). [Publics Studies: planification and strategies]  Estudos de públicos: planificação e estratégias. In P. Andrade (Ed.). Comunicação Pública da Arte: o caso dos museus de arte locais e globais (pp. 151-162). Lisboa: Edições Caleidoscópio. https://drive.google.com/drive/folders/11QuH7fkmZQSSZ0GMzM4ANGd1oKmI7KRy  https://rep-dspace.uminho.pt/entities/publication/ddd28be6-ee36-4b2c-a3b1-53d8a23fef9b

30.   Andrade, P. (2016). [The Museum Coleção Berardo and Joana Vasconcelos’ Public] O Público do Museu Coleção Berardo e de Joana Vasconcelos. In P. Andrade (Ed.). Comunicação Pública da Arte (pp. 163-199). Lisboa: Edições CaleidoscóSpio. https://rep-dspace.uminho.pt/entities/publication/737f0383-20a9-4411-978a-439eded4aa29

https://hdl.handle.net/1822/79331

31.   Andrade, P. (2016). [The opinion of artists and gatekeepers within art worlds]  A opinião dos artistas e gatekeepers dos mundos da arte. In P. Andrade (Ed.). Comunicação Pública da Arte (pp. 251-306). Lisboa: Edições Caleidoscópio. https://drive.google.com/drive/folders/18YqM9sigHEhuRkV4487TwzUgLP92UAeN

https://mbooks.pt/produto/a-comunicac-o-publica-da-arte-o-caso-dos-museus-de-arte-locais-e-globais/

32.   Andrade, P. (2015). [Virtual Museums and Digital Arts] Musées Virtuels et Arts Numériques. In M. Veyrat (Ed.), 100 Notions sur les Arts Numériques (pp. 127-8). Paris: Les Éditions de l'Immatériel. https://drive.google.com/drive/folders/1Y_clid4lWdY1YvXKN6U05FVXpQS5pl2D

 https://hal.science/hal-04925662v1/file/MV_100Notions-ArtNumerique-Pr%C3%A9sentation.pdf

33.   Andrade, P. (2015). [Sociological Games] Jeux Sociologiques. In M. Veyrat (Ed.), 100 Notions sur les Arts Numériques (pp.155-6). Paris: Les Éditions de l'Immatériel. https://drive.google.com/drive/folders/1L1yeZX7kbZy2vs5OeEnYTFdK72QANBeW https://hal.science/hal-04925662v1/file/MV_100Notions-ArtNumerique-Pr%C3%A9sentation.pdf

34.   Andrade, P. (2015). [Hybridology] Hybridologie. In M. Veyrat (Ed.), 100 Notions sur les Arts Numériques (pp.179-80). Paris: Les Éditions de l'Immatériel. https://drive.google.com/drive/folders/1d5WcFXvTBmr6wJYvmWZXzQBl2-VFpFDl https://hal.science/hal-04925662v1/file/MV_100Notions-ArtNumerique-Pr%C3%A9sentation.pdf

35.   Andrade, P. (2015). [Visual Ontologies] Ontologies Visuelles. In M. Veyrat (Ed.), 100 Notions sur les Arts Numériques (pp.185-6). Paris: Les Éditions de l'Immatériel. https://drive.google.com/drive/folders/1beqOAzioRrRpkLX8_EHotCNcsY84inau  https://hal.science/hal-04925662v1/file/MV_100Notions-ArtNumerique-Pr%C3%A9sentation.pdf 

36.   Andrade, P. (2014). Post-Colonial Co-Ordinary Literature and Web 2.0/3.0: thinking back within transmediatic knowledge. In M. Pope (Ed.), New Literary Hybrids in the Age of Multimedia Expression: crossing borders, crossing genres (pp. 17, 123-144, 389-90, 427-437). Amsterdam: John Benjamin Press. https://drive.google.com/drive/folders/1yHc4qp-DZUmY4z9fK-E654PVQX5pZdqk  http://hdl.handle.net/1822/39995

37.   Andrade, P. (2013). The Blue Hook Book. In J. Mariano e R. Marreiros (Eds.), Visões Submersas no Azul: 8 a 30 de novembro 2013 (p. 4). Aljustrel: Câmara Municipal de Aljustrel. https://drive.google.com/drive/folders/1jt5GXla5eEJU5GoC_4EJQNyoaLgpnj8X

https://drive.google.com/drive/folders/1fdNvdDD7As9mcZasXK79V_XYNGmR5EYU

38.   Andrade, P. (2012). Sociology of Metaverses: Virtual worlds as public and private spaces and cyberspaces. In F. Negri (Ed.), Público e Privado na Época Contemporânea (pp. 311-329). Lisboa: Centro de Estudos Comparatistas, Faculdade de Letras da Universidade de Lisboa. https://drive.google.com/drive/folders/14lZG6A0T5okNv1OdaeC2H-q-8sG24eIH http://repositorium.sdum.uminho.pt/handle/1822/32652

39.   Andrade, P. (2012). [Science fiction and post-literate society] Ficção científica e post-literate society. In J. Rosa (Ed.), Cibercultura e ficção (pp. 215-231). Lisboa: Documenta. https://drive.google.com/drive/folders/1FCd-Y6fUn5YOfG91G7uE9oHE60GSOmCm https://www.wook.pt/livro/cibercultura-e-ficcao/14351425#details

40.   Andrade, P. (2011). Imagem e Web 2.0. In M. Martins et al (Eds.), Imagem e Pensamento (pp.77-87). V. N. Famalicão: Edições Humus. https://drive.google.com/drive/folders/1OXSSt8Ga5V6Xx4ua7YmAoC3itBP3DbqA https://repositorium.uminho.pt/server/api/core/bitstreams/a42b21e6-bfda-4774-aa24-57b22dbcbcb8/content

41.   Andrade, P.; Leite, J.; Martins, J. (2011). [Sociological Poetry] Poesia Sociológica. Ménage à 3 (Capa, pp. 61-101, Contra-cap). Porto: Cordão de Leitura. https://drive.google.com/drive/folders/1ZOUBXObfHv4YtDzYvRU6o196KTFSgSD7 https://www.cordaodeleitura.pt/livros/menage-a-trois/

42.   Andrade, P. (2010). [Public Spaces and Cultural Rights] Espaços Públicos e Direitos Culturais. In R. Martins; M. Pedroso & F. Cádima (Eds.), Espaços Públicos, Direitos Humanos & Multimédia: novos desafios (pp. 149-156). Rio de Janeiro: Editora Multifoco. https://drive.google.com/drive/folders/18OtoKNtKwZ04SQxhBhAI0vVDP-hpTY0X https://fruicadima.wordpress.com/2022/02/05/espaco-publico-direitos-humanos-multimedia/

43.   Andrade, P. (2010). [Public Art versus Private Art: Urban Artistic Alterities and Web 2.0 ] Introdução: Arte Pública versus Arte Privada: Alteridades Artísticas Urbanas e Web 2.0. In P. Andrade; C. Marques & J. Barros (Eds.), Arte pública e cidadania: novas leituras da cidade (pp. 13-30). Lisboa: Edições Caleidoscópio. http://hdl.handle.net/1822/70085 https://drive.google.com/drive/folders/1_4UEzf6qtvrGHXngRV1hHKdrGbUZTsjS  

44.   Andrade, P. (2010). [Introduction] Introduction. In P. Andrade; C. Marques & J. Barros (Eds.), Arte pública e cidadania: novas leituras da cidade criativa (pp.44-67). Lisboa: Edições Caleidoscópio. https://drive.google.com/drive/folders/1dVZDkmp1c4dtXqYpGdh2cR8SKUpWvAa8

45.   Andrade, P. (2010). Museu. In F. Cascais et al (Eds.), Dicionário Crítico da Arte, Imagem, Linguagem e Cultura [em linha, s.p.. Lisboa: CECL, IGESPAR. https://drive.google.com/drive/folders/1XYDcDGKH6O-XNW-_iEIkV3hh_r7BdHPS Andrade, P. (2010). [Conceptual Abstract] Resumo Conceptual. In P. Andrade (Ed.), Museus, Públicos e Literacia Científico-Tecnológica: redes sociais de comunicação de significados no espaço interdimensional do museu (pp.11-22). Lisboa: Ed Colibri. https://drive.google.com/drive/folders/1SkAUaRuORv7guhr-1KzzKEYFhb0S7dje

https://www.wook.pt/livro/museus-publicos-e-literacia-cientifico-tecnologica-pedro-de-andrade/14762723

46.   Andrade, P. (2010). [Introduction] Introdução. In P. Andrade (Ed.), Museus, Públicos e Literacia Científico-Tecnológica: redes sociais de comunicação de significados no espaço interdimensional do museu (pp.25-32). Lisboa: Ed Colibri. https://drive.google.com/drive/folders/1TvcG9Oljs2T7plXDuLWFB27_lxA1-oJ-  https://hdl.handle.net/1822/70456

47.   Andrade, P. (2010). [Museability and Literacy of Science: consumption, citizenship and culture] A Museabilidade e a Literacia da Ciência: consumos, cidadania e cultura. In P. Andrade (Ed.), Museus, Públicos e Literacia Científico-Tecnológica: redes sociais de comunicação de significados no espaço interdimensional do museu (pp. 33-50). Lisboa: Ed Colibri. https://drive.google.com/drive/folders/14ZiEivv5RhyR3HA5bVyvfSqBQt1nMxl9 https://hdl.handle.net/1822/70458

48.   Andrade, P. (2010). [Virtualities of the Museum and Virtual Museums] Virtualidades do Museu e Museus Virtuais. In P. Andrade (Ed.), Museus, Públicos e Literacia Científico-Tecnológica: redes sociais de comunicação de significados no espaço interdimensional do museu (pp. 145-149). Lisboa: Ed Colibri. https://drive.google.com/drive/folders/15S5Lz8rLhoVJcIrOSLN7IhPGrhUiveZ9

https://hdl.handle.net/1822/70464

49.   Andrade, P. (2010). [Publics of scientific content: segments and struture] Públicos, Literacia Científico-Tecnológica e Opinião Pública. In P. Andrade (Ed.), Museus, Públicos e Literacia Científico-Tecnológica: redes sociais de comunicação de significados no espaço interdimensional do museu (pp.151-196). Lisboa: Ed Colibri. https://drive.google.com/drive/folders/1cOkgM6zlIQZV-wFcB1UbEKHDFJ1Qpw3r

50.   Andrade, P. (2010). [Public communication of Science: disseminationg the exhibition via mass media and the Internet] Comunicação pública da Ciência: a publicitação da exposição pelos mass media e Internet. In P. Andrade (Ed.), Museus, Públicos e Literacia Científico-Tecnológica: redes sociais de comunicação de significados no espaço interdimensional do museu (pp. 197-206). Lisboa: Ed Colibri. https://drive.google.com/drive/folders/1jHDTWRYcrLP525i1QS0QCdqSHEOIsfiK  https://repositorium.uminho.pt/entities/publication/4638cd8c-1a3f-4996-aef6-2561a8e16563

51.   Andrade, P. (2010). [Public Understanding of Science and Communication between the School and the Museum] Compreensão Pública da Ciência e Comunicação entre a Escola e o Museu. In P. Andrade (Ed.), Museus, Públicos e Literacia Científico-Tecnológica: redes sociais de comunicação de significados no espaço interdimensional do museu (pp. 215-280). Lisboa: Ed Colibri. https://drive.google.com/drive/folders/10zPobbn0wLzpaZwJxNgo75sSOK2pRkuY https://hdl.handle.net/1822/70461

52.   Andrade, P. (2008). Web 2.0 and Digital Museums. In Psychology and Aesthetics into the Future (pp. 56-60). Chicago: Baywood. https://drive.google.com/drive/folders/1NvY2s0yOGLHYaebTyzLGDAM61RMBVoza  https://attic-museumstudies.blogspot.com/2007/11/cfp-psychology-and-aesthetics-into.html

53.   Andrade, P. (2008). Wiki Art, Wiki Collection, Wiki Artist and Wiki Web. In Psychology and Aesthetics into the Future (pp. 241-245). Chicago: Baywood. https://drive.google.com/drive/folders/1AIv1W5QthhSIQw606WUV18_IEL2tXJg9

https://www.researchgate.net/publication/282155327_2008_Wiki_Art_In_Psychology_an_Aesthetics_into_the_Future_Chicago_Baywood_241

54.   Andrade, P. (2008). [The Cultural-Artistic Sociology of Gardens] A Sociologia cultural-artística dos jardins. In E. Franco & C. Gomes (Eds.). Jardins do Mundo: discursos e práticas (pp. 481-9). Lisboa: Gradiva. https://drive.google.com/drive/folders/1jRy7fVW3WlHenzv-9VIOVn_4sdI6qhne https://www.gradiva.pt/produto/jardins-do-mundo/

55.   Andrade, P.; Rousse-Lacordaire, J.; Mourão, J.; Machado, M. Salomé (2008). [Cultuality, Cultualization and Cultualism: for an (Interdimensional) Sociology of cults] Cultualidade, Cultualização e Cultualismo: para uma Sociologia (Interdimensional) dos cultos. Messianismo e transmutação (pp. 11-20). Lisboa: Apenas Livros.  https://drive.google.com/drive/folders/1pkrKxEYGk4F_IPczNNuZuPhn4OVjG50v  http://www.apenas-livros.com/pagina/inicio

56.   Andrade, P.; Galera, A; Janeira, A.; Ribeiro, A. (2008). [Virtual body and Web 2.0: writings by the feminine within the internet and via the blogosphere] Corpo virtual e Web 2.0: escritas no feminino na internet e na blogosfera. Cherchez la femme (pp. 42-50). Lisboa: Apenas Livros. https://drive.google.com/drive/folders/1eqLu7gtDPZzHdvaN86vw9J7_vSSBaLUA  http://apenas-livros.com/pagina/apenas_de_cordel?id=293

57.   Andrade, P. (2007). [The society of research and journalism: good practices of participatory citizenship through the mobile internet and social bookmarking] A sociedade da investigação e do jornalismo: boas práticas de cidadania participativa através da internet móvel e do social bookmarking. Anuário Internacional de Comunicação Lusófona 'Os Media no Espaço Lusófono', 1, 307-312. https://rep-dspace.uminho.pt/entities/publication/288e95cd-d305-48d0-ad75-8b78c9c45ecc

58.   Andrade, P. (2007). [Internet Art]. Arte da Internet. In Paulo Ribeiro Cardoso; Álvaro Lima Cairrão (Eds.), Caderno de Estudos Mediáticos: ‘Comunicação online’ (edição especial) (pp. 169-176). Porto: Edições Universidade Fernando Pessoa. https://drive.google.com/drive/folders/1hZC2CTgU4gyMZLZRSJUlXpEG0rORqeHE  https://www.bertrand.pt/livro/cadernos-de-estudos-mediaticos-v-alvaro-lima-cairrao/198742?srsltid=AfmBOoqMt95b_Dl7iJn1CEl4ElfUhEqf510guUaTFxQQek6TE7SKXpzw

59.   Andrade, P., Paixão, M.; Mourão, J. (2007). [The Pessoa Effect and the sociology of digital congresses] O Efeito Pessoa e a sociologia dos congressos digitais. Jardins dos Noivos (pp. 35-38). Lisboa: Apenas Livros. http://apenas-livros.com/pagina/inicio

60.   Andrade, P. et al (2007). [The Pessoa Effect and the sociology of digital congresses] O Efeito Pessoa e a sociologia dos congressos digitais. In A Religião que anda no ar (pp.57-60). Lisboa: Apenas Livro shttps://drive.google.com/drive/folders/12KRaaevLlknScpzCpRo014lfxAqblWWr http://apenas-livros.com/pagina/apenas_de_cordel?id=522

61.   Andrade, P. (2006). Art Democracies, Art constitution and style art works. In H. Gottesdiener; J. Vilatte (Eds.), Culture and Commmunication (pp. 317-318). Avignon: International Association of Empirical Aesthetics. https://drive.google.com/drive/folders/1NfuwY3uZj4lPtlYVUWZTioBCAV3YdUSg  http://hdl.handle.net/1822/30004

62.   Andrade, P. (2006). Cybermuseums and cybermuseology: the Hybrilog as a Bloseum. In H. Gottesdiener; J. Vilatte (Eds.) Culture and Commmunication (pp. 553-557). Avignon: International Association of Empirical Aesthetics. https://drive.google.com/drive/folders/1rm9JgfB_z2Zu6ddx7n5QgnxhZ7VCSOzs https://www.researchgate.net/publication/282155658_2006_Cybermuseums_and_cybermuseology_the_Hybrilog_as_a_Bloseum_In_Culture_and_Commmunication_Avignon_IAEA_553-557

63.   Andrade, P. (2006). O Museu e a literacia e viagem cultural. In J. Pita & L. Pereira (Eds.), Rotas da Natureza: cientistas viagens expedições instituições (pp.279-283). Coimbra: Imprensa da Universidade de Coimbra. https://livrariadaimprensa.uc.pt/produto/rotas-da-natureza-cientistas-viagens-expedicoes-instituicoes/

64.   Andrade, P.; Pinto, Paulo; Guedes, Maria Estela (2006). [Virtual Communities] Comunidades Virtuais. Links: Entre virtude e virtual (pp. 3-14). Lisboa: Apenas Livros. https://drive.google.com/drive/folders/1yOqe0zIE6BmtAySGriPnAOP3LXmLQAJq http://apenas-livros.com/pagina/apenas_de_cordel?id=171

65.   Andrade, P.; Dória, H.; Galera, A. & Cascais, F. (2006). A sub-version of writing and of citizenship: the blog's auto-writing and the hytrilog as trans-writing. Jardins no Corpo (pp. 21-26). Lisboa: Apenas Livros. https://drive.google.com/drive/folders/1QQijkGmFPjQOl0mszTxoL17gIJDOC_al  http://apenas-livros.com/pagina/apenas_de_cordel?id=208

66.   Andrade, P. (2005). Art/Science/Technology: e-art in virtual museums measured by interdimensional networking method. In Fróis, J.; Andrade, P.; Marques, F. (Eds.), Art and Science (pp. 59-64). Lisboa: International Association of Empirical Aesthetics, Calouste Gulbenkian Foundation. https://drive.google.com/drive/folders/1o0GgVplZCoJ2NY1SnDvH0PqifgK3-VBj  http://hdl.handle.net/1822/30002

67.   Andrade, P. (2005). Art is a Network of Language Webs. In. (Ed.), Art and Science (pp. 727-729). Lisboa: International Association of Empirical Aesthetics, Calouste Gulbenkian Foundation.

https://drive.google.com/drive/folders/1xF9J1YOAxNse2wPkFW3aBfmHoz6_FtDi

68.   Andrade, P. (2004). Art is a Network of Language Webs. In. (Ed.), Art and Science (pp. 727-729). Lisboa: International Association of Empirical Aesthetics, Calouste Gulbenkian Foundation. http://hdl.handle.net/1822/30004

69.   Andrade, P. (2002). [The mirror, reflective object of the subject of reflection] O espelho, objecto refletor do sujeito de reflexão. In José Manuel Anes; Maria Estela Guedes; Nuno Marques Peiriço (Eds.) Discursos e práticas alquímicas (pp. 43-54). Carnaxide: Huguin.

https://drive.google.com/drive/folders/1LuaPl5fETQd4_hCtVCCgrEMMX7BOjzlK

https://pt.scribd.com/document/490032074/II-Coloquio-Discursos-e-Praticas-Alquimicas-pdf

70.   Andrade, P. (2001). [Scientific-Technological Literacy and Public Opinion in the Perspective of Lusophone Science and Museability Movement]  Literacia científico-tecnológica e opinião pública no quadro do Movimento Museabilidade. In C. Morais, N. Peiriço, T. Scalco (Eds.), Comunicação Pública da Ciência (pp. 95-112). Taubapé: Cabral Ed. Universitária. https://drive.google.com/drive/folders/1j7HCGS9j1pFFWevtvoWEZeHn_LhpsK3E

