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Palombella Rossa Film Club
Home
XVI. The Shape of Frames to Come
I. Keys to Creation
II. Universal Beings
III. Gloomy Sunday
IV. Protect Your Light
V. Giant Steps
VI. Call it Morning
VII. Lifelines
VIII. Pieces of a Man
IX. Top 10
XV. B-Sides & Rarities
I. Russia
II. Italy
III. France
IV. Germany
V. Spain & Portugal
VI. USA
VII. Romania
VIII. Top 10
XIV. Sisters Outsiders
I. Beforeimages
II. Not a Small Voice
III. Learning From the 60s
IV. Grasping at the Root
V. The Blues Remembers
VI. The Fire Next Time
VII. The Long(est) Walk
VIII. Top 10
XIII. Other Asias
I. Japan
II. South Korea
III. Hong Kong/ Taiwan
IV. Philippines
V. Cambodia/ Malaysia
VI. Thailand
VII. China
VIII. Top 10
XII. Abécédaire
I. Facing Modernity
II. Time Images
III. Visual Cartography
IV. Lier par les regards
V. Montrer l'invisible
VI. Theorems
VII. Discreet Charms
VIII. Top 10
XI Nuestra América
X Ages of Innocence
IX Histoire(s) avec un s
VIII Documenting History
VII. Neighbouring Images
VI. Palombella Goes Classic
V. Images of the Present
IV. Lives of Cinema
III. Que Viva Cinema
II. In Another Country
I. Supplements
Summer Schools
IV. The Solitude of Man. Studies in Melancholia
III. The Politics of Comedy
II. Images of Community
I. The Idea of Cinema
Trofeul Palombella
Suplimente
IV. Close-Up Cinema
III. Open(ing) Cinema
II. Figures of Emancipation
I. Pre-Palombella
Palombella Rossa Film Club
I.
Beforeimages
La Coquille et le Clergyman
(
1928
)
Germaine Dulac
Cu o introducere de
Răzvan Cîmpean
Meshes of the Afternoon
(
1943
)
Maya Deren
Cu o introducere de
Antonia Stoe
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