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We compare products from their published specs and features; the verdicts below are our independent editorial opinions.
If you want a proven wired studio/DJ over-ear with a bundled protective case and a 2-year warranty, choose OneOdio DJ Hi-Res Over-Ear; if you need the extra second cable with an inline microphone for calls, gaming chat and quick voice notes, choose EKSA Headphones. Both are 50mm wired over-ears aimed at monitoring, mixing and recording — so if you landed here searching for best rechargeable open ear headphones for swimming, sleep headphones for swimming or kids headphones for swimming, neither of these is the right tool. These are closed-back, wired, adult studio cans for the desk.
• OneOdio DJ Hi-Res Over-Ear — biggest strength: a complete kit out of the box (DJ headphones, coiled-style cable, protective case, user manual) plus a 2-year warranty, which matters if the headphones live in a bag between sessions.
• OneOdio DJ Hi-Res Over-Ear — biggest trade-off: it's wired and it ships with one cable, so there's no inline mic for calls or voice chat.
• EKSA Headphones — biggest strength: two cables in the box — a long 3.5mm-to-6.35mm coiled cable for amps and mixers, and a shorter 3.5mm-to-3.5mm cable with a microphone for phones, laptops and chat.
• EKSA Headphones — biggest trade-off: no hard case included, so you'd need to source your own protection for travel.
• Who each is for: OneOdio for the studio/DJ user who wants one tidy kit and a case; EKSA for the multi-device user who switches between an amp, a computer and a phone and wants a mic on hand.
The OneOdio DJ Hi-Res Over-Ear is a wired over-ear built around 50mm dynamic drivers, with 32 ohm impedance, 110 dB sensitivity and a 20 Hz–40 kHz frequency range. That combination is the standard recipe for a headphone that's easy to drive from a laptop or interface while still reaching well past the audible top end — useful when you're tracking an instrument and want to hear what's happening in the upper harmonics. The dual 3.5mm and 6.35mm jack setup is the practical part: it means the same pair works on a phone or laptop and on a keyboard, guitar amp, mixer or interface without hunting for an adapter.
What it does best is the studio-and-DJ workflow. The earcups are over-ear with a circular shape and a leather/metal/plastic build in black, and the noise control is sound isolation rather than active noise cancellation — exactly what you want when you're monitoring a mix and don't want the room bleeding in. The media control is a push-button type, so there's basic playback control on the cable. In my opinion, the strongest argument for this one is the packaging: it arrives with the cable, a protective case and a user manual, and it carries a 2-year warranty. For a headphone that gets thrown in a gig bag, the case is not a gimmick.
Who should buy it: podcasters, home recorders, DJs and anyone doing keyboard, guitar or piano work who wants one pair that covers both 3.5mm and 6.35mm gear and comes with somewhere safe to store it. Who should skip it: if you spend most of your day on calls, in voice chat or recording voice memos straight into a phone, the single cable and the absence of an inline mic make this the weaker pick. Also skip it if you want wireless — this is a wired-only design, full stop. And it is an adult-oriented headphone; it's not a kids' product and it isn't built for water.
The EKSA Headphones (model P100) reads like the same core headphone with a different accessory strategy. Same 50mm dynamic drivers, same 32 ohm impedance, same 110 dB sensitivity, same 20 Hz–40 kHz range, same over-ear circular cups in leather/metal/plastic, same 3.5mm/6.35mm jack support, same push-button media control, same sound isolation, same 2-year warranty and even the same listed weight. On paper, the audio fundamentals are a match.
Where EKSA differentiates is cabling. The box includes a long coiled 3.5mm-to-6.35mm cable (roughly 2–3 m / 9.8 ft) and a shorter 1.2 m / 3 ft 3.5mm-to-3.5mm cable with a microphone. That's a genuinely useful split: the long coiled run for a mixer, amp or interface where you want slack and a tidy floor, and the short mic'd cable for a laptop, PC, phone or tablet where you're talking as much as listening. If you bounce between a guitar amp, a podcast recording and a Zoom call, you don't have to swap gear — you swap cables.
What it does best is that multi-source flexibility. In my opinion, this is the pick for the person whose "studio" is really a desk with a laptop, a small interface and a phone on it. The mic'd cable covers the voice side; the coiled cable covers the instrument side. The trade-off is what's missing: there's no protective case in the box, so the headphone is more exposed in a backpack unless you add your own pouch. The manual lists a max input power figure, but the sheet doesn't give a wattage value, so I won't guess at one.
Who should buy it: home studio users, podcasters, gamers on wired chat, and anyone recording voice or taking calls who wants a mic in the box. Who should skip it: gigging DJs who need a hard case for transport, and anyone expecting wireless. Same as the OneOdio, this is an adult wired headphone and has nothing to do with swimming or with kids' use.
• Best for a complete, protected kit → OneOdio DJ Hi-Res Over-Ear. The case plus manual plus 2-year warranty means it's ready to travel the day it arrives.
• Best for multi-device use → EKSA Headphones. Two cables, one long coiled for amps and mixers and one short with a mic for computers and phones.
• Best for voice work, calls and chat → EKSA Headphones. The inline mic on the 3.5mm-to-3.5mm cable is the deciding feature.
• Best for DJs and studio monitoring → either, but I lean OneOdio for the included case and the cleaner single-purpose kit.
• Best for gaming and podcasting on a wired setup → EKSA Headphones, purely because the mic'd cable removes one extra purchase.
• Best for mixed 3.5mm and 6.35mm gear → a tie. Both support 3.5mm and 6.35mm and both run 50mm drivers at 32 ohm / 110 dB / 20 Hz–40 kHz.
• Best for kids → neither. These are adult over-ear headphones with sound isolation; they are not children's products and they are not water-resistant.
• Best for swimming → neither. For that use case you want a rechargeable open-ear or bone-conduction design rated for water, not a wired closed-back studio headphone.
In my opinion, the EKSA Headphones is the more versatile buy for most people reading this, because the second cable with a microphone turns one headphone into both a monitoring tool and a communication tool — and the core audio specs (50mm drivers, 32 ohm, 110 dB, 20 Hz–40 kHz) are identical to the OneOdio on paper. I'd pick the OneOdio DJ Hi-Res Over-Ear instead if the protective case and the single tidy kit matter more to you than having a mic, which is exactly the gigging DJ or traveling studio case. Either way, remember what these are: wired, closed-back, adult studio headphones for mixing, monitoring and recording. If you actually came here looking for best rechargeable open ear headphones for swimming, sleep headphones for swimming or kids headphones for swimming, skip both and shop for a water-rated rechargeable open-ear pair instead.
FAQ
EKSA Headphones, because it ships with a 1.2 m / 3 ft 3.5mm-to-3.5mm cable that has a microphone built in. OneOdio's kit centers on a single cable without an inline mic.
Yes — both support 6.35mm as well as 3.5mm, so they plug straight into a guitar amp, keyboard, mixer or audio interface. EKSA's long coiled cable (about 2–3 m / 9.8 ft) gives you more slack for that setup.
No. Both are wired, closed-back, over-ear headphones with sound isolation, listed for adults, and neither is described as water-resistant. For swimming you'd want a rechargeable open-ear or bone-conduction model rated for water, and for children you'd want a kids-specific headphone with a volume limit.
If price is the deciding factor for you, check the current price on Amazon using the button on this page — I don't quote figures here because they change.
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