71.   Andrade, P. (2000). [Taverns] Tabernas [Entrada de dicionário]. In A. Barreto; M. Mónica (Eds.), Dicionário de História de Portugal (pp. 484-486). Porto: Livraria Figueirinhas. https://drive.google.com/drive/folders/1q3yf8c-a17m4tYfEPJgJErUYzWUDXs99

https://www.wook.pt/livro/dicionario-de-historia-de-portugal-volume-7-maria-filomena-monica/44913?srsltid=AfmBOorrrE6K6o-I6-GcExncMS1nUrcNDsu_HHYMJr19ZAXTUY_c9rTW

72.   Andrade, P. (1999). The two societies: dialogic contacts and tension between democracies and fundamentalisms. In P. Abreu; J. Melo (Eds.), Public Participation and Information Technologies (pp. 527-545). Lisboa: CITIDEP/MIT-USA.  https://drive.google.com/drive/folders/17hvzJcsX5Dnf1cnijwPvEF2vuW_9nwSC  http://www.citidep.net/icppit99/prelim.html#anchor413350

73.   Andrade, P. (1996). [Local public opinion facing global knowledge's new technologies] A opinião pública local das comunidades científicas face às novas tecnologias do conhecimento global. In M. Gonçalves (Ed.), Ciência e Democracia (pp. 331-359). Lisboa: Editora Bertrand. https://drive.google.com/drive/folders/1my7a1jqEt8QmWrQ-kNdp04-GC0Z7Semx https://www.abebooks.com/CI%C3%8ANCIA-DEMOCRACIA-GON%C3%87ALVES-Maria-Eduarda/30829703742/bd

74.   Andrade, P. (1984). [How to look for your cultural identity in New York (or the differential path of a Portuguese artist-Rocha Pinto.)]  Como procurar a sua identidade cultural em New York (ou o percurso diferencial de um artista português-Rocha Pinto. In C. Pinto (Ed.), Carta de Lisboa: Reflexos-Reflexões [catalog of artist Rocha Pinto's exhibition] (pp.21-22). Paris: [s.e.]. https://drive.google.com/drive/folders/173nGNywKDUKV91C_QX5MWaCxL6qO1S_S

https://tradestories.pt/index.php/luisabook4dream/livro/rocha-pinto-carta-de-lisboa-lettre-de-lisbonne#google_vignette

75.   Andrade, P. (1988). Thesaurus de Cometas. In E. Melo e Castro [Poetic of Means and High Tech Art] Poética dos meios e Arte High Tech (p.85). Lisboa: Vega. https://drive.google.com/drive/folders/1EUY9CnSmC9pTaQH3P3MvdalfzO2r8IDT https://www.custojusto.pt/lisboa/desporto-lazer/livros/e-m-de-melo-e-castro-poeti-38859938

76.   Andrade, P. (1976). [Body Cinema] Cinéma Corps. Catalogue de la Paris Film Coop (p. 32). Paris: Paris Film Coop. https://drive.google.com/drive/folders/1kXe7h9_ocVuS6Fum3qP5sNp0HIaSGeEl https://drive.google.com/drive/folders/1fdNvdDD7As9mcZasXK79V_XYNGmR5EYU

77.   Andrade, P. (1975). [Sabotaged Spatial Cinema # 1] Film Saboté Spatial nº 1. Catalogue de la Paris Film Coop (pp. 27-31). Paris: Paris Film Coop. https://drive.google.com/drive/folders/1CdW3zr8li6thB5HsWp2rbqJmmv3nLASQ

https://drive.google.com/drive/folders/1fdNvdDD7As9mcZasXK79V_XYNGmR5EYU

Journal articles (74) 

1. Andrade, P. (2025). Urban Artivists and Global Solidarity. For a Sociology of Ukraine’s Cultural Heritage and War Street Art. Graffiti and Urban Art Journal [accepted, in print]

2.     Andrade, P. (2025). Pedagogic, social and ethical storytelling modes of intervention and participation within city spaces and times: a Geo Novel for augmenting urban heritage literacy. UXUC_User Experience & Urban Creativity Journal. [accepted, in print]

3. Andrade, Pedro (2024). Dark Heritage and its Sociological Conservation via Human and Artificial Intelligence Methods: A Case Study on Aljube Dark Museum. BBDS - Black Book Journal. Dossier Shifting Memories. 5,2, pp. 62-67. https://doi.org/10.48619/bbds.v5i2.1067  https://drive.google.com/drive/folders/1mw0k1p_7GJj-XutCncoYu7T2aekeKpW9  

4.     Andrade, Pedro (2024). The Lying Society and Fake News in the City: Urban Communication Studies via Mixed Qualitative Data Analysis and Critical Artificial Intelligence Methodologies.  UXUC_User Experience & Urban Creativity Journal: Dossier Ubiquity. 6, 2, pp. 47-95. https://drive.google.com/drive/folders/19ZwuOZxjvi3vWno-ka6NaNsEKU6_mTXy  https://doi.org/10.48619/uxuc.v6i2.1055

5.     Andrade, P. (2023). Hybrid Cultural Heritage in Ukraine: Social and Conceptual Mediations for the Construction of a Research Mini Encyclopedia. CAP Public Art Journal, 5,1, 8-33.  https://journals.wisethorough.com/index.php/CAP/article/view/768

       https://drive.google.com/drive/folders/1iP5sxjEHI0RQzRVvx8HP9QaYTpuJTEgI  https://openurl.ebsco.com/EPDB%3Agcd%3A10%3A14059386/detailv2? sid=ebsco%3Aplink%3Ascholar&id=ebsco%3Agcd%3A176373063&crl=c&link_origin=scholar.google.pt

6. Andrade, P. (2022). Risk Tourism within Viral Society: A Study using Hybrid Discourse Analysis, Lusophone Journal of Cultural Studies, 9, 1, 127–151. https://hdl.handle.net/1822/78577 https://drive.google.com/drive/folders/1W1hkbjRnnnsZJrrnknPKgZGeWzc2cyU3 

https://drive.google.com/drive/folders/1QF3m4aQ7igDxoRtmoyPZRx9D1UCDfSUd

7. Andrade, P. (2021). Globalization of Consumption, Lifestyles and 'Viral Society'. Revista de Estudos  Interculturais-REI, 9, 1-25. https://drive.google.com/drive/folders/1hGROaAE3m6bpsIa5s3p63E0XxoS6lRxG  https://hdl.handle.net/1822/74111

8. Andrade, P. ; Caeiro, M. (2020).  Introductory note: public art for tourism communication? / Nota introdutória: arte pública para a comunicação turística? Lusophone Journal of Cultural Studies, 'Public Art for Tourism Communication' / Revista Lusófona de Estudos Culturais 'Arte Pública para a Comunicação Turística', 7,1, 7-18.

https://drive.google.com/drive/folders/1CgbzN3XQXcaFTwPLhPqBHJztecN4hi3c

https://drive.google.com/drive/folders/1jvzYfXo5ls4us3303xVZlDGyEg9kBMWJ

https://hdl.handle.net/1822/65796

9. Andrade, P. (2020). Urban public art and tourist communication / Arte Pública Urbana e Comunicação Turística. Lusophone Journal of Cultural Studies, ‘Public Art for Tourism Communication' / Revista Lusófona de Estudos Culturais 'Arte Pública para a Comunicação Turística', 7,1, 39-59. https://drive.google.com/drive/folders/1oTVLjHutqCIK9m31nSQfV7dMf1U50z_v

https://drive.google.com/drive/folders/1EyxyJrKQH1rLQJFbM8iw7nihBmXiVs9G

http://hdl.handle.net/1822/65824

10.   Andrade, P. (2020). An author of urban public art: Luis Baldini / um autor de arte pública: Luís Baldini. Lusophone Journal of Cultural Studies, Public Art Comunication 'Public Art for Tourism Communication' / Revista Lusófona de Estudos Culturais 'Arte  Pública para a Comunicação Turística', 7,1, 259-279.

https://drive.google.com/drive/folders/1h47PtCc2Jg1Kji5LJpaa1ECK6UY0FMO7 https://drive.google.com/drive/folders/18kYwQdCN2zb7iGjmZcsPNZ6Gfc71B1CW  https://hdl.handle.net/1822/65802

11.   Andrade, P. (2020). Cultural resistance to Covid-19: an Encyclopedia of Public Art for artists and tourism publics?. Cadernos de Arte Pública, 2, 2, pp. 57-74. https://drive.google.com/drive/folders/1dwKrtEWQim_deSbeGvXSP6iLWvNZ-m6D  http://hdl.handle.net/1822/70084

12.   Andrade, P. (2018). Mobile Cultural Tourism. Art spaces, times and logos / Turismo cultural móvel. Espaços, tempos e logos da arte. Lusophone Journal of Cultural Studies, Public Art Comunication 'Discourses and Images of Cultural Tourism' / Revista Lusófona de Estudos Culturais 'Discursos e imagens do turismo cultural', 5, 2, 349-378.

https://drive.google.com/drive/folders/1Uaf--n5_p0huS1gIPZFB9sTjkSKz5eee

https://drive.google.com/drive/folders/1wOgpvg3ftIwSx0GLD5f9dD8yTkvNvSxw

http://hdl.handle.net/1822/57459~

13.   Andrade, P. (2018). Social Image and Sociological Image. Sociological Comics as a visual method for political activism. E-REI - E-Revista de Estudos Interculturais, 6, 1-17. https://drive.google.com/drive/folders/1FpgeTvqnhv7QWSU5u4tqGSzeU77zGpaA  https://www.iscap.pt/cei/e-rei/n6/artigos/Pedro-Andrade_Sociological-Image.pdf

14.   Andrade, P. (2018). Digital Literature and Big Knowledge: the case of Sociological Comics. MATLIT, 6,2, 138-147.

https://drive.google.com/drive/folders/1NeA-Wes6peSj-zAMZB2lFhTRmKw-LMzI

https://impactum-journals.uc.pt/matlit/article/view/2182-8830_6-2_10

15.   Andrade, P. (2018). Epistemology and methodology of urban cultural tourism: the case of the artistic sociology of mobile cultures and tourism communication in urban social networks / Epistemologia e Metodologia do Turismo Cultural Urbano: o caso da Sociologia Artística das culturas móveis e da comunicação turística em redes sociais urbanas. Comunicação e Sociedade 'Espistemologia e Metodologias em Comunicação', 33, 215-242.

https://drive.google.com/drive/folders/1qnVYablw0Y-F6bGbM_6Gw6_eaKGYdHlg

https://drive.google.com/drive/folders/1zC9GLCQ1bgK6v1W819mZkr_OaxXRiLNR  https://hdl.handle.net/1822/55275

16.   Correia, M: Pires, H. & Andrade, P. (2017). [Passeio, passing by, walking by. A platform of urban art and culture] Passeio, passante, passeante. Uma plataforma de arte e cultura urbana. Lusophone Journal of Cultural Studies 'Flows and Paths of Visual Culture'/ Revista Lusófona de Estudos Culturais 'Fluxos e Caminhos da Cultura Visual', 4 , 1, 167-201. https://drive.google.com/drive/folders/1M4Srj-ebc0T29vzTOOzWqS0BpXNA2HEu

https://drive.google.com/drive/folders/1Ga1Ee5WmwbugyzaSM4c0zujh7pkeZ1Nv

http://hdl.handle.net/1822/54178

17.   Andrade, P. (2017). Communication of art via open research: on cultural policies, heritage and reception of innovation in art / Comunicação da arte pela investigação aberta: sobre políticas culturais, património, gestão e receção da inovação na arte. Communication and Society ‘Communication and Art’ / Comunicação e Sociedade  ‘Comunicação e Arte’, 31, 343 – 376. http://hdl.handle.net/1822/48587

https://drive.google.com/drive/folders/1RvH29ApkTrnlnhCHFg4uDLIg7rwgFJNn  https://drive.google.com/drive/folders/1aOXnZ-tVvRya-uBcgI860nrlF182nBpz  http://hdl.handle.net/1822/48587

18.   Andrade, P. (2016). GeoNeoLogical Novel and other Hybrimedia Experiments: or how to use Hybrid Methods such as Hybrid Discourse Analysis (HDA) within a Knowledge Base. MATLIT 4 (2), 157-181. https://drive.google.com/drive/folders/1Hih9_ZhneugPHdaPb5_d4sdoVAc4an8b  https://impactum-journals.uc.pt/matlit/article/view/2182-8830_4-2_8/2265

19.   Andrade, P. (2016). Transcultural Cinema debated in a Knowledge Network: postcolonial hybrid meanings within resistance cinema / Cinema transcultural em debate numa rede de conhecimento: significados pós-coloniais híbridos no cinema de resistência. Communication and Society ‘Colonial Imaginaries: Propagand, Militancy and ‘Resistance’ in Cinema / Comunicação e Sociedade ‘Imaginários Coloniais: Propaganda, Militância e ‘Resistência’ no Cinema, 29, 395 – 411. https://drive.google.com/drive/folders/1nJIikCxVxeCvaM7NrgQVF_gRk2cMDs4c

https://drive.google.com/drive/folders/1lbzSDrMZ8IunYhBNA9d6UKflQJAEX0fn  http://hdl.handle.net/1822/59582

20.   Andrade, P. (2013). Sociological Ontology of the digital public sphere: the case of Web 2.0/3.0 / Ontologia Sociológica da Esfera Pública Digital: o caso da Web 2.0/3.0. Communication and Society ‘Digital Public Sphere: Weaknesses and Challenges’ /  Comunicação e Sociedade ‘Esfera Pública Digital: fragilidades e desafios’, 23, 186-201. https://drive.google.com/drive/folders/1g7AQhfgAL4wM_st-PmBFw0A5SZrmURus  

https://drive.google.com/drive/folders/1sVqpw9baCLyi2j2Frs3Mz0-KEOVW4R1h

http://hdl.handle.net/1822/29484

21.   [Indexed at Web of Science, em: WOS: 000321678100010 ] Andrade, P. (2013). [Semantico-Logical Sociology of the Ruins: for a hybrid hermeneutics from ruin to Web 2.0 and Web 3.0] Sociologie Sémantico-Logique des Ruines: pour une hermeneutique hybride de la ruine à la Web 2.0 et à la Web 3.0. Sociétés, 115, 105-119.  [Indexed at Web of Science, em: WOS: 000321678100010]. https://drive.google.com/drive/folders/1ljzMc2qFkIk2W5L3qAT7fRlK-euh_cBR  http://hdl.handle.net/1822/29958

22.   Andrade, P. & Neves, José Pinheiro (2011). [Introduction] Introdução. Revista de Comunicação e Linguagens 'Genealogias da Web 2.0', 42, 25-27.

https://drive.google.com/drive/folders/16lqEz6_x-YN7NLQJYR3tjZog00qe1ipH

https://drive.google.com/drive/folders/1CqLBvlmW6C1ehxBfofRnZLMJdsCYkIla

23.   Andrade, P. (2011). [Web 2.0, prolegomenon of Web 3.0?] Web 2.0, prolegómeno da Web 3.0?. Revista de Comunicação e Linguagens 'Genealogias da Internet', 42, 87-101.

https://drive.google.com/drive/folders/1NIZKlFummzd690VYLfldTjjnqiT2i5p1  https://drive.google.com/drive/folders/1CqLBvlmW6C1ehxBfofRnZLMJdsCYkIla

24.   Andrade, P.  et al (2012). Homenagem a José Augusto Mourão. Revista de Comunicação e Linguagens 'Genealogias da Internet', 43 , 18. https://drive.google.com/drive/folders/1AzU5WITI_x2vcyNz9NCDSkaXxgDLMniS

25.   Andrade, P. (2011). Terras e Sobreterras: Redacções e Inversões, reflexões sobre as sobreterras os mundos virtuais. Triplov, 12, Nova Série.

https://drive.google.com/drive/folders/1k1UPhQGQBVa2UOrB7ueWzGQEVwM-_k4e

https://www.triplov.com/novaserie.revista/numero_12/pedro_andrade.html

26.   Andrade, P. (2010). [Design and Web 2.0] Design e Web 2.0. Revista de Comunicação e Linguagens, 41, 181-200.

https://drive.google.com/drive/folders/1ys7e93qGJBBWHHI2c2cGjgYKMc5t1lHs  https://drive.google.com/drive/folders/1fdNvdDD7As9mcZasXK79V_XYNGmR5EYU

27.   Andrade, P. (2009). [Public art and Urban artistic alterities: the other spaces of memory, writing and archive] Arte Pública e Alteridades Artísticas Urbanas: os Outros Espaços de Memória, Escrita e Arquivo. Revista de Comunicação e Linguagens, 40, 155-167. https://drive.google.com/drive/folders/1-oTEi638CYimXldKYW3d79RQq13HCXUI https://drive.google.com/drive/folders/1fdNvdDD7As9mcZasXK79V_XYNGmR5EYU

28.   Andrade, P. (2008). [The Virtual Photographic in Second Life: notes for a Sociology of Web 2.0] O Fotográfico virtual no Second Life: apontamentos para uma Sociologia da Web 2.0. Revista de Comunicação e Linguagens, 39, 189-204.

https://drive.google.com/drive/folders/1bxEmeIqtxywaOYXHA8fW8oH76jeAj0f2 https://drive.google.com/drive/folders/1fdNvdDD7As9mcZasXK79V_XYNGmR5EYU

29.   Andrade, P. (2008). [Cultural citizenship and artistic literacy: leisures and knowledge within museums and cybermuseums of the creative city] Cidadania cultural e literacia artística: lazeres e saberes em museus e cibermuseus da cidade criativa. Communication and Society ‘New Literacy Territories’ / Comunicação e Sociedade ‘Novos Territórios da Literacia', 14, 51-59. https://drive.google.com/drive/folders/18yBhlI9I984_lcgo5T0xFT6urRLNCWC3  https://revistacomsoc.pt/index.php/revistacomsoc/article/view/1377

30.   Andrade, P. (2007). [Sociology of the Blogosphere: human and social representations in blogs and hybrilogs] Sociologia da Blogosfera: figurações do humano e do social em blogues e hibrilogues. Communication and Society 'Technologies and Figures of the Human' /  Comunicação e Sociedade 'Tecnologias e Figurações do Humano', 12, 51-65.

https://drive.google.com/drive/folders/1hCpuxaUe8fPIzvgoApH4AC9z287ZoIun

https://revistacomsoc.pt/index.php/revistacomsoc/article/view/1388

31.   Andrade, P. (2007). [Artistic visibilities and daily vigilances: Art and Sociology in the context of the devices post-panoptic and Inter-panópticos] Visibilidades artísticas e vigilâncias quotidianas: arte e sociologia no contexto dos dispositivos pós-panópticos e inter-panópticos. Revista de Comunicação e Linguagens, 37, 91-107. https://drive.google.com/drive/folders/1OpRsq_JqYHEIGobdYlaSZOve0NBHXZ-V

https://drive.google.com/drive/folders/1fdNvdDD7As9mcZasXK79V_XYNGmR5EYU

32.   Andrade, P. (2007). [The Alphabet of Universal relations (ARU)] O Alfabeto de Relações Universais (ARU). Revista de Comunicação e Linguagens ‘Mediação dos saberes’, 38, 143-55. https://drive.google.com/drive/folders/1tAJchXbqc53h8YmgQtragZPCgHhPoZZ0

33.   Andrade, P. (2006). [The social is dimensional?] O social é dimensional?. Atalaia/Intermundos, 14/15, 250-276.

https://drive.google.com/drive/folders/1Mb3o0-WUjwwymLB95ozd60PG_J5ats9Y

https://triplov.pt/atalaia/Atalaia_14-15/index.html

34.   Andrade, P. (2006). [Nature of food risk and culture of nutritional accident] Natureza do risco alimentar e cultura do acidente nutricional. Atalaia/Intermundos, 14/15, 90-91. https://drive.google.com/drive/folders/1jyaL59pi9M-bWtD3GTWd9yY1za6kRD1i  https://triplov.pt/atalaia/Atalaia_14-15/index.html

35.   Andrade, P. (2006). [Notes for the biographical, curricular and professional profile of Prof. Doctor António Alberto Banha de Andrade] Notas para o perfil biográfico, curricular e profissional do Prof. Doutor António Alberto Banha de Andrade. Revista Portuguesa de História do Livro, 17, 353-380. https://drive.google.com/drive/folders/1iwr1ej2YTBiad2SgO_UOYRGDvVPsm1oc  https://drive.google.com/drive/folders/1mlcx0upNYKjzFl9bSTpxGwg1n1Dbk5Up

