Google Fonts collaborates with type designers, foundries and the design community worldwide to create a directory of open source fonts. The fonts are free to use, making beautiful type accessible to anyone for any project.

But my text are rendered with some sans-serif font besides the fact that it mention Open Sans in the CSS inspector. Even if I remove all font-family from the CSS inspector in my Chrome browser, the font doesn't change. Also, if I add !important, nothing change.

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I recommend going to Google Fonts and downloading it from there. The package you get from them directly comes with both variable and static (use the static ones.. do not load both), and are v3.0 (Adobe is still serving the v1.0 versions).

Thank you. I just had this problem and this worked for me. I can't remember if I had to restart my computer too but it won't hurt. Instances where I had already used the available weights of the font did go a bit weird in places so I did have to change these to the "new" installs of the static fonts. All working well now.

The "Adobe Fonts" site (and the "Adobe Fonts" tab in the Creative Cloud Application) does distinguish between the "Open Sans" types (There are 10 fonts in this family in total) and "Open Sans Condensed" types (There are 3 fonts in this family in total). They all seem to be grouped correctly and all of them are activated.

In Indesign, the Fonts selection list also lists these fonts in their correct groups. But when I open the "Find More" tab in the Fonts selection list then I see that two of the "Open Sans Condensed" type fonts are being listed in the "Open Sans" type group.

Whenever Indesign is updated and I go to one of my old manual projects then Indesign loses some or all of the Open Sans Condensed fonts and I have to re-assign them. I've been dealing with this problem for about 7 years now. I switched to Framemaker 2 years ago but sometimes I have to open up one of the old manual files created in Indesign and deal with this issue.

Further info. So regardless of the fact that class showed as quicksand for me, I changed it to verdana, created a new paragraph, applied the class, published and Opensans and quicksand were still showing in the html source. I deleted cache, tried again still Opensans and Quicksand. After that I just deleted that element, checked the class no longer existed in the styles panel, published, deleted browser cache in chrome, visited site and Open Sans still showing. See links below.

Hi @GrahamCox, thanks for your info. Yes, I was checking into this further and can see that the Open Sans font is still loading, there seems to be a ghost font style still being applied on the published css only.

One thing I can tell you though, is that even once this is fixed, this will buy you a small performance boost, but the majority of the issues with the site load time is not due to the fonts, those are pretty small anyway and take up only a small percentage of the requests on the page.

Now when I test on the actual published site, the results are far different with the custom code, the number of requests are high and there is script that could be optimized as shown in performance insights:

Once we help resolve the issue why the Open Sans font cannot be removed from the site, that will help reduce total requests by 11 and will reduce page download by 180k, so you can expect about a 10% performance improvement once the font issue is resolved.

A quick way to find all classes using a specific font is to open the CSS file generated by webflow. Just open your website in the browser, open the inspector, go to network, and look for the css file. Open it in a new tab and search for the font. Then restyle all the classes that you found to not use the font anymore.

Hi all, yesterday we encountered an odd problem. We built several courses in Storyline 360 in several languages, the font Open Sans was used for the main body. We tested all of them in Explorer, Firefox and Chrome. Everything was ok.

After that, the client asked us to merge them in one Storyline file, to make a Multilingual version. We merged the scenes, and created the multilingual version. We published the course again. Explorer was displaying everything correctly, but Chrome and Mozilla Firefox did not. The Open Sans font in the multilingual published course was not diplaying well, it was corrupted. The client is not happy and asking why now the course is not displaying well in those 2 browsers when it was displaying well in the stand alone versions. Please advise.

Wow, I am experiencing the same unique issue. We have a course that primarily uses our client's standard font, Slate Pro Medium. The course includes 14 branches, with each being a different language. It is published with Storyline 360 as HTML5 with Flash fall back. The Slate Pro font does not display properly in Firefox or Chrome. It does display properly in Edge and Internet Explorer. We published a single screen test using Slate Pro Medium, and the font displays properly in all browsers. It seems to be an issue when multiple languages are included in a single SCORM package. Have you made any progress on this issue?

