O Brother, Where Art Thou? is a 2000 satirical comedy-drama film written, produced, co-edited, and directed by Joel and Ethan Coen. It stars George Clooney, John Turturro, and Tim Blake Nelson, with Chris Thomas King, John Goodman, Holly Hunter, and Charles Durning in supporting roles.
The film is set in rural Mississippi in 1937, and it follows three escaped convicts searching for hidden treasure while a sheriff relentlessly pursues them. Its story is a modern satire which, while incorporating social features of the American South, is loosely based on Homer's epic Greek poem The Odyssey.[10] Some examples of this include Sirens, a Cyclops, and the main character's name, "Ulysses", which is the Roman name for "Odysseus".[11] The title of the film is a reference to the 1941 Preston Sturges film Sullivan's Travels, in which the protagonist is a director who wants to film O Brother, Where Art Thou?, a fictitious book about the Great Depression.[12]
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Much of the music used in the film is period folk music.[13] The movie was one of the first to extensively use digital color correction to give the film an autumnal sepia-tinted look.[14] It was released by Buena Vista Pictures in North America, while Universal Pictures, through United International Pictures, released it in other countries. The film was met with a positive critical reception, and the soundtrack won a Grammy Award for Album of the Year in 2002.[15] The country and folk musicians who were dubbed into the film include John Hartford, Alison Krauss, Dan Tyminski, Emmylou Harris, Gillian Welch, Ralph Stanley, Chris Sharp, and Patty Loveless. They joined to perform the music from the film on the Down from the Mountain concert tour. One of the performances was filmed and released as a documentary.[13][16]
Three convicts, Pete, Delmar and leader Ulysses Everett McGill, escape from a chain gang to retrieve a buried treasure before the area is flooded to make a lake. The three get a lift from a blind man driving a handcar on a railway. He tells them they will find a fortune, but not the one they seek. The trio make their way to the house of Wash, Pete's cousin. They sleep in the barn, but Wash reports them to Sheriff Cooley, who, along with his men, torches the barn. Wash's son helps them escape.
They pick up Tommy Johnson, a young black man who claims he sold his soul to the devil in exchange for the ability to play guitar. In need of money, the four stop at a radio station where they record a song as the Soggy Bottom Boys. That night, the trio part ways with Tommy after their car is discovered by the police, and they briefly fall in with outlaw Baby Face Nelson. Unbeknownst to them, the recording becomes a major hit.
Near a river, the group hears singing. They see three women washing clothes and singing. The women give them corn whiskey and they lose consciousness. Upon waking, Delmar finds Pete's clothes lying next to him, empty except for a toad. Delmar is convinced the women were Sirens and transformed Pete into the toad. Later, one-eyed Bible salesman Big Dan invites them for a picnic lunch, then mugs them and kills the toad.
On their way to Everett's hometown, Everett and Delmar see Pete working on a chain gang. Upon arriving Everett confronts his wife Penny, who changed her last name and told his daughters he was dead. He gets into a fight with Vernon, her new "suitor". Later that night, they sneak into Pete's holding cell and free him. As it turns out, the women had dragged Pete away and turned him in to the authorities. Under torture, Pete gave away the treasure's location to the police. Everett then confesses that there is no treasure. He made it up to persuade the men he was chained with to escape with him in order to stop his wife from getting remarried. Pete is enraged at Everett, because he had two weeks left on his original sentence, and will likely face fifty more years for the escape.
The trio stumble upon a Ku Klux Klan rally, who are planning to lynch Tommy. The trio disguise themselves as Klansmen and move to rescue Tommy. However, Big Dan, a Klan member, reveals their identities. Chaos ensues, and the Grand Wizard reveals himself as Homer Stokes, a candidate in the upcoming gubernatorial election. The trio rush Tommy away and cut the supports of a large burning cross, immolating Big Dan.
Everett persuades Pete, Delmar and Tommy to help him win his wife back. They sneak into a Stokes campaign gala dinner she is attending, disguised as musicians. The group begins a performance of their radio hit. The crowd recognizes the song and goes wild. Homer recognizes them as the group who humiliated his mob. When he demands the group be arrested and reveals his white supremacist views, the crowd runs him out of town on a rail. Pappy O'Daniel, the incumbent candidate, seizes the opportunity, endorses the Soggy Bottom Boys and grants them full pardons. Penny agrees to remarry Everett with the condition that he find her original ring.
