Webfonts allow you to embed the font into a webpage using the @font-face rule, so paragraphs and headings of text can be styled as the webfont. You will be serving the webfont kit for your own site and linking it in the CSS.

Webfonts can be used on a single domain. Agencies responsible for multiple websites, for example web design agencies or hosting providers, may not share a single webfont license across multiple websites.

Outcast Pro Font Free Download

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Image Generator is a captivating service that empowers you to unleash your creativityby fully customizing your texts and visualizing them in a wide range of formats.This impressive tool puts you in control, allowing you to fine-tune font styles,sizes, background and font colors, as well as the text content itself.

With Image Generator, you can create mesmerizing texts by customizing the backgroundand font colors to your heart's desire. Choose your favorite colors or explorediverse color palettes to achieve captivating color harmonies that truly reflect theessence of your projects or brand.

Image Generator provides outputs in SVG and PNG formats, tailored to yourpreferences. The SVG format preserves the quality of your texts as vector-basedgraphics, ensuring no loss of detail or sharpness when resizing. On the other hand,the PNG format delivers high-quality raster images, enabling you to showcase yourdesigns flawlessly on websites, social media platforms, or printed materials.

Comes in Asteria, CFX, GHv3, Proffie, Verso and Xeno3 formats! 

After purchase is completed you will be emailed a link to download a "RTF" text document. Open that file and it will contain a dropbox download link with the font and instructions if needed. Keep the RTF file because it will be used for future updates.

They are fully installable font files, able to be used in any software program for testing and comping purposes. They are not allowed to be used in a final project (whether personal or commercial) without purchasing a license.

Outcast puts the whole grunge font problem to rest by eliminating repetition. Here we have eight variations on each character (4 all cap fonts), so there is no more need to use the same character twice in any display setting. You have the main interchangeable fonts, then you have Outcast Pro

The Bodoni typeface surfaced during a time when typeface designers were experimenting with the contrast between thick and thin type characteristics. Giambattista Bodoni took that experiment to an extreme, creating this dramatic font. It has resonated through time in famous logos like Vogue and Calvin Klein and is a great font to consider for mainstream fashion brands.

Garamond is more of an umbrella term for typefaces than a single typeface. Many of the iterations we see in recent decades are interpretations of alphabets designed by Claude Garamond and Jean Jannon in the 16th century.

Coming from Nunito, a balanced sans-serif typeface superfamily, Jacques Le Bailly created Nunito Sans as an extension and fresh alternative to one of the most popular sans-serif fonts in the Google Font Library. Nunito Sans goes along with Montserrat, Theano Didot and Abhaya Libre. Its high x-height (the distance between the baseline of a line of type and the top of the main body of lowercase letters) and short descenders (lowercase letters, such as g and y, that extend or descend below the baseline) grant an approachable display.

Before Didot became known as a typeface, it was the name of a family composed of French printers, punch cutters, and publishers in the late 1700s. They created many versions of Didot, one of which is used in the Giorgio Armani logo. Similar to Bodoni, the high contrast in line thickness creates drama. This font is also commonly seen in the fashion world. Didot works best when used simply, with careful kerning and high-contrast colors.

Modesto has a very interesting history of use from 19th and 20th-century circuses to hand-painted typography. This digital iteration takes those analog forms and perfects them into a usable type family containing 23 fonts.

No font list would be complete without a stencil typeface, and Revista is an exceptional example. It brings the elegance of a classic serif face and merges it with the utility of a stencil font. The broken letter forms lend a down-to-earth, DIY vibe and make a fashion-oriented font accessible to everyone.

Uruguayan designer Fernando Diaz wanted to create a font that could be used simultaneously for long and short text without affecting legibility. Fenix was created. This serif typeface is inspired by calligraphy, and offers the chance for elegant readability in larger texts. It has rough strokes suggested from both sharp and edged curves. Spatial proportions are thoughtfully designed to save space in height and width. Fenix STD works well with Dosis, Open Sans, Raleway, and Exo.

While Baltica fits the criteria for a slab serif, it looks very similar to a simple sans-serif. The slabs are bracketed and of different widths from the letterforms, which is unusual for a slab-serif. These qualities are ultimately what set Baltica apart, giving it a signature look.