36.   Andrade, P. (2006). Virtual Schools and Cyberpedagogy: the Hybrilog as a Bloniversity. Prisma, 3, 367-380.

https://drive.google.com/drive/folders/12a0SUl8R1YufOgtVxg2xoqQZ26QglNEs  https://doi.org/10.21747/16463153/43   https://ojs.letras.up.pt/index.php/prismacom/article/view/2125

37.   Andrade, P. (2005). [The objects collecting subjects (style or genre of writing: sociological dialogues)] Os objectos que coleccionavam sujeitos (estilo ou género de escrita: diálogos sociológicos). Episteme, 21, 206-210. https://drive.google.com/drive/folders/1c0UL61T2IzesXYlVZjW51dtMREHu6FHf

38.   Andrade, P. (2004). [6 theses on Naturalism] 6 teses sobre o Naturalismo. Atalaia/Intermundos, 14/15, 1. https://drive.google.com/drive/folders/1ycp7ZQPXnp5biGpjIX-8SDQgrUvAWjaW

 https://triplov.pt/atalaia/Atalaia_14-15/index.html

39.   Andrade, P. (2003). [Virtualities of the museum and the virtual museum] Virtualidades do museu e o museu virtual. Atalaia/Intermundos, 12/13, 93-102. https://drive.google.com/drive/folders/1svCda2ROSGHy4m9oXJst-DAwkLTmQNTE  https://triplov.pt/atalaia/atalaia_12_13/index.html

40.   Andrade, P.; Lopes, C.; N. Peiriço; Póvoas, L.; Escudeiro, A.; Leal, C. (2003). [The publics of Science museability: The XIV International Fair of minerals gems and fossils of Lisbon] Os públicos da museabilidade da Ciência: a XIV Feira Internacional de Minerais Gemas e Fósseis de Lisboa. Atalaia/Intermundos, 12/13, 61-88. https://drive.google.com/drive/folders/1gBzhp8A3KOZxNLbZXEiQ91g2RFuMRM3f

https://triplov.pt/atalaia/atalaia_12_13/index.html

41.   Andrade, P. (2003). [The Museability of Science: consumption, citizenship, culture and communication] A museabilidade da Ciência: consumo, cidadania, cultura e comunicação. Atalaia/Intermundos, 12/13, 9-29. https://drive.google.com/drive/folders/1LdfuGZYNICe9jpjNeszj8ruvSAuIv5Db

https://triplov.pt/atalaia/atalaia_12_13/index.html

42.   Andrade, P. (2003). [Scientific-technological literacy and public opinion: the case of consumers of the Museums of Science]  Literacia científico-tecnológica e opinião pública: o caso dos consumidores dos Museus de Ciência. Atalaia/Intermundos, 12/13, 1-6. https://drive.google.com/drive/folders/1d5l7oTv6DQsHtLB7MdAsBhZS_NfAFyYE  https://triplov.pt/atalaia/atalaia_12_13/index.html

43.   Andrade, P. (2003). [Daily tastes and knowledge: public drinking houses] Sabores e saberes diários: os estabelecimentos do beber público. Trajectos, 3, 149-162. https://drive.google.com/drive/folders/1dxON7aCwLREUQg4Fa2QD6NdyXH4wdoIb

44.   Andrade, P. (2002). Do consumo de cidadania à cidadania do consumo: o risco alimentar e o acidente nutricional. OA: Boletim da Ordem dos Advogados, 20 Jul-Ago, 42. https://drive.google.com/drive/folders/1viBq6eu-biBTEXZD3ZU600yJXUfmuJcP  

45.   Andrade, P. (2002). Some synthetic ideas to work with qualitative analysis software. Atalaia/Intermundos, 10/11, 153-165. https://drive.google.com/drive/folders/1uShBSxT0YZf1nqWVA68kON6zXyg0Qrvb  http://hdl.handle.net/1822/29994

46.   Andrade, P. (2001). [Fundamentalization of society and / or cultualization of the real?] Fundamentalização da sociedade e / ou cultualização do real?. Cadernos ISCTA 'Proliferação de transcendências: a religião que anda no ar', 11, 87-99. https://drive.google.com/drive/folders/1pHSayta2aPm4oYzgeBPP2F5SmTcw_gP- http://www.ista.pt/1/upload/ista_11_2001.pdf  

47.   Andrade, P. (2001). [Create-activity: the communication of Colloquium as an example of artistic communication and creativity] Cria-actividade: a comunicação de Colóquio como exemplo de comunicação e de criatividade artísticas. Atalaia/Intermundos, 8/9, 63-72. https://drive.google.com/drive/folders/1Kfxa29-9RzdV9TBvT9WM7eTMi19tjoyk

https://triplov.pt/pedro/coloquio_creatio.html

48.   Andrade, P. (2001). [Editorial: Recriate criation] Editorial: Recriar a criação. Atalaia/Intermundos, 8/9, 1-2. https://drive.google.com/drive/folders/1tTi7RMGOaA8NVj7s1L0ffUtpo2iqEwYY

49.   Andrade, P. (2001). [The hybrid hermeneutics of contemporaneity] A hermenêutica híbrida da contemporaneidade. Atalaia/Intermundos, 8/9, 5-18. https://drive.google.com/drive/folders/1zVMDluMOS9rFSB207tJ40p0HTv5anZpN

50.   Andrade, P. (2000). [The epistemological-theoretical problematic of dimensonalism] A problemática epistemológico-teórica do dimensonalismo. Atalaia/Intermundos, 6/7, 6-19. https://drive.google.com/drive/folders/1MEM9xMbrsFw3mUNeHlUzJ4II6FcuePmu https://triplov.pt/atalaia/atalaia_6_7/index.html

51.   Andrade, P. (1999). [From referentiation as a reference in action: to a Sociology of Citation] Da referenciação como referência em acção: para uma Sociologia da Citação. Atalaia, 5, 83-101.

https://drive.google.com/drive/folders/15m-TznlccLxaIbhCs4N6caLcHjTUXYoe  https://triplov.pt/atalaia/atalaia_3_4_5/

52.   Andrade, P. (1999). [The unity and the hybridization of the writings] A unidade e a hibridação das escritas. Atalaia, 5, 7-13. https://drive.google.com/drive/folders/1YraAPSWEd5IBgxf_1qu2xuN2HzS8Ma5A  https://triplov.pt/atalaia/atalaia_3_4_5/

53.   Andrade, P. (1999). [Fear? No, Timor: the new technologies of public opinion] Temor? Não, Timor: as novas tecnologias da opinião pública. Atalaia, 4, 63-77. https://drive.google.com/drive/folders/1_S09_64SnnQVfammqvdO6ppxjT_eGrwX  https://triplov.pt/atalaia/atalaia_3_4_5/

54.   Andrade, P. (1999). [The New Society and Interdimensional Historical Sociology] A nova sociedade e a Sociologia Histórica Interdimensional. Atalaia, 4, 9-44. https://drive.google.com/drive/folders/1TtWUVRbMkHDVt1PT9x6ElY-edeVJb4Ej

https://triplov.pt/atalaia/atalaia_3_4_5/

55.   Andrade, P. (1998). [Historical Sociology of Intolerance: marginal contexts and agents in Portuguese past] Sociologia Histórica da Intolerância: contextos e agentes marginais no passado Português. Nova Renascença, 69/71 primavera-outono, 281-304. https://drive.google.com/drive/folders/1xwvLinBDFN31hiIUSDUvNSZrfIZCnkWv

56.   Andrade, P. [pseudónimo André Nietsnie] (1997). Sociology of gaze: A new look at sociology?] Sociologia do Olhar: um novo olhar sobre a Sociologia?. Atalaia, 3, 197-201. https://drive.google.com/drive/folders/17MTTe1paG8a1QI0ET6fKcpwGwbNhl425  https://triplov.pt/atalaia/atalaia_3_4_5/

57.   Andrade, P. (1997). [The negotiation of the visible-II: the time of social visibilities and as visions of nature] A negociação do visível-II: o tempo das visibilidades sociais e as visões da natureza. Atalaia, 3, 143-151. https://drive.google.com/drive/folders/1Dk4CAiCqq8CpHA38_OJblNjaOQkGdHCX  https://triplov.pt/atalaia/atalaia_3_4_5/

58.   Andrade, P. (1997). [Navigations in cybertime: virtual journeys and cybertravel] Navegações no cibertempo: viagens virtuais e vitualidades da ciberviagem. Atalaia, 3, 111-124. https://drive.google.com/drive/folders/1xr7qLwa6uA8KM4Ozcim9X7eRVUTPfhNk  https://triplov.pt/atalaia/atalaia_3_4_5/

59.   Andrade, P. (1997). [Sociology of intolerance: or how to transform society in the third millennium] Sociologia da intolerância: ou como transformar a sociedade no terceiro milénio. Atalaia, 3, 9-20. https://drive.google.com/drive/folders/155DNjfIR-SMMPiP6GF13NR_IcSn15tdF

60.   Andrade, P. (1995). [Portuguese Editorial] Editorial Português. Atalaia, 1/2, 15-21.

https://drive.google.com/drive/folders/1ezZ3zXYbdpuVvMkj8Tb11L5U8s9lC7qJ  https://triplov.pt/atalaia/atalaia_3_4_5/

61.   Andrade, P. (1995). [Tavern, powers and social negotiations] Taverne, pouvoirs et négociations sociales. Atalaia, 1/2, 165-177.

https://drive.google.com/drive/folders/1noF-SOPcYvVK2jrAnqt4V8_XyC9ZT2x2

https://triplov.pt/atalaia/atalaia_1_2/index.html

62.   Andrade, P. (1995). [The negotiation of the visible: social visibilities as an illustrative theoretical object of Interdimensional and Mediating Sociology-I] A negociação do visível: as visibilidades sociais enquanto objecto teórico ilustrativo da Sociologia Interdimensional e Mediadora-I. Atalaia, 1/2, 73-93. https://drive.google.com/drive/folders/13ggFBUDUkfMBXaHL3pi3v3hhRs26tnlZ  https://triplov.pt/atalaia/atalaia_1_2/index.html

63.   Andrade, P.; Martins, Moisés de Lemos et al (1993). [Small and medium-sized enterprises in northwestern Portugal: identities and rationalities] As pequenas e médias empresas no Noroeste de Portugal: identidades e racionalidades. Cadernos do Noroeste, 12, 265-285. https://drive.google.com/drive/folders/1iyZZZsYSPY7hyfNgwMzjhcFQpb635Bfp  https://triplov.pt/atalaia/atalaia_1_2/index.html

64.   Andrade, P. (1993). [Sociology of travel: daily displacements and nomadic anti-everyday] Sociologia da viagem: deslocações diárias e anti-quotidiano nómada. Revista Crítica de Ciências Sociais, 37, 51-77.

https://drive.google.com/drive/folders/1LxlIQyhb7V321Gwcof352-OWtA9DQ8s-  https://estudogeral.uc.pt/bitstream/10316/11602/1/Sociologia%20da%20Viagem%2C%20o%20quotidiano%20e%20os%20seus%20inter-trajectos.pdf

65.   Andrade, P. (1991). [The mediatic tavern, a reticular site of social and sociological negotiations] A Taberna mediática, local reticular de negociações sociais e sociológicas. Revista Crítica de Ciências Sociais, 33, 265-286. https://drive.google.com/drive/folders/1mu9a44tYhYAK8ZQBizK4zfFOsPPjN2yv  https://estudogeral.uc.pt/handle/10316/11715?locale=pt

66.   Andrade, P. (1991). [Review of book] Bryan Pfaffenberger (1988). Microcomputer Applications in Qualitative Research [Softwares em pesquisa qualitative]. Newbury Park: Sage. [Revisão do livro] Bryan Pfaffenberger (1988). Aplicações de Microinformática em pesquisa qualitativa [softwares em pesquisa qualitativa]. Newbury Park: Sage . Revista Crítica de Ciências Sociais, 34, 290-293. https://drive.google.com/drive/folders/1KZrp3rFEZml8kuguTd1IYAA60qvUw3xV  https://estudogeral.uc.pt/handle/10316/38334

67.   Andrade, P. (1988). [Drinking and tavern: tavern practices in vinous body] O beber e a tasca: práticas tabernais em corpo vínico. Povos e Culturas, 2, 223-263. https://drive.google.com/drive/folders/18vZVgFySTr4aj2JCL69Hk3P0fbpNEzUQ

https://revistas.ucp.pt/index.php/povoseculturas/article/view/15782#:~:text=Este%20portal%20disponibiliza%20revistas%20cient%C3%ADficas%20publicadas%20pelos,das%20publica%C3%A7%C3%B5es%20e%20promover%20a%20qualidade%20editorial.

68.   [Indexed at Web of Science, em: WOS: A1987K736100003 ]  Andrade, P. (1987). [Alvarez, a Dionysian painter] Alvarez, pintor dionisíaco. Colóquio-Artes, 74 Set., 20-25. https://drive.google.com/drive/folders/16UijfXCp67szFxuNBAZ-aLi8H3u9kxSc

69.   [Indexed at Web of Science, em: WOS: A1986A930600001. Andrade, P. (1986). [Excursionist art] A arte Excursionista. Colóquio-Artes, 68 Mar., 5-11. https://drive.google.com/drive/folders/1AHeVHYhE1LWWHWWba6SZiLwpX9eRsnbF

70.   Andrade, P. (1982). Filme em estreia: o cinema. Sema, 4 , 71-73. https://drive.google.com/drive/folders/1j3RtXGbt6Sw-30bt97NU9I2QUsEntGnW

http://www.revistasema.pt/sema-nordm-4.html

71.   Andrade, P. (1979). Sociologia urbana:  pequeno-anúncio digestivo, tipo correspondência sentimental, acenando aos equipamentos, retóricos e outros, da cidade-campo
do prazer informativo. Sema, 3, 106-111.

https://drive.google.com/drive/folders/1i-iGm6xXz_YxFVyvBcUTnneDR3GLF_yk

http://www.revistasema.pt/sema-nordm-3.html

72.   Andrade, P. (1979). Da necessidade de, depois da letralização e visualização dos números na arte, quantificar as palavras acerca da criação plástica ou outra, em Portugal. Sema, 2, 83-85. https://drive.google.com/drive/folders/1HL7awzxa8Cho22VcO8YPR5fi5jdsq08b  http://www.revistasema.pt/sema-nordm-2.html

73.   Andrade, P. (1979). [Manifesto of art-thanatos or the other face of crafts and other popular arts] Manifesto da arte-thanatos ou a outra face do artesanato e demais artes populares. ARTA. https://drive.google.com/drive/folders/1Qwri-QG0_dvid0HjOWT6JARe9SoVJU-L

74.   Andrade, P. (1979). [The tavern] A taberna. Arte-Opinião, 6, 13-16. https://drive.google.com/drive/folders/1e7W9L54dj8-i10sLwYKremKobArewakp  https://hemerotecadigital.cm-lisboa.pt/Periodicos/ArteOpiniao/N06/N06_master/ArteOpiniao_N06_Mai1979.pdf

Articles in Congresses Proceedings (41)

1.     Andrade, P. (2025). Lisbon MIL City within the A.I. Age. Interpreting Media Arts and Urban Heritage for Sociological Tourism, and their Dissemination via a Digital Marketing Campaign. In Proceedings of Artech 2025. Media Art Cultures, Communities and Territories, 26-28 /11/2025, Braga. [accepted, in print]

2. Andrade, P. (2023). Viral Cultural Heritage: A Case Study Applying Hybrid Discourse Analysis. Veiga, Pedro Alves da (Ed.) ARTECH '23: Proceedings of the 11th International Conference on Digital and Interactive Arts, 1-9, ACM - The Association for Computing Machinary.

https://drive.google.com/drive/folders/1ZwN5x4SvYXcu34hogLNm5puV5L8W8Tnf  https://dl.acm.org/doi/10.1145/3632776.3632780

3. Andrade, P. (2022). Tourism as a Central Activity for Sustainable Development within Covid-19 Pandemic. International Congress “The Sustainable Development Goals: Problems and Challenges for a Multidisciplinary Agenda. ADVANCED/CSG, Universidade de Lisboa, June 22-23. Lisbon https://www.plataformaongd.pt/uploads/fotos_artigos/files/odscongressprogram.pdf

4.     Andrade, P. (2022). On Ukraine Digital Arts: for an Augmented Digital Art Pedia as an Expression of Culture Wars. In Proceedings of ARTeFACTo 2022, 12th International Conference on Digital and Interactive Arts (Artech 2022). Macau, China. https://drive.google.com/drive/folders/1sk-3GTKRoNBDRXaLXFahdyv4jjOS1hqW

https://ieeexplore.ieee.org/xpl/conhome/10059465/proceeding

5.     Andrade, P. (2022). Cultural Mobile Tourism and Tourist Knowledge at Viral Society: a Research Game against Covid-19 within Big Knowledge context. In Noah Harper (Eds.), Urban Assemblage: The City as Architectures, Media, AI and Big Data, 28-30 June , 2021 (pp. 99-114). London, Virtual, Hatfiled: University of Hertfordshire. https://drive.google.com/drive/folders/1jp18yvzWSRhX4uPE5E2PDn-MVFHDXe_Z https://hdl.handle.net/1822/79343

6.     Andrade, P. (2021). Sociological (Re)search Games: play and transfer cultural knowledge among social sciences, museum staff and publics  / Jogos sociológicos de investigação: jogue e transfira conhecimento cultural entre ciências sociais, funcionários do museu e públicos. In Adérito Marcos & Paulo Bastos (Eds.), Artech 2021: Hybrid Praxis - Art, Sustainability and Technology. Proceedings of the 10th International Conference on Digital and Interactive Arts, 13-15 October 2021, Aveiro, Portugal (pp.127-138). New York: ACM. https://drive.google.com/drive/folders/1QMjK9Fea8FcST4oxJQABO2x01TN87fpt  https://hdl.handle.net/1822/79344

7. Andrade, P. (2021). App Art: a-book nº1 Viral Society. In Jacques Ibanez Bueno (Eds.), International Conference Visual methods in Social Sciences: from capture to dissemination of results. Data, methods, results, valorization, 10 & 11 / 12 / 2021. Canary Islands: Universidad de La Laguna. [on press]. https://visualmodi.hypotheses.org/3th-visual-methods-conference

8. Andrade, P. (2021). Viral Urban Tourism within Viral Society: Sociological Touring Guides using Apps and e-Books. In Howard Griffin (Ed.), AMPS PROCEEDINGS SERIES 20.1, University of Kent , AMPS, Canterbury: 29-30 June, 2020 International Conference Connections: Exploring Heritage, Architecture, Cities, Art, Media (pp.125-134).Canterbury: University of Kent. https://drive.google.com/drive/folders/1sOyDjwaN25NXGCmCWGGeEciFJ6RtybRN  https://hdl.handle.net/1822/79346

9. Andrade, P. (2020). [Rua Augusta, an Intercultural space: tourist communication via locative media for territory sustainability] Rua Augusta, um Espaço Intercultural: Comunicação Turística via Media Locativos para a Sustentabilidade Territorial. In P. Romoaldo et al (Eds.). XI Congresso da Geografia Portuguesa: Geografias de Transição Para a Sustentabilidade, 13 a 15 de novembro de 2019, Universidade do Minho – Guimarães. Livro de Atas (pp. 326-331).  Universidade do Minho: Guimarães. https://drive.google.com/drive/folders/1ONQIB_5_mhovSOJ_Bv6w8IiYgQ1h6Xhd  http://hdl.handle.net/1822/59582

10.   Andrade, P. (2020). Pessoa Effect within Viral Society: Viral Sociological Poetry using Apps and e-Books Anti-Virus. In Proceedings of 2nd International Conference on Transdisciplinary Studies in Arts, Technology and Society, ARTeFACTo2020. November 26-27 (pp. 96-103). Universidade do Algarve, Centro de Investigação e Comunicação (CIAC). Faro. https://drive.google.com/drive/folders/1Fi7eGABZZmUgpPvyf2SLiWImyPm-qTeP  http://hdl.handle.net/1822/70089

