6. Ek chatur naar karke (Padosan, 1968) : A musical battle where both Mehmood and Sunil Dutt lip-sync to Manna Dey and Kishore Kumar respectively as they try to win over Saira Banu. The singing by both the artist is sheer madness at its best.
9. Tum bin jeevan kaisa jeevan (Bawarchi, 1972) : There are some songs which I just cant imagine anybody else singing, and this is one of them. Directed by Hrishikesh Mukherjee, Rajesh Khanna playing the All-rounder Bawarchi is one of my favourite films too. And this film had a different music altogether, not the usual romantic numbers, as per the prevailing trend.
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Consistency: From the 1950s right up to the mid-1970s, Manna Dey regularly came up with hit numbers. There were times when he sang only one song in a film whereas other singers got three or four songs, but that one song made its own mark.
Quite agree..End of an era! Here is one of the most popular malayalam songs ever from one of the most famous and cult films of Mollywood, Chemmeen. Manna Dey singing a Salilda composition for Prem Nazir.
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Dubbed from the original Tamil film Kadhalan, all the songs including this one were dubbed for the Hindi version called Humse Hai Muqabla. Urvasi-Urvasi, unlike other south Indian dubbed songs we have heard over the years, does not dissappoint with its lyrics and music. A.R. Rehman was so subtle that you hardly notice the wrong lip-sync throughout the song. #TakeitEasyPolicy ;) Also check out Patti Rap from the movie. It has to be the maddest song you've ever heard.
The Hindi film industry, which is celebrating 100 years of cinema this year, initially had actors who sang their own songs on the screen. But as technology evolved and we started getting more and more linear actors (actors who could only act and had the most off-key voices), it became necessary to have lip-synching. It led to the birth of playback singers and the mushrooming of a gigantic film music industry.
For centuries, music in the form of folk songs has been part and parcel of every aspect of life in the subcontinent. This culture is reflected in our films. In fact, one of the reasons Hindi films have become almost akin to religion are the colourful songs incorporated for every occasion.
Think of any emotion and almost everything is expressed by song. The phenomenon also transcends race, religion, creed, territorial borders, age and financial status. At some point everyone from corporate head honchos, political bigwigs to professionals (and even royalty) have wooed their future spouses with Jab Dil Hi Toot Gaya (film: Shahjehan), Itna Na Mujh Se Tu Pyar Barha (film: Chhaya), Pyar Hua Ikrar Hua (film: Shree 420), Jaane Kya Tu Ne Kahi (film: Pyasa), Abhi Na Jao Chorr Kar (film: Hum Dono), Ehsan Tera Hoga Mujh Par (film: Junglee), Arere Aray Yeh Kya Hua (film: Dil To Pagal Hai), Bahoon Mein Chale Aao (film: Anamika), Acha To Hum Chalte Hain (film: Aan Milo Sajna), Tum Hi Ho (film: Aashiqi 2) and tons of others. Most of these songs are just as popular today as they were when they first came out. The Gen-Xers may not know the names of their singers, composers or films but when it comes to romance, they know it will get the job done!
A number of film songs are a delight to the ear. But when you mix different styles in the same song, your can enjoy the best from many worlds for a heady effect. Fusion songs truly enable you to double dip for double the delight.
Singing legend Lata Mangeshkar remembers her long association with late, noted Bollywood music director Rahul Dev Burman, affectionately called , on the occasion of his 75th birth anniversary on Friday and says "he died too young and too unhappy."
"For a composer as talented as Pancham to be almost jobless was a living death. Pancham was very unhappy. He would sometimes share his grief with me. I feel sad even now when I recall how cruel the industry was to Pancham just because some of his music didn't do well," she said while sharing how unhappy RD Burman was during his final years.
Born to the rising star in the musical firmament, SD Burman in the year 1939, Pancham revolutionised Hindi film music since he debuted as a composer with comedian Mehmood's 1961 movie Chhote Nawab.
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His range varied from the catchy Aaja Aaja from Teesri Manzil to the soulful thumri Hame Tumse Pyar Kitna by Parveen Sultana in Kudrat. He also composed mischievous number Ek chatur naar, badi hoshiyar from Padosan and the melodious Tere bina zindagi se koi shikwa to nahin from Aandhi.
He died at the age of 54.
Lata acknowledges her love and debt for the departed composer and says her brother-in-law "was immensely talented and could compose in any style."
"... he knew exactly which song to give to which singer. If he gave my sister Asha Bhosle Piya tu ab toh aaja, he gave me Raina beeti jaaye. He also gave me Naam ghum jayega chehra yeh badal jayega...This is the signature tune of my career," she added.
Burman's last work was seen in 1942: A Love Story, which was released after his unfortunate demise in 1994 and Lata gets emotional as she recalls the meomories while singing for the film.
"It was twice that my recording for Pancham for 1942: A Love Story got postponed. Finally, I was in Delhi when I heard he passed away. I recorded the song Kuch na kaho posthumously for Pancham with a heavy heart... If Pancham had lived, he would have been so happy to see his songs used so beautifully."
Lata feels that "Pancham was reverent."
"He saw me as his father's artiste, but when we recorded he was a colleague. And if Kishore-da (Kishore Kumar) was with us, then it was full masti (fun). We had great fun. And his songs have withstood the test of time. Only two music composers from Hindi cinema have attained such enduring fame after death. Pancham and Madan Mohan," she said.
Prabodh Chandra Dey (born 1 May 1919), better known by his nickname Manna Dey, is one of the greatest playback singers in Hindi and Bengali films. He has recorded more than 3500 songs over the course of his career. Along with Mohammed Rafi, Kishore Kumar and Mukesh, he dominated Indian film playback music from the 1950s to the 1970s.
Dey started his career in playback singing with the movie Tamanna in 1943. The musical score was by Krishna Chandra Dey and Manna sang a duet with Suraiya. The song was an instant hit. He sang a solo penned by Sachal Dev Burman, Upar Gagan Vishal, in the 1950 movie, Mashal. In 1952, Dey sang for a Bengali and a Marathi movie with the same name and storyline, Amar Bhupali. This established him as a leading playback singer.
Dey has been honored with the titles Padma Shri and Padma Bhushan and Dada Saheb Phalke award.
Let's go back in time and watch his 10 most popular songs... be457b7860
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