London-based designer James Barnard set out on a design journey: to create his own one day build (ODB, or phonetically oh-dee-bee), and complete the entire character set, numbers and the basic glyphs in 24 hours. The result? Odibee Sans (get it?). This ambitious and bold project speaks for itself, and works harmoniously alongside monospace and handwritten fonts.

Bowlby One SC proved that a font can be both utilitarian and decorative, taking forms to create a design from scanned and co-mingling 20th-century type specimens. During this particular era, there was a shift in typography identity to favor monumental style. Type itself then became a much more competitive business.

Alfa Slab One is a fresh take on the Six-lines Pica Egyptian Robert Thorne created for the Thorowgood Foundry in 1821. The difference between the two is that Alfa Slab One was designed to be heavier. Just to name a few details, it has extreme stem weight, big serifs, more stem contrast and gradual terminals. Thicker and bolder fonts are great attention grabbers. Pair together with a thinner, smaller serif font, like Nixie One, to bring out that most important bold.

Advent Pro is an edgy display font that utilizes the distinct universal characteristics of the sans-serif genre but has created its own modern characteristics. Combine it with Caveat for an effortless balance of familiarity and friendliness.

Futura might be one of the most successful and most used typefaces of the 20th century. The unusual, geometric letterforms project an optimistic modernism. The style is reflective of the radical artistic experimentation in Germany at the time, especially at the Bauhaus art school, whose values revolved around functionality and order. They also believed that the individual artistic spirit could coexist with mass production.

Yvonne Schttler, the designer behind Krona One, was inspired by hand lettering on early 20th-century Swedish posters. This sans serif font is done in a low-contrast, semi-extended style, which makes it super-readable, memorable and attractive on either a small or larger display.

Bauhaus and its many iterations are reinterpretations of the forgotten 1925 font Universal. The typeface ITC Bauhaus takes inspiration from Universal and builds on it with the inclusion of upper- and lowercase characters and an overall refinement. The strokes are all the same weight and evenly geometric, yet somehow wacky in their swooping curves and slivers of negative space. The font has a retro feel and is perfect for logo designs looking to capture an old-school feel.

Exo was born in an attempt to convey a technological and futuristic vibe. Natanael Gama designed the sans serif typeface to further his own research into typography. Geometric, contemporary and masculine-leaning, Exo was meant to be incredibly versatile and thus works well for most sizes.

Neville Brody created this font by processing an iteration of Akzidenz-Grotesk through the Photoshop blur filter three times to create the three corresponding weights. The result is not particularly readable, but it does have an exciting look that was especially groundbreaking to those working in the early 90s.

Horizon takes inspiration from the typography used in the original Star Trek series. Quite fittingly, this font was used 21 years later in the film Star Trek: Into Darkness. In keeping with the digital experimentation of the 90s, Horizon has a space-age look with sharp, unexpected angles that were achieved sharply with digital tools.

FF Din was created for the foundry FontFont by Erik Spiekermann (also the creator of FF Meta) and ended up becoming their best-selling typeface. It modernized san-serif design by extending circular elements into geometric ovals, cutting off letterforms in unexpected (but pleasing) ways and creating nuanced curves through advanced geometry.

Neo Sans has become somewhat of a touchstone for sans-serif typefaces with curved corners. It was one of the first typefaces to use the technique in such a subtle and sophisticated way. It decreases the intensity of the font and creates a friendlier energy.

According to the designer, Proxima Nova is a font that bridges the gap between fonts like Futura and Akzidenz-Grotesk. Based on a broad spectrum of typography styles, a bridge between those extremes was welcome.

Veronika Burian (also one of the collaborators on the font Foco) is truly worth highlighting for her work on Tondo, one of the early fonts to take rounded corners to an extreme. The result is cute, fresh and healthy, which may be why it became part of the branding for the London marathon.

Brandon Grotesque stands apart from other sans-serifs with its low x-height, a characteristic that gives the typeface a certain compactness and warmth. Some of you may recognize it from the Comedy Central branding.

Amsi brings the classic 1900s Block Berthold typeface into the present by utilizing the subtle corner rounding of typefaces like Neo Sans and adding three separate weights ranging from very thin to very thick. 152ee80cbc

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