11.   Andrade, P. (2019). Mobile Social Hybrids and Drone Art [Híbridos sociais móveis e arte drone].  In P. Abrantes et al (Eds.), Proceedings of the 9th International Conference on Digital and Interactive Arts - Digital Media Art Ecosystems (pp.361-365). New York: The Association for Computing Machinery. https://drive.google.com/drive/folders/1csWKgIT8S4OelP-MDPyCYw4-FeiinRP2  https://hdl.handle.net/1822/79347

12.   Andrade, P. (2018). Hybrid Research and Visual Methods: Bridges between Social Technologies and Social Sciences [Investigação híbrida e métodos visuais: pontes e pontos entre as tecnologias sociais e as ciências sociais]. In J. Herrero & M. Trenta (Eds.), Atas del Congreso 'Comunicación y Música: mensajes, manifestaciones y negócios' (pp.362-383 ). La Laguna: Sociedad Latina de Comunicación Social. 10.4185/cacl55 https://drive.google.com/drive/folders/1_lUZW84zT4S2xIF-51fMy3xyxfDUl9MF   http://www.revistalatinacs.org/18SLCS/libro-colectivo-2018-2.html

13.   Andrade, P. (2018). Mobile Art Flows: tourism mobilities at the museum. In E. Araújo; C. Oliveira, R. Ribeiro, P. Andrade  (Eds.) [Living in / Mobility: Towards New Cultures of Time, Space and Distance. Proceedings] Viver em|a mobilidade: rumo a novas culturas de tempo, espaço e distância. Livro de atas (pp. 193-198). Braga: Centro de Estudos de Comunicação e Sociedade. https://drive.google.com/drive/folders/1ab4C3-WUHlOZj9xKH2Gi6aHouMeDMyLs  http://hdl.handle.net/1822/55107

14.   Araújo, E; Oliveira, C; Ribeiro, R & Andrade, P.  (Eds.) (2018).  Apresentação [a Viver em|a mobilidade: rumo a novas culturas de tempo, espaço e distância: livro de atas]. In E. Araújo; C. Oliveira, R. Ribeiro, P. Andrade  (Eds.) (2018). Viver em|a mobilidade: rumo a novas culturas de tempo, espaço e distância. Livro de atas (pp. 5-8). Braga: Centro de Estudos de Comunicação e Sociedade. https://drive.google.com/drive/folders/17bdu2kjVGM1pF6EvSMRD-eUP_SgfHx3a http://hdl.handle.net/1822/55105 http://hdl.handle.net/1822/55104

15.   Andrade, P.(2017). [Multicultural, intercultural or cultural lusophone networks?] Redes Lusófonas Multiculturais, Interculturais ou Transculturais? In M. Gama (Ed.).  Atas do Congresso Redes de Cooperação Cultural Transnacionais: um Olhar sobre a Realidade Lusófona’, 15 e 16 de Novembro de 2016, CECS, ICS. Braga. https://drive.google.com/drive/folders/15-8WPqTThXcXgnk04CO3bk8qDfjJ4YbR  http://hdl.handle.net/1822/54018  

16.   Andrade, P. (2016). [The (at the) light of panoptism] A (à) luz do panoptismo: retidão e sinuosidades das omni e pluri modernidades. In M. Oliveira; S. Pinto (Eds.). Atas do Congresso Internacional Comunicação e Luz (pp. 24-44): Braga: CECS [e-Book]. https://drive.google.com/drive/folders/1iXdukodkvpAMxRVOWHYBLpC44f2nGhyd  http://hdl.handle.net/1822/41466

17.   Andrade, P. (2014). [Publics and artists in museums: authors, readers and/or actors in the social networks of Web 2.0/Web 3.0?] Públicos e artistas em museus: autores, leitores e/ou atores nas redes sociais da Web 2.0/Web 3.0?. In Associação Portuguesa de Sociologia (Eds.), Atas do VIII Congresso Português de Sociologia '40 Anos de democracia: progressos, contradições e prospetivas (pp. 1-9). Évora: Associação Portuguesa de Sociologia. https://drive.google.com/drive/folders/1AzjPHyIHHRnAJ0dd8iWyL4lnWiTllE0e

https://associacaoportuguesasociologia.pt/viii_congresso/VIII_ACTAS/VIII_COM0857.pdf

18.   Andrade, P. (2014). Hybridization and PostColonialism. In CECS (Ed.), 4th International Congress in Cultural Studies "Colonialisms, Post-Colonialisms and Lusophonies" (pp.523-7). Aveiro Universidade do Minho/Universidade de Aveiro. Programa Doutoral em Estudos Culturais. https://drive.google.com/drive/folders/1G9oXq4WsFP_JNf1Yr-EhbJ2FIW1Ok3g-  http://hdl.handle.net/1822/40801

19.   Andrade, P. (2013). Innovative Game Genres: sociological games. In J. Bueno (Ed.), Seminar at University of Savoye. Annecy: University of Savoye. https://drive.google.com/drive/folders/1zZqccAxaO5f6iyRINmJONG52FTyPlvg7  http://hdl.handle.net/1822/29968

20.   Andrade, P. (2013). [Digital literacy in WEB 2.0/3.0: Learning and research in social and semantic networks] Literacia digital na Web 2.0/3.0: aprendizagem e investigação em redes sociais e semânticas. In S. Silva & S. Pereira (Eds.), Atas do 2º Congresso 'Literacia, Media e Cidadania' (pp. 334-353). Lisboa: Centro de Estudos de Comunicação e Sociedade. https://drive.google.com/drive/folders/1es-fe4UYzar448P7-Z1t9aF7vdYvZULi  https://repositorium.uminho.pt/entities/publication/9584cda8-4e64-4a10-9120-35f532f61163

21.   Andrade, P. (2013). Open Research for diffusion of Open Digital Memories at Web 2.0/3.0 [Investigação aberta para difusão de memórias digitais abertas na Web 2.0/3.0. In Daniel Riha (Eds.), 8th Global Conference on Cybercultures (pp. 1-11). Prague: Inter-Disciplinary.Net , Univeristy of Prague. https://drive.google.com/drive/folders/1lLB1FBlvkyfuZnluTc5VZMYfytj618Gm  http://hdl.handle.net/1822/29967

22.   Andrade, P. (2013). Leisure, Drink and Tell: Discourses on drinks in cafés, bars and taverns. In III Congresso Internacional em Estudos Culturais Ócio. Lazer e Tempos Livres nas Culturas Contemporâneas, 28-29/1/2013. Aveiro: University of Aveiro. https://drive.google.com/drive/folders/1TJwDL3SzgYniim87k8aHJVov0TgZ5bkR  http://hdl.handle.net/1822/29966

23.   Andrade, P. (2012). [Critical Sociology and Semantic-Logical Methodology: Museum publics between Web 2.0 and Web 3.0] Sociologia Crítica e Metodologia Semântico-Lógica: Os públicos dos museus entre a Web 2.0 e a Web 3.0. In Associação Portuguesa de Sociologia (Ed.), Atas do VII Congresso Português de Sociologia ‘Sociedade, Crise e Reconfigurações' (pp.1-16). Porto:Associação Portuguesa de Sociologia. https://drive.google.com/drive/folders/1_kvNH9H9V9girTeLRoIvc-6puYDjGG4I

https://www.associacaoportuguesasociologia.pt/vii_congresso/?area=016&tipo=atas2

24.   Andrade, P. (2012). [Open Research na Web 3.0] Pesquisa aberta na Web 3.0. In T. Chambel, A. Ariza, G. Perin, M. Tavares, J. Bidarra, M. Figueiredo  (Eds.), Artech 2012 'Crossing Digital Boundaries', 6th International Conference on Digital Arts (pp.187-194 ). Faro: Artech. https://drive.google.com/drive/folders/18WQAzeLkLhlPww9jp7Jd3Lb1c9EbITgD  https://repositorioaberto.uab.pt/entities/publication/2503cada-6c12-425d-b6e0-ecb9f4a06d1b

25.   Andrade, P. (2011). [The hybridization of literacies: GeoNeoLogical Methods in the Research Society] A hibridação das literacias: métodos GeoNeoLógicos na sociedade da investigação. In S. Pereira (Ed.), Atas do Congresso Nacional 'Literacia, Media e Cidadania' (pp.71-89). Braga: Centro de Estudos de Comunicação e Sociedade. https://drive.google.com/drive/folders/1WKNLUb8yC08nyeb8sg4ZEBnBxKJ8868v  https://hdl.handle.net/1822/39529

26.   Andrade, P. (2010). Intercultural Publics and Communication Strategies: the case of Cultural Tourism at the Art Museum. In (Eds.), Travelling Languages: Culture, Communication and Translation a Mobile World, 10th Annual Conference of the International Association of Languages and Intercultural Communication, 3-5/12/2010. Leeds. https://drive.google.com/drive/folders/1xIsai96wVaLQX-2XVpE5RSXfitb1fOz-  http://hdl.handle.net/1822/30010

27.   Andrade, P. (2009). [New media and common intelectual] Novos media e intelectual comum. In R. Oliveira (Eds.), CIANTEC 2009 - III Congresso internacional em artes, novas tecnologias e comunicação: Arte, tecnologia e comunicação novos territórios de conhecimento (pp.79-83). Aveiro: Universidade de Aveiro. https://drive.google.com/drive/folders/1GSFPCmT_YZlSIAiH2QnX9oos0sFyTX1O  https://www.ciantec.net/books/CIANTEC2009.pdf

28.   Andrade, P. (2008). [Web 2.0 and Reflexivity: Wikipedia's discourse about YouTube] Web 2.0 e Reflexividade: o discurso da Wikipédia sobre o YouTube. In M. Martins & M. Pinto  (Eds.), Atas do 5º Congresso da Associação Portuguesa de Ciências da Comunicação (SOPCOM) (pp.1592-1608). Braga: SOPCOM. https://drive.google.com/drive/folders/1x_r0EypEzkcBJH9w21Li_jiNA89XNrjV http://www.lasics.uminho.pt/ojs/index.php/5sopcom/issue/current/showToc

29.   Andrade, P. (2006). A sub-version of writing and of citizenship: the blog’s auto-writing and the hybrilog as trans-writing. In VI Colóquio Internacional ´Discursos e práticas alquímicas’, Guimarães, 22-24 Julho de 2006. https://drive.google.com/drive/folders/1zoDtQry2pjeX9SMvlycz-P5foN6z_t-V  http://hdl.handle.net/1822/29974

30.   Andrade, P. (2006). Net Art and Hybridosphere: the Hybrilog as Blogart. [Arte da Net e Hibridosfera: o Hybrilog como Blogart]. In L. Dopico (Eds.), Conferencia Internacional de Arte Electrónico e Dixital (3º.2006. Pontevedra) Conectando fronteiras: arte, ciencia, sociedad (pp.137-143 ). Pontevedra: Artech. https://www.researchgate.net/publication/282249956_2006_Net_Art_and_Hybridosphere_the_Hybrilog_as_Blogart_In_Artech_2006_Pontevedra17-18_Nov_2006_137-139

https://drive.google.com/drive/folders/17Rekro8PHPFnE2tFbriR0vwxgQfOIZT5

31.   Andrade, P. (2005). [Sociology of the eLearning: a sociological writing analysis] Sociologia d o e­Learning: uma análise de escrita sociológica. . In SOPCOM (Eds.), Atas do 4º Congresso da Associação Portuguesa de Ciências da Comunicação (SOPCOM) 'Repensar os Media: novos  contextos da Comunicação e da Informação' (pp. 425-434). Aveiro: SOPCOM. https://drive.google.com/drive/folders/1TxYpxBuhTO2YbXMFKwT7zi10liKIuJQN  https://www.academia.edu/100494313/Sociologia_do_eLearning_uma_an%C3%A1lise_de_escrita_sociol%C3%B3gica

32.   Andrade, P. (2005). [Sociology of eLearning for the arts] Sociologia do eLearning para as artes. In A. Marcos, L.Valbom, Leonel, M. Meira  (Eds.), Artech 2005 – 2º Workshop Luso-Galaico de Artes Digitais, 'Nas fronteiras do imaginário’  (pp.120-128 ). Vila Nova de Cerveira: Artech. https://drive.google.com/drive/folders/1TxYpxBuhTO2YbXMFKwT7zi10liKIuJQN  https://dialnet.unirioja.es/servlet/articulo?codigo=7739950

33.   Andrade, P. (2004). [For a sociology of hypermedia / hypertext] Para uma sociologia do hipermédia / hipertexto. In Associação Portuguesa de Sociologia (Ed.), Atas do V Congresso Português de Sociologia 'Sociedades Contemporâneas, Reflexividade e acção' (pp.51-56). Braga: Associação Portuguesa de Sociologia. https://drive.google.com/drive/folders/1aDhzouOutvTtmbqyC4_dlZrf5VWLbwsi https://associacaoportuguesasociologia.pt/cms/docs_prv/docs/DPR4615251c5305e_1.pdf

34.   Andrade, P. (2004). Art is a network of language webs. In J.Fróis, P.Andrade & F. Marques (Eds.), Art and Science: Proceedings of the XVIII Congress, 13-16 /9/ 2004 . Lisbon. (pp.727-730 ). Lisbon: International Association Experimental Aesthetics. http://hdl.handle.net/1822/30004

35.   Andrade, P. (2003). [The museum and literacy of cultural travel] O museu e a literacia da viagem cultural. In J. Pita & A. Pereira (Eds.), Atas do Congresso 'Rotas da Natureza' (pp.279-283). Coimbra: Universidade de Coimbra. https://drive.google.com/drive/folders/1YD9KFhCxAqwPU-UrqXFrXa-OYvTrzxWF

36.   Andrade, P. (2002). Cultualidade, Cultualização e Cultualismo: Para uma Sociologia (Interdimensional) dos Cultos. I Colóquio Internacional ´Discursos e práticas alquímicas’, Guimarães. https://triplov.pt/coloquio_4/pedro.html

37.   Andrade, P. (2001). [Wine and public drinking houses] O vinho e os estabelecimentos do beber público. In (Coord.) ‘O Vinho, a História e a Cultura Popular, ’Actas de Congresso, 24-25 de Junho de 1994 (296-306). https://drive.google.com/drive/folders/1dOy8bCuaje9Y_dlqmOXB7aZv-M2TeiMy  https://bibliografia.bnportugal.gov.pt/bnp/bnp.exe/registo?1082641

38.   Andrade, P. (1994). [For a theory of social negotiations] Para uma teoria das negociações sociais. In C. Gonçalves, J. Pinto, F. Ruivo, H. Carreiras, I. Dias & M. Figueirinhas (Eds.), Actas do Encontro da Associação Portuguesa de Sociologia ‘Dinâmicas Culturais, Cidadania e Desenvolvimento  Local’ (pp. 333-355). Vila do Conde: Associação Portuguesa de Sociologia. https://drive.google.com/drive/folders/1wsFPLMzU0OeXuZftkTSQs6ss5R1neVej  https://openlibrary.org/books/OL31425216M/Din%C3%A1micas_culturais_cidadania_e_desenvolvimento_local

39.   Andrade, P.(1994). [Social tactilities: sensory mediations of life and/or reflection?] As tactilidades sociais: mediações sensitivas de vida e/ou de reflexão?. In J. Pais, F. Torres, S. Cox (Eds.), New Routes for Leisure: Actas do Congresso Mundial do Lazer - World Leisure Congress (pp.111-130). Lisboa:Instituto de Ciencias Sociais. https://drive.google.com/drive/folders/17tW-YmW0naSKBnjY1bXP8ybe6V-n4LS9  https://www.ics.ulisboa.pt/livros/new-routes-leisure

40.   Andrade, P. (1993). [Social sonorities] As sonoridades sociais. In Associação Portuguesa de Sociologia (Ed.), Actas do 2º Congresso Português de Sociologia ' Estruturas Sociais e Desenvolvimento' (pp.82-105). Lisboa : Associação Portuguesa de Sociologia. https://drive.google.com/drive/folders/1IxBYOOJRdoEv-m9-iJbrMTztrfjti1Lg  https://openlibrary.org/books/OL1169074M/Estruturas_sociais_e_desenvolvimento

41.   Andrade, P. (1985). [For a sociology of documentation: sensitization to the need for its construction] Para uma Sociologia da Documentação: sensibilização à necessidade da sua construção. In Associação de Bibliotecários, Arquivistas e Documentalistas (Ed.), I Congresso Nacional de Bibliotecários, Arquivistas e Documentalistas ´A informação em tempo de mudança´, Actas, Vol II (pp.421-450). Porto: Associação Portuguesa de Bibliotecários, Arquivistas e Documentalistas. https://drive.google.com/drive/folders/1v0ZBHcim03mtKWdLquqX4jr1fWHeG6Yx  https://www.anabad.org/biblioteca/a-informacao-em-tempo-de-mudanca-actas-i-congresso-nacional-de-bibliotecarios-arquivistas-e-documentalistas-porto-19-a-21-de-junho-de-1985/

Communications at conferences (extract from 2022-21)

1. Andrade, P. (2022). The Covid-19 debate: pandemic’s impact on cultural urban tourism. Congress SOPCOM. XII Congresso SOPCOM: Comunicação & Disrupção. 11,12 & 13 Abril 2022. Lisboa, Nova FCSH.

2. Andrade, P. (2022). Sessão de Seminário ‘Turismo Patrimonial e Desenvolvimento, Invitation by Prof. Luís Mota Figueira, Instituto Politécnico de Tomar, 21/10/2021.

3. Andrade, P. (2021). What Sociology of Tourism?  For an intercultural, intermediary and intermethodological Open Research. In  Graça Joaquim (Eds.),  XI Congresso Português de Sociologia: Identidades ao rubro: diferenças, pertenças e populismos num mundo efeverescente, 29 – 31 Março, ICS, Univ. Lisboa. Lisboa, Online: Associação Portuguesa de Sociologia-APS.

4. Andrade, P. (2021). Big Knowledge on Public Arts at Viral Society: Sociological Tour Guides for urban citizens and cultural tourists using mobile devices. In Helena Barranha & Joana Simões Henriques (Eds.), Art, Museums and Digital Cultures | International Conference, 22.23/4/2021. Lisboa: Maat.

5. Andrade, P. (2021). Internet das Pessoas-Coisas ou das Coisas-Pessoas? Como investigar a Sociedade Viral, via estudos de artes e design. Invitation by Mário Caeiro, at event MGC Talks! Comunicação (e Cultura) na era da Internet das Coisas), 22/4/2021, Caldas da Rainha: Instituto Politécnico de Leiria, Escola Superior de Arte e Design.

6. Andrade, P. (2021). Que Sociologia do Turismo Cultural-Artístico? Open Research Intercultural, Intermedial e Intermetodológica. In Lígia Dabul, Paula Guerra & Pedro Costa (Eds.), II Encontro Interancional Todas as Artes / Todos os Nomes, 1-2/6/2021. Porto: Faculdade de Letras da Universidade do Porto.

7. Andrade, P. (2016). Postcolonial hybrid meanings within resistance cinema. In Conferência internacional: Lutas de libertação, a "queda do império” e o nascimento [em imagens] das nações africanas,  27-28/1/2016, Centre for Film Aesthetics and Cultures, University of Reading (27/1/2016), and at Camões Centre for Portuguese Language and Culture, King's College of London (28/1/2016).

Other publications: newspaper texts, art catalogs, book reviews, etc. (extract) (5):

1. Andrade, P. (1992, 5 de Fevereiro). [Tavern and drinking, their flavors and knowledge] A taberna e o beber, seus sabores e saberes. Correio das Regiões, p.6. https://drive.google.com/drive/folders/1tLdcQzUknzebnVpuTBct8mvi4DJ6Xzd4

2. Andrade, P. (1989, 28 de Maio). [The art of stealing art: or the enigma of the digital painting’s theft] A arte de furtar a arte: ou o enigma do roubo do quadro informático. Diário de Notícias, p.     11. https://drive.google.com/drive/folders/1S5hkgFnLhRUQb_X_38PgRJagxaIQ8uoz

3. Andrade, P. (1984, 5 de Abril). [Final prelude of Pessoa’s (and echoes)] Prelúdio final de Pessoa´s (e ecos). Diário de Notícias, p.16.

https://drive.google.com/drive/folders/1-INn-axWY41cL_bFDPVQtlKCvOgGosaK

4. Andrade, P. (1984, 7 de Dezembro). [Coffee in the cinema or café-cinema? Anaesthesiating arts, anaesthesiated arts] Café no cinema ou café-cinema? artes anestesiantes, artes anestesiadas.  Diário de Notícias, p.32.

https://drive.google.com/drive/folders/1ft21Ppid0HX5r-d-7qI-jakQwdRD3M84

5. Andrade, P. (1977, 1 de Fevereiro). [Underground cinema is dead: death to Underground cinema?] Le cinéma Underground est mort: mort au cinéma Underground?. Libération, p.15. https://drive.google.com/drive/folders/1HGzDgXgcOrt6TdwtG5G0yYkDO_M58oeA  

Texts and articles in the Internet (extract)

The following texts are just a brief sample of writings made in the beginning of social networks inside Web 2.0. Please see other online and new media works at section 'Multimedia...'

