His works include Saudagar, Chor Machaye Shor, Chitchor, Geet Gaata Chal, Fakira, Ankhiyon Ke Jharokhon Se, Dulhan Wahi Jo Piya Man Bhaye, Paheli, Do Jasoos, Pati Patni Aur Woh, Insaf Ka Tarazu, Nadiya Ke Paar, Ram Teri Ganga Maili and Henna.[3] He extensively used Yesudas and Hemlata for singing his songs.[3][9] He composed many religious albums in different Indian languages, including Bengali and Malayalam. He composed music for several television series. His music for Ramanand Sagar's Ramayana became iconic.[3][10]

The team of Madgulkar and Phadke would present a new song every week for a year. Every song would be aired first on a Friday morning and then again on Saturday and Sunday morning, between 8:45 am and 9:00am IST. The programme was initially planned for a year (with 52 songs) with the concluding song Trvr Jayajayakr Rm where Rama becomes the King, but 1955 in the Hindu calendar had an extra month (Adhikms); therefore, four songs were added to extend the series to a total of fifty-six.[8] The series ended with the song "G Bno, Shrrmya" where the part post crown ceremony was added. Apart from the number of songs, Madgulkar and Phadke left music, lyrics and choice of singers ad libitum. Madgulkar was given artistic liberty for the choice of the meters for the song, execution of the story line, and the message he could convey through it.[9]


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Initially, the programme was scheduled to begin on the occasion of Gudi Padwa, beginning of the New year according to the lunisolar Hindu calendar but later finalized to be Rama Navami, traditional birthday of Rama.[10] The program's first song "Kua Lava Rmya Gt" was aired on 1 April 1955 at 8:45 am IST.[11] Vidya Madgulkar, the poet's wife, recalled in an interview that Madgulkar wrote the first song and gave it to Phadke the day before the recording; however, Phadke lost the lyrics. With the broadcast already scheduled, station director Sitakant Lad requested Madgulkar to re-write the song which was readily declined by an angered poet. Lad then decided to lock the poet in one of recording rooms equipped with all the required writing material and agreed to unlock the door only when Madgulkar is ready with the lyrics. Madgulkar then rewrote the lyrics from memory in fifteen minutes so Phadke could compose the music.[8][12][13]

The singers, which included Vasantrao Deshpande, Manik Varma, Suresh Haldankar, Ram Phatak and Lata Mangeshkar, were familiar with the vocal style of Indian classical music. Phadke voiced all the songs for Rama, and well-known Kirana gharana singer Manik Varma voiced the character of Sita. Lata Mangeshkar sang one song for Sita, "Maj Sng Lakma", in which Sita questions Rama about her abandonment but her question remains unanswered.[21]

The film industry was up in arms, of course. Filmfare magazine characterized Keskar as a devious man whose decision was a calculated blow at the reputation of the Indian film industry, as much as one aimed at ousting film music from the market" (August 1952 issue). In response, film producers who owned the rights to the songs decided to rescind the broadcast licences given to AIR. And, as Keskar anticipated, film music completely disappeared from radio within a mere three months. The void was filled by AIR broadcasting classical music.

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