The next morning, the group sets out to retrieve the ring, which is at a cabin in the valley which Everett had earlier claimed was the location of his treasure. The police, having learned of the place from Pete, arrest the group. Dismissing their claims of having received pardons, Sheriff Cooley orders them hanged. As Everett prays to God, the valley is flooded[e] and they are saved. Tommy finds the ring in a desk that floats by, and they return to town. However, when Everett presents the ring to Penny, it turns out it was her aunt's ring. She declares that she will not marry him with that ring, but only her wedding ring, which is still lost.
The idea of O Brother, Where Art Thou? arose spontaneously. Work on the script began in December 1997, long before the start of production, and was at least half-written by May 1998. Despite the fact that Ethan Coen described the Odyssey as "one of my favorite storyline schemes", neither of the brothers had read the epic, and they were only familiar with its content through adaptations and numerous references to the Odyssey in popular culture.[22] According to the brothers, Tim Blake Nelson (who has a degree in classics from Brown University)[23][24] was the only person on the set who had read the Odyssey.[25]
The title of the film is a reference to the 1941 Preston Sturges film Sullivan's Travels, in which the protagonist (a director) wants to direct a film about the Great Depression called O Brother, Where Art Thou?[12] that will be a "commentary on modern conditions, stark realism, and the problems that confront the average man". Lacking any experience in this area, the director sets out on a journey to experience the human suffering of the average man but is sabotaged by his anxious studio. The film has some similarity in tone to Sturges's film, including scenes with prison gangs and a black church choir. The prisoners at the picture show scene is also a direct homage to a nearly identical scene in Sturges's film.[26]
Joel Coen revealed in a 2000 interview that he traveled to Phoenix to offer the lead role to Clooney. Clooney agreed to do the role immediately, without reading the script. He stated that he liked even the Coens' least successful films.[27] Clooney did not immediately understand his character and sent the script to his uncle Jack, who lived in Kentucky, asking him to read the entire script into a tape recorder.[28] Unknown to Clooney, in his recording, Jack, a devout Baptist, omitted all instances of the words "damn" and "hell" from the Coens' script, which only became known to Clooney after the directors pointed this out to him during shooting.[28]
This was the fourth film of the brothers in which John Turturro has starred. Other actors in O Brother, Where Art Thou? who had worked previously with the Coens include John Goodman (three films), Holly Hunter (two), Charles Durning (two) and Michael Badalucco (one).
The Coens used digital color correction to give the film a sepia-tinted look.[14] Joel stated this was because the actual set was "greener than Ireland".[28] Cinematographer Roger Deakins said, "Ethan and Joel favored a dry, dusty Delta look with golden sunsets. They wanted it to look like an old hand-tinted picture, with the intensity of colors dictated by the scene and natural skin tones that were all shades of the rainbow."[29] Initially the crew tried to perform the color correction using a physical process, but after several tries with various chemical processes proved unsatisfactory the process was performed digitally.[28]
This was the fifth film collaboration between the Coen Brothers and Deakins, and it was slated to be shot in Mississippi at a time of year when the foliage, grass, trees, and bushes would be a lush green.[29] It was filmed near locations in Canton, Mississippi,[30] and Florence, South Carolina, in the summer of 1999.[31] After shooting tests, including film bipack and bleach bypass techniques, Deakins suggested digital mastering be used.[29] Deakins spent 11 weeks fine-tuning the look, mainly targeting the greens, making them a burnt yellow and desaturating the overall image in the digital files.[14] This made it the first feature film to be entirely color corrected by digital means, narrowly beating Nick Park's Chicken Run.[14] O Brother, Where Art Thou? was the first time a digital intermediate was used on the entirety of a first-run Hollywood film that otherwise had very few visual effects. The work was done in Los Angeles by Cinesite using a Spirit DataCine for scanning at 2K resolution, a Pandora MegaDef to adjust the color, and a Kodak Lightning II recorder to put out to film.[32]
A major theme of the film is the connection between old-time music and political campaigning in the American South. It makes reference to the traditions, institutions, and campaign practices of bossism and political reform that defined Southern politics in the first half of the 20th century. 152ee80cbc
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