Andrade, P. (2007). Corpo virtual e Web 2.0: a escrita do feminino na internet e na blogosfera, Working Papers. CECL. Available at: http://www.cecl.com.pt/

Andrade, P. (2007). Internet Art. Working Papers. CECL. Available at: http://www.cecl.com.pt/

Andrade, P. (2007). A imagem da imagem na Web 2.0. Working Papers. CECL. Available at:  http://www.cecl.com.pt/

Andrade, P. (2005). Pvilog [proposal of a ‘pvilog’, which is a poetic diary (plog), constituted by poems declaimed in digital video clips]. Available at: http://triplov.com

Andrade, P. (2005). Sociologia da blogosfera. Available at: http://triplov.com

Technological prototypes (9):

The author developed the following digital prototypes, as: affiliate of Paris Film Coop, Paris, France; within projects he coordinated funded by FCT, at Centro Interdisciplinar de Ciência, Tecnologia e Sociedade  and at Centro de Estudos de Comunicação e Linguagens; and as Director of Social Web Lab, Lisbon. Such prototypes and final digital products were shown at worldwide high tech and artistic events. Their presentation and analytic articles, indicated below, were published via international and national publishers (USA, UK, Portugal), and some are located at the RepositoriUM addresses or others, indicated below:

1. 2020: Sociological Research Games and Covid-19:

Source: Andrade, P. (2022). Cultural Mobile Tourism and Tourist Knowledge at Viral Society: a Research Game against Covid-19 within Big Knowledge context. In Noah Harper (Eds.), Urban Assemblage: The City as Architectures, Media, AI and Big Data, 28-30 June, 2021 (pp. 99-114). London, Virtual, Hatfiled: University of Hertfordshire.  

https://hdl.handle.net/1822/79343

2. 2014. Sociological Research Games: how to build one, for teachers, students and researchers:

Source: Andrade, P. (2021). Sociological (Re)search Games: play and transfer cultural knowledge among social sciences, museum staff and publics  / Jogos sociológicos de investigação: jogue e transfira conhecimento cultural entre ciências sociais, funcionários do museu e públicos. In Adérito Marcos & Paulo Bastos (Eds.), Artech 2021: Hybrid Praxis - Art, Sustainability and Technology. Proceedings of the 10th International Conference on Digital and Interactive Arts, 13-15 October 2021, Aveiro, Portugal (pp.127-138). New York: ACM. https://hdl.handle.net/1822/79344

3. 2020: Pessoa Effect (Poetry Interactive App):

Source: Andrade, P. (2020). Pessoa Effect within Viral Society: Viral Sociological Poetry using Apps and e-Books Anti-Virus. In Proceedings of 2nd International Conference on Transdisciplinary Studies in Arts, Technology and Society, ARTeFACTo2020. November 26-27 (pp. 96-103). Universidade do Algarve, Centro de Investigação e Comunicação (CIAC). Faro. http://hdl.handle.net/1822/70089

4. 2019: Art Exhibitions with Sociological Mobile Games, Drone Art and a Droseum, i.e. a Drone Art Museum.

Source: Andrade, P. (2019). Mobile Social Hybrids and Drone Art [Híbridos sociais móveis e arte drone].  In P. Abrantes et al (Eds.), Proceedings of the 9th International Conference on Digital and Interactive Arts - Digital Media Art Ecosystems, 23-25 October 2019, Braga, Portugal (pp.361-365). New York: The Association for Computing Machinery. https://hdl.handle.net/1822/79347

5. 2017. Sociological Gallery (Augmented Realty Sociological Web) and Video App with a Sociological Questionnaire:

Source: Andrade, P. (2018). Epistemology and methodology of urban cultural tourism: the case of the artistic sociology of mobile cultures and tourism communication in urban social networks / Epistemologia e Metodologia do Turismo Cultural Urbano: o caso da Sociologia Artística das culturas móveis e da comunicação turística em redes sociais urbanas. Comunicação e Sociedade 'Espistemologia e Metodologias em Comunicação', 33, 215-242. https://hdl.handle.net/1822/55275

6. 2010. Participation in the design of multimedia device 'Multitouch Multimedia Table', especially in the modules Multitouch Questionnaire and Thricotomies Game, included in project Public Communication of Art, funded by Fundação para a Ciência e a Tecnologia, and coordinated by Pedro Andrade. Exhibited at Lisboa, Museu Coleção Berardo, since 15 february until 31 may 2010.

Source: Andrade, Pedro (2011b).Sociologia Semântico-Lógica  da Web 2.0/3.0 na sociedade da investigação: significados e discursos quotidianos em blogs, wikis, mundos/museus virtuais e redes sociais semântico-lógicas. Lisboa : Edições Caleidoscópio.      .

7. 2009: GeoNeoLogic Novel (app including a plot based on GPS). Production, directing and public presentation of an experimental, interactive and colective novel, GeoNeoLogic Novel, at Acta Media 7 (S.Paulo), at CIANTEC 2009 (Aveiro) and at IV Congreso de la Cibersociedad.

Source: Andrade, P. (2016). GeoNeoLogical Novel and other Hybrimedia Experiments: or how to use Hybrid Methods such as Hybrid Discourse Analysis (HDA) within a Knowledge Base. MATLIT 4 (2), 157-181.

Source: Andrade, Pedro (2011). Novela GeoNeológica nº 1: um caso de Literatura Transmediática/1ª  Novela da Web 3.0. Lisboa: Edições Caleidoscópio.

8. 2006. Major Valentão. First Sociological Game, digital game constructed with Flash and programmed with Action Script.

9. 1976: Body Cinema/Cinéma-Corps. Images and sound made with the humidity and temperature of human body, via a portable electronic device. Art work produced at Atelier Cinéma Independent-Paris, an experimental lab founded by Pedro Andrade, Marcus Reinfried and Giovani Martedi. This art work was included in the Paris Film Coop catalog, and exhibited at Foyer International, Paris, Institute of Contemporary Arts, London, Festival du Cinema Experimental de Nancy, Centre Pompidou, etc. Today it is part of Serralves Art Collection.

Source: Andrade, P. (2007). [Artistic visibilities and daily vigilances: Art and Sociology in the context of the devices post-panoptic and Inter-panópticos] Visibilidades artísticas e vigilâncias quotidianas: arte e sociologia no contexto dos dispositivos pós-panópticos e inter-panópticos. Revista de Comunicação e Linguagens, 37, 91-107.

Artistic works, articulated with sociological and technological proposals and cultural events

2020: co-founder of SOS ART.PT, a socio-cultural-political movement, to mitigate the effects of the Covid-19 crisis in visual arts, e.g. through exhibitions, creation of an Emergency Fund, Protection Circles. It has about 2500 members worldwide at Internet. https://sosartept.blogspot.com/p/english.html https://www.facebook.com/sosartept/

Please note that this artistic background, in particular digital art works and cultural events, together with the technological prototypes indicated in the previous section, constitute a serious guarantee of quality and professionalism in what regards the implementation of the author’s project. In fact, such project is an Observatory which will include not just sociological content, but also communicative, technological and artistic contents, and the respective debates, within the areas of Heritage, Digital Arts and Tourism for the politics of the Territory, namely the Portuguese Norwest.

Moreover, this strategy aims to profoundly collaborate with other CECS units and services, especially createLab involving Strategic Lab, Digital Lab, Audio and VideoLab, AdLab and PR and News lab. In fact, the author, in order to be present in these and other several CECS activities, needs some support to travels and housing to be able to accomplish efficiently such daily demanding tasks. In addition, the author suggests that this sociological, communicative, technological and artistic initiatives could be developed as well in connection with Lisbon, where the author is organizing the Social Web Lab, an atelier that promotes cultural actions since 2018, concerning the above-mentioned knowledge areas.

A list of some of the proponent’s ‘Artistic Sociology’ works and other art works, is consultable in the following site, or in the next section named ‘Multimedia…’.

Pedro de Andrade Art Works:

https://sites.google.com/view/pedro-de-andrade-art--works/home

Multimedia, mixed media performances, internet, infoart, experimental cinema, arts, etc., created by the author (61)

1. 2020.12. Site Viral Cultural City.

2. 2020.11.27. Presentation of interactive p-app / po-book Poem to Corona Virus using Pessoa Effect: an app and e-book anti-virus, at Congress ARTeFACTo2020, University of Algarve, Faro, Portugal.

3. 2020.9.25. Exhibition of interactive p-app / po-book Poem to Corona Virus using Pessoa Effect: : an app and e-book anti-virus, within presential expo Without Limits at Forum da Maia art gallery.


4. 2020.8.4. Participation at Virtual Expo Without Limits’ opening, at Zoom, curated by SOS ART PT association.

5. 2020.6.29. First worldwide App Paper, named Viral Cultural Tourism via Mobile Devices: Open Research using Open Methods and Open Media, published by Social Web Lab Publishers, Lisbon. An App Paper is an interactive app, available in the following platforms: desktop Mac and Windows, mobile iOS and Android, epub e-books. It works as an alternative mode of production and of dissemination / presenting papers in congresses. App Paper Viral Cultural Tourism was first shown at international conference Connections Exploring Heritage, Architecture, Cities, Art, Media, that took place the 29-30 june 2020, at Kent University, Cantebury, UK.

6.     2020.6. Site Viral Cultural Tourism.

7. 2020.6.4. e-book Art, Pessoa Effect, Research Art, 3 art works exhibited at the first art expo shown at cyberspace in Portugal, after the emergence of Covid-19. The opening of the exhibition took place the 4 june 2020, it is named Sem Limites [Without Limits], and is organized by association SOS ART PT.

8. 2020.6.3. App Art Manifesto, Lisbon. App Art means creating art using apps, in order to obtain art apps or artistic apps. It also means separating art both from social routines and from art routines. 

9. 2020.3.7. First p-app / po-book, named Poem on the Corona virus using Pessoa Effect: an app and e-book anti-virus, published by Social Web Lab Publishers, Lisbon. This is an alternative mode of production and of dissemination / presenting poetry. As for its form, it consists of an interactive app hybridized with an e-book, where it is possible to read, comment, dialog and even re-write the contents of an author’s poetry.

10.   2020.3. Site Pedro Andrade art works..

11.   2018. Droseum: a Drone Art exhibition, Exhibited at NewArtFest'18 (event in partnership with the Web Summit), that took place at Sociedade Nacional de Belas Artes, Museu Nacional de História Natural e da Ciência, Faculdade de Belas Artes de Lisboa and Ordem dos Arquitetos, Lisbon, November 28-December 2.

12.   2018. Virtual course The Futur Futur of Democracy / O Futuro Futuro da Democracia. Universidade Estadual da Paraíba, 28/5/2018. Exhibition of the following videos: 2018. Video Director of Introduction / Apresentação. Duration: 1’ 30’’, Format: video mp4.

13.   2018. Video Director. Activism against austerity /Ativismo contra a austeridade. Duration: 18’ 20’’. Format: Video Paper, mp4.

14.   2018. Video Director. Socio(logical) image / Imagem social(lógica). Duration: 8’ 28’’. Format: Video Paper, mp4.

15.   2018. Video Director. Mobile Democracy: Virtual Visual Inquiry / Democracia Móvel: Inquérito Visual Virtual. Duration: 16’ 16’’. Format: Video Paper, mp4.

16.   2017. Sociological Exhibition, Virtual Inquiry and Virtual Sociological Gallery in Augmented Reality. These works are included in the Artistic Sociology genre, exhibited in the NewArtFest'17 (event in partnership with the Web Summit), that took place at the Museum of Natural History and Science-MUNHAC, Lisbon, from November 13 to 30, 2017. Paper at this event: Tourism Conference 3.0. 

17.   2015. Sociological Comics. Artist book selected to show at 2nd exhibition OFF THE S{H}ELF: the self and subjectivity in the artist’s book. Exhibition 29 May 2015, at i-klectic Art Lab, London.

18.   2014. Research Game, the first game for researtainement. Lisbon.

19.   2014. Planning of Site Think Tank COMMUNITAS, at Communication and Society Research Centre, Institute of Social Sciences, University of Minho.

20.   2013. Hook Book. Presentation of an experimental pedagogical book on Sociology, within a ‘sociological performance’using a multimedia Artistic Game. Exhibited at Aljustrel Town Hall gallery: 2013.11.8.

21.   2012. GeoNeoLogic Novel. Experimental novel exhibited at collective art exhibition OFF THE S{H}ELF: the self and subjectivity in the artist’s book, curated by London i-klectic Art Lab, the 8-9 December 2012 at Stockwell Studios, London. 

22.   2012. Co-organization of exhibition Utopia Azul-Leiria, with Mathilde Amberger and Paulo Matos, and presentation of digital art works at Teatro José Lúcio da Silva, Leiria, January 2012.

23.   2012. Several digital paintings exhibited at Leiria, Teatro José Lúcio da Silva, January 2012. 

24.   2011. Social-semantic site Public Communication of Art, at https://sites.google.com/site/compubarte

25.   2011. Social-semantic site Experimental Books, at https://sites.google.com/site/livrosexperimentais/

26.   2011. Social-semantic site Web3novel, at https://sites.google.com/site/web3novel/.

27.   2011. Several digital paintings exhibited at Collective Exhibition 'Utopia Azul-Elvas' at Museum of Photography, Elvas, 31/7/2011.

28.   2011. e-book novel. Lisboa, an experimental e-book, located at Google Site 'Experimental Books'. 

29.   2011, Movie novel. Lisboa, an Experimental movie located at Google Site 'Experimental Books'. 

30.   2010. Participation in the design of multimedia device 'Multitouch Multimedia Table', especially in the modules Multitouch Questionnaire and Thricotomies Game, included in project Public Communication of Art, funded by Fundação para a Ciência e a Tecnologia, and coordinated by Pedro Andrade. Exhibited at Lisboa, Museu Coleção Berardo, since 15 february until 31 may 2010.

31.   2010. Participation, as co-curator and artist, at Collective Exhibition Interacções/Interactividades at Casa do Brasil and Casa da América Latina, Lisboa, November 2010.

32.   2010. Several digital paintings exhibited at Lisboa, Casa do Brasil and Casa da América Latina. 

33.   2009. Production, directing and public presentation of an experimental, interactive and colective novel, GeoNeoLogic Novel, at Acta Media 7 (S.Paulo), at CIANTEC 2009 (Aveiro) and at IV Congreso de la Cibersociedad.

34.   2008. Exhibition of 4 art works (genre Wiki Art): Wiki Collection, Wiki Artist, Wiki Art, Wiki Web, at Chicago, 19-22/08/2008.

35.   2008. Intermedia consultor at art visual center HANGAR, Barcelona, Nov. 2008.

36.   2007. Director of digital film Visit to Serralves Art Museum, exhibited at University of Austin´s web page, Texas, USA, at http://colab.ic2.utexas.edu/idporto2007

37.   2006. Major Valentão. First Sociological Game, constructed with Flash and programmed with Action Script. Lisbon. 

38.   2006. Hybrilog, a hybrid blog constituted by several genres of blogs (text blog, video blog, video poetry blog, art blog, hypermedia log and game blog).

39.   29/8-1/9 2006. Digital paintings Art Democracies, Art constitution and Style Art Works, exhibited at a gallery within IAEA 2006, Culture and Commmunication, XIX Congress of the International Association of Empirical Aesthetics, Université d´Avignon, Aug 29th1st Sep.

40.   22-24/6/2006. Several digital paintings exhibited at a gallery within the VI Colóquio Internacional ´Discursos e práticas alquímicas´, 22-24 Julho de 2006, Guimarães.

41.   13-1/9/2004: Art is a network of language webs, a set of digital paintings exhibited at an art gallery within IAEA 2004, XVIII Congress, International Association of Empirical Aesthetics, 13-16 September 2004, Calouste Gulbenkian Foundation, Lisboa.

42.   2003.Digital paintings Criação da Criação: em tríptico digital, em conceito3 (conceito tridimensional); Espiral La Mamma (ciberpintura interestelar 1; Big Bang Estético (ciberpintura interestelar 2); Boomeramng Galático (pintura pós-himana interestelar 3); 

43.   13/1/2003. Literatura ciber-alfabética, Lisboa. Published in Atalaia journal. 

44.   3/7/1997 a 7/9/1997: Body Cinema and Cinema Spatial Nº 1. exhibition and performances at “Perspectiva: Alternativa Zero”, Casa de Serralves, Porto.

45.   1996. First intermedia sociological questionnaire in Portugal, included in Atalaia Association Web Page.

46.   1995. Multimedia interactive Article. Digital paintings included in paper “Taverne, pouvoirs et négociations sociales”, Atalaia (1/2), and a digital version in disquette.

47.   1995. Design and programming of the Atalaia Association Web Page, since July 1995, recognized by revue cyber.net (nº de Set de 1995) as the first Web Page proposing a cultural project in Portugal.

48.   1995. Interative exhibition. An interactive digital art exhibition, made with Director software and Lingo programming language, with several digital paintings made since1987.  Included in the first Portuguese CD-ROM on Portuguese digital art named “Museu Virtual”, published by António Cerveira Pinto, Aula do Risco multimedia school, Lisbon. 

49.   Set 1990: Several digital paintings, exhibited at cultural event “InfoFesta”.

50.   -14-20/11/1988. Several digital paintings (Thesaurus Art, etc.), exhibited at "Audio Visual Lisboa 88", Forum Picoas, Lisbon, in a collective exhibition with Ernesto de Melo e Castro, etc.

51.   1987-90. Several digital paintings made with Amiga computer.

52.   1985. Fishes. Digital drawing made in the Macintosh computer, 2nd in Portugal.

53.   9/11/ 1979. Body Poems: The Wall. Declamation of Body Poems with the electronic device Body Music, at the opening of an exhibition promoted by artist group ´ARTA´ atelier, at Lisbon. 

54.   1977. Body Music. First musical instrument played with the humidity and temperature of human body, via a portable electronic divice. Shown and interactively played at "Alternativa 0" exhibition, at Lisbon. 

55.   9/1/1976. Alchemical Projections. Expanded Cinema exhibited at Institute of Contemporary Arts, London.

56.   5/3/1976. Body Cinema/Cinéma-Corps. Presently included in Fundação Serralves collection, Porto.

Images and sound made with the humidity and temperature of human body, via a portable electronic device. Art work produced at Atelier Cinéma Independent-Paris, an experimental lab founded by Pedro Andrade, Marcus Reinfried and Giovani Martedi. This art work was included in the Paris Film Coop catalog, and exhibited at Foyer International, Paris, Institute of Contemporary Arts, London, Festival du Cinema Experimental de Nancy, etc.

57.   1975. Film Spatial Saboté nº1. Presently included in Fundação Serralves collection, Porto.

A proto-hypertex cinema & artwork, in the form of an hybrid film sculpture, produced at Atelier Cinéma Independent, and included in the Paris Film Coop catalog. 

58.   -1975. Entrance at Paris Film Coop, experimental cinema cooperative developed under Jean-François Lyotard´s theoretical inspiration, who was a cooperative member and professor of the author. 

59.   1973-74. Presence. Co-direction of this 16 mm movie, at Université Paris VIII, with Saul Shapiro, Pierre Rovere and Antonietta Pizzorno.

60.   1972. 16mm movie. Co-direction of this 16 mm movie at Università Statale de Milano, Italy.

