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NWYART

FRESH PAINT

ART START:  

PREP YOUR SPACE TO CREATE TODAY.  ONCE PREPPED, DRAW SOMETHING YOU SEE IN THE ROOM

SEPTEMBER ART:

  • DESIGN AND SCULPT A 4 SLOT BRUSH HOLDER

  • CREATE WATERCOLOR SNAPSHOTS OF YOUR SUMMER

BRUSH HOLDER

decoupage

SUMMER SNAPS

CLAY PROJECT

basic clay 

PREPLAN in STUDIO NOTEBOOK:

Come up with 3 different designs for your brush holder. 


Add your color ideas to your sketchbook design.


( Only one class period is will be devoted to the  clay construction )

CLAY BASICS:

🫓 Roll out a slab of clay about 1/4 inch thick, trace the template on the clay, and cut out the shape


💧Score (scratch messy crosshatched lines into) and add a little water to the edges of your clay that you’re attaching to each other. Press the pieces together and smooth the seams until invisible.  Indent the slots for 4 brushes. 


🌬️ Let dry

🖌️ Paint with acrylic paint 

FOCUS LESSON:   

HOW TO GET PAINT ON MY OWN 

  PAINTING AND CLEANING UP TUTORIAL 




ON YOUR OWN:

CREATING WITH CLAY

PRACTICE DRAWING A CAMERA  

work on sketch ideas




WATERCOLOR PROJECT

STUDIO NOTEBOOK:


  • DRAW THE CAMERA YOU WOULD LIKE TO USE; SKETCH IN DETAIL

  • TRANSFER THE IMAGE TO WATERCOLOR PAPER

  • DRAW 3 THUMBNAIL SKETCHES OF YOUR SUMMER MEMORIES

  • ADD THESE TO THE "POLAROID PAPER"


Paint  in the  various shapes, one color at a time. For instance, first paint in all the yellow shapes. Then all the orange shapes, then dark pink, light pink, etc.

Strive to create a balance.  Have a variety of shapes and colors. The idea is that the different shapes and placement of colors will cause the viewer's eyes to bounce around the canvas. 

Continue painting in these shapes until the white paper is mostly covered. These shapes will form the bottom layer of the composition. This first layer of shapes are painted next to each other, as opposed to on top of each other.





Now that the initial bottom layer is mostly covered, I start painting in smaller details on top of the shapes I already painting. This is called an additive process, or a layering process, because it involves adding layers to create the painting. This is one technique you can use to paint abstract art in acrylics.

In general, the new details I add are confined to the space of each particular shape. Thus each shape winds up being truly unique from all the other shapes.

I primarily paint circles, half-circles, dots, swirls, curls, raindrops, triangles, and lines. 


The process of adding more layers of detail continues. As more details are added, they become smaller because I start placing details on top of details.

As mentioned earlier, the colors are chosen to create a sense of movement. I want the colors to pop off the canvas.

The repetitive designs start to form funky, sometimes intricate patterns. Creating a pattern is one element you can use to make an abstract work of art.

When I add details, I add them one color at a time. For instance, I'll add all the white details over the entire canvas, then I'll add all the red ones, and so on. This means I only have to squeeze out one color at a time. Because acrylics dry quickly, I try not to have more on my palette than I'll actually use!


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