Hi,

I want to do a multi-channel recording with Nuendo Live and I have a Yamaha cl mixer. I understand that the activation code for Nuendo software comes with every mixer cl but I do not have this code because I can not find the documents and certificates that came with the mixer. My question is - how can I get the activation code for the Nuendo software based on having a Yamaha cl mixer?

Thanks to all the helpers

Please, how do I get the activation code for Nuendo Live 2? I have Nuendo Live 1 working on my Laptop and just downloaded and installed Nuendo live 2. My Nuendo Live 1 work with the dongle but the Nuendo Live 2 is asking for an activation code. Please, where do I get the activation code?


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Thank you for your interest in Nuendo Live 2! You can purchase an update to version 2 here: Nuendo Live: Live Recording Software | Steinberg

The update order comes with all information and codes needed.

An if (...) statement checks if the value inside the parentheses is true (ish). If it is, then it executes the code inside the following block (the stuff inside the curly brackets { ... }.

The && means logical AND.

So this code says - if m0 is 176 and m1 is 18 and m2 is 0, then do the stuff inside the {...} which here is to nudge left.

ELSE (if the above was not true)

check for a different condition...

if m0 is 176 and m1 is 18 and m2 is 127, then do the stuff inside the {...} which here is to nudge right.

Okay so what you're running into now, is that there are different types of MIDI knobs (often also called Pots or VPots, for virtual potentiometer, or rotary encoder).

They can be either relative or absolute. The relative kind are those that can spin endlessly in any direction, there are no start/stop position. The absolute kind are those that can go all the way to the left to a certain point, and then go all the way to the right, until a certain point.

Absolute rotary encoders typically send out CC messages with an absolute value ranging from 0 to 127 depending on where on the circle you are.

Relative rotary encoders typically send out CC messages with a relative value indicating how far you moved left or right in a given time frame (ie. how fast you were moving minus or plus). This can be encoded in different ways depending on the MIDI controller, but often 64 is the center, and values below 64 indicate a left turn whereas values above indicate a right turn.

For the thing we're building a relative rotary encoder makes most sense, since what we want is to move something relatively in Cubase/Nuendo. We shouldn't be limited when getting all the way down to 0 and then be unable to move any further (your clip could be anywhere on the timeline, our script has no knowledge of the clips absolute position, we only care about the relative one).

To make things even more complex, some MIDI controllers can make their own mapping of relative to absolute data, meaning relative (endless) rotary encoders can spit out absolute data. If the MIDI controller does that, it's hard to use in SF.

It sounds like what you're trying to do in this latest attempt is to use a MIDI controller that sends absolute values. This will give you the exact problem you're describing.

The solution is to use an endless (virtual) relative rotary encoder that spits out delta values (and then change the numbers in the script to match the input you're receiving).

Please note you can quote scripts inside your comments here, then it's easier to copy/paste. You'll need to make a line in your editor with 3 backticks: ``` before and another line like that after your code.

If you paste it in like that I'll edit it for you.

I'm at a bit of a crossroads. I've been working in sound design and audio post for ads and film for a few years and it was basically a mix of Reaper and Ableton. Obviously Ableton was more for sound designy stuff to be implemented with Reaper later on because it doesn't have a timecode timeline, no frames etc etc. be457b7860

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