61.   1968, May, 7. First prize at Liceu Nacional de Oeiras award, with the oil painting ‘1968, May’, in a two author’s work with José Jorge Letria, who made a poem.

Passive Bibliography and distribution channels of author’s works

Prefaces, Reviews on Andrade's books (some examples):

About Andrade, Pedro (2011). Sociologia Semântico-Lógica da Web 2.0/3.0 na Sociedade de Investigação.

Lisboa: Caleidoscópio. https://hdl.handle.net/1822/24108

Martins, Moisés (2011). [Preface] Andrade, P. (2011). Sociologia Semântico-Lógica (...) [pp.5-9].

Costa, Pedro. (2011). [Review] Andrade, P. (2011). Sociologia Semântico-Lógica da Web 2.0/3.0 na Sociedade de Investigação, Revista de Comunicação e Linguagens ‘Genealogias da Web 2.0’, 42, 294-6.

On Andrade, Pedro (2011). Sabores e saberes do beber: consumos de lazer, poder e cultura em cafés,

tabernas e bares Portugueses. Campina Grande: Editora da Universidade Estadual da Paraíba.

Mourão, José Augusto (2011). [Preface] Andrade, Pedro (2011). Sabores e saberes... [pp. 1-59].

Book publishers’ catalogs including Andrade’s works published by those houses (some examples):

1. Springer Nature, USA.

2. IGI Global, USA.

3. Cambridge Scholar Publishing, UK.

4. Shaker Verlag, Germany

5. Les Éditions de l’Immatériel, Paris, France.

6. Universidade e S.Paulo, Brazil.

7. Universidade Estadual da Paraíba, Brazil.

8. Caleidoscópio, Portugal

9. Colibri, Portugal: Atalaia Journal, Director: Andrade, Pedro

10.   Cordão de Leitura, Portugal.

11.   ApenasLivros, Portugal

12.   AteneuLivros, Portugal

Some examples:

Springer Nature, New York, USA

Andrade, Pedro et at (Eds.) (2025). Unveiling Diverse Cultural Heritages ff Otherness: Inventive Heritages via Hybrid Methods and Media Arts for Mobile Tourism, under the 'Ukraine Effect' Crisis. Springer Nature. https://link.springer.com/book/9789819529568

IGI Global, USA

Andrade, Pedro; Martins, Moisés (Eds.) (2022). Handbook of Research on Urban Tourism, Viral Society, and the Impact of the COVID-19 Pandemic. Hershey: IGI Global (USA). https://www.igi-global.com/book/handbook-research-urban-tourism-viral/283955

  Edições Calidoscópio

1.     Andrade, Pedro (Ed.) (2016 ). Comunicação Pública da Arte: o caso dos museus de arte locais / globais. Lisboa: Edições Caleidoscópio. https://caleidoscopio.pt/products/a-comunicacao-publica-da-arte?_pos=3&_sid=9ebf0788c&_ss=r

2. Andrade, Pedro. (2020). [2ªEdição: 1ª Edição de 2010 esgotada] Arte pública e cidadania: novas leituras na cidade criativa.   Lisboa: Editora Caleidoscópio. https://caleidoscopio.pt/products/arte-publica-e-cidadania-novas-leituras-da-cidade-criativa-2-ª-edicao?_pos=4&_sid=3ac83da1f&_ss=r

 Edições Colibri

1. Atalaia Revista Internacional de Exegese Contemporânea

https://www.edi-colibri.pt/Detalhes.aspx?ItemID=104

2. Andrade, Pedro (2010c). Museus, Públicos e Literacia Científico-Tecnológica: redes sociais de comunicação de significados no espaço interdimensional do museu. Lisboa: Edições Colibri.

https://www.edi-colibri.pt/Detalhes.aspx?ItemID=1696 

  Editora Cordão de Leitura

Andrade, Pedro; (2011). 'Poesia Sociológica', In Martins, José; Andrade, Pedro; Leite, José Pinto; Ménage à 3. Porto, Cordão de Leitura. https://www.cordaodeleitura.pt/livros/menage-a-trois/

Bookstores selling Andrade’s books/texts (some examples):

Amazon

1.     Andrade, Pedro (2015). Austerity History Through Sociological Comics: a Guide to Social Media and Networks against Austeritocracy for use by all Generations. North Charleston: Create Space.

https://www.amazon.com/Austerity-History-through-Sociological-Comics/dp/1522934553

2. Andrade, Pedro (Ed.) (2016 ). Comunicação Pública da Arte: o caso dos museus de arte locais / globais. Lisboa: Edições Caleidoscópio. https://www.amazon.com/-/pt/dp/B073H4SWT4/ref=sr_1_1?__mk_pt_BR=ÅMÅŽÕÑ&crid=3616T9YCVSBR1&keywords=Comunicação+Pública+da+Arte&qid=1660908942&s=books&sprefix=comunicação+pública+da+arte,stripbooks-intl-ship,116&sr=1-1

3. Andrade, Pedro; Camus Perez, Avner (Directors) (1995-2008). Atalaia Intermundos: Revista Internacional de Exegese Contemporânea, Shaker Publishing, Germany. [Imported to Amazon the 15 May 2007] https://www.amazon.de/-/en/Pedro-Andrade/dp/9042303115/ref=sr_1_1?crid=2PWNL0FCA2KC0&keywords=Atalaia+Intermundos&qid=1660908607&s=digital-text&sprefix=atalaia+intermundos%2Cdigital-text%2C71&sr=1-1

Other Libraries where the author has works can be searchable in Google, e.g.:

Shaker:

Atalaia Intermundos: Revista Internacional de Exegese Contemporânea, Germany.

Almedina and Wook: Andrade, P. (2011). Sociologia Semântico-Lógica da Web 2.0/3.0 na Sociedade de Investigação, Caleidoscópio.

7. Social networks, blogs, newsletters citing or reporting Andrade’s activities (extract of earlier citations on pioneer works: 2011).

The following texts are just some examples contemporary to the period of consolidation of social semantic networks that characterize the new web paradigm represented by Semantic Web 3.0, initiated by Wikipedia, FreeBase, etc. and institutionally and globally legitimated by Europeana, or by the Knowledge Graph search engine, presently used by Google, Facebook, etc. Within this period, the author coordinated project ‘Public Communcation of Art’, funded by FCT. The project’s final conference, named ‘Conferences Public Communcation of Art and Museums: Interactions * Intermedia * Interactivity', were publicized by the following newspapers, mass media and social networks, among others:

1.     Centro de Estudos de Comunicação e Sociedade-CECS. (2011). Pedro Andrade, sociólogo e investigador do CECL, deu seminário. CECS Newsletter (15) [news on Seminar at Institute of Social Sciences, University of Minho, December 2010, titled “Social Sciences for innovation, sensible digital methodologies and hybrid sociological writing”.

2.     Centro de Estudos de Comunicação e Linguagens-CECL. (2011). Conference | "Public Comunication of Art and Museums: Interactions * Intermedia * Interactivity". Consulted on 20/9/2011 at: http://www.cecl.com.pt/pt/actividades/actividades-realizadas/180-conferencia-qa-comunicacao-publica-daarte- e-os-museus-interaccoes-intermedia-interactividade

3.     Museu Colecção Berardo. (2011). Conferências Comunicação Pública da Arte e os Museus: Interacções * Intermédia * Interactividade'. Newsletter: Setembro '11. Consulted on 20/9/2011 at: http://metalgest.dyndns.org:8888/conteudo/2011/setembro/index.html

4.     Neves, José Pinheiro. (2011). Conferências ‘Comunicação Pública da Arte e os Museus'. Facebook. Consulted on 23/9/2011 at: https://www.facebook.com/event.php?eid=248491035195358

5.     Guedes, Maria Estela. (2011). Conferências Comunicação Pública da Arte no Museu Colecção Berardo'. TRIPLOV. Consulted on 20/9/2011 at: http://triplov.com/triplo2/2011/09/20/lit-conferencias-comunicacao-publica-da-arte-no-museu-coleccaoberardo/

6. Carvalho, Ana. (2011). Mais algumas conferências em Setembro. Blogue ‘No Mundo dos Museus’. Consulted on 20/9/2011 at: http://nomundodosmuseus.wordpress.com/

7.     INA. (2011). Conferências Comunicação Pública da Arte e os Museus: Interacções * Intermédia * Interactividade', INA. Consulted on 20/9/2011 at: http://comunidades.ina.pt/content/conferência-comunicaçãopública-da-arte-e-os-museus-interacções-intermédia-interactividade

8. pporto dos museus.pt. (2011). Conferências Comunicação Pública da Arte e os Museus: Interacções * Intermédia * Interactividade'. pporto dos museus.pt. Consulted on 20/9/2011 at:

http://www.pportodosmuseus.pt/?p=31086&utm_source=rss&utm_medium=rss&utm_campaign=conferenciaa-comunicacao-publica-da-arte-e-os-museus-interaccoes-intermedia-interactividade

9. PUC- Universidade São Paulo. (2011). Conferências Comunicação Pública da Arte e os Museus: Interacções * Intermédia * Interactividade'. Blog Jogos Digitais. Consulted on 20/9/2011 at:

http://blog.pucsp.br/jogosdigitais/2011/09/15/conferencia-a-comunicacao-publica-da-arte-e-os-museusinteracoes-intermedia-interactividade/

10.   Plancast. (2011). Conferências - Comunicação Pública da Arte e os Museus. Plancast. Consulted on 20/9/2011 at: http://plancast.com/user/1618085

8. Newspapers, radio and TV news that published citations and references to Andrade's works (extract of earlier citations on pioneer works: 1981-2003).

The following texts are just some examples from the period of emergence of the World Wide Web that organize Web 1.0, and social networks that constate Web 2.0, when the author inaugurated the first Portuguese web page with a cultural project in 1995, simultaneously to sociological research on urban cultures such as popular cultures within taverns (see below).

1.     Raimundo Orlando. (2003, 8 February). [Interview by journalist on public drinking houses and about Andrade's Phd Thesis on this subject] Expresso: Revista ‘Actual’, 50-51.

2.     Matos, Vitor (2003, 19 January). [Interview by journalist on public drinking houses and about Andrade's Phd Thesis] A Capital: GLX, Suplemento de cultura e lazer, Capa e pp. 3, 6-10.

3.     LORETO. (1997). [bibliographic references and abstracts on papers], LORETO: Revue du Centre de Recherches et Base de données en Culture du Temps Libre, XII, 41), Bruxelles, Direction générale de la Culture du Ministère de la Culture [Citations in pp. 10, 18, 58, 64, 69, 70, 73, 74, 75, 76, 82c.]

4. Fundação de Serralves. (1997). Perspectiva: Alternativa Zero, [exhibition catalog]. Porto: Fundação de Serralves [Citations in pp. 27, 28, 186, 38, 242, 285, 306].

5. Faria, Óscar. (1997, 11 july). Alternativa Clone: Fundação de Serralves: nova programação. Público: Artes, 16.

6. [s.a]. (1995). [mention to the first Portuguese Web Page developing a explicit cultural project, the association and revue Atalaia´s web page, directed by the author] : ‘Padrão dos Descobrimentos: penso, logo, em quê?’, Cyber.net, 4, 49.

7. LORETO. (1993). [bibliographic references and abstracts on papers], LORETO: Revue du Centre de Recherches et Base de données en Culture du Temps Libre, X, 31), Bruxelles, Direction générale de la Culture du Ministère de la Culture [Citations in pp. 3, 16-21].

8. Manuel, Alexandre. (1992, 16 april). Sai um copo de três. Diário de Notícias, Magazine, 291, 16-23.

9. [s.a]. (1991, 5 april). Amici... in Portogallo. L´Osteria Friulana, 1, 2.

10.   Castro, Ernesto Melo. (1988). Poética dos meios e Arte High Tech. Lisboa: Vega.

11.   [s.a]. (1988). [bibliographic reference and abstract of Thèse de Doctorat de 3ème cycle], in Bulletin Signalétique, Centre National de Recherche Scientifique. Sociologie, 42, 3, 61.

12.   [s.a]. (1986, 24 april). Café: do pastor Kaldi ao ´Xico Fininho´. O Jornal, 11-A e 12-A.

13.   [s.a]. (1981, 11 january). Tabernas de Lisboa são tese de doutoramento: um património cultural em vias de extinção. Portugal Hoje, 1, 7 [and published in the front page].

14.   [s.a]. (1981, 11 january). Tabernas foram tema de palestra no Centro Nacional de Cultura. Diário de Notícias, 6.

15.   [s.a]. (1981, 12 january). Sociólogo elogia taberna: património cultural transfere-se para os novos bairros pobres", A Capital, 11.

16.   [s.a]. (1981, 12 january). As tabernas são lugares de compensação do trabalho e da família: em análise no Centro Nacional de Cultura. Diário de Lisboa, 16.

17.   [s.a]. (1981, 12 january). Taberna - local onde penetra fortemente a comunicação social e se discute política. Tribuna.

18.   [s.a]. (1981, 12 january). As tabernas são ainda ponto de convívio. A Tarde, 11.

19.   [s.a]. (1981, 13 january). Tabernas ´promovidas´ a tese de doutoramento. I, 22.

20.   Dacosta, Fernando. (1981, 13 january). Os refúgios da nossa solidão: cafés, leitarias, tabernas, bares, O Jornal, 32-33.

1.2.  Coordination and participation in scientific or technological development projects

Researcher (5):

1. 1/9/2024 until now: Permanent Researcher at Universidade Católica Portuguesa, Rua de Diogo Botelho, 1327, 4169-005 Porto, Portugal, European Union. https://www.porto.ucp.pt  CITAR-Centro de Investigação em Ciência e Tecnologia das Artes https://artes.porto.ucp.pt/pt-pt/centro-de-investigacao-em-ciencia-e-tecnologia-das-artes

Permanent Investigator Profile Page: https://ciencia.ucp.pt/en/persons/pedro-andrade

2. 1/9/2013 until now: Researcher at University of Minho, Social Sciences Institute (Instituto de Ciências Sociais), Communications and Society Research Centre (Centro de Estudos de Comunicação e Sociedade), Campus de Gualtar, 4710-057 Braga.

3. 2005-2012: Researcher at New University of Lisbon, Faculty of Social and Human Sciences, Center for Studies of Communication and Languages-CECL (Universidade de Lisboa, Faculdade Ciências Sociais Humanas, Centro de Estudos de Comunicação e Linguagens).

4.     2000-2005:

Researcher at Classical University of Lisbon, Interdisciplinary Center of Science, Technology and Society (Universidade Clássica de Lisboa, Centro Interdisciplinar de Ciência, Tecnologia e Sociedade- CICTSUL):

1988-2000:

5.     Researcher at University of Coimbra, Center for Social Studies (Centro de Estudos Sociais), presently an Associate Laboratory funded by Foundation for Science and Technology (Fundação para a Ciência e a Tecnologia).

Research projects Coordinator and team member (8):

1.     2000-2005:

Project Coordinator: at CICSTUL-Interdisciplinary Centre on Science, Technology and Society at the University of Lisbon. Funded project Scientific Technological Literacy and Public Opinion: the Case of Science Museums, in partnership with Museu da República e Resistência, Museu de Évora and Escola Superior de Educação de Évora. Financial support from FCT-Foundation for Science and Technology, Lisbon. Ref. POCTI/SOC/35279/2000. Classification: Excellent.

2.     2007-2011:

Project Coordinator: at New University of Lisbon, Faculty of Social and Human Sciences, CECL-Centre for Studies on Communication and Languages. Funded project Public Communication of Art: the Case of Local and Global Art Museums, Financial support from FCT-Foundation for Science and Technology, Lisbon, Ref. PDCT/CCI/68595/2006. Partnerships with Faculty of Science and Technology-Centre of Informatics and Information Technology, Portuguese Institute of Museums, Gulbenkian Foundation, Serralves Foundation, IST-Technical Superior Institute, at Technical Univ of Lisbon, and Faculty of Psychology and Education Sciences, at Univ of Lisbon. Funded by FCT-Foundation for Science and Technology, Lisbon. Ref. PTDC/CCI/68595/2006. Classification: Very Good.

3.     2006:

Project Coordinator: at University of Lisbon, Faculty of Fine Arts, Center for Studies on Cyberspace. Project 'Multimedia and New Artistic Avant-gardes: History and Practical applications.

4.     2006:

Project Coordinator: at Technical University of Lisbon, ISCSP-Superior Institute for Social and Political Sciences, Center for Administration and Public Policies. Project Public Art, Tourism and Citizenship: New Cultural Heritages in the City of Lisbon,

5.     2012:

Project Coordinator: at University of Minho, Social Sciences Institute, CECS-Communications and Society Research Centre. Project Common Innovation Communication at Cultural Artistic Contexts.

This project’s team includes 40 researchers from universities worldwide (35 members, being 8 from CECS, and 5 consultants) and 4 grant holders, all maintaining a global research web titled 'Innovative Web of Innovation', including: USA: Dean McCannell, U. California; Marcel Pope, Commonwealth Virginia U. UK: Malcolm Miles; Joasia Krysa, U.Plymouth; Denmark: Hvass Munar, Copenhagen. B.S. France: Fabio LaRocca, U.Sorbonne. Jerôme Glicenstein, U. Paris. Jean Davallon, U. Avignon; Jacques Bueno, U. Savoie. Belgium: Noel Salazar, U. Louvain. Switzerland:  Philippe Viallon, U.Geneve.  Italy: Paolo Parmeggianni, U. Udine. Spain: Antonio Remesar, U.Barcelona. Portugal: Moisés Martins, U.Minho. Teresa Alves, IGOT. Jorge Gonçalves, IST. José Moura; Nuno Correia, FCT- UNL. Brazil: Artur Matuck; Sérgio Byron, U.S.Paulo. Luís Petry; Lucia Santaella, PUC S.P.; Cidoval Morais, Filomena Moita, U. Paraíba, etc.

6. 2014:

Project Member of internacional projet Olympic Orbital Village ‘UIRA’.

Team: coordinator Emanuel Pimenta (ASA Art and Technology), Pedro Andrade (CECS-UM), Raúl Fangueiro (University of Minho), Donald Barker (International Space Station Program Science Office), Sandra Häuplik-Meusburger (Vienna University of Technology), Ricardo Peruchi (European Institute of Design), Nina Colosi (Streaming Museum, New York), Marianela Mirpuri (Manifesto MODA).

7. 2016:

Participation in project Braga Creative City UNESCO: Organization: Braga City Hall, Theatro Circo, Media Arts.

8. 2017:

Project Coordinator: at University of Minho, Social Sciences Institute, CECS-Communications and Society Research Centre. Project Mobile Culture for Tourism Communication: A Knowledge and Social Network on Cultural e-Heritage for ‘Augmented’ e-Tourism.

Team: 50 researchers from Universities worldwide:

Portugal: University of Minho, Institute of Social Sciences, Communications and Society Research Centre: Pedro Andrade, Emília Araújo, Rita Ribeiro, Helena Pires, Maria da Luz Correia, Zara Pinto Coelho, Silvana Mota-Ribeiro, Fábio Ribeiro, Felisbela Lopes, Vitor Sousa, Alberto Sá, Nelson Zagalo, Pedro Rocha. University of Minho, School of Engineering: Luis Magalhães. University of Minho, Department of Archeology: Paulo Bernardes. University of Lisbon: Idalina Conde, Catarina Salles de Oliveira, ISCTE. Instituto Superior Técnico, Lisbon: Fernando Nunes da Silva (consultant), Helena Rolim New University of Lisbon, Faculty of Science and Technology Nuno Correia (consultant). Open University of Lisbon: Ricardo Campos. Braga City Hall: Manuel Bandeira, Fátima Pereira. Luís Fernandes, Gnration (student association). Mário Caeiro, Escola Superior de Educação Caldas da Raínha; Luca Alverdi, Cabiria Video Productions; Helena Pereira, gallery Shairart; Pedro Teixeira, firm Edigma, Emanuel Pimenta (art curator), António Pinto (art curator).

USA: Dean McCannell, U. California; Maurizio Forte, U. Durham.

