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Product details
Publisher : Knopf Books for Young Readers; Illustrated edition (September 11, 2007)
Language : English
Paperback : 608 pages
ISBN-10 : 0375842209
ISBN-13 : 978-0375842207
Reading age : 12 - 14 years
Lexile measure : 730L
Item Weight : 1 pounds
Dimensions : 5.25 x 1.21 x 8 inches
Best Sellers Rank: #171 in Books (See Top 100 in Books)
#1 in Teen & Young Adult Holocaust Historical Fiction
#1 in Children's Holocaust Fiction Books (Books)
#1 in Children's Orphans & Foster Homes Books (Books)
The extraordinary #1 New York Times bestseller about the ability of books to feed the soul even in the darkest of times.
Nominated as one of America's best-loved novels by PBS’s The Great American Read.
When Death has a story to tell, you listen.
It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still.
Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.
In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time.
“The kind of book that can be life-changing.” —The New York Times
“Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank.” —USA Today
DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF.
Supporting format: PDF, EPUB, Kindle, Audio, MOBI, HTML, RTF, TXT, etC.
Supporting : PC, Android, Apple, Ipad, Iphone, etC.
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Icame to Medium out of frustration. I had read an article in an online “prosumer” magazine that has the air of a serious scientific journal, but which fails to encompass the heart of science — the debate — by disallowing any comments or unsolicited rebuttals/responses to their articles.
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Do you want to publish a book on Medium?
Unfortunately, I had already manifested, through my furiously dancing fingertips, a 2,700 word essay pointing out the ignorance I felt strongly present in the magazine article, only to find there was no way to share it — cue Medium.com.
I was impressed with the response to the article on Medium, which was my first — 26K views, 7K reads, 611 fans, and 500 euros in my pocket to date. And I was even more impressed by the tools that Medium provides an author.
While the interface is as simple as paper, knowing what passages a reader highlights, how many views turn into full reads, how many people follow you after reading something that you write, what their interests are — so that you can see how people coming from different backgrounds engage with your writing — and of course, being able to have detailed responses to your work, are just nothing short of a godsend for an author. And this led me to try publishing a book on Medium.
The book is a big one, nearly 800 pages in paperback format. It’s that big because it is a collection of related writings: a set of meditation practices which are fairly simple, but which require detailed instructions since they are being communicated via text and not one-on-one guidance. However, the practices use an unusual support in place of the breath — which is the more common, but deficient in particular ways, support today. This then necessitates an explanation of the support’s uniqueness, part of which entails detailed quotations from current and ancient writings and related explanations, on this particular meditation support. But these all come from various spiritual traditions, and none of them are framed within our modern mechanistic materialism, thus there is a necessity to explain how things differ from how they are understood today, in order that the reader understand exactly what they are using. So it’s part philosophy, part science, part practice, and part historical documentation.
Why Publish a Book on Medium
You might think this is totally inappropriate for Medium, and there are some shortcomings, but for me the biggest reason to attempt publishing this book here is the potential audience, and the availability that Medium affords me as a writer.
While there are still many physical book readers — myself among them — the option to have a book on a mobile device is just such a no-brainer. And while Ebooks are good for large publishers who can (and do) command a nice bit of change for their product, for a small writer, ebooks don’t offer much of any benefit over what Medium provides. And in fact, the tools that Medium provides, which I mentioned above, are absent from ebooks.
And of course, having an ebook still leaves you searching for an audience.