Honoring my artistic lineage, Paisley Marten Studio is where I create original painting, photography, and surface-based visual work. The studio functions as both a working practice and a quiet archive of evolving bodies of work.

While the subjects vary, the work is consistently grounded in close observation, disciplined surfaces, emotional restraint, and psychological atmosphere.

I grew up close to art, even though my own connection to it was complicated. My mother was a regionally recognized wildlife artist whose work was exhibited in Southwestern galleries. Although I never knew her personally, I remain close with first cousins who grew up with her and knew that part of my family history firsthand.

Observation has always been central to my work. I approach visual subjects patiently, structurally, and with attention to what is present rather than what is dramatized.

Documented family lines and DNA matches also connect my lineage to figures such as Agnes Martin, Alfred H. Barr Jr., and Jackson Pollock. I do not treat those connections as status, mythology, or borrowed importance. I treat them more as a reminder of inherited standards: seriousness of practice, restraint, and the expectation that the work must stand on its own under quiet scrutiny.

The studio’s work moves through several overlapping areas: 

Atmospheric Florals
Painterly botanical subjects focused on tone, color atmosphere, and surface control rather than decorative still life.

Abstract Emotional Fields
Controlled abstract compositions built around tonal relationships, color tension, and spatial atmosphere. These works function as emotional structures rather than narrative images.

Psychological and Symbolic Work
Paintings that explore interior states, aftermath, and psychological tension. Symbolic elements appear sparingly and remain grounded in material space rather than fantasy.

Rescued Lives
A body of work focused on animals that have survived abandonment, neglect, or displacement. These pieces emphasize presence and dignity rather than sentimentality, often accompanied by brief documentation of the animal’s rescue story.

My influences are methodological more than stylistic. I am drawn to structure, restraint, and the quiet authority of work that does not demand attention but rewards it. Artists whose discipline and atmosphere I return to include Jacques-Louis David, Michael Borremans, Vilhelm Hammershøi, Antonio López García, Frida Kahlo, Evelyn De Morgan, Leonora Carrington, Remedios Varo, Odilon Redon, Fernand Khnopff, Richard Diebenkorn, Claude Monet, and James McNeill Whistler.

Across those influences, what matters most is not imitation of style. It is the shared commitment to controlled surfaces, thoughtful composition, and emotional presence. 

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• See a partial gallery exhibit list

Also listed on The Independent Photographer.

Paisley Marten Studio was selected to compete in The People’s Artist, a national art competition, a national art competition presented by Johnny Depp. 

Paisley Marten Studio also competed in America's Favorite Photos contest.