UK: Kim Akas, U. Heltfordshire;

France: Fabbio La Rocca, U. Sorbonne Descartes; Phillipe Viallon, U. Strasbourg; Phillippe Joron, U. Paul Valéry; Geofrey Williams, U. Bretagne-Sud; Jacques Bueno, U. Savoye. BELGIUM: Noel Salazar, U. Leuven; Brazil: Lucia Santaella, Sérgio Byron, Artur Matuck, U. São Paulo; Cidoval Morais de Sousa, U. Paraíba; Jane de Almeida, U. Mackenzie; Cícero Silva, Marcelo Guimarães, Isabel Meister, U. Federal S.Paulo; Luís Petry, Arlete Petry, U. Católica S.Paulo; Cidoval Sousa, Filomena Moita, Univ. Paraíba

Publishing Projects: books, etc. (10)

As books Editor

‘Common Communications’: an international collection for publication by North American and English publishing houses such as IGI Global, Cambridge Scholar Publishing and Taylor and Francis.

In the press:

1. Andrade, Pedro; Martins, Moisés (Eds.) (2022). Handbook of Research on Urban Tourism, Viral Society, and the Impact of the COVID-19 Pandemic. Hershey: IGI Global (USA) (in press, to be published in 2022).

This book, gathers 30 texts written by the 65 following authors from worldwide universities:

USA: Dean MacCannell, University of California; Kimberly Nehls, University of Nevada, Las Vegas; Andres Montenegro, Purdue University, Fort Wayne.

France: Philippe Joron, University Paul-Valéry Montpellier 3; Philippe Viallon, Viola Krebs, University of Strasbourg; Cécile Dolbeau-Bandin, Jérémy Picot, Université de Caen; Natacha Cyrunlik, University of Aix-Marseille - CNRS, UMR PRISM.

Germany: Regina Frank, Theheartispresent.

Nedherlands: Ana Pereira Roders, Delft University of Technology.

Italy: Cinzia Colapinto, Vladi Finotto, Daniela Pavan, Fabio Pranovi, University of Venice.

Spain: Fernando Contreras, University of Sevilla, Alba Marin, University of Extremadura.

Bulgaria: Silvena Yordanova, Hanna Stratchen,  Varna University of Management.

Portugal: Pedro Andrade, Moisés Martins, Helena Pires, Zara Pinto-Correia, Pedro Chamusca, Miguel Bandeira, Filipa Corais, Pedro Rocha, Communication and Society Research Centre-CECS, University of Minho; José Lopes, University of Lisboa, ISEG; Ângela Lopes, José Portugal, Antónia Correia, KIPT; Carlos Sangreman, Raquel Faria, University of Lisbon, ISEG; Jorge Pinto, José Fernandes, University of Lisbon, FLUP/CEGOT; José Abreu, Portuguese Catholic University; Clara Cabral, Rosana Albuquerque, Open University; Manuela Hasse, Lisbon University; Sérgio Eliseu, Marta Noronha, Ângela Berlinde, Mihaela Bogdan, University of Aveiro, CI-ISCE/ ISCE Douro.  José Barros, Graciete Honrado, Ana Nata, Cecília Baptista, Cláudia Silva, Luís Figueira, Marta Dionísio, Jorge Simões, João Simões, Luís Figueira, Polytechnic Institute of Tomar; Filipe Romão, HighSun DMC & Tour Operator. Juliana Wexel, Mirian Tavares, University of Algarve.

Guinea Bissau: Bubacar Turé, Human Guinean Rights Ligue.

Brazil: Lucia Santaella, Luiz Felipe Napole, Pontifícia Catholic University of São Paulo; Laryssa Tarachucky, University of São Paulo; Rafael Simão, Maria Baldessar, Federal University of Santa Catarina; Filomena Moita, Leandro Lucas, State University of Paraiba – UEPB; Jane Almeida, Mackenzie University; Cícero Silva, Federal University of São Paulo (Unifesp); Alfredo Suppia, State University of Campinas (UNICAMP), Brazil.

In a Editor’s planning stage

2. Andrade, Pedro; Martins, Moisés; Bueno, Jacques; Contreras, Fernando (Eds.) (2023). Media and Methods within Viral Society. Taylor & Francis (UK) (through direct invitation to the author, this is a collective book to be published in 2023).

3. Andrade, Pedro [other Editors presently in negotiation] (2024). Heritage and Digital Arts for Territory and Tourism Policies, Politics and Publics. Cambridge Scholar Publishing (UK) (to be published in 2024).

Other collection’s Director and authorship

4.     Director of collection Communications and Cultural Studies, Caleidoscópio Publishing House. Publication of the following book, financed by CECS:

Andrade, Pedro (Ed.) (2016). [Public Communication of Art: the case of local / global art museums] Comunicação Pública da Arte: o caso dos museus de arte locais / globais. Lisboa: Edições Caleidoscópio. [participation of Malcolm Miles (University of Plymouth), Michel Maffesoli (Université Paris Sorbonne-Descartes), Antoni Remesar (Universidat Barcelona; Luís Petry (PUC- S.Paulo), etc.

Director of collection Experimental Books, at Caleidoscópio Publishing House.

5. Andrade, Pedro. (2011). Sociologia Semântico-Lógica da Web 2.0/3.0 na sociedade da investigação: significados e discursos quotidianos em blogs, wikis, mundos/museus virtuais e redes sociais semântico-lógicas. Lisboa: Edições Caleidoscópio.      .

6.     Andrade, Pedro. (2011).  Novas autorias / leitorias / actorias: escrita comum, literacias híbridas e anti-vigilâncias na Web 2.0. Lisboa:     Edições Caleidoscópio.  .

7. Andrade, Pedro. (2011). Novela GeoNeológica nº 1: um caso de Literatura Transmediática/1ª  Novela da Web 3.0 . Lisboa : Edições Caleidoscópio.

Other publications as Editor:

8. Andrade, Pedro; Barros, José; Marques, Carlos (Eds.) (2010). [Public art and citizenship: new readings in the creative city] Arte pública e cidadania: novas leituras na cidade criativa. Lisboa: Editora Caleidoscópio. 1st Edition out of press. 2ª Edição: 2020.

9.     Andrade, Pedro (Ed.) (2010). [Museums, Public and Scientific-Technological Literacy: social networks of communication of meanings in the interdimensional space of the museum] Museus, Públicos e Literacia Científico-Tecnológica: redes sociais de comunicação de significados no espaço interdimensional do museu. Lisboa: Ed. Colibri.

10.   Member of the Scientific Comission of Book Collection Caroá, State University of Paraíba,

Brazil. Since 01/1/2017.

 Another activities, as a CECS investigator were reported on the CECS website

(found by using search to ‘Pedro Andrade’)

Pedro Andrade apresentou livro educativo experimental de sociologia (HOOK BOOK) 2013-11-20

Pedro Andrade, sociólogo e investigador do CECL, deu seminário  2011-01-12

Livro publicado pela IGI Global integra capítulo no quadro de projeto do CECS 2018-01-02

Ciclo de Aulas Abertas do Doutoramento em Ciências da Comunicação (4) 2014-12-01

[Novo prazo] Chamada de capítulos: Urban Tourism, Viral Society and the Impact of the Covid-19 Pandemic 2021-10-29

Estudos científicos 2020-09-09

Novo volume da Revista Lusófona de Estudos Culturais sobre “Arte pública para a comunicação turística” 2020-06-29

Chamada de trabalhos | Vol. 7, nº 1 | Comunicação da arte pública urbana: via culturas móveis e turísticas 2019-03-06

Nova publicação do CECS: “Publi-cidade e comunicação visual urbana” 2018-06-06

Publi-cidade e comunicação visual urbana 2018-06-05

Mestrado em Ciências da Comunicação 2018-05-07

Publicação de novo ebook: “Viver em|a mobilidade: rumo a novas culturas de tempo, espaço e distância” 2018-05-04

Cibercultura em discussão no espaço GNRation 2017-12-20

O livro “Cibercultura, circum-navegações em redes transculturais de conhecimento” no GNRation 2017-12-11

Publicações e republicações de livros do CECS 2017-12-04

Cibercultura: Circum-navegações em Redes Transculturais de Conhecimento, Arquivos e Pensamento 2017-11-21

Investigador do CECS participa no NewArtFest’17 2017-11-08

Ações de formação complementar do Doutoramento FCT em Estudos de Comunicação chegou ao fim 2017-06-02

CECS organiza ações de formação complementar – Doutoramento FCT em “Estudos de Comunicação: Tecnologia, Cultura e Sociedade” 2017-03-01

CECS organiza ações de formação do Doutoramento FCT “Estudos de Comunicação” 2017-02-06

Conferência internacional: Lutas de libertação, a "queda do império” e o nascimento [em imagens] das nações africanas 2016-01-18

I Simpósio Internacional “Ecosofia na Era Digital” 2011-06-29

Helena Pereira: nova doutora em Ciências da Comunicação 2021-01-19

Provas de doutoramento de Helena Pereira 2020-12-15

Projects/studies on Covid-19 at CECS, not funded

1. Viral Urban Tourism within Viral Society | Pedro de Andrade

2. Cultural Resistance to Covid-19: An Encyclopedia of Public & Mobile Art for Artists and Tourism Publics | Pedro de Andrade

3.     L’ Effet Pessoa: Écritures Numériques Hybrides et Virales | Pedro de Andrade e Marc Veyrat

4. Sociological Poetry using Apps and e-Books Anti-Virus | Pedro Andrade

1.3. Intervention in the scientific community

Coordination and participation in program committees of scientific or artistic events

Organization and co-coordination of congresses (17)

1.     2017, Co-coordination, with Emilia Araújo, of session Cultures of Time, Mobilities and Social Imaginaries; ant coord. of table Time, Resource and Communication. III Congresso Internacional sobre Culturas, Interfaces da Lusofonia, 23-25/11/2017, Braga.

2. 2016, Co-coordination, with Manuel Curado, Helena Pires and Fabio Ribeiro, of congress ‘Cibercultura em Redes Transculturais: Circum-navegações de informação, arquivos, conhecimento e pensamento’, 13-14 Outubro 2016, Univerdade do Minho.

3. 2016, Co-coordination, with Emilia Araújo, Internacional Interdisciplinar Seminar y "Viver em|a mobilidade: Rumo a Novas Culturas de Tempo, - Espaço e Distância" 10-11 de novembro 2016, Universidade do Minho.

4. 2011, Coordination of Conferências Comunicação Pública da Arte no Museu: Interacções * Interactividade * Intermedia, 23 de Setembro de 2011, Museu Coleção Berardo.

5.     2011, Coordenation of session in Congress Visual Methodologies, 13-15 Set 2011, Milton Keynes, Reino Unido.

6.     2010, Coordenation of session in Congress 21th Biennal Congress of IAEA ‘Aesthetics + Design’, 25-28th August 2010, Dresden, Alemanha.

7. 2010, Co-organização do evento Brasil e Portugal em Movimento, em particular a sessão de conferências ‘Interacções e interactividades nas artes’, FCSH-UNL, 2010/11/3.

8. 2009, Co-organization of Encontro de Estética e Teoria Cultural ‘Política-Criação-Valor, in 3 sessions: Teatro Municipal de Almada, 2009/7/17-18; Casa da Cerca, Almada, 2009/7/23; Biblioteca FCT/UNL, Campus da Caparica, 2009/9/13.- 2008u, Coordenation of session ‘Os sentidos das artes: contextos da criação e representação social”, em VI Congresso Português de Sociologia ‘Mundos sociais: saberes e práticas, Lisboa, FCSH/UNL, 25-28/06/2008.

9. 2008, Co-organization of Encontro de Estética e teoria da Cultura ‘Efémero. Criação. Acontecimento, 16- 17/09/2008, Institut Franco-Portugais.

10.   2006, Co-ordination of session ‘Museums and art using computer and technology’, In Culture and Commmunication, Proceedings of the XIX Congress of the International Association of Empirical Aesthetics, Université d’Avignon, Aug 29th – 1st Sep. 2006.

11.   2005, Co-ordination of Symposium ´Virtualidades da Informação Presencial / Virtual´, In ´Milenio y Memoria, II Congreso Internacional Europa-America, Museos, Archivos y Bibliotecas para la Historia de la Ciencia, Buenos Aires, 5-7/10/2005.

12.   2005, Presentation of José Augusto Mourão´ book, O mundo e os modos da Comunicação, Editorial Minerva, 2005, at Congress ´Milenio y Memoria´.

13.   2005h, Scientific Comission´s member in Congresso Internacional ´Jardins do Mundo: Discursos e práticas´, Funchal.

14.   2004 (18/1/2003): Scientific Comission´s member in Congresso Internacional ´Arte e Ciência´, 13 -16 de Setembro de 2004, sponsored by F. Calouste Gulbenkian, F. Luso-America e CML, and promoted by Associação Internacional de Estética Experimental.

15.   2000. Tardes de Sofia: public conferences and debates organized by project Museus, Públicos e Literacia Científico-Tecnológica: redes sociais de comunicação de significados no espaço interdimensional do museu, coordinated by the author and sponsored by FCT, Lisbon.

16.   1999 (4/10/1999): Co-organization of Colóquio Internacional ´Cidadania e Novas Tecnologias´, Forum Lisboa, in partnership with Museu da República e Resistência and CITIDEP - Centro de Investigação das Tecnologias de Informação e da Democracia. Co-oordination of the session and videoconference with Massachussets Institute of Technologies, EUA.

17.   1990: Member of the co-ordination team in 1º Congresso Luso-Afro-Brasileiro de Ciências Sociais, Centro de Estudos Sociais da Universidade de Coimbra.

Organization of cinema and visual arts distribution and exhibition (4):

1. 1984, Outubro: proposition of the idea ´Café-Cinema´, which took place at bar Constituinte, Lisbon. Source: Andrade, P. (1984, 7 de Dezembro). [Coffee in the cinema or café-cinema? Anaesthesiating arts, anaesthesiated arts] Café no cinema ou cafécinema? artes anestesiantes, artes anestesiadas. Diário de Notícias, p.32.

2.     1979-80, Organization of Centro de Documentação de Arte Actual - ARTA, em Lisboa, with 3 visual artists, Leonel Moura, António Cerveira Pinto and José Barrias. The aim was the intervention and information on contemporary art proposals. Member of the Center´s revue (´Arta´) Editorial Board (1979-80).

3.     1975, Foundation and organization of ´Atelier Cinéma Independant´ with German critc Marc Reinfried and Italian visual artist Giovanni Martedi. This was a group of filmakers who, besides the film production and making, has diffused in 1975-7 multiple essay cinema works , manly examples from the German New Cinema (Fassbinder, Herzog, etc.), in Casa de Portugal, Cité Universitaire, Paris.

4.     1970 Member of Teatro "Primeiro Acto´, Algés, (theoretical participation in work groups about Brecht and Stanislawsi, actor in the scenic team co-ordenated by Rogério Paulo and Inês Palma, posters and programs making)

Organization and collaboration of peer reviewed scientific journals editing (9)

1. Since 1993. Member of Comité de Rédaction in LORETO Journal, published by Ministère de la Culture et Université Libre de Bruxelles.

2. 1995-2008. Director of the 1st Luso-French Social Sciences Journal, Atalaia-Intermundos, since 1995, sponsored by Colibri Publishers, Centre National du Livre, Paris, and by Instituto Português do Livro e das Bibliotecas, Lisbon. Distribution at USA Amazon, UK Krisostomus, German Shaker Publ.

3. 2019. Co-organization (with Mário Caeiro) of Revista Lusófona de Estudos Culturais Vol 7/1, Public art for Tourism Communication / Arte Pública para a Comunicação Turística, Braga, CECS.

4.     Since 2020: Member of Scientific Comission at journal Arte Pública, at FBAUL, University of Lisbon.

5. 2011: Co-organization (with José Pinheiro Neves) of Revista de Comunicação e Linguagens 'Genealogias da Internet: novos media, culturas e artes digitais na Web 2.0’, (# 42), Lisboa, CECL, Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa.

6. 2003: Co-organization (with António Sousa Ribeiro) of Revista Crítica de Ciências Sociais, (# 33), Coimbra, CES, Faculdade de Economia da Universidade de Coimbra.

7.     2006-2013: Member of Journal of Communications and Languages (Revista de Comunicação e Linguagens)' Editorial Board, New University of Lisbon, Faculty of Social and Human Sciences, Communication and Languages  Studies Centre (Centro de Estudos de Comunicação e Linguagens).

8.     1988-2000: Member of Social Sciences Critical Journal (Revista Crítica de Ciências Sociais)' Editorial Board, University of Coimbra, Faculty of Economy, Center for Social Studies (Centro de Estudos Sociais).

9. Several reviews for journals Revista Lusófona de Ciências Sociais and Vista, at CECS.

Evaluation of scientific projects and articles

Review of a scientific book:

Andrade, P. (1991). [Review of book] Bryan Pfaffenberger (1988). Microcomputer Applications in Qualitative Research [Softwares em pesquisa qualitative]. Newbury Park: Sage. [Revisão do livro] Bryan Pfaffenberger (1988). Aplicações de Microinformática em pesquisa qualitativa [softwares em pesquisa qualitativa]. Newbury Park: Sage. Revista Crítica de Ciências Sociais, 34, 290-293.

Presentation of lectures as a guest, particularly abroad (5)

1.     2016/9/22: Invited speaker at Bienal de Veneza de Arquitetura, with lecture ‘Socology of Outer Space’. This video-conference was promoted by international project Vila Olímpica Orbital 'UIRA', of which the author is a member and which is coordinated by Emanuel Pimenta.

2.     2016/10/11: Invited speaker with lecture ‘Méta et Hybrid-Auctorat: Auteurs, Lecteurs et Auteurs à la Web 1.0/2.0/3.0’, through video conference at the event Acta Media 12, Colloque Multidisciplinaire de Processus Écriturales ‘Le Projet Méta-auctorat’, University of S.Paulo, IHEAP, Institute Acte, Univ. Paris-1, Paris, 11 Outuber 2016.

3.     2016: Invited speaker with lecture ‘Web Doc Streaming’, in video conference with the National Education and Research Network-RPN of the Ministry of Science, Culture and Environment of Brazil and Mackenzie University, São Paulo, December 15, 2016.

4.     2013/5/23: Invited speaker with the lecture ‘Educational / Sociological Games: Interactive Multitouch Tables for Art Museums And Web 2.0/3.0’, Seminar class at University of Savoye, Annecy, France.

5.     1987 (18/2/87): Invited speaker at conference and slides projection on the sociologic process of drinking alcohol in Portuguese taverns, at Centro Culturale San Fedele, Milan, Itália, under the title "Visita alle taverne di Lisbona", integrated in the cultural series "Le Città che parlono Portoghese", with Alain Tanner, Antonio Tabucchi and Carlos Paredes.

Participation as a member of scientific societies

·       Association of Librarians, Documentalists and Archivists, since 1985.

·   Associação Portuguesa de Socologia-APS, since 1988.

·   SOPCOM, since 2006.

·   SOS-ART PT, since 2020  (co-founder). This is a scientific and socio-cultural-political movement, for mitigating the effects of the Covid-19 crisis in visual arts, e.g. through sociological studies exhibitions, creation of an Emergency Fund, Protection Circles for atists. It has about 2500 members worldwide at Internet.

 https://sosartept.blogspot.com/p/english.html https://www.facebook.com/sosartept/

Awarding of prizes and grants

1.     1/2/2007 a 31/1/2013: Post-PHD Grant Holder SFRH/BPD/35024/2007 (Scientific Advanced Grant For Requalification of professionals with Solid Previous Teaching Experience), funded by Foundation for Science and Technology-FCT, Lisbon University of Minho, Social Sciences Institute, Communications and Society Research Centre, Braga.

2.     1/10/2003 a 30/9/2006: Post-PHD Grant Holder SFRH / BPD / 14666 / 2003, funded by Foundation for Science and Technology~FCT, Lisbon New University of Lisbon, Faculty of Social and Human Sciences (Faculdade Ciências Sociais Humanas), Center for Studies of Communication and Languages (Centro de Estudos de Comunicação e Linguagens), Av. Berna, 26-C, 5th floor, room 506 1069-061 Lisbon.

3.     1980-3: Grant from Foundation Calouste Gulbenkian (for Doctorat de 3ème Cycle, at École des Hautes Études en Sciences Sociales, Paris).

4.     1968: First prize in poetry and painting concourse with writer José Jorge Letria Liceu Nacional de Oeiras.