If you open a ticket, you can then share it via email (such as an FTP login or wetransfer) to keep it private. They'll even sign an NDA if needed. We did this before 6 months ago over another problem we had.

I haven't heard of an issue specific to multiple languages in a course, but our Support Team is happy to take a look (and sign that NDA if needed). I'd also suggest taking a look at these troubleshooting steps for when the font is displaying incorrectly or characters are missing.

There is almost no website, app or digital product that exists without text. And typography is the clothes your words wear. It sets the tone of voice or the vibe for your project. And as Jason Pamental said in a talk Type is never neutral.

Absolutely, its five weights with corresponding italics make it suitable for a range of applications. But do you really need all these characters and styles? For most projects you might be good with regular, bold, maybe italic. So remember, less might be more.

There are a lot of other fonts out there, some also free and open source, that are an equal good choice. Take a look at my list where to get good fonts. I really want to encourage you to look at the tiny foundries, distributors and type designers that license them for a reasonable price, just to mention one of my favorites like DJR, fontfabric, latinotype or futurefonts.

I hope I could show you why your font choice matters and how you can make a difference in looking beyond the popular selections. Is there an omnipresent typeface you are you sick of? Leave it in the comments below!

So you are opinionated. Fine. Please share, what you are using on this very page. Here when I had read all the way through, I realized, that whatever you are using for this page is rather bland too, except for the z-logo top-left.

I like Open Sans, for reading even more than Noto. Noto Sans is very good for devices with little space, but when I put it next to the Segoe UI on the desktop there is a big difference in readability.

How would you try to achieve that balance between creative/inspired typography and (international) content accessibility? With limited resources and no knowledge of non-Latin scripts, I have no option but to trust that the most-popular typefaces will look good for all of these languages!

I went looking for Open Sans as I had seen it mentioned as a dyslexia-friendly font so I could download it and try it out in the documents I create. Given the purpose of my search, I was a bit thrown that one of the top results was this post imploring me to stop using it. Upon reading it (which was non-trival), I saw that the reasons you have stated essentially ignore one of its main strengths.

Thanks for sharing your thoughts and perspective, Matthias, and for describing it so well. I understand that this all might be very challenging to you. And as I wrote, Open Sans is not a bad typeface. I totally get that it is very helpful and easier to read than others. But regarding branding and making your project memorable, I want to encourage people to look for less often used typefaces.

The issue with readability under certain conditions is super important. And I will definitely add more content to accessibility in the future. Your link is also helpful here. However, in some cases I think switching to reader mode, where the styling of the text is replaced by your custom settings, would be best. But there seems to be some kind of friction between branding, and accessibility. A good topic to dive in to more.

I agree, Dave. Accessibility is super important. And yes, it is a good typeface, also for that. I was mostly referring to branding aspects and there it is not beneficial. But you could always combine it with something for headings or other display text to stand out more, if you have to use Open Sans.

Pimp my Type is a project by me, Oliver Schndorfer, a freelance designer and speaker from Austria, deeply in love with everything type. Hire me for outstanding UI & app design. If you think my content and enthusiastic style fits your podcast or event, drop me a line!

Most of us think of fonts as little more than functional features in our word processors. A browse through some of the fonts available for downloading shows how wrong that assumption is. Font designers are true artists, and their artworks show just what imaginative graphic design can do to spice up a dull document. It might not be appropriate to use a fancy font for some kinds of printed text, but the applications for special fonts are wide-ranging.

The first step in determining which font to use is deciding whether to use a serif or sans serif font. Serif fonts have tiny lines that extend from the ends of every letter, number, or symbol, and can appear as tails, dots, or flags. They tend to make each letter or symbol more distinct, thereby creating text that is easy to read. They are particularly effective for headings. Choose a serif font when you want to convey personal, artistic, or traditional feelings on your web site. 152ee80cbc

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