Our Town was written in 1938, at a particularly tumultuous time in American history. While many popular plays and musicals of the era focused on escapism--a particularly welcome opportunity in the years following the Great Depression.
Alternatively, Thornton Wilder wrote this particular play to connect directly with the audience. Through the character of the Stage Manager, Wilder's play narrated the lives of a fictional community in Grover's Corners. This new approach of talking directly to the audience (also called breaking the fourth wall) seemed radical, giving the mundane events of the play a different context.
Our production was heavily inspired by the work of Frantic Assembly--a theatre company based out of the UK. Frantic Assembly uses choreography and physical movement in their performances to encourage collaboration and exploration. Drawing on these techniques, we incorporated ensemble movement to help illustrate what we imagined life to be like in Grover's Corners.Â
Rather than using these moments to pantomime or imitate mundane moments, we worked to imaginatively explore the larger rhythms of this community. This choreography gives the audience insight into the emotional experience of the characters--it gives us a glimpse into their moments of happiness, joy, or transition. In discovering this ensemble work, our actors were able to illuminate relationships, connection, and the sense of community here in Our Town.
The idea of nostalgia often refers to a homesickness--a desire to return to a feeling, situation, or circumstance of the past. Nostalgia is described as bittersweet, both encapsulating the happiness of a positive memory and the sadness at its loss.
Wilder's play depicts events from the early twentieth century, but was written in 1938. In many ways, Our Town highlights the feelings of nostalgia associated with slower living. Still, this play has been celebrated for its universal themes--particularly, the power and necessity of community.