5.     1966: Award for exceptional student in 2nd cycle of secondary studies, at Liceu Nacional de Oeiras.

2. Knowledge transfer and enhancement

2.1.  Patents/Industrial Property Registrations (with Cícero Silva and Lev Manovich)

App ‘Hybrid Discourse Analysis-HDA’. The proponent is developing, in cooperatioin with Universidade Estadual de São Paulo, Brasil, with the programmer Prof. Cícero Silva, in cnnection with Prof. Lev Manovich from the University of New York, an app for users to apply Hybrid Discourse Analysis-HDA, a method to interpret a variety of texts (industrial, management, academic, commercial, legal, administrative, interviews, biographies, newspapers, etc.). This app uses the Alphabet of Universal Relationships, a logical alphabet gathering 37 content relationshiops used to articulate keywords or concepts. This app, the HAD method and the Alphabet semantic tool is going to be registered in Brazil and USA.

2.2.  Activities of cooperation and connection to the productive/business fabric

Consultancy or studies of a scientific or educational nature

1.     Coordinator of Technoscience area at Engage Lab, University of Minho, School of Engineering. http://www.engagelab.org/people

2.     1/9/2016 to 1/9-/2019. Consultant of Program Braga UNESCO Media Art City, Communication and Society Research Centre and Municipality of Braga.

Trainer in vocational training or technological specialization courses.

·   1-/6/1987 a 07/6/1987: Information and Documentation Sciences’ Trainer at Associação dos Deficientes das Forças Armadas.

2.3. Dissemination of science and technology

Conferences, seminars or lectures, often as invited speaker, aimed at non-specialized audiences, participation in panel discussions, publication of books or dissemination articles, conferences, book/journal presentations, newspapers interviews, some with catalogs and other short publications (29)

1.   2017.12.19: Co-presentation of book Cibercultura: circum-navegações em redes transculturais de conhecimento, arquivos e pensamento. Editora Humus, with co-editors Manuel Curado, Helena Pires, Fábio Ribeiro, at association GNRation, Braga.

2.     2017: co-proposition of  ‘Passeio Platform’, in: Correia, M: Pires, H. & Andrade, P. 2017). Passeio, passing by, walking by. A platform of urban art and culture. Revista Lusófona de Estudos Cuturais: Cultura Visual, 4, 1, 167-201. Consultabe at: http://www.passeio.pt

3. 2016: Univ. Minho, CECS: co-proposition of a Think Tank for debate on Communication Sciences and Journalism. Today’s site: http://www.cecs.uminho.pt/en/intervencao/think-tank/

4. 2016: proposition of a City of Braga Virtual Museum.

5.     2012/11/10: Public co-presentation of poetry book 'Ménage à 3', Publisher: Cordão de Leitura, Porto, by poet Firmino Mendes and authors Pedro Andrade, José Pinto Leite e José Soares Martins.

6. 2012/10/12: Presentation of book: Campos, Ricardo. (2012). Porque Pintamos a Cidade? Uma Abordagem Etnográfica do Graffiti Urbano. Lisboa: Fim de Século, at Livraria Fabula Urbis, Lisbon.

7. 2010: Violência Simbólica e alteridades culturais: o caso da Arte Pública. In event ‘Diálogos e acções pela não violência’, FNAC Chiado, 27/2/2010, Lisboa.

8. 2007/3/7: Interview to journalist Ana Gaspar about the RTP- Rádio Televisão Portuguesa 50th anniversary “De espelho do regime, ao divórcio e reconciliação com o púlico”, Jornal de Notícias, p. 60.

9. 2007/5/16: Interview to journalist João Quaresma about the soap opera ´Gabriela´: “Os 30 anos da mãe de todas as novelas”, Jornal de Notícias, p. 60.

10.   2007/7/8: Conference and presentation of revue Atalaia/Intermundos # 14/15 inside the event ´Borba, a Cultura e o Homem ao tom da Guitarra Portuguesa´, Borba, organized by Câmara Municipal de Borba.

11.   2007/5/17: Conference/presentation of exhibition ´Louças e Quotidiano: do Barreiro à Peça: catálogo e exposição temporária do Espaço-Museu da Vila Romana do Rabaçal, Peneda´ catalog.

12.   2006/4/30: Interview to journalist Ana Gaspar about the soap opera ´Floribella´: “Contos de fadas ainda têm lugar na TV?”, Jornal de Notícias, p. 61.

13.   2005/2/21: Interview to journalist Ricardo Barroso about the soap opera ´Morangos com Açúcar´: “Morangos ´mimam´ a vida”, Jornal de Notícias, p. 46.

14.   2002/11/29: A vanguarda fala por si [ Interview conducted by Maria Estela Guedes, for internet site ´TriploV´, about Pedro Andrade´s scientific and artistic activities].

15.   2001/1/18: “As dimensões sociais do fundamentalismo religioso”, In Ciclo de Conferências Proliferação de transcendências: a religião que anda no ar, 18 Jan 2001, Lisboa, Centro Cultural Dominicano. (proposition of concepts ´cultuality´, ´multicultualism´, etc.)

16.   1998/8/20: Interview to newspaper ´Público´ (p.15), about sexuality and prostituition.

17.   1998/1/19: Conference on the issue “Sociologia da Internet”, in Faculty of Economics - University de Coimbra.

18.   1998/2/2: Interview to newspaper ´Público´ (p.3), about the debate involving the articulation between public and private life of President Bill Clinton.

19.   1997/2/28: Interview to Rádio Paris Lisboa, about the leisure night life in Lisbon.

20.   1997/3: Interview to Rádio Paris Lisboa, about Centro de Informação, Cultura e Línguas Atalaia and Espaço Ágora, copromoted by the author.

21.   1996: Several interviews and news concerning Atalaia (Rádio-Paris Lisboa, television program “Acontece”, Diário de Notícias, Agenda Cultural da CML, etc).

22.   1996/4/24: Conference “As tabernas de Condeixa: trabalho, lazer e solidariedade”, 25 de Abril commemorations, 1996, Salão do Clube de Condeixa, Condeixa.

23.   1996/6/4: Interview to newspaper ´Público´ on the social phenomenon of cell phones.

24.   1996/6/14: Conference “As tascas de Bragança”, in Instituto Politécnico de Bragança.

25.   1993: Responses in program "Praça Pública", da SIC, regarding the cultural heritage of Portuguese taverns.

26.   1992/1/31: Interview to newspaper Público on II Congresso Português de Sociologia.

27.   1990: Interview to TSF radio station, about Italian "insult firms".

28.   1988/10: Participation in RTP television program "Café Central", directed by Alexandre Manuel, about the theme "Tavern".

29.   1981/1/10: Conference concerning the tavern and Excursion Groups, with slides, at Centro Nacional de Cultura, Lisbon, and guided visit to Lisbon taverns.

3. Other relevant activities

3.1. Participation in academic management services

(University management services or coordination of research units or coordination of functional teaching units).

2008: Treasurer in Communication and Languages Research Centre (Centro de Estudos de Comunicação e Linguagens, at New University of Lisbon, Faculty of Social and Human Sciences.

Performance of management positions and tasks within the scope of national or international institutions of a scientific, technological or social nature (6)

1. 1985/10/1 to 1987/12/31 Director of Scientific and Technical Information and Documentation Unit (Gabinete de Estudos e Planeamento das Pescas do Ministério da Agricultura e Pescas).

2. Since 2018: Member of Scientific Comission of the international network ‘Visual Methods’, at University of Savoye-Mont Blanc, France.

3. 1988/2/2 to 1988/7/31 Consultant of "Projecto Heródoto", a research project at New University of Lisbon, Faculty of Social and Human Sciences coordinated by Prof. António Hespanha.

4. Since 2020: Member of Scientific Comission at journal Arte Pública, at FBAUL, University of Lisbon.

5. Since 2020: Member of Scientific Comission at Artech Association, at University of Algarve, Faro and University Aberta, Lisbon.

6. 1995-2008. President of Interworlds Atalaia Association (Associação Atalaia Intermundos).

7. Since 2018. Director of Social Web Lab: Mobile Cultures and Tourism Communication, at Av. Eng. Arantes e Oliveira, 5, 3rd floor, A, 1900-221 Lisbon, European Union, Portugal.

3.2. Participation in scientific/academic juries outside the affiliated institution

 (valued as an examiner ‘arguente’).

Among these participations, the author was invited for 7 international juries at foreign Universities.

Post-doc level examiner (co-‘arguente’)

Marc Veyrat, Université de Paris 8 / Fondation Maison Sciences de l’Homme, Paris, France, 2020/1/28. Membre de júri de HDR- Habilitation à Ditiger des Recherches.

Supervision of PhDs:

Larissa Tarachucky, ‘Framework conceitual para apoiar a formulação de estratégias de design de interação urbana envolvendo o uso de recursos de mídia locativa digital’, at University of Santa Catarina, Programa de Pós-Graduação, 2018-2020, Brazil, within the research group Mídia Con, Grupo de Pesquisa em Mídia e Convergência Digital. Cosupervising with Professor Maria José Baldessar, 2021/4/7.

(ongoing, 2023): Rafael Soares Simão, titled  ‘A construção da imagem social e institucional de uma cidade: a comunicação entre gestores institucionais e os seu públicos , at University of Santa Catarina, Brazil. Cosupervising with Professor Maria José Baldessar.

(ongoing, 2023): Sara Freitas, at University of Minho, Portugal. Cosupervising with Helena Pires.

Arguente in PhDs:

         Nuno Cintra Torres, titled: ‘Social capital for action: “Let’s put Sequeira in its rightful place , at Universidade ÇLusófona, 2023/4/19. 

Noa Garcia, ‘Criterios de buen deseño aplicados a los carteles de fiestas turísticas y tradicionales’, Université Savoie Mont Blanc-France e Universidad de La Laguna, Spain; Orientadores: Jacques Ibanez Bueno e Alfonso Ruiz Ralo, 2020/11/11.

Alba Marin, ‘L’évolution du documentaire áudiovisuel: des formats interctives aux expériences immersives’. Universidad de Sevilla, Spain e Université Savoie Mont Blanc-France; Orientadores: Fernando Contreras e Jacques Ibanez Bueno: 2019/2/4.

Noeli Santos. ‘Transformando blogues em artefatos da mídia-arte: experimentações poético-pedagógicas’, Universidade do Algarve e Universidade Aberta. Area: Média-Arte Digital. Orientação: Bruno Miguel dos Santos Mendes da Silva. Coorientação: Gabriela Borges Martins Caravela. Universidade Aberta, 2019/2/4.

Co-supervisor in a post-master's thesis:

Luciano Almeida, pós-graduação intitulada ‘Franquia God of War - da saga grega à nórdica. da Universidade Presbiteriana Mackenzie, S. Paulo, Brasil. 2020/9/2. Co-Orientador Externo com Orientadora Aurora Gedra Ruiz Alvarez.

Arguente in master's thesis:

Fábio Filipe Gomes Rodrigues, titled ‘Crime de Colarinho Branco e o seu Impacto Social: Estudo a

partir da Imprensa Nacional’, at Universidade Fernando Pessoa, 2023/5/23.

Rui Francisco Moreira Antunes, ‘Sinestesia e conhecimento: arte, ciência e novos media’, FCSH, New University of Lisbon, 2009/2/19.

Carina Sofia Carvalho da Silva, ‘A Percepção de Comportamentos de Risco, Conhecimentos e Atitudes face ao VIH/SIDA pelos Toxicodependentes e Alcoólicos’, University Fernando Pessoa, Faculdade de Ciências Humanas e Sociais, Porto. 2010/6/2.

Joana Reis Correia Leite, ‘Contributo do Museu Nacional de História Natural para a divulgação do património geológico: caracterização do público do Departamento de Mineralogia e Geologia’. Orientador: Fernando Barriga, University of Minho, Escola de Ciências. 2009/12/17.

International consultant:

Antonnella Varesano, Master thesis dissertation titled 'Interfaces in Multimedia', Univ. Udine, Italy, supervised by Dr. Paolo Parmeggianni, 2011/2.

3.3. Participation in the supervision/co-supervision of post-graduate students

At University of Minho, while Researcher:

Arguente in PhDs:

Maria Paula Vilhena de Mascarenhas, ‘A Cultura Alimentar nos Grupos Domésticos: Cascais 1960-2005’, University of Minho. 2007/11/2.

Member of  PhD jury:

Helena Pereira ‘A curadoria (expandida) como processo de Comunicação da Arte Contemporânea’, Orientação de Jean-Martin Rabot, Universidade do Minho, 1/5/2021.

Supervision of Master theses

Ana Peixoto, 'Selfie: A força comunicacional do autorretrato que as redes sociais reinventaram'. University of Minho, Master Course 'Comunication Sciences': 2016/2/2.

Arguente in Master theses:

Edgar Jorge de Sá e Sales, ‘O Diorama Musical: contributos para um projeto cultural numa escola de música. Orientador: José Pinheiro Neves. Universidade do Minho, Braga, 2020/1/31.

Vitor Costeira, ‘A estética Deleuziana do cinema e a memória comunitária: um caso prático’. Orientador: José Pinheiro Neves. Universidade do Minho, Braga, 2012/12/7.

At University of Lisbon (while Auxiliary Professor):

Supervision of Master theses

Fernando Alberto Pinho Alves, 'Educação para os Media: as Imagens Como Pedagogia Socialmente Integradora', At University of Lisbon, Faculty of Fine Arts - FBAUL, Master Course ´Educação Artística´, 2019/12/17.

Cristina de Meneses Santos Loureiro Reis, 'Oportunidades através da fotografia: do First Exposures ao Projecto Focus Apresentação de um estido de caso e proposta de projecto', FBAUL, 2010/3/31.

Rita Lobo Guimarães, 'Práticas de recepção cultural: o público das galerias de arte', FBAUL, 2010/6/2 

Marta Maria Basso Lopes Pernes, 'Os Manuais Escolares de Educação Visual em Formato Digital e o Ensino das Artes no 3.º ciclo do Ensino Básico', FBAUL, 2012/4/27.

3.4. Involvement in teaching activities and advanced training

(Teaching activity with diversity of curricular units taught and relevance of the theme(s)).

·       1/10/1988 to 30/9/2001 Assistant (Assistente) at University of Coimbra, Faculty of Economics (Faculdade de Economia da Universidade de Coimbra). Chairs: ‘Sociology of Communication’, ‘Sociology of Everyday Life’, ‘Sociological Methods’, ‘Sociological Sources of Information’ (the first in Portugal), ‘Introduction to Sociology’, ‘Introduction to Social Sciences’.

·       1/10/2004 to 31/9/2012 Co-author of the proposal and organization of Master on Artistic Education University of Lisbon, Faculty of Fine Arts (Faculdade de Belas Artes da Universidade de Lisboa)

·       1/10/2003 to 30/9/2012 Assistant Professor (Professor Auxiliar) at University of Lisbon, Faculty of Fine Arts (Faculdade de Belas Artes da Universidade de Lisboa). Licenses on Communication Design, Product Design, Painting, Sculpture: Chairs ‘Sociology of Art’. Master on Artistic Education : Chairs ‘Art and Technologies’, ‘Digital Libraries and e-Leaning’.

·       Assistant Professor at Mestrado em Ciências da Comunicação, Universidade do Minho, 2º semestre de 2014. Chair ‘Cibercultura’, including:

·       2014e. Experimental Knowledge Pedagogy, implemented at University of Minho, Master in Cultural Studies, chair Cyberculture, 2013-2014.

o   1. Knowledge Base on Theoretical Classes. Based on Interactive Pedagogical Resources constructed with both: natural language (for the text); and logical languages (for the meaning grammar), including triplets used in Web 3.0.

o   2. Knowledge Base on Sources.

o   3. Knowledge Base on Practical Classes. Based on concept mapping of texts using Web 3.0 triplets.

·       22 lessons that may be found at RepositoriUM within University of Minho in open access.

1.  Andrade, P. (2014). Introdução à Cibercultura. Morada URI: http://hdl.handle.net/1822/40627

2.  Andrade, P. (2014). Introdução à Investigação: redes sociais e semânticas: Investigação e educação, novas literacias e metodologias. Morada URI: http://hdl.handle.net/1822/40625

3.  Andrade, P. (2014). Metodologia da Investigação em Cibercultura: Design da Pesquisa. Morada URI: http://hdl.handle.net/1822/40347

4.  Andrade, P. (2014). Metodologia da Investigação em Cibercultura: Métodos usando Hipermédia / Hibrimédia. Morada URI: http://hdl.handle.net/1822/40349

5.  Andrade, P. (2014). Espacialidades e Temporalidades da Cibercultura: Controlo e Vigilância na Mediapolis. Morada URI: http://hdl.handle.net/1822/40350

6.  Andrade, P. (2014). Espacialidades e Temporalidades da Cibercultura: Pós-Panoptismos. Morada URI: http://hdl.handle.net/1822/40351

7.  Andrade, P. (2014). Economia da Cibercultura: Globalização e Tecnocapitalismo. Morada URI: http://hdl.handle.net/1822/40352

8.  Andrade, P. (2014). Economia da Cibercultura: Convergência e Remediação. Morada URI: http://hdl.handle.net/1822/40503

9.  Andrade, P. (2014). Economia da Cibercultura: a Exclusão Digital (Digital Divide). Morada URI: http://hdl.handle.net/1822/40389

10.   Andrade, P. (2014). Economia da Cibercultura: Ciber-consumo na Sociedade do Risco. Morada URI: http://hdl.handle.net/1822/40981

11.   Andrade, P. (2014). Novos Poderes no Ciberespaço e Cibertempo: e-Política, e-Governanca e e-Democracia. Morada URI: http://hdl.handle.net/1822/40524

12.   Andrade, P. (2014). Novos Poderes no Ciberespaço e Cibertempo: Cidadania / Ativismo Digitais e Tactical Media. Morada URI: http://hdl.handle.net/1822/40525

13.   Andrade, P. (2014). Novos Poderes no Ciberespaço e Cibertempo: Hackers, Ciberguerras / Terrorismo. Morada URI: http://hdl.handle.net/1822/40526

14.   Andrade, P. (2014). Corpo e Pós-Corpo: Identidades Digitais. Morada URI: http://hdl.handle.net/1822/40626

15.   Andrade, P. (2014). Corpo e Pós-Corpo: Etnias, Género, Sexualidades e Feminismo. Morada URI: http://hdl.handle.net/1822/40527

16.   Andrade, P. (2014). Corpo e Pós-Corpo: Cyborg, o Não-Humano e o Pós-Humano. Morada URI: http://hdl.handle.net/1822/40808

17.   Andrade, P. (2014). Cibercultura e Sub-culturas: Estética Digital. Morada URI: http://hdl.handle.net/1822/40528

18.   Andrade, P. (2014). Cibercultura e Sub-culturas: Cyberpunk e Literatura. Morada URI: http://hdl.handle.net/1822/40529

19.   Andrade, P. (2014). Cibercultura e Sub-culturas: Artes dos Novos Media. Morada URI: http://hdl.handle.net/1822/40530

20.   Andrade, P. (2014). Lazeres e Saberes Digitais: Video Jogos. Morada URI: http://hdl.handle.net/1822/40531

21.   Andrade, P. (2014). Lazeres e Saberes Digitais: Blogosferas e Redes Sociais. Morada URI: http://hdl.handle.net/1822/40532

22.   Andrade, P. (2014). Análise e Interpretação de Textos

·       Complementary training actions for the FCT Doctorate in Communication Studies, at the Institute of Social Sciences of the University of Minho. Started on February 23, 2017, with the action “New media and digital sources for research on communication, within current transcultural networked societies”, by researcher Pedro Andrade.

·       Lecture on methods of semantic analysis of digital texts, in the PhD in Communication Sciences, invited by Rosa Cabecinhas, 10/31/2014.

·       Lecture on 'Digital Semiotics', in the Cycle of Open Classes of the PhD in Communication Sciences, invited by Helena Pires and Zara-Pinto Coelho, 2014/12/5.

·       01/10/1978 to 30/9/1979 Teacher in Secondary Education: Escola Preparatória de Azambuja.

·       01/10/1979 to 30/9/1980 Teacher in Secondary Education: Escola Preparatória de Torres Vedras.