The third book is an anthology, The Scribner Anthology of Contemporary Short Fiction, second edition (2007). I found it to be inferior to the book used in two previous classes, 100 Years of the Best American Short Stories, though a few of the stories overlap.

Two novels and an anthology were required for the classwork, and an additional novel was needed for the final project. I do not recall, as I write this months later, if we were given a list to choose from, but I suspect that was the case. I chose On the Road by Jack Kerouac, and I don't think I would have come up with that on my own.


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The evening events really differentiate this program from other writing programs. Having the opportunity to hear from authors, poets, and publishers, and for them to share their processes was incredibly useful.


Joanna Yas (Director) was the Editor of Open City Magazine & Books for over a decade. She is Editor-in-Chief of Washington Square Review and Literary Editor of Stranger's Guide, Executive Editor of West 10th. She previously held positions at Ploughshares, Grand Street, and Zoetrope: All-Story. She is a co-founder of Editrixie, an editorial services company, and co-editor of the anthology They're at It Again: Twenty Years of Open City. Joanna is Readings & Special Programs Manager at the NYU Creative Writing Program, where she teaches, co-curates the reading series, and directs Writers in New York.


Many Flagler College students are well acquainted with Martone's work through his co-editing of the renowned short fiction anthology "The Scribner Anthology of Contemporary Short Fiction," a mainstay in several creative writing courses at the College. The visit offers the community a chance to experience Martone reading his own work, in his famously humorous style.

Flagler College is an independent, four-year, comprehensive baccalaureate college located in St. Augustine, Fla. The college offers 24 majors, 29 minors and two pre-professional programs, the largest majors being business, education and communication. Small by intent, Flagler College has an enrollment of about 2,600 students, as well as a satellite campus at Tallahassee Community College in Tallahassee, Fla. U.S. News & World Report and The Princeton Review regularly feature Flagler as a college that offers quality education at a relatively low cost; tuition is $22,500, including room and board. A relatively young institution (founded in 1968), Flagler College is also noted for the historic beauty of its campus. The main building is Ponce de Leon Hall, built in 1887 as a luxury resort by Henry Flagler, who co-founded the Standard Oil Company with John D. Rockefeller. For more on Flagler College, visit www.flagler.edu.

Hayes served as the 2017-2018 poetry editor for New York Times Magazine. He was guest editor of The Best American Poetry 2014 (Scribner, 2014), the preeminent annual anthology of contemporary American poetry. His poems have appeared in ten editions of the series.

With a Creative Writing MFA, Columbia alumni go on to find employment in teaching, editing, arts administration, public relations, nonprofit agencies, literary foundations, advertising, and copywriting. Many have started successful journals and independent presses while others work for national publications or continue their studies in doctoral programs. A stunning number of our alumni have had their books and chapbooks published by both major publishing houses and on highly regarded independent presses. They have won contests and awards judged by renown writers nationally and internationally. Their voices are part of the contemporary literary landscape.

Sophie Collins (UK, 1989). Sophie Collins is a poet, translator, and editor. She is the author of the poetry collection Who Is Mary Sue? (Faber, 2018) and small white monkeys (Book Works, 2017), a fragmentary poetic essay on the self, self-help, and shame. As an editor, she has published Currently & Emotion (Test Centre, 2016), an anthology of translations of contemporary poetry into English. She is a professor at the University of Glasgow and is working on her first novel.

Tony Eprile (South Africa, 1955). Tony Eprile is a South African novelist interested in the impact of political and racial tensions on everyday life. He is the author of The Persistence of Memory (published in Spanish by Velecio editores), a novel selected on the "Notable Book of the Year" list by The New York Times and granted the Koret International Jewish Book Award for fiction. His short story anthology, Temporary Sojourner, was also selected by the NY Times and she has published stories in Plowshares, Agni, Story Quarterly, GlimmerTrain, and Post Road magazines. He is currently completing a new novel (The War Artist) and a memoir about his family's migration from South Africa to England (God Save Your Bloody Queen).

Annie Liontas' debut novel, Let Me Explain You (Scribner), was featured in The New York Times Book Review as Editor's Choice and was selected by the ABA as an Indies Introduce Debut and Indies Next title. She is the co-editor of the anthology A Manner of Being: Writers on their Mentors. She served as Visiting Writer at UC Davis, University of Massachusetts, and Bryn Mawr College before joining George Washington University. Her work has appeared in The New York Times Book Review, Gay Magazine, BOMB, Guernica, Ninth Letter and Lit.

raster image: An image stored and shown in terms of points, each one based on a set number of bytes that define its color. Arranged in a grid of pixels on a monitor, the points represent the tones, colors, and lines of the image. Common raster formats include TIFF and JPEG. Sometimes called bitmapped images, raster graphics are often contrasted to vector graphics, which represent images by such geometrical elements as curved lines and polygons rather than points in a grid. Vector graphics are typically used in programs for drawing and computer-aided design (CAD).

Since our founding in 1970, Poets & Writers has served as an information clearinghouse of all matters related to writing. While the range of inquiries has been broad, common themes have emerged over time. Our Top Topics for Writers addresses the most popular and pressing issues, including literary agents, copyright, MFA programs, and self-publishing.

Find information about more than two hundred full- and low-residency programs in creative writing in our MFA Programs database, which includes details about deadlines, funding, class size, core faculty, and more. Also included is information about more than fifty MA and PhD programs.

One thing I noticed in many of the magazines I looked at, large or small, print or digital, was a real effort to be more global in their perspective. I was impressed to see many translations included everywhere, as well as whole issues featuring only poems in translation, or devoted entirely to work by poets of a specific country. While translations are not eligible for inclusion in The Best American Poetry, this movement toward representing more cultural and ethnic diversity allowed me to find numerous exceptional poems written by poets born in other countries who have emigrated to the United States. Included in this anthology are works authored by people originally from Argentina, Ghana, Japan, Iraq, Ukraine, Russia, and Belarus, as well as poems by the children of immigrants from all around the world. These voices enrich this collection immeasurably.

His nonfiction has appeared in Kenyon Review online; The Georgia Review; Ninth Letter; Entropy; War, Literature, and the Arts; North American Review; Southeast Review; DIAGRAM; and forthcoming in the anthology Why We Write: Craft Essays on Writing War (Middle West Press). He is a contributing editor at Moss: A Journal of the Pacific Northwest and currently resides in Corvallis, Oregon.

In ENG 302, we will be learning about and practicing technical communication through the study of rhetorical principles, audience analysis and user experience design (UXD). We will be learning about rhetorical problem-solving principles and applying them to diverse professional writing tasks and situations. In other words, in this class, you will be learning about the conventions for writing, speaking and designing appropriate workplace documents and communications. We will be studying and writing a variety of different genres that are common in professional settings and you will be learning about and testing out new digital platforms and programs for technical & professional communication.

When notified that his poem would be included in the anthology, Hudson revealed his identity to Alexie. He said "The Bees" had been rejected 40 times under his own name, and another 9 times under the Chou pseudonym, before it was published in the literary journal Prairie Schooner.

Hudson's revelation left Alexie angry and torn, he said. Should he include the poem in the anthology, in light of Hudson's real identity? Or should he remove it? In the end, he decided it should be published, along with an explanation of the Yi-Fen Chou pseudonym in the anthology's notes.

It remains to be seen if the controversy will push sales of the anthology one way or the other. If sales increase amid the maelstrom, more people will be exposed to the work of a truly diverse group of poets. If people boycott the inclusion of Hudson, a fleet of great poems will not get the appreciation they deserve.

Edie Meidav is the author of the lyric novel Another Love Discourse (MIT/Penguin, 2022), as well as Kingdom of the Young (Sarabande, 2017), a collection of short fiction with a nonfiction coda, and three award-winning novels called editorial picks by the New York Times and elsewhere: Lola, California (FSG/Picador, 2012), Crawl Space (FSG/Picador, 2005), and The Far Field: A Novel of Ceylon (Houghton/Mariner, 2001) and a coedited anthology Strange Attractors (UMass Press, 2019). Her work has been recognized by foundations including Lannan, Howard, Whiting, Fulbright (Sri Lanka and Cyprus), the Kafka Prize, the Village Voice, the Bard Fiction Prize, Yaddo, Macdowell, VCCA, Art OMI, and Fundacion Valparaiso. Former director of the MFA at the New College of California in San Francisco, she has served as judge for Yaddo, the NEA, Mass Cultural Council, Juniper Prize, the PEN/Bingham first novel prize, and as senior editor at Conjunctions. 